1866 Résultats
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This volume documents the New York-based, Swiss conceptual artist’s recent intervention - a planted basin, which he placed inside the reservoir of Vienna’s famous Melk seminary. The selection of plants calls up the notion of hortus conclusus or "small paradise garden". This volume includes research materials, sketches, models, installation photographs, an index of the(...)
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This volume documents the New York-based, Swiss conceptual artist’s recent intervention - a planted basin, which he placed inside the reservoir of Vienna’s famous Melk seminary. The selection of plants calls up the notion of hortus conclusus or "small paradise garden". This volume includes research materials, sketches, models, installation photographs, an index of the(...)
Publication:
mars 2008, Köln
mars 2008, Köln
Titre:
Christian Philipp Müller : the New World, a sort of locus amoenus / Melk
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This volume documents the New York-based, Swiss conceptual artist’s recent intervention - a planted basin, which he placed inside the reservoir of Vienna’s famous Melk seminary. The selection of plants calls up the notion of hortus conclusus or "small paradise garden". This volume includes research materials, sketches, models, installation photographs, an index of the plant varieties of 'The new woeld', recipes, biography, and an index auf the authors, which are Burkhard Hofer, Katharina Blass-Pratscher, Brigitte Huck, Thomas Trummer, Heike Maier-Rieper, Sonja Wunderer and Bernd Kajtna.
Christian Philipp Müller : the New World, a sort of locus amoenus / Melk
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This volume documents the New York-based, Swiss conceptual artist’s recent intervention - a planted basin, which he placed inside the reservoir of Vienna’s famous Melk seminary. The selection of plants calls up the notion of hortus conclusus or "small paradise garden". This volume includes research materials, sketches, models, installation photographs, an index of the plant varieties of 'The new woeld', recipes, biography, and an index auf the authors, which are Burkhard Hofer, Katharina Blass-Pratscher, Brigitte Huck, Thomas Trummer, Heike Maier-Rieper, Sonja Wunderer and Bernd Kajtna.
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livres
Publication:
mars 2008, Köln
mars 2008, Köln
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Monika Sosnowska. Loop
Monika Sosnowska. Loop
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Text by Will Bradley, Adam Budak, Friedemann Malsch, Jan Verwoert, Anthony Vidler. Monika Sosnowska was born in 1972 in Ryki, Poland. She studied at the Academy of Fine Arts in Poznan and the Rijksakademie in Amsterdam, and currently she lives and works in Warsaw. She represented Poland at last year's art Biennale in Venice. In her installations that echo the formal(...)
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Text by Will Bradley, Adam Budak, Friedemann Malsch, Jan Verwoert, Anthony Vidler. Monika Sosnowska was born in 1972 in Ryki, Poland. She studied at the Academy of Fine Arts in Poznan and the Rijksakademie in Amsterdam, and currently she lives and works in Warsaw. She represented Poland at last year's art Biennale in Venice. In her installations that echo the formal(...)
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Monika Sosnowska. Loop
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Text by Will Bradley, Adam Budak, Friedemann Malsch, Jan Verwoert, Anthony Vidler. Monika Sosnowska was born in 1972 in Ryki, Poland. She studied at the Academy of Fine Arts in Poznan and the Rijksakademie in Amsterdam, and currently she lives and works in Warsaw. She represented Poland at last year's art Biennale in Venice. In her installations that echo the formal language of constructivist avant-garde, minimal and conceptual tendencies of the 60s and the 70s as well as a heritage of modernist architecture, Monika Sosnowska constructs a physical and conceptual labyrinth, a post-narrative, inner world of spatiality, staged in a sequence of interventions that emphasize spaces virtualities and potentials.
Monika Sosnowska. Loop
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Text by Will Bradley, Adam Budak, Friedemann Malsch, Jan Verwoert, Anthony Vidler. Monika Sosnowska was born in 1972 in Ryki, Poland. She studied at the Academy of Fine Arts in Poznan and the Rijksakademie in Amsterdam, and currently she lives and works in Warsaw. She represented Poland at last year's art Biennale in Venice. In her installations that echo the formal language of constructivist avant-garde, minimal and conceptual tendencies of the 60s and the 70s as well as a heritage of modernist architecture, Monika Sosnowska constructs a physical and conceptual labyrinth, a post-narrative, inner world of spatiality, staged in a sequence of interventions that emphasize spaces virtualities and potentials.
