1910 Résultats
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Looking at a considerable range of works spanning the entire career of Sol LeWitt (1928–2007) from seven of his famous ''Wall Drawings'' to sculptures such as ''Complex Form'' and ''Inverted Spiraling Tower'', and including the photo-series ''Autobiography'', this book explores the deeply intertwined relationship between LeWitt's work and architecture. Featuring a(...)
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Looking at a considerable range of works spanning the entire career of Sol LeWitt (1928–2007) from seven of his famous ''Wall Drawings'' to sculptures such as ''Complex Form'' and ''Inverted Spiraling Tower'', and including the photo-series ''Autobiography'', this book explores the deeply intertwined relationship between LeWitt's work and architecture. Featuring a(...)
Publication:
juin 2018
juin 2018
Titre:
Sol LeWitt: between the lines
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Looking at a considerable range of works spanning the entire career of Sol LeWitt (1928–2007) from seven of his famous ''Wall Drawings'' to sculptures such as ''Complex Form'' and ''Inverted Spiraling Tower'', and including the photo-series ''Autobiography'', this book explores the deeply intertwined relationship between LeWitt's work and architecture. Featuring a collaboration by the architect Rem Koolhaas- as a curator, for the first time ever- in dialogue with the curator Francesco Stocchi, ''Between the Lines'' addresses broad aspects of LeWitt's oeuvre, with the aim of moving beyond the divisions that traditionally separate architecture from art history (the flouting of which characterizes the artist's entire body of work). In particular, this book reformulates the still-popular assumption that an artwork must adapt to the architecture.
Sol LeWitt: between the lines
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Looking at a considerable range of works spanning the entire career of Sol LeWitt (1928–2007) from seven of his famous ''Wall Drawings'' to sculptures such as ''Complex Form'' and ''Inverted Spiraling Tower'', and including the photo-series ''Autobiography'', this book explores the deeply intertwined relationship between LeWitt's work and architecture. Featuring a collaboration by the architect Rem Koolhaas- as a curator, for the first time ever- in dialogue with the curator Francesco Stocchi, ''Between the Lines'' addresses broad aspects of LeWitt's oeuvre, with the aim of moving beyond the divisions that traditionally separate architecture from art history (the flouting of which characterizes the artist's entire body of work). In particular, this book reformulates the still-popular assumption that an artwork must adapt to the architecture.
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livres
livres
Publication:
juin 2018
juin 2018
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This publication unfolds along the lines of Bridget Riley's (born 1931) 2018 exhibition at David Zwirner, London. Beginning with an exploration of black-and-white equilateral triangles, Riley leads the viewer into an awareness of the ways in which a surface- wall or canvas- can affect a seemingly simple form: the triangle. While demonstrating these subtle changes, she(...)
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This publication unfolds along the lines of Bridget Riley's (born 1931) 2018 exhibition at David Zwirner, London. Beginning with an exploration of black-and-white equilateral triangles, Riley leads the viewer into an awareness of the ways in which a surface- wall or canvas- can affect a seemingly simple form: the triangle. While demonstrating these subtle changes, she(...)
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Bridget Riley: recent paintings 2014–2017
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This publication unfolds along the lines of Bridget Riley's (born 1931) 2018 exhibition at David Zwirner, London. Beginning with an exploration of black-and-white equilateral triangles, Riley leads the viewer into an awareness of the ways in which a surface- wall or canvas- can affect a seemingly simple form: the triangle. While demonstrating these subtle changes, she manipulates this form by bending its sides. Riley is revisiting and developing works which she initiated over 50 years ago, as is shown here by the inclusion of ''Black to White Discs'' (1962/1965). This diamond formation of discs, which graduates in tone from white to black and back again, offers a lead-in to her new body of work.
Bridget Riley: recent paintings 2014–2017
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This publication unfolds along the lines of Bridget Riley's (born 1931) 2018 exhibition at David Zwirner, London. Beginning with an exploration of black-and-white equilateral triangles, Riley leads the viewer into an awareness of the ways in which a surface- wall or canvas- can affect a seemingly simple form: the triangle. While demonstrating these subtle changes, she manipulates this form by bending its sides. Riley is revisiting and developing works which she initiated over 50 years ago, as is shown here by the inclusion of ''Black to White Discs'' (1962/1965). This diamond formation of discs, which graduates in tone from white to black and back again, offers a lead-in to her new body of work.
