1910 Résultats
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"Margaret Kilgallen: that’s where the beauty is". is published on the occasion of Kilgallen’s first posthumous museum exhibition, and the largest presentation of her work in more than a decade. Using the artist’s exhibition history as a chronological tool, "that’s where the beauty is". examines Kilgallen’s roots in histories of printmaking, American and non-Western folk(...)
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"Margaret Kilgallen: that’s where the beauty is". is published on the occasion of Kilgallen’s first posthumous museum exhibition, and the largest presentation of her work in more than a decade. Using the artist’s exhibition history as a chronological tool, "that’s where the beauty is". examines Kilgallen’s roots in histories of printmaking, American and non-Western folk(...)
Publication:
décembre 2019
décembre 2019
Titre:
Margaret Kilgallen: that's where the beauty is
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"Margaret Kilgallen: that’s where the beauty is". is published on the occasion of Kilgallen’s first posthumous museum exhibition, and the largest presentation of her work in more than a decade. Using the artist’s exhibition history as a chronological tool, "that’s where the beauty is". examines Kilgallen’s roots in histories of printmaking, American and non-Western folk history and folklore, and feminist strategies of representation, expanding the narrative around her work beyond her association with the Bay Area Mission School and the "Beautiful Losers" artists. Kilgallen’s graphic, schematic style came from a deep engagement with the handmade in wildly divergent forms—from folk art to letterpress printing to freight train graffiti, among many other sources. “I like things that are handmade and I like to see people's hand in the world anywhere in the world,” she said, embracing the idiosyncrasies and imperfections that come from hand craft. “I think that’s where the beauty is.” Kilgallen’s work, in form and content, celebrates the handmade, making heroes and heroines of those who live and work in the margins and challenging traditional gender roles, hierarchies and mainstream culture.
Margaret Kilgallen: that's where the beauty is
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"Margaret Kilgallen: that’s where the beauty is". is published on the occasion of Kilgallen’s first posthumous museum exhibition, and the largest presentation of her work in more than a decade. Using the artist’s exhibition history as a chronological tool, "that’s where the beauty is". examines Kilgallen’s roots in histories of printmaking, American and non-Western folk history and folklore, and feminist strategies of representation, expanding the narrative around her work beyond her association with the Bay Area Mission School and the "Beautiful Losers" artists. Kilgallen’s graphic, schematic style came from a deep engagement with the handmade in wildly divergent forms—from folk art to letterpress printing to freight train graffiti, among many other sources. “I like things that are handmade and I like to see people's hand in the world anywhere in the world,” she said, embracing the idiosyncrasies and imperfections that come from hand craft. “I think that’s where the beauty is.” Kilgallen’s work, in form and content, celebrates the handmade, making heroes and heroines of those who live and work in the margins and challenging traditional gender roles, hierarchies and mainstream culture.
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livres
livres
Publication:
décembre 2019
décembre 2019
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livres
livres
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Radical American artist, educator and Catholic nun, Corita Kent’s (1918–86) provocative and elaborate serigraphy has entranced audiences for over four decades. Originally completed in 1968, Kent’s “International Signal Code Alphabet” encompasses a series of 26 kaleidoscopic serigraphs integrating scripture, typography, image, icon and the maritime flags of the(...)
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Radical American artist, educator and Catholic nun, Corita Kent’s (1918–86) provocative and elaborate serigraphy has entranced audiences for over four decades. Originally completed in 1968, Kent’s “International Signal Code Alphabet” encompasses a series of 26 kaleidoscopic serigraphs integrating scripture, typography, image, icon and the maritime flags of the(...)
Titre:
Corita Kent: international signal code alphabet
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Radical American artist, educator and Catholic nun, Corita Kent’s (1918–86) provocative and elaborate serigraphy has entranced audiences for over four decades. Originally completed in 1968, Kent’s “International Signal Code Alphabet” encompasses a series of 26 kaleidoscopic serigraphs integrating scripture, typography, image, icon and the maritime flags of the International Code of Signals. As 2018 marks the 50th anniversary of both the series’ completion and the centennial of Kent’s birth, this celebratory publication, produced in collaboration with the Corita Art Center, reproduces for the first time the “International Signal Code Alphabet” in this handsome and eye-grabbing yellow clothbound volume. An informative introduction written by Corita Art Center Director, Ray Smith, and a foreword authored by artist and curator Aaron Rose accompany the serigraphs.
