1910 Résultats
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This study links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art - both what it is and where it is. Ursprung's analysis places the two artists firmly in the art world of the 1960s as well as in the art historical discourse of the following decades. Although their practices were quite different, they both extended the(...)
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This study links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art - both what it is and where it is. Ursprung's analysis places the two artists firmly in the art world of the 1960s as well as in the art historical discourse of the following decades. Although their practices were quite different, they both extended the(...)
Titre:
Allan Kaprow, Robert Smithson, and the limits of art
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This study links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art - both what it is and where it is. Ursprung's analysis places the two artists firmly in the art world of the 1960s as well as in the art historical discourse of the following decades. Although their practices were quite different, they both extended the studio and gallery into desert landscapes, abandoned warehouses, industrial sites, train stations, and other spaces. Ursprung bolsters his argument with substantial archival research and sociological and economic models of expansion and limits.
Allan Kaprow, Robert Smithson, and the limits of art
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This study links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art - both what it is and where it is. Ursprung's analysis places the two artists firmly in the art world of the 1960s as well as in the art historical discourse of the following decades. Although their practices were quite different, they both extended the studio and gallery into desert landscapes, abandoned warehouses, industrial sites, train stations, and other spaces. Ursprung bolsters his argument with substantial archival research and sociological and economic models of expansion and limits.
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livres
livres
Publication:
janvier 2014
janvier 2014
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Focus sur l’œuvre d’un des acteurs majeurs de l’art américain de la première moitié du XXe siècle à travers ses collages, photomontages, boîtes d’ombre, films… Elle est évoquée en regard d’artistes avec lesquels il était en contact : Duchamp, Dali, Ernst, Giacometti, Magritte, Chirico, etc.
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Focus sur l’œuvre d’un des acteurs majeurs de l’art américain de la première moitié du XXe siècle à travers ses collages, photomontages, boîtes d’ombre, films… Elle est évoquée en regard d’artistes avec lesquels il était en contact : Duchamp, Dali, Ernst, Giacometti, Magritte, Chirico, etc.
Publication:
janvier 2014
janvier 2014
Titre:
Joseph Cornell et les surréalistes à New York
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Focus sur l’œuvre d’un des acteurs majeurs de l’art américain de la première moitié du XXe siècle à travers ses collages, photomontages, boîtes d’ombre, films… Elle est évoquée en regard d’artistes avec lesquels il était en contact : Duchamp, Dali, Ernst, Giacometti, Magritte, Chirico, etc.
Joseph Cornell et les surréalistes à New York
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Focus sur l’œuvre d’un des acteurs majeurs de l’art américain de la première moitié du XXe siècle à travers ses collages, photomontages, boîtes d’ombre, films… Elle est évoquée en regard d’artistes avec lesquels il était en contact : Duchamp, Dali, Ernst, Giacometti, Magritte, Chirico, etc.
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livres
livres
Publication:
janvier 2014
janvier 2014
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livres
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$42.00
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Newly designed and expanded, the 2012 edition of Bridget Riley: Complete Prints includes every print from the early 1960s to the present day. This catalogue raisonné of Bridget Riley's graphic work now shows each print on its own page. Alongside a full color inventory of the prints are essays by Lynne MacRitchie and Craig Hartley that together provide a greater context(...)
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Newly designed and expanded, the 2012 edition of Bridget Riley: Complete Prints includes every print from the early 1960s to the present day. This catalogue raisonné of Bridget Riley's graphic work now shows each print on its own page. Alongside a full color inventory of the prints are essays by Lynne MacRitchie and Craig Hartley that together provide a greater context(...)
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Bridget Riley: complete prints 1962-2012
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Newly designed and expanded, the 2012 edition of Bridget Riley: Complete Prints includes every print from the early 1960s to the present day. This catalogue raisonné of Bridget Riley's graphic work now shows each print on its own page. Alongside a full color inventory of the prints are essays by Lynne MacRitchie and Craig Hartley that together provide a greater context for Riley's work.
Bridget Riley: complete prints 1962-2012
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Newly designed and expanded, the 2012 edition of Bridget Riley: Complete Prints includes every print from the early 1960s to the present day. This catalogue raisonné of Bridget Riley's graphic work now shows each print on its own page. Alongside a full color inventory of the prints are essays by Lynne MacRitchie and Craig Hartley that together provide a greater context for Riley's work.