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livres
livres
Publication:
novembre 2018
novembre 2018
Classification:
livres
livres
Titre:
Ryoji Ikeda : continuum
Ryoji Ikeda : continuum
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Présentation d'une double installation basée sur deux espaces adjacents, articulant un parcours immersif visuel et sonore. Le visiteur pénètre dans une pièce plongée dans l’obscurité, où flotte une seule immense image, datascape abstrait, où se cristallise un vertige d’événements visuels et sonores impalpables. À travers cette oeuvre, l’artiste rend perceptible un(...)
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Présentation d'une double installation basée sur deux espaces adjacents, articulant un parcours immersif visuel et sonore. Le visiteur pénètre dans une pièce plongée dans l’obscurité, où flotte une seule immense image, datascape abstrait, où se cristallise un vertige d’événements visuels et sonores impalpables. À travers cette oeuvre, l’artiste rend perceptible un(...)
Titre:
Ryoji Ikeda : continuum
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Présentation d'une double installation basée sur deux espaces adjacents, articulant un parcours immersif visuel et sonore. Le visiteur pénètre dans une pièce plongée dans l’obscurité, où flotte une seule immense image, datascape abstrait, où se cristallise un vertige d’événements visuels et sonores impalpables. À travers cette oeuvre, l’artiste rend perceptible un au-delà dimensionnel issu d’un champ de forces : l’espace numérique et le brassage illimité et multidirectionnel de l’information qui s’y livre en continu et interroge la place de l’homme (le spectateur) au regard de l’échelle micro- et macroscopique. Ryoji Ikeda transpose cette réalité immatérielle en une esthétique qu’il qualifie de « mathématique », tout à la fois électrisante et onirique.
Ryoji Ikeda : continuum
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Présentation d'une double installation basée sur deux espaces adjacents, articulant un parcours immersif visuel et sonore. Le visiteur pénètre dans une pièce plongée dans l’obscurité, où flotte une seule immense image, datascape abstrait, où se cristallise un vertige d’événements visuels et sonores impalpables. À travers cette oeuvre, l’artiste rend perceptible un au-delà dimensionnel issu d’un champ de forces : l’espace numérique et le brassage illimité et multidirectionnel de l’information qui s’y livre en continu et interroge la place de l’homme (le spectateur) au regard de l’échelle micro- et macroscopique. Ryoji Ikeda transpose cette réalité immatérielle en une esthétique qu’il qualifie de « mathématique », tout à la fois électrisante et onirique.
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livres
livres
Publication:
juillet 2018
juillet 2018
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Publié pour la première fois en 1994 et régulièrement réédité et enrichi depuis, «Des histoires vraies» revient cette année pour la sixième fois augmenté de six récits inédits. Sophie Calle continue à nous raconter ses histoires, dans un langage précis et sobre, avec le souci du mot juste. Tantôt légères et drôles, tantôt sérieuses, dramatiques ou cruelles, ces histoires(...)
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Publié pour la première fois en 1994 et régulièrement réédité et enrichi depuis, «Des histoires vraies» revient cette année pour la sixième fois augmenté de six récits inédits. Sophie Calle continue à nous raconter ses histoires, dans un langage précis et sobre, avec le souci du mot juste. Tantôt légères et drôles, tantôt sérieuses, dramatiques ou cruelles, ces histoires(...)
Titre:
Sophie Calles : des histoires vraies, 6e éd.
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Publié pour la première fois en 1994 et régulièrement réédité et enrichi depuis, «Des histoires vraies» revient cette année pour la sixième fois augmenté de six récits inédits. Sophie Calle continue à nous raconter ses histoires, dans un langage précis et sobre, avec le souci du mot juste. Tantôt légères et drôles, tantôt sérieuses, dramatiques ou cruelles, ces histoires vraies, toutes accompagnées d'une image, livrent dans un work in progress les fragments d'une vie.
Sophie Calles : des histoires vraies, 6e éd.