Corita Kent: international signal code alphabet
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Radical American artist, educator and Catholic nun, Corita Kent’s (1918–86) provocative and elaborate serigraphy has entranced audiences for over four decades. Originally completed in 1968, Kent’s “International Signal Code Alphabet” encompasses a series of 26 kaleidoscopic serigraphs integrating scripture, typography, image, icon and the maritime flags of the International Code of Signals. As 2018 marks the 50th anniversary of both the series’ completion and the centennial of Kent’s birth, this celebratory publication, produced in collaboration with the Corita Art Center, reproduces for the first time the “International Signal Code Alphabet” in this handsome and eye-grabbing yellow clothbound volume. An informative introduction written by Corita Art Center Director, Ray Smith, and a foreword authored by artist and curator Aaron Rose accompany the serigraphs.
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livres
livres
Publication:
mars 2019
mars 2019
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livres
livres
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New York–based artist Matthew Brannon (born 1971) has spent the past five years exhaustively researching the Vietnam/American War, seeking his own understanding of one of the most pivotal confrontations of the 20th century and translating that research into intricate silkscreen works that collage military documents, maps, logos, memoranda and contemporaneous ephemera.(...)
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New York–based artist Matthew Brannon (born 1971) has spent the past five years exhaustively researching the Vietnam/American War, seeking his own understanding of one of the most pivotal confrontations of the 20th century and translating that research into intricate silkscreen works that collage military documents, maps, logos, memoranda and contemporaneous ephemera.(...)
Titre:
Matthew Brannon: Concerning Vietnam
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New York–based artist Matthew Brannon (born 1971) has spent the past five years exhaustively researching the Vietnam/American War, seeking his own understanding of one of the most pivotal confrontations of the 20th century and translating that research into intricate silkscreen works that collage military documents, maps, logos, memoranda and contemporaneous ephemera. "Concerning Vietnam" distills a picture of the war and its ongoing effects in vivid, densely packed images that employ the bold graphic design for which the artist is known. Alongside these works are Brannon’s notes on the objects and situations they depict, constructing a detailed chronology of the war and a complex overview of the consequences of US intervention in Southeast Asia.
Matthew Brannon: Concerning Vietnam
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New York–based artist Matthew Brannon (born 1971) has spent the past five years exhaustively researching the Vietnam/American War, seeking his own understanding of one of the most pivotal confrontations of the 20th century and translating that research into intricate silkscreen works that collage military documents, maps, logos, memoranda and contemporaneous ephemera. "Concerning Vietnam" distills a picture of the war and its ongoing effects in vivid, densely packed images that employ the bold graphic design for which the artist is known. Alongside these works are Brannon’s notes on the objects and situations they depict, constructing a detailed chronology of the war and a complex overview of the consequences of US intervention in Southeast Asia.
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livres
livres
Publication:
août 2019
août 2019
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livres
livres
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In "From the Archives of Peter Merlin, Aviation Archaeologist", multidisciplinary artist Trevor Paglen (born 1974) collaborates with Peter Merlin, a former NASA archivist, on this new artist’s book featuring a photographic inventory of objects from the aerospace historian’s archive of research culled from military bases such as Area 51. Featuring images of challenge(...)
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In "From the Archives of Peter Merlin, Aviation Archaeologist", multidisciplinary artist Trevor Paglen (born 1974) collaborates with Peter Merlin, a former NASA archivist, on this new artist’s book featuring a photographic inventory of objects from the aerospace historian’s archive of research culled from military bases such as Area 51. Featuring images of challenge(...)
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Trevor Paglen: From the archives of Peter Merlin, aviation archaeologist
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In "From the Archives of Peter Merlin, Aviation Archaeologist", multidisciplinary artist Trevor Paglen (born 1974) collaborates with Peter Merlin, a former NASA archivist, on this new artist’s book featuring a photographic inventory of objects from the aerospace historian’s archive of research culled from military bases such as Area 51. Featuring images of challenge coins, patches and commemorative mugs from within these bases, as well as debris recovered from the surrounding crash sites, the book presents both a social and technological investigation into the US government’s secret aviation history from the atomic age to today's drone wreckage.
Trevor Paglen: From the archives of Peter Merlin, aviation archaeologist
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In "From the Archives of Peter Merlin, Aviation Archaeologist", multidisciplinary artist Trevor Paglen (born 1974) collaborates with Peter Merlin, a former NASA archivist, on this new artist’s book featuring a photographic inventory of objects from the aerospace historian’s archive of research culled from military bases such as Area 51. Featuring images of challenge coins, patches and commemorative mugs from within these bases, as well as debris recovered from the surrounding crash sites, the book presents both a social and technological investigation into the US government’s secret aviation history from the atomic age to today's drone wreckage.
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livres
livres
Publication:
mai 2019
mai 2019
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livres
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$55.00
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At first glance, there may appear to be more to separate Michelangelo (1475–1564) and Bill Viola (born 1951) than to unite them: one, the great master of the Italian Renaissance; the other, the creator of state-of-the-art immersive sound and video installations. And yet, when Martin Clayton showed the Queen’s unsurpassed collection of Michelangelo drawings to Viola at(...)