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livres
livres
Publication:
février 2014
février 2014
Classification:
livres
livres
Titre:
Michael Snow: photo-centric
Michael Snow: photo-centric
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Michael Snow: Photo-Centric focuses on a selection of the artist’s photographic work from 1962 to the present. The book considers Snow’s interest in late modernism’s self-reflexivity and, specifically, his exploration of how the mechanics of photography affect perception, cognition, and consciousness. Essays by Adelina Vlas and the artist himself consider the importance(...)
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Michael Snow: Photo-Centric focuses on a selection of the artist’s photographic work from 1962 to the present. The book considers Snow’s interest in late modernism’s self-reflexivity and, specifically, his exploration of how the mechanics of photography affect perception, cognition, and consciousness. Essays by Adelina Vlas and the artist himself consider the importance(...)
Publication:
février 2014
février 2014
Titre:
Michael Snow: photo-centric
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Michael Snow: Photo-Centric focuses on a selection of the artist’s photographic work from 1962 to the present. The book considers Snow’s interest in late modernism’s self-reflexivity and, specifically, his exploration of how the mechanics of photography affect perception, cognition, and consciousness. Essays by Adelina Vlas and the artist himself consider the importance of Snow’s photographic work within his larger practice, its connection with and continuation of modernist ideas, and its experimental quality within the history of the medium.
Michael Snow: photo-centric
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Michael Snow: Photo-Centric focuses on a selection of the artist’s photographic work from 1962 to the present. The book considers Snow’s interest in late modernism’s self-reflexivity and, specifically, his exploration of how the mechanics of photography affect perception, cognition, and consciousness. Essays by Adelina Vlas and the artist himself consider the importance of Snow’s photographic work within his larger practice, its connection with and continuation of modernist ideas, and its experimental quality within the history of the medium.
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livres
livres
Publication:
février 2014
février 2014
Classification:
livres
livres
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$36.95
(disponible en magasin)
Résumé:
Wim Wauman, known for his still life photographs, invited fellow artists and cultural practitioners to contribute meaningful objects to his “Paraphernalia” project, resulting in a collection of 171 objects with which he created and photographed 21 compositions in his studio. These odd still lifes resonate with historical visual traditions and alchemy, asking observers to(...)
$36.95
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Résumé:
Wim Wauman, known for his still life photographs, invited fellow artists and cultural practitioners to contribute meaningful objects to his “Paraphernalia” project, resulting in a collection of 171 objects with which he created and photographed 21 compositions in his studio. These odd still lifes resonate with historical visual traditions and alchemy, asking observers to(...)
Publication:
février 2014
février 2014
Titre:
Wim Wauman: paraphernalia, on the status of inspirational objects
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Wim Wauman, known for his still life photographs, invited fellow artists and cultural practitioners to contribute meaningful objects to his “Paraphernalia” project, resulting in a collection of 171 objects with which he created and photographed 21 compositions in his studio. These odd still lifes resonate with historical visual traditions and alchemy, asking observers to make individual interpretations and connections. In this publication, each object is connected to its respective donor and therefore his or her artistic strategy. It includes commentary from the artists about their contributions, a critical essay by Stefaan Vervoort about the project, and a personal manifesto by Wauman.
Wim Wauman: paraphernalia, on the status of inspirational objects
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$36.95
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Résumé:
Wim Wauman, known for his still life photographs, invited fellow artists and cultural practitioners to contribute meaningful objects to his “Paraphernalia” project, resulting in a collection of 171 objects with which he created and photographed 21 compositions in his studio. These odd still lifes resonate with historical visual traditions and alchemy, asking observers to make individual interpretations and connections. In this publication, each object is connected to its respective donor and therefore his or her artistic strategy. It includes commentary from the artists about their contributions, a critical essay by Stefaan Vervoort about the project, and a personal manifesto by Wauman.