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Publié pour la première fois en 1994 et régulièrement réédité et enrichi depuis, «Des histoires vraies» revient cette année pour la sixième fois augmenté de six récits inédits. Sophie Calle continue à nous raconter ses histoires, dans un langage précis et sobre, avec le souci du mot juste. Tantôt légères et drôles, tantôt sérieuses, dramatiques ou cruelles, ces histoires vraies, toutes accompagnées d'une image, livrent dans un work in progress les fragments d'une vie.
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livres
livres
Publication:
janvier 2018
janvier 2018
Classification:
livres
livres
Titre:
Anja Lutz: Marginalia
Anja Lutz: Marginalia
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'Marginalia' draws our attention towards the territory of the overseen elements coexisting in the realm of the book itself. Text and image content of several art books designed by Anja Lutz withdraw to let appear the non-descript details: the margins, the edges, the backgrounds, the spaces between the lines … Each book is unique in its choice of format, material, layout,(...)
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'Marginalia' draws our attention towards the territory of the overseen elements coexisting in the realm of the book itself. Text and image content of several art books designed by Anja Lutz withdraw to let appear the non-descript details: the margins, the edges, the backgrounds, the spaces between the lines … Each book is unique in its choice of format, material, layout,(...)
Titre:
Anja Lutz: Marginalia
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'Marginalia' draws our attention towards the territory of the overseen elements coexisting in the realm of the book itself. Text and image content of several art books designed by Anja Lutz withdraw to let appear the non-descript details: the margins, the edges, the backgrounds, the spaces between the lines … Each book is unique in its choice of format, material, layout, and rhythm. The selected pages underwent a process of transformation in which with surgical precision Lutz dissects them, layer by layer, removing the vital parts and revealing their skeleton. The results are filigrane grids, fragments of images and traces of the layout that form intricately layered compositions of voids, exposing the hidden relations between the pages.
Anja Lutz: Marginalia
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'Marginalia' draws our attention towards the territory of the overseen elements coexisting in the realm of the book itself. Text and image content of several art books designed by Anja Lutz withdraw to let appear the non-descript details: the margins, the edges, the backgrounds, the spaces between the lines … Each book is unique in its choice of format, material, layout, and rhythm. The selected pages underwent a process of transformation in which with surgical precision Lutz dissects them, layer by layer, removing the vital parts and revealing their skeleton. The results are filigrane grids, fragments of images and traces of the layout that form intricately layered compositions of voids, exposing the hidden relations between the pages.
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livres
livres
Publication:
septembre 2017
septembre 2017
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Museums' attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. New York based artist Mark Dion (b. 1961), renowned for his work exploring taxonomy, archaeology, and ecology, documents his opportunistic encounters with the Museum of Manchesters neglected drawers and overlooked recesses that(...)
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Museums' attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. New York based artist Mark Dion (b. 1961), renowned for his work exploring taxonomy, archaeology, and ecology, documents his opportunistic encounters with the Museum of Manchesters neglected drawers and overlooked recesses that(...)
Titre:
Bureau of the centre for the study of surrealism and its legacy
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Museums' attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. New York based artist Mark Dion (b. 1961), renowned for his work exploring taxonomy, archaeology, and ecology, documents his opportunistic encounters with the Museum of Manchesters neglected drawers and overlooked recesses that are home to redundant labels, orphaned mounts, defunct teaching models, botanical freaks, egyptian fakes, and the minutiae that have fallen through the cracks of museum practice. Finally back in print, ''Bureau of the Centre for the Study of Surrealism and Its Legacy'', Dion's project and book are a repository for the detritus of museum life and a work in process, classifying the museums unclassifiable while exploring the bureaucratic workings of the institution.
Bureau of the centre for the study of surrealism and its legacy
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Museums' attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. New York based artist Mark Dion (b. 1961), renowned for his work exploring taxonomy, archaeology, and ecology, documents his opportunistic encounters with the Museum of Manchesters neglected drawers and overlooked recesses that are home to redundant labels, orphaned mounts, defunct teaching models, botanical freaks, egyptian fakes, and the minutiae that have fallen through the cracks of museum practice. Finally back in print, ''Bureau of the Centre for the Study of Surrealism and Its Legacy'', Dion's project and book are a repository for the detritus of museum life and a work in process, classifying the museums unclassifiable while exploring the bureaucratic workings of the institution.