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At first glance, there may appear to be more to separate Michelangelo (1475–1564) and Bill Viola (born 1951) than to unite them: one, the great master of the Italian Renaissance; the other, the creator of state-of-the-art immersive sound and video installations. And yet, when Martin Clayton showed the Queen’s unsurpassed collection of Michelangelo drawings to Viola at(...)
Titre:
Bill Viola / Michelangelo: life, death, rebirth
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At first glance, there may appear to be more to separate Michelangelo (1475–1564) and Bill Viola (born 1951) than to unite them: one, the great master of the Italian Renaissance; the other, the creator of state-of-the-art immersive sound and video installations. And yet, when Martin Clayton showed the Queen’s unsurpassed collection of Michelangelo drawings to Viola at Windsor in 2006, parallels began to emerge. This book presents a new perspective on both artists’ works.
Bill Viola / Michelangelo: life, death, rebirth
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Résumé:
At first glance, there may appear to be more to separate Michelangelo (1475–1564) and Bill Viola (born 1951) than to unite them: one, the great master of the Italian Renaissance; the other, the creator of state-of-the-art immersive sound and video installations. And yet, when Martin Clayton showed the Queen’s unsurpassed collection of Michelangelo drawings to Viola at Windsor in 2006, parallels began to emerge. This book presents a new perspective on both artists’ works.
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livres
livres
Publication:
mars 2019
mars 2019
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livres
livres
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$41.95
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The tenth volume in Irene Kopelman’s ‘Notes on Representation’ series charts the artist’s investigations through drawing, writing, and photographing during several trips to Argentina, where she joined groups of scientists on different research expeditions to observe their methodologies and various organisms and environments. She worked in Pampa de Achala with biologists(...)
$41.95
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Résumé:
The tenth volume in Irene Kopelman’s ‘Notes on Representation’ series charts the artist’s investigations through drawing, writing, and photographing during several trips to Argentina, where she joined groups of scientists on different research expeditions to observe their methodologies and various organisms and environments. She worked in Pampa de Achala with biologists(...)
Titre:
Irene Kopelman: Cardinal points
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The tenth volume in Irene Kopelman’s ‘Notes on Representation’ series charts the artist’s investigations through drawing, writing, and photographing during several trips to Argentina, where she joined groups of scientists on different research expeditions to observe their methodologies and various organisms and environments. She worked in Pampa de Achala with biologists dealing with invasive terrestrial species and studies of litter, with a team of ecologists investigating floral ecology in the Argentine Littoral, with a group studying invasions of marine organisms at a lab in Patagonia, and with geologists and palaeontologists working in the Ischigualasto Provincial Park and Jáchal.
Irene Kopelman: Cardinal points
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The tenth volume in Irene Kopelman’s ‘Notes on Representation’ series charts the artist’s investigations through drawing, writing, and photographing during several trips to Argentina, where she joined groups of scientists on different research expeditions to observe their methodologies and various organisms and environments. She worked in Pampa de Achala with biologists dealing with invasive terrestrial species and studies of litter, with a team of ecologists investigating floral ecology in the Argentine Littoral, with a group studying invasions of marine organisms at a lab in Patagonia, and with geologists and palaeontologists working in the Ischigualasto Provincial Park and Jáchal.
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livres
livres
Publication:
mars 2019
mars 2019
Classification:
livres
livres
Titre:
Batie Suter: Cloud Service
Batie Suter: Cloud Service
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$32.00
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As with Batia Suter's previous projects, ''Cloud Service'' is primarily interested in the visual dialogue that emerges with the simple act of placing images in new relations to one another. Drawing from her vast personal library of natural history reference books, encyclopaedias, and other flea market finds, Suter assembles a mix of 'non-art' images, adapted and(...)
$32.00
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As with Batia Suter's previous projects, ''Cloud Service'' is primarily interested in the visual dialogue that emerges with the simple act of placing images in new relations to one another. Drawing from her vast personal library of natural history reference books, encyclopaedias, and other flea market finds, Suter assembles a mix of 'non-art' images, adapted and(...)
Titre:
Batie Suter: Cloud Service
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As with Batia Suter's previous projects, ''Cloud Service'' is primarily interested in the visual dialogue that emerges with the simple act of placing images in new relations to one another. Drawing from her vast personal library of natural history reference books, encyclopaedias, and other flea market finds, Suter assembles a mix of 'non-art' images, adapted and reoriented in intuitive and often profound ways. The set of appropriated images comprising this book is a monographic index of clouds and cloud-suggestive forms. Placed in the right sequence, these images resonate in new and complex ways, manipulate each other, and take on new depths of meaning with a sort of synaptic leap.