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Publication:
janvier 2008
janvier 2008
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livres
Titre:
Fault on the right side
Fault on the right side
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The rising Glasgow artist Claire Barclay creates beautifully composed sculptural installations that balance chaos and control in equal but precarious measure. This volume documents her recent exhibition at the Kunstverein Braunschweig, featuring works in wood, leather, brass, mirror and fabric.
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The rising Glasgow artist Claire Barclay creates beautifully composed sculptural installations that balance chaos and control in equal but precarious measure. This volume documents her recent exhibition at the Kunstverein Braunschweig, featuring works in wood, leather, brass, mirror and fabric.
Titre:
Fault on the right side
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The rising Glasgow artist Claire Barclay creates beautifully composed sculptural installations that balance chaos and control in equal but precarious measure. This volume documents her recent exhibition at the Kunstverein Braunschweig, featuring works in wood, leather, brass, mirror and fabric.
Fault on the right side
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The rising Glasgow artist Claire Barclay creates beautifully composed sculptural installations that balance chaos and control in equal but precarious measure. This volume documents her recent exhibition at the Kunstverein Braunschweig, featuring works in wood, leather, brass, mirror and fabric.
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Publication:
janvier 2008, Cologne
janvier 2008, Cologne
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Titre:
Tom Burr. Moods
Tom Burr. Moods
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Text by Anke Kempkes. This witty exhibition catalogue collects Burrs recent installation at the Vienna Secession. Sculptural and collaged works create an assemblage that oscillates between interior architectural elements, catwalk and abstract form. The titles of the works and the objects themselves refer to personalities like Jean Cocteau and Truman Capote. "Artful Acts(...)
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Text by Anke Kempkes. This witty exhibition catalogue collects Burrs recent installation at the Vienna Secession. Sculptural and collaged works create an assemblage that oscillates between interior architectural elements, catwalk and abstract form. The titles of the works and the objects themselves refer to personalities like Jean Cocteau and Truman Capote. "Artful Acts(...)
Publication:
janvier 2008, Vienne
janvier 2008, Vienne
Titre:
Tom Burr. Moods
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Text by Anke Kempkes. This witty exhibition catalogue collects Burrs recent installation at the Vienna Secession. Sculptural and collaged works create an assemblage that oscillates between interior architectural elements, catwalk and abstract form. The titles of the works and the objects themselves refer to personalities like Jean Cocteau and Truman Capote. "Artful Acts and renderings. Aesthetic blurs and blending in Aging frown and Aging grin. And, endless idle chattering."
Tom Burr. Moods
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Text by Anke Kempkes. This witty exhibition catalogue collects Burrs recent installation at the Vienna Secession. Sculptural and collaged works create an assemblage that oscillates between interior architectural elements, catwalk and abstract form. The titles of the works and the objects themselves refer to personalities like Jean Cocteau and Truman Capote. "Artful Acts and renderings. Aesthetic blurs and blending in Aging frown and Aging grin. And, endless idle chattering."
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Publication:
janvier 2008, Vienne
janvier 2008, Vienne
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This first monograph devoted to the work of the influential and transgressive New York City painter of all things excessive, queer, abject, kitsch and twisted features selected works from 1994-2004--including drawings, paintings, collages and installations. Eisenman's work runs the gamut of visual references from Surrealism to Pointillism to WPA murals to name but a few,(...)
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This first monograph devoted to the work of the influential and transgressive New York City painter of all things excessive, queer, abject, kitsch and twisted features selected works from 1994-2004--including drawings, paintings, collages and installations. Eisenman's work runs the gamut of visual references from Surrealism to Pointillism to WPA murals to name but a few,(...)