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livres
livres
Publication:
mars 2018
mars 2018
Classification:
livres
livres
Titre:
The Bungalow
The Bungalow
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This artist's book by New York-based Dutch artist Anouk Kruithof transforms selections from collector Brad Feuerhelm's vernacular photo collection into five dramatic, mysterious and erotic visual narratives that Kruithof calls image-stories. To accomplish this the artist isolated herself in a bungalow for an extended period of time with digitized versions of the(...)
$70.00
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This artist's book by New York-based Dutch artist Anouk Kruithof transforms selections from collector Brad Feuerhelm's vernacular photo collection into five dramatic, mysterious and erotic visual narratives that Kruithof calls image-stories. To accomplish this the artist isolated herself in a bungalow for an extended period of time with digitized versions of the(...)
Titre:
The Bungalow
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This artist's book by New York-based Dutch artist Anouk Kruithof transforms selections from collector Brad Feuerhelm's vernacular photo collection into five dramatic, mysterious and erotic visual narratives that Kruithof calls image-stories. To accomplish this the artist isolated herself in a bungalow for an extended period of time with digitized versions of the photographs and played with their organization and layering on the computer screen. The resulting alterations and collages saved as screen-shots comprise her experiments with making sense of this voluminous archive. Interspersed between the stories are excerpts from the email correspondence between artist and collector. Kruithof's work has most recently been shown at the Stedelijk, Amersterdam, and is the recipient of the 2014 Charlotte Kohler Prize and ICP Infinity Award, New York. Feuerhelm is a London-based American collector and dealer in vernacular photography. Brief essays on the project by Kruithof and Feuerhelm bookend the image-stories.
The Bungalow
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This artist's book by New York-based Dutch artist Anouk Kruithof transforms selections from collector Brad Feuerhelm's vernacular photo collection into five dramatic, mysterious and erotic visual narratives that Kruithof calls image-stories. To accomplish this the artist isolated herself in a bungalow for an extended period of time with digitized versions of the photographs and played with their organization and layering on the computer screen. The resulting alterations and collages saved as screen-shots comprise her experiments with making sense of this voluminous archive. Interspersed between the stories are excerpts from the email correspondence between artist and collector. Kruithof's work has most recently been shown at the Stedelijk, Amersterdam, and is the recipient of the 2014 Charlotte Kohler Prize and ICP Infinity Award, New York. Feuerhelm is a London-based American collector and dealer in vernacular photography. Brief essays on the project by Kruithof and Feuerhelm bookend the image-stories.
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livres
livres
Publication:
février 2015
février 2015
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livres
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Never loving the static presentation of art found in the common exhibition catalog, Swiss contemporary artist Athene Galiciadis (b. 1978) chose to show her work in a way that allows the art to lead the viewer as opposed to the essay or curators leading the viewer. In ''An Acrylic Glass Pyramid and Three Pendulums Attached to a Triangle on a Table'', a timeline of the(...)
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Never loving the static presentation of art found in the common exhibition catalog, Swiss contemporary artist Athene Galiciadis (b. 1978) chose to show her work in a way that allows the art to lead the viewer as opposed to the essay or curators leading the viewer. In ''An Acrylic Glass Pyramid and Three Pendulums Attached to a Triangle on a Table'', a timeline of the(...)
Titre:
Athene Galiciadis: An acrylic glass pyramid and three pendulums attached to a triangle on
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Never loving the static presentation of art found in the common exhibition catalog, Swiss contemporary artist Athene Galiciadis (b. 1978) chose to show her work in a way that allows the art to lead the viewer as opposed to the essay or curators leading the viewer. In ''An Acrylic Glass Pyramid and Three Pendulums Attached to a Triangle on a Table'', a timeline of the artist's work and of those who inspired her have been created. Featured are works printed on graph paper of figures, spirals, patterns, vases, and a self-portrait, as well as photographic documents inspired by an early twentieth-century Swiss artist, healer, and visionary, Emma Kunz, known for her geometrical drawings made on graph paper with the aid of a pendulum. Based on Kunzs precise empirical approach to producing knowledge and art, Galiciadis has created this new series of monochromatic colored pencil drawings, whose configurations of shape and pattern draw us into her perceptions and interpretation of the world.