Batie Suter: Cloud Service
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Résumé:
As with Batia Suter's previous projects, ''Cloud Service'' is primarily interested in the visual dialogue that emerges with the simple act of placing images in new relations to one another. Drawing from her vast personal library of natural history reference books, encyclopaedias, and other flea market finds, Suter assembles a mix of 'non-art' images, adapted and reoriented in intuitive and often profound ways. The set of appropriated images comprising this book is a monographic index of clouds and cloud-suggestive forms. Placed in the right sequence, these images resonate in new and complex ways, manipulate each other, and take on new depths of meaning with a sort of synaptic leap.
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livres
livres
Publication:
mars 2019
mars 2019
Classification:
livres
livres
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$60.00
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Résumé:
'Michael Heizer: The Once and Future Monuments' spans the breadth of Heizer’s career, uniquely combining fieldwork, personal narrative, and biographical research.
$60.00
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'Michael Heizer: The Once and Future Monuments' spans the breadth of Heizer’s career, uniquely combining fieldwork, personal narrative, and biographical research.
Titre:
Michael Heizer: the once and future monuments
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'Michael Heizer: The Once and Future Monuments' spans the breadth of Heizer’s career, uniquely combining fieldwork, personal narrative, and biographical research.
Michael Heizer: the once and future monuments
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'Michael Heizer: The Once and Future Monuments' spans the breadth of Heizer’s career, uniquely combining fieldwork, personal narrative, and biographical research.
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livres
livres
Publication:
septembre 2019
septembre 2019
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livres
livres
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$59.95
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Résumé:
Do things have an order? This question is the starting point for Nathalie Du Pasquier’s exploration. All around lies a domestic and postmodern landscape of columns and bases, but also of objects of everyday use such as a packet of pasta or a can of beer. The French artist tries to seal off objects in simple or elaborate boxes, but they live a life of their own and run(...)
$59.95
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Résumé:
Do things have an order? This question is the starting point for Nathalie Du Pasquier’s exploration. All around lies a domestic and postmodern landscape of columns and bases, but also of objects of everyday use such as a packet of pasta or a can of beer. The French artist tries to seal off objects in simple or elaborate boxes, but they live a life of their own and run(...)
Titre:
Nathalie du Pasquier: the strange order of things
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Résumé:
Do things have an order? This question is the starting point for Nathalie Du Pasquier’s exploration. All around lies a domestic and postmodern landscape of columns and bases, but also of objects of everyday use such as a packet of pasta or a can of beer. The French artist tries to seal off objects in simple or elaborate boxes, but they live a life of their own and run wild. There might be relationships between the objects, invisible symmetries, although ultimately even this is called into doubt...
Nathalie du Pasquier: the strange order of things
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$59.95
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Résumé:
Do things have an order? This question is the starting point for Nathalie Du Pasquier’s exploration. All around lies a domestic and postmodern landscape of columns and bases, but also of objects of everyday use such as a packet of pasta or a can of beer. The French artist tries to seal off objects in simple or elaborate boxes, but they live a life of their own and run wild. There might be relationships between the objects, invisible symmetries, although ultimately even this is called into doubt...
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livres
livres
Publication:
mars 2019
mars 2019
Classification:
livres
livres
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$45.00
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Résumé:
In collaboration with Sigur Rós musician Jónsi, Icelandic-Danish artist Olafur Eliasson conceived a complex installation for his site-specific exhibition at the Marciano Art Foundation. Using projected light and the existing architecture of the museum, he created a dynamic shadow play referencing both Los Angeles' history of filmmaking and the gallery's former function as a theater.
$45.00
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Résumé:
In collaboration with Sigur Rós musician Jónsi, Icelandic-Danish artist Olafur Eliasson conceived a complex installation for his site-specific exhibition at the Marciano Art Foundation. Using projected light and the existing architecture of the museum, he created a dynamic shadow play referencing both Los Angeles' history of filmmaking and the gallery's former function as a theater.
Titre:
Olafur Eliasson: reality projector
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$45.00
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Résumé:
In collaboration with Sigur Rós musician Jónsi, Icelandic-Danish artist Olafur Eliasson conceived a complex installation for his site-specific exhibition at the Marciano Art Foundation. Using projected light and the existing architecture of the museum, he created a dynamic shadow play referencing both Los Angeles' history of filmmaking and the gallery's former function as a theater.
Olafur Eliasson: reality projector
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$45.00
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Résumé:
In collaboration with Sigur Rós musician Jónsi, Icelandic-Danish artist Olafur Eliasson conceived a complex installation for his site-specific exhibition at the Marciano Art Foundation. Using projected light and the existing architecture of the museum, he created a dynamic shadow play referencing both Los Angeles' history of filmmaking and the gallery's former function as a theater.
Classification:
livres
livres
Publication:
avril 2019
avril 2019
