Luc Tuymans
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Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical(...)
octobre 2009
Luc Tuymans
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Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical preoccupations have included the dramatic turn of world events post-9/11. Tuymans combines a muted palette with deteriorated surface effect and a singular use of cropping, close-up and sequencing--perfect devices with which to undertake his investigation of the pathological, the banal and the conspiratorial. Published in conjunction with the artist's first full-scale American survey, this is without question the authoritative publication on Tuymans. It features approximately 75 key works from 1978 to the present, and is accompanied by essays analyzing the painter's main concerns, with particular attention paid to his working process and his adaptation of source materials.
Sterling Ruby
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Ruby--who was born in 1972--uses whatever media suits his ideas; projects have included sculpture, collage, installation, painting, ceramics, video and printmaking. Fusing references to Minimalism, Art Brut and graffiti with a canny grasp of contemporary and pop culture, Ruby's accumulative approach addresses the overproduction of information, neurosis and paranoia,(...)
Sterling Ruby
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Ruby--who was born in 1972--uses whatever media suits his ideas; projects have included sculpture, collage, installation, painting, ceramics, video and printmaking. Fusing references to Minimalism, Art Brut and graffiti with a canny grasp of contemporary and pop culture, Ruby's accumulative approach addresses the overproduction of information, neurosis and paranoia, conflicts between individual impulses and mechanisms of social control, urban violence, consumption, anxiety and the need for control that characterizes contemporary Western society. This is the most comprehensive reference on this rapidly emerging artist's work to date.
Trace : William Kentridge
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Kentridge's love of the printed image extends to books, and he often draws and prints on unbound pages from encyclopedias, ledgers and the like. In Trace, both a catalogue of prints from the Museum's collection and an artist's book, Kentridge uses translucent pages interspersed throughout the book to respond to his prints reproduced beneath them, in a dialogue between(...)
février 2010
Trace : William Kentridge
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Kentridge's love of the printed image extends to books, and he often draws and prints on unbound pages from encyclopedias, ledgers and the like. In Trace, both a catalogue of prints from the Museum's collection and an artist's book, Kentridge uses translucent pages interspersed throughout the book to respond to his prints reproduced beneath them, in a dialogue between past and present. The book also includes a lecture by Kentridge on printmaking, illuminating its relevance to his broader practice.
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In this Dialogue on Art and Architecture, Ellsworth Kelly (born 1923) reminisces with Hans Ulrich Obrist about his early career, his teachers (Max Beckmann, Brancusi, Léger and Vantongerloo) and particularly on the relation of his work to architecture: “architects are usually the first people who understand my work,” he tells Obrist here, while describing his many(...)
Ellsworth Kelly: thumbing through the folder
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In this Dialogue on Art and Architecture, Ellsworth Kelly (born 1923) reminisces with Hans Ulrich Obrist about his early career, his teachers (Max Beckmann, Brancusi, Léger and Vantongerloo) and particularly on the relation of his work to architecture: “architects are usually the first people who understand my work,” he tells Obrist here, while describing his many collaborations in this field. Throughout this beautiful publication runs a series of collaged and overpainted postcards by Kelly, dating from 1949 to 1984, which are reproduced here for the first time. These postcards, referred to throughout the dialogue, are unlike any of Kelly's paintings and sculptures, particularly in their use of body imagery; others are closer to familiar Kelly terrain, as projections of torn colored paper forms onto found landscapes and architecture. This artist's book makes a wonderfully unusual record of a warm encounter.
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James Turrell is currently realizing his largest installation to date in the 18-by-30-meter hall at the Kunstmuseum Wolfsburg. This work resembles the Roden Crater project, inverted and rotated 90 degrees; it thus provides a foretaste of Turrell's still incomplete epic masterpiece. This illustrated publication documents and contextualizes the genesis of this ambitious work of art.
James Turrell: the Wolfsburg project
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James Turrell is currently realizing his largest installation to date in the 18-by-30-meter hall at the Kunstmuseum Wolfsburg. This work resembles the Roden Crater project, inverted and rotated 90 degrees; it thus provides a foretaste of Turrell's still incomplete epic masterpiece. This illustrated publication documents and contextualizes the genesis of this ambitious work of art.
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This book sheds new light on the work of Henry Moore (1898–1986), recording contemporary architect Zaha Hadid's design of a display environment for the exhibition of Moore's sculptures and drawings. Hadid and Moore share a proclivity for fluid organic form, and for this project Hadid created curvaceous white linen walls and a giant horseshoe-shaped plinth. This volume(...)