Publication:
janvier 2008
janvier 2008
Titre:
Nicole Eisenman selected works: 1994-2004
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This first monograph devoted to the work of the influential and transgressive New York City painter of all things excessive, queer, abject, kitsch and twisted features selected works from 1994-2004--including drawings, paintings, collages and installations. Eisenman's work runs the gamut of visual references from Surrealism to Pointillism to WPA murals to name but a few, deftly moving from orgiastic crowds to Dionysian sacrifices, minotaur hunts and romps through art history and pop culture. Yet the wit and scope of Eisenman's vision often disguise the intimacy of her work. Here, cliches are turned inside out, gender roles are questioned, and one is engaged without fully realizing that the lushly painted scenes are always revealing something very personal. Features an essay by the painter Amy Sillman, a "panel discussion" between some of Eisenman's paintings by Matt Sharpe, and a biography.
Nicole Eisenman selected works: 1994-2004
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This first monograph devoted to the work of the influential and transgressive New York City painter of all things excessive, queer, abject, kitsch and twisted features selected works from 1994-2004--including drawings, paintings, collages and installations. Eisenman's work runs the gamut of visual references from Surrealism to Pointillism to WPA murals to name but a few, deftly moving from orgiastic crowds to Dionysian sacrifices, minotaur hunts and romps through art history and pop culture. Yet the wit and scope of Eisenman's vision often disguise the intimacy of her work. Here, cliches are turned inside out, gender roles are questioned, and one is engaged without fully realizing that the lushly painted scenes are always revealing something very personal. Features an essay by the painter Amy Sillman, a "panel discussion" between some of Eisenman's paintings by Matt Sharpe, and a biography.
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Publication:
janvier 2008
janvier 2008
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Volume three of Raad's series of artists' books includes recent work that focuses on the Israeli invasion of Lebanon in 1982 and on the ammunition trade during Lebanon's civil war. Raad produces performances, videos and photographs; in 1999, he founded The Atlas Group, a fictitious archive that documents the contemporary history of Lebanon.
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Volume three of Raad's series of artists' books includes recent work that focuses on the Israeli invasion of Lebanon in 1982 and on the ammunition trade during Lebanon's civil war. Raad produces performances, videos and photographs; in 1999, he founded The Atlas Group, a fictitious archive that documents the contemporary history of Lebanon.
Publication:
mars 2008, Seattle
mars 2008, Seattle
Titre:
Walid Raad: the atlas group volume 3
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Volume three of Raad's series of artists' books includes recent work that focuses on the Israeli invasion of Lebanon in 1982 and on the ammunition trade during Lebanon's civil war. Raad produces performances, videos and photographs; in 1999, he founded The Atlas Group, a fictitious archive that documents the contemporary history of Lebanon.
Walid Raad: the atlas group volume 3
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Volume three of Raad's series of artists' books includes recent work that focuses on the Israeli invasion of Lebanon in 1982 and on the ammunition trade during Lebanon's civil war. Raad produces performances, videos and photographs; in 1999, he founded The Atlas Group, a fictitious archive that documents the contemporary history of Lebanon.
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Publication:
mars 2008, Seattle
mars 2008, Seattle
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Text by Philipp Kaiser, Polly Staple, Karl Holmqvist, Interview by Helena Selder. The video works of the Swedish artist and 2007 Documenta participant Johanna Billing, born in 1973, occupy an unusual terrain between documentary and staged scientific experiment. Billing depicts the rituals of society by filming, for example, a group of young people as they reconstruct a(...)
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Text by Philipp Kaiser, Polly Staple, Karl Holmqvist, Interview by Helena Selder. The video works of the Swedish artist and 2007 Documenta participant Johanna Billing, born in 1973, occupy an unusual terrain between documentary and staged scientific experiment. Billing depicts the rituals of society by filming, for example, a group of young people as they reconstruct a(...)
Publication:
février 2008, Basel/Dundee
février 2008, Basel/Dundee
Titre:
Johanna Billing. Look behind us, a blue sky
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Text by Philipp Kaiser, Polly Staple, Karl Holmqvist, Interview by Helena Selder. The video works of the Swedish artist and 2007 Documenta participant Johanna Billing, born in 1973, occupy an unusual terrain between documentary and staged scientific experiment. Billing depicts the rituals of society by filming, for example, a group of young people as they reconstruct a long-forgotten experiment, or a group of artists singing a melancholy ballad together in a gesture of solidarity. By focusing on the dialectical interplay between the individual and the community, Billing reveals processes of social erosion--but without asserting emphatic judgment of these processes. The artists video works--among them the well-known works You Don't Love Me Yet (2003) and Magical World (2005)--have been shown in many international group exhibitions, but this publication is the first to provide a comprehensive overview of her profoundly atmospheric productions.