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livres
livres
Publication:
février 2014
février 2014
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Moved Objects traces the collaborative practice of young Australian artists Georgia Hutchison and Arini Byng. Expanding on their investigations into material juxtaposition, sculptural choreography and the photographic still life, the works broach notions of form, materiality, architectural resonance, visual poetics and photographic image-making. Offset against a series of(...)
$48.95
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Résumé:
Moved Objects traces the collaborative practice of young Australian artists Georgia Hutchison and Arini Byng. Expanding on their investigations into material juxtaposition, sculptural choreography and the photographic still life, the works broach notions of form, materiality, architectural resonance, visual poetics and photographic image-making. Offset against a series of(...)
Publication:
février 2014
février 2014
Titre:
Georgia Hutchison & Arini Byng: moved objects
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Moved Objects traces the collaborative practice of young Australian artists Georgia Hutchison and Arini Byng. Expanding on their investigations into material juxtaposition, sculptural choreography and the photographic still life, the works broach notions of form, materiality, architectural resonance, visual poetics and photographic image-making. Offset against a series of highly keyed backdrops, the works are both astute and playful in tenor.
Georgia Hutchison & Arini Byng: moved objects
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$48.95
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Moved Objects traces the collaborative practice of young Australian artists Georgia Hutchison and Arini Byng. Expanding on their investigations into material juxtaposition, sculptural choreography and the photographic still life, the works broach notions of form, materiality, architectural resonance, visual poetics and photographic image-making. Offset against a series of highly keyed backdrops, the works are both astute and playful in tenor.
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livres
livres
Publication:
février 2014
février 2014
Classification:
livres
livres
Titre:
Cy Twombly's things
Cy Twombly's things
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Cy Twombly (1928–2011) is widely acknowledged as one of the postwar period’s most influential American artists, yet his sculptures are little known. From 1946 onward, he made hundreds of rarely exhibited found-object assemblages, often painted or plastered over with diverse coatings of white. Across decades, Twombly thus developed a singular, strikingly consistent body of(...)
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Cy Twombly (1928–2011) is widely acknowledged as one of the postwar period’s most influential American artists, yet his sculptures are little known. From 1946 onward, he made hundreds of rarely exhibited found-object assemblages, often painted or plastered over with diverse coatings of white. Across decades, Twombly thus developed a singular, strikingly consistent body of(...)
Titre:
Cy Twombly's things
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Cy Twombly (1928–2011) is widely acknowledged as one of the postwar period’s most influential American artists, yet his sculptures are little known. From 1946 onward, he made hundreds of rarely exhibited found-object assemblages, often painted or plastered over with diverse coatings of white. Across decades, Twombly thus developed a singular, strikingly consistent body of work, despite the shifting status of sculpture during his lifetime. Through close readings of individual works and in-depth analyses of certain guiding concerns, such as surface, naming, gaps, and repetitions, the author illuminates Twombly's remarkable sculptural practice.
Cy Twombly's things
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Cy Twombly (1928–2011) is widely acknowledged as one of the postwar period’s most influential American artists, yet his sculptures are little known. From 1946 onward, he made hundreds of rarely exhibited found-object assemblages, often painted or plastered over with diverse coatings of white. Across decades, Twombly thus developed a singular, strikingly consistent body of work, despite the shifting status of sculpture during his lifetime. Through close readings of individual works and in-depth analyses of certain guiding concerns, such as surface, naming, gaps, and repetitions, the author illuminates Twombly's remarkable sculptural practice.
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livres
livres
Publication:
avril 2014
avril 2014
Classification:
livres
livres
Titre:
Henri Matisse: the cut-outs
Henri Matisse: the cut-outs
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Published in conjunction with the most comprehensive exhibition ever devoted to Henri Matisse's paper cut-outs, made from the early 1940s until the artist's death in 1954, this publication presents approximately 150 works in a groundbreaking reassessment of Matisse's colorful and innovative final chapter. The result of research conducted on two fronts--conservation and(...)
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Résumé:
Published in conjunction with the most comprehensive exhibition ever devoted to Henri Matisse's paper cut-outs, made from the early 1940s until the artist's death in 1954, this publication presents approximately 150 works in a groundbreaking reassessment of Matisse's colorful and innovative final chapter. The result of research conducted on two fronts--conservation and(...)