Athene Galiciadis: An acrylic glass pyramid and three pendulums attached to a triangle on
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Never loving the static presentation of art found in the common exhibition catalog, Swiss contemporary artist Athene Galiciadis (b. 1978) chose to show her work in a way that allows the art to lead the viewer as opposed to the essay or curators leading the viewer. In ''An Acrylic Glass Pyramid and Three Pendulums Attached to a Triangle on a Table'', a timeline of the artist's work and of those who inspired her have been created. Featured are works printed on graph paper of figures, spirals, patterns, vases, and a self-portrait, as well as photographic documents inspired by an early twentieth-century Swiss artist, healer, and visionary, Emma Kunz, known for her geometrical drawings made on graph paper with the aid of a pendulum. Based on Kunzs precise empirical approach to producing knowledge and art, Galiciadis has created this new series of monochromatic colored pencil drawings, whose configurations of shape and pattern draw us into her perceptions and interpretation of the world.
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livres
livres
Publication:
août 2018
août 2018
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livres
livres
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$86.00
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The first book devoted solely to Bruce Nauman’s corridors and other architectural installations, Bruce Nauman: Spatial Encounters deftly explores the significance of these works in the development of his singular art practice, examining them in the context of the period and in relation to other artists like Dan Graham, Robert Morris, Paul Kos, and James Turrell.
$86.00
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The first book devoted solely to Bruce Nauman’s corridors and other architectural installations, Bruce Nauman: Spatial Encounters deftly explores the significance of these works in the development of his singular art practice, examining them in the context of the period and in relation to other artists like Dan Graham, Robert Morris, Paul Kos, and James Turrell.
Publication:
janvier 2019
janvier 2019
Titre:
Bruce Nauman: spatial encounters
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The first book devoted solely to Bruce Nauman’s corridors and other architectural installations, Bruce Nauman: Spatial Encounters deftly explores the significance of these works in the development of his singular art practice, examining them in the context of the period and in relation to other artists like Dan Graham, Robert Morris, Paul Kos, and James Turrell.
Bruce Nauman: spatial encounters
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The first book devoted solely to Bruce Nauman’s corridors and other architectural installations, Bruce Nauman: Spatial Encounters deftly explores the significance of these works in the development of his singular art practice, examining them in the context of the period and in relation to other artists like Dan Graham, Robert Morris, Paul Kos, and James Turrell.
Classification:
livres
livres
Publication:
janvier 2019
janvier 2019
Classification:
livres
livres
Titre:
Sans titre (le journal rose)
Sans titre (le journal rose)
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Le travail de Marie-Michelle Deschamps explore les problématiques du processus de signification et dissèque, déconstruit et réinvente le langage pour mieux interroger la relation entre les mots et les choses, et ce, en donnant à voir entre les lignes du texte le langage comme expérience, comme espace habitable, et comme réservoir de formes esthétiques.
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Résumé:
Le travail de Marie-Michelle Deschamps explore les problématiques du processus de signification et dissèque, déconstruit et réinvente le langage pour mieux interroger la relation entre les mots et les choses, et ce, en donnant à voir entre les lignes du texte le langage comme expérience, comme espace habitable, et comme réservoir de formes esthétiques.
Publication:
octobre 2018
octobre 2018
Titre:
Sans titre (le journal rose)
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Le travail de Marie-Michelle Deschamps explore les problématiques du processus de signification et dissèque, déconstruit et réinvente le langage pour mieux interroger la relation entre les mots et les choses, et ce, en donnant à voir entre les lignes du texte le langage comme expérience, comme espace habitable, et comme réservoir de formes esthétiques.
Sans titre (le journal rose)
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Résumé:
Le travail de Marie-Michelle Deschamps explore les problématiques du processus de signification et dissèque, déconstruit et réinvente le langage pour mieux interroger la relation entre les mots et les choses, et ce, en donnant à voir entre les lignes du texte le langage comme expérience, comme espace habitable, et comme réservoir de formes esthétiques.
Classification:
livres
livres
Publication:
octobre 2018
octobre 2018