Johanna Billing. Look behind us, a blue sky
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Text by Philipp Kaiser, Polly Staple, Karl Holmqvist, Interview by Helena Selder. The video works of the Swedish artist and 2007 Documenta participant Johanna Billing, born in 1973, occupy an unusual terrain between documentary and staged scientific experiment. Billing depicts the rituals of society by filming, for example, a group of young people as they reconstruct a long-forgotten experiment, or a group of artists singing a melancholy ballad together in a gesture of solidarity. By focusing on the dialectical interplay between the individual and the community, Billing reveals processes of social erosion--but without asserting emphatic judgment of these processes. The artists video works--among them the well-known works You Don't Love Me Yet (2003) and Magical World (2005)--have been shown in many international group exhibitions, but this publication is the first to provide a comprehensive overview of her profoundly atmospheric productions.
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Publication:
février 2008, Basel/Dundee
février 2008, Basel/Dundee
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"Objects are itemized and memorialized. Industry is prized. Packages are shown in a states of assembly, to be mentally constructed or deconstructed and assigned larger meaning to. People can peruse the installation as one does stacks in a library or bookstore, hoping to stumble across something that will enlighten or delight. Welcome." Christine Hill
$29.00
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"Objects are itemized and memorialized. Industry is prized. Packages are shown in a states of assembly, to be mentally constructed or deconstructed and assigned larger meaning to. People can peruse the installation as one does stacks in a library or bookstore, hoping to stumble across something that will enlighten or delight. Welcome." Christine Hill
Titre:
Minutes. Work by Christine Hill
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"Objects are itemized and memorialized. Industry is prized. Packages are shown in a states of assembly, to be mentally constructed or deconstructed and assigned larger meaning to. People can peruse the installation as one does stacks in a library or bookstore, hoping to stumble across something that will enlighten or delight. Welcome." Christine Hill
Minutes. Work by Christine Hill
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"Objects are itemized and memorialized. Industry is prized. Packages are shown in a states of assembly, to be mentally constructed or deconstructed and assigned larger meaning to. People can peruse the installation as one does stacks in a library or bookstore, hoping to stumble across something that will enlighten or delight. Welcome." Christine Hill
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livres
livres
Publication:
décembre 2007
décembre 2007
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livres
Titre:
Amy O'Neill
Amy O'Neill
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The sculptures, installations, and drawings by the New York-based artist (*1971) are presented in this first monograph as a journey through the American suburban imagination.
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The sculptures, installations, and drawings by the New York-based artist (*1971) are presented in this first monograph as a journey through the American suburban imagination.
Publication:
mars 2008
mars 2008
Titre:
Amy O'Neill
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The sculptures, installations, and drawings by the New York-based artist (*1971) are presented in this first monograph as a journey through the American suburban imagination.
Amy O'Neill
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The sculptures, installations, and drawings by the New York-based artist (*1971) are presented in this first monograph as a journey through the American suburban imagination.
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livres
livres
Publication:
mars 2008
mars 2008
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$36.00
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Euan Macdonalds Selected Standards is an artist book that combines title pages from sheet music found in a second hand store in Los Angeles with drawings and aerial photographs of LA.
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Euan Macdonalds Selected Standards is an artist book that combines title pages from sheet music found in a second hand store in Los Angeles with drawings and aerial photographs of LA.
Publication:
mars 2008, Vancouver
mars 2008, Vancouver
Titre:
Euan Macdonald. Selected standards
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Euan Macdonalds Selected Standards is an artist book that combines title pages from sheet music found in a second hand store in Los Angeles with drawings and aerial photographs of LA.
Euan Macdonald. Selected standards
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Euan Macdonalds Selected Standards is an artist book that combines title pages from sheet music found in a second hand store in Los Angeles with drawings and aerial photographs of LA.
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livres
livres
Publication:
mars 2008, Vancouver
mars 2008, Vancouver
