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This monograph is the definitive publication on the internationally renowned Canadian artist Marcel Dzama.
Marcel Dzama : Sower of discord
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This monograph is the definitive publication on the internationally renowned Canadian artist Marcel Dzama.
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À travers une sélection de dessins originaux, d’œuvres et de photographies, Le Mémorial, projet d’architecture met en lumière la relation intense entretenue par Yves Klein et Claude Parent. Leur rencontre, rendue possible par le projet de l’« Architecture de l’air » de Klein, donne l’impulsion à une relation pleine de créativité : l’artiste conceptualise, l’architecte(...)
Yves Klein, Claude Parent : le Mémorial, projet d'architecture
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À travers une sélection de dessins originaux, d’œuvres et de photographies, Le Mémorial, projet d’architecture met en lumière la relation intense entretenue par Yves Klein et Claude Parent. Leur rencontre, rendue possible par le projet de l’« Architecture de l’air » de Klein, donne l’impulsion à une relation pleine de créativité : l’artiste conceptualise, l’architecte dessine et peint. C’est ainsi autour de la rencontre d’Yves Klein et Claude Parent et de leur fructueuse collaboration – autour du Rocket pneumatique, de l’Architecture de l’air et du projet des Fontaines de Varsovie – que ce livre se construit. Il présente, enfin, le projet de Mémorial conçu par Claude Parent pour Yves Klein, peu de temps après sa disparition, à la demande de sa mère, Marie Raymond, et de son épouse, l’artiste Rotraut.
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Guy Yanai’s first book First We Feel Then We Fall mixes photography, drawing, and painting in the elaboration of a unique visual language. The book opens with a trove of found images that have informed and inspired Yanai’s practice. The ‘Sources’ are followed by drawings, curatorial essays by Nuit Banai and James Trainor, and twenty two plates, including twelve oil(...)
Guy Yanai: First we feel then we fall
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Guy Yanai’s first book First We Feel Then We Fall mixes photography, drawing, and painting in the elaboration of a unique visual language. The book opens with a trove of found images that have informed and inspired Yanai’s practice. The ‘Sources’ are followed by drawings, curatorial essays by Nuit Banai and James Trainor, and twenty two plates, including twelve oil paintings on linen, and ten oil paintings on custom birch panels.
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Ofri Cnaani’s first book “The Sota Project” is divided into ten thematically divided sections - each one corresponding to a line from the original talmudic verse on which Cnaani's accompanying video installation is based. Each section features excerpts from Cnaani's script, as well as commentaries from a variety of scholars and academics. The visual retelling of the story(...)
Ofra Cnaani: The Sota project
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Ofri Cnaani’s first book “The Sota Project” is divided into ten thematically divided sections - each one corresponding to a line from the original talmudic verse on which Cnaani's accompanying video installation is based. Each section features excerpts from Cnaani's script, as well as commentaries from a variety of scholars and academics. The visual retelling of the story is done through photographs from Cnaani's film which are hidden under gatefolds, which once opened, revel striking visual panoramas.
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Jericho Moons documents Eitan Ben-Moshe’s future works through a visual journey that moves between straight documentation and digital collages of imagined worlds where Ben-Moshe’s sculptures and lightboxes are transformed into new entities. This back and forth calls into question traditional understandings of temporality and reality.The book also features an interview(...)
Eitan Ben-Moshe: Jericho Moons
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Jericho Moons documents Eitan Ben-Moshe’s future works through a visual journey that moves between straight documentation and digital collages of imagined worlds where Ben-Moshe’s sculptures and lightboxes are transformed into new entities. This back and forth calls into question traditional understandings of temporality and reality.The book also features an interview with Yael Hersonski, the award winning director of ‘A Film Unfinished’, as well as essays by Naomi Aviv and Lior Galili.
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A repository of nine years of drawing and collecting images. All Jacobs' journal drawings from 001 up to 666 are shown. For some of them, different stages of development are included. These stages reveal how a particular drawing evolved, and throughout the book, the evolution of Jacobs' drawing itself can be seen. A book with a huge number of images which, after(...)
Henri Jacobs: journal drawings
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A repository of nine years of drawing and collecting images. All Jacobs' journal drawings from 001 up to 666 are shown. For some of them, different stages of development are included. These stages reveal how a particular drawing evolved, and throughout the book, the evolution of Jacobs' drawing itself can be seen. A book with a huge number of images which, after painstaking labour, have received a place in which they can interact with each other through the eyes of the viewer.
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This Formless Thing, published in conjunction with an exhibition of work by Swiss artist Alexandra Navratil at Kunstmuseum Winterthur and Stedelijk Museum Amsterdam, alludes to the materials and artificial substances from which images are made. Besides enchanting film stills and numerous images appealing to an industrial design aesthetic, the book includes six referential(...)
Alexandra Navratil: this formless thing
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This Formless Thing, published in conjunction with an exhibition of work by Swiss artist Alexandra Navratil at Kunstmuseum Winterthur and Stedelijk Museum Amsterdam, alludes to the materials and artificial substances from which images are made. Besides enchanting film stills and numerous images appealing to an industrial design aesthetic, the book includes six referential text contributions by Simona Ciuccio, Esther Leslie, Matthew Solomon, Mirjam Varadinis, Jelena Rakin and Natasha Ginwala, which serve to illuminate a series of five thematically complementary works by Navratil. A conversation with the artist by Jennifer Burris completes the volume.
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Shrigley is a young British artist whose work is difficult to define. Taken seriously by the great and the good of the art world (except perhaps by himself) his cartoon-like drawings and accompanying statements deal irreverently with art, sex, murder, and other important matters. A beautifully designed book which will amuse and annoy almost equally.
David Shrigley: why we got the sack from the museum
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Shrigley is a young British artist whose work is difficult to define. Taken seriously by the great and the good of the art world (except perhaps by himself) his cartoon-like drawings and accompanying statements deal irreverently with art, sex, murder, and other important matters. A beautifully designed book which will amuse and annoy almost equally.
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Tadashi Kawamatas curious installations manifest at a variety of locations around the globe, from Centre Pompidou, Paris, and Madison Square Park, New York, to Documenta IX and the Shanghai Biennale. Works emphasise architectural space as urban or designed social context or product with often temporary pieces constructed from timber or locally salvaged materials. This(...)
Tadashi Kawamata: tree huts, seconde édition
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Tadashi Kawamatas curious installations manifest at a variety of locations around the globe, from Centre Pompidou, Paris, and Madison Square Park, New York, to Documenta IX and the Shanghai Biennale. Works emphasise architectural space as urban or designed social context or product with often temporary pieces constructed from timber or locally salvaged materials. This book offers a survey, with photographic documentation ranging from early domestic interventions, through prolific activity in public realms and to the recent tree huts, which imagine an elevated, alternative perspective. With texts by Jonathan Watkins, Martin Friedman and Guy Tortosa.
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Published in conjunction with the exhibition ‘House’ at Hafnarborg, the Hafnarfjordur Centre of Culture and Fine Art, this catalogue includes both new and older work by the Icelandic artist Hrein Friðfinnsson. Starting from the concept of an inside out house, the works can be said to include the entire universe within but also to simultaneously shut it out. Mirroring each(...)
Hreinn Fridfinnsson: first house second house third house
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Published in conjunction with the exhibition ‘House’ at Hafnarborg, the Hafnarfjordur Centre of Culture and Fine Art, this catalogue includes both new and older work by the Icelandic artist Hrein Friðfinnsson. Starting from the concept of an inside out house, the works can be said to include the entire universe within but also to simultaneously shut it out. Mirroring each other, each series creates a unique dynamic when juxtaposed with the others