Henri Moore: Ideas for sculpture, a project with Zaha Hadid
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This book sheds new light on the work of Henry Moore (1898–1986), recording contemporary architect Zaha Hadid's design of a display environment for the exhibition of Moore's sculptures and drawings. Hadid and Moore share a proclivity for fluid organic form, and for this project Hadid created curvaceous white linen walls and a giant horseshoe-shaped plinth. This volume collects the documentation of this adventurous installation, presenting reproductions of sculptures and sketches by Moore alongside Mary Moore's detailed account of their conception.
Michael Rakowitz: recent projects on Baghdad and Montreal, projets récents sur Bagdad et Montréal
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An inspiring blend of sculpture, politics and gesture, the art of Michael Rakowitz (born 1973) makes a direct engagement with the larger dilemmas of the present, with ecological solutions and civic interventions. These include projects such as paraSITE, a series of inflatable plastic homeless shelters, each of which was tailored to the occupant's needs, and which was(...)
Michael Rakowitz: recent projects on Baghdad and Montreal, projets récents sur Bagdad et Montréal
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An inspiring blend of sculpture, politics and gesture, the art of Michael Rakowitz (born 1973) makes a direct engagement with the larger dilemmas of the present, with ecological solutions and civic interventions. These include projects such as paraSITE, a series of inflatable plastic homeless shelters, each of which was tailored to the occupant's needs, and which was designed to inflate by latching on to heat-exhaust ducts on the sides of buildings. In The invisible enemy should not exist—his most famous project to date—Rakowitz faithfully replicated the objects known to be missing or looted from the Iraqi National Museum during the U.S. invasion, using the cheap paper packaging of Middle Eastern import foods. This handsome volume surveys these and other recent projects.
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Through the Forest collects over 100 works, dating from 1978 to the present, that emphasize Graham's interpolations in cultural history—in the forms of appendices, bookmarks and exhibition devices in the style of Donald Judd. This monograph also premiers Graham's first incursion into painting.
mai 2010
Rodney Graham: Through the forest
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Through the Forest collects over 100 works, dating from 1978 to the present, that emphasize Graham's interpolations in cultural history—in the forms of appendices, bookmarks and exhibition devices in the style of Donald Judd. This monograph also premiers Graham's first incursion into painting.
Jack Goldstein
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A leading protagonist of the “Pictures Generation,” Jack Goldstein has long been prized by his colleagues and a specialist audience around the world for his heroic independence of spirit, but his actual work has typically remained inaccessible and unidentifiable to the wider public until now. His oeuvre is in fact characterized by its diversity, encompassing as it does(...)
mars 2010
Jack Goldstein
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A leading protagonist of the “Pictures Generation,” Jack Goldstein has long been prized by his colleagues and a specialist audience around the world for his heroic independence of spirit, but his actual work has typically remained inaccessible and unidentifiable to the wider public until now. His oeuvre is in fact characterized by its diversity, encompassing as it does performances, films, albums, paintings, aphorisms, the critique of text and image production by direct appropriation, in the vein of his colleagues Richard Prince and Sherrie Levine. This first thorough catalogue on Goldstein contains a wide selection of illustrations, an interview with Goldstein from 1985 by Chris Dercon and essays by Klaus Görner, Chrissie Iles and Shepherd Steiner.
Schwitters in Norway
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Schwitters (1887–1948) had discovered the beauty of Norway on his first trip to Norway in 1929. In 1937, the artist followed his son Ernst into exile, and constructed his second Merzbau, the Haus am Bakken (House on the Slope), near Oslo, where he remained until the Germans moved in to occupy the country in April 1940. Schwitters in Norway is the first book to examine the(...)
Schwitters in Norway
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Schwitters (1887–1948) had discovered the beauty of Norway on his first trip to Norway in 1929. In 1937, the artist followed his son Ernst into exile, and constructed his second Merzbau, the Haus am Bakken (House on the Slope), near Oslo, where he remained until the Germans moved in to occupy the country in April 1940. Schwitters in Norway is the first book to examine the stylistically looser and more colorful collages and assemblages, with their pronounced use of natural materials such as stone, driftwood and feathers, as well as the abstract and landscape paintings, from this particularly productive period of the artist's life.