Titre:
Henri Matisse: the cut-outs
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Published in conjunction with the most comprehensive exhibition ever devoted to Henri Matisse's paper cut-outs, made from the early 1940s until the artist's death in 1954, this publication presents approximately 150 works in a groundbreaking reassessment of Matisse's colorful and innovative final chapter. The result of research conducted on two fronts--conservation and curatorial--the catalogue offers a reconsideration of the cut-outs by exploring a host of technical and conceptual issues: the artist's methods and materials and the role and function of the works in his practice; their economy of means and exploitation of decorative strategies; their environmental aspects; and their double lives, first as contingent and mutable in the studio and ultimately made permanent, a transformation accomplished via mounting and framing.
Henri Matisse: the cut-outs
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Published in conjunction with the most comprehensive exhibition ever devoted to Henri Matisse's paper cut-outs, made from the early 1940s until the artist's death in 1954, this publication presents approximately 150 works in a groundbreaking reassessment of Matisse's colorful and innovative final chapter. The result of research conducted on two fronts--conservation and curatorial--the catalogue offers a reconsideration of the cut-outs by exploring a host of technical and conceptual issues: the artist's methods and materials and the role and function of the works in his practice; their economy of means and exploitation of decorative strategies; their environmental aspects; and their double lives, first as contingent and mutable in the studio and ultimately made permanent, a transformation accomplished via mounting and framing.
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livres
livres
Publication:
mai 2014
mai 2014
Classification:
livres
livres
Titre:
Thomas Bayrle: all-in-one
Thomas Bayrle: all-in-one
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All-in-One offers an overview of the multifaceted oeuvre of Thomas Bayrle (born 1937), from his early kinetic machines to the recent engine installations, the serigraphies, sculptures, videos, his early work as a graphic designer and publisher (with an illustrated bibliography of Bayrle's artists' books) and samples from his own texts.
$55.00
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All-in-One offers an overview of the multifaceted oeuvre of Thomas Bayrle (born 1937), from his early kinetic machines to the recent engine installations, the serigraphies, sculptures, videos, his early work as a graphic designer and publisher (with an illustrated bibliography of Bayrle's artists' books) and samples from his own texts.
Titre:
Thomas Bayrle: all-in-one
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All-in-One offers an overview of the multifaceted oeuvre of Thomas Bayrle (born 1937), from his early kinetic machines to the recent engine installations, the serigraphies, sculptures, videos, his early work as a graphic designer and publisher (with an illustrated bibliography of Bayrle's artists' books) and samples from his own texts.
Thomas Bayrle: all-in-one
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All-in-One offers an overview of the multifaceted oeuvre of Thomas Bayrle (born 1937), from his early kinetic machines to the recent engine installations, the serigraphies, sculptures, videos, his early work as a graphic designer and publisher (with an illustrated bibliography of Bayrle's artists' books) and samples from his own texts.
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livres
livres
Publication:
février 2014
février 2014
Classification:
livres
livres
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$55.00
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"Less Is Still More" is Michael Craig-Martin's homage to German-American architect Mies van der Rohe. Craig-Martin's series of 17 paintings depict everyday objects such as t-shirts and iPhones, which are documented here as installed at the Museum Haus Esters in Krefeld.
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Résumé:
"Less Is Still More" is Michael Craig-Martin's homage to German-American architect Mies van der Rohe. Craig-Martin's series of 17 paintings depict everyday objects such as t-shirts and iPhones, which are documented here as installed at the Museum Haus Esters in Krefeld.
Titre:
Michael Craig-Martin: Less is still more
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$55.00
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"Less Is Still More" is Michael Craig-Martin's homage to German-American architect Mies van der Rohe. Craig-Martin's series of 17 paintings depict everyday objects such as t-shirts and iPhones, which are documented here as installed at the Museum Haus Esters in Krefeld.
Michael Craig-Martin: Less is still more
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$55.00
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Résumé:
"Less Is Still More" is Michael Craig-Martin's homage to German-American architect Mies van der Rohe. Craig-Martin's series of 17 paintings depict everyday objects such as t-shirts and iPhones, which are documented here as installed at the Museum Haus Esters in Krefeld.
Classification:
livres
livres
Publication:
février 2014
février 2014
