1910 Résultats
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After following strangers on the streets in Paris for months, photographing them and notating their movements, Sophie Calle ran into a man at an opening whom she had followed earlier that day. "During the course of our conversation, he told me he was planning an imminent trip to Venice. I decided to follow him," she writes at the beginning of Suite Vénitienne, her first(...)
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After following strangers on the streets in Paris for months, photographing them and notating their movements, Sophie Calle ran into a man at an opening whom she had followed earlier that day. "During the course of our conversation, he told me he was planning an imminent trip to Venice. I decided to follow him," she writes at the beginning of Suite Vénitienne, her first(...)
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Sophie Calle: suite vénitienne
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After following strangers on the streets in Paris for months, photographing them and notating their movements, Sophie Calle ran into a man at an opening whom she had followed earlier that day. "During the course of our conversation, he told me he was planning an imminent trip to Venice. I decided to follow him," she writes at the beginning of Suite Vénitienne, her first artist's book and the crucible of her inimitable fusion of investigatory methods, fictional constructs, the plundering of real life and the composition of self. This Siglio reissue is a completely new iteration of Suite Vénitienne (first published in 1988 and long out of print), designed in collaboration with Calle to be the definitive English-language edition.
Sophie Calle: suite vénitienne
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After following strangers on the streets in Paris for months, photographing them and notating their movements, Sophie Calle ran into a man at an opening whom she had followed earlier that day. "During the course of our conversation, he told me he was planning an imminent trip to Venice. I decided to follow him," she writes at the beginning of Suite Vénitienne, her first artist's book and the crucible of her inimitable fusion of investigatory methods, fictional constructs, the plundering of real life and the composition of self. This Siglio reissue is a completely new iteration of Suite Vénitienne (first published in 1988 and long out of print), designed in collaboration with Calle to be the definitive English-language edition.
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Publication:
février 2015
février 2015
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This extensive monograph provides an overview of Bourgeois' artistic development, and presents a large number of works, including some that have never before been reproduced. The volume is grouped into themes that characterize her oeuvre, including memory, trauma, relationships, sexuality, fear and the difficulties of being an artist and mother at the same time. Personal(...)
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This extensive monograph provides an overview of Bourgeois' artistic development, and presents a large number of works, including some that have never before been reproduced. The volume is grouped into themes that characterize her oeuvre, including memory, trauma, relationships, sexuality, fear and the difficulties of being an artist and mother at the same time. Personal(...)
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Louise Bourgeois. I have been to hell and back
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This extensive monograph provides an overview of Bourgeois' artistic development, and presents a large number of works, including some that have never before been reproduced. The volume is grouped into themes that characterize her oeuvre, including memory, trauma, relationships, sexuality, fear and the difficulties of being an artist and mother at the same time. Personal photographs further document the artist's childhood and family life, with several letters and documents being made available for the first time.
Louise Bourgeois. I have been to hell and back
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This extensive monograph provides an overview of Bourgeois' artistic development, and presents a large number of works, including some that have never before been reproduced. The volume is grouped into themes that characterize her oeuvre, including memory, trauma, relationships, sexuality, fear and the difficulties of being an artist and mother at the same time. Personal photographs further document the artist's childhood and family life, with several letters and documents being made available for the first time.
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Publication:
février 2015
février 2015
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livres
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Ai Weiwei: on the table
Ai Weiwei: on the table
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Ai Weiwei: On the Table surveys the full scope of Weiwei's career, from his early days in 1980s New York to his present-day status as the best-known and most influential Chinese artist in the world. Work by this media-savvy activist calling for greater freedom in China can now be found in leading contemporary art museums and collections worldwide; the image of his(...)
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Ai Weiwei: On the Table surveys the full scope of Weiwei's career, from his early days in 1980s New York to his present-day status as the best-known and most influential Chinese artist in the world. Work by this media-savvy activist calling for greater freedom in China can now be found in leading contemporary art museums and collections worldwide; the image of his(...)
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Ai Weiwei: on the table
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Ai Weiwei: On the Table surveys the full scope of Weiwei's career, from his early days in 1980s New York to his present-day status as the best-known and most influential Chinese artist in the world. Work by this media-savvy activist calling for greater freedom in China can now be found in leading contemporary art museums and collections worldwide; the image of his taunting, irreverent middle finger imposed atop touristy monuments and landscape photos has become ubiquitous, his sunflower seed installations iconic. This volume includes previously unseen new work, as well as a range of key pieces from the past 35 years.
Ai Weiwei: on the table
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Ai Weiwei: On the Table surveys the full scope of Weiwei's career, from his early days in 1980s New York to his present-day status as the best-known and most influential Chinese artist in the world. Work by this media-savvy activist calling for greater freedom in China can now be found in leading contemporary art museums and collections worldwide; the image of his taunting, irreverent middle finger imposed atop touristy monuments and landscape photos has become ubiquitous, his sunflower seed installations iconic. This volume includes previously unseen new work, as well as a range of key pieces from the past 35 years.
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livres
Publication:
février 2015
février 2015
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livres
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Karen Kilimnik
Karen Kilimnik
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This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were(...)
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This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were(...)
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Karen Kilimnik
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This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were included in the then current discussions on art and glamour, and on the emergence of women artists whose sensibility was not that of feminist theory. The source of numerous misunderstandings, the diversity of her work has veiled the internal coherence of a practice of which the most recent pieces attest to the continuous links between all these mediums. This book offers the complete panorama of Kilimnik’s production and allows a vision that goes beyond the distinctions between painting, drawing, or installation.
Karen Kilimnik
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This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were included in the then current discussions on art and glamour, and on the emergence of women artists whose sensibility was not that of feminist theory. The source of numerous misunderstandings, the diversity of her work has veiled the internal coherence of a practice of which the most recent pieces attest to the continuous links between all these mediums. This book offers the complete panorama of Kilimnik’s production and allows a vision that goes beyond the distinctions between painting, drawing, or installation.
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Publication:
février 2015
février 2015
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This monograph celebrates the Richter pieces newly added to the Neues Museum collection, and is published to accompany an exhibition, designed by the artist himself, of 28 of these paintings made between 1957 and 2003.
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This monograph celebrates the Richter pieces newly added to the Neues Museum collection, and is published to accompany an exhibition, designed by the artist himself, of 28 of these paintings made between 1957 and 2003.
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février 2015
février 2015
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Gerhard Ritcher: detail, paintings from the Böckmann collection
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This monograph celebrates the Richter pieces newly added to the Neues Museum collection, and is published to accompany an exhibition, designed by the artist himself, of 28 of these paintings made between 1957 and 2003.
Gerhard Ritcher: detail, paintings from the Böckmann collection
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This monograph celebrates the Richter pieces newly added to the Neues Museum collection, and is published to accompany an exhibition, designed by the artist himself, of 28 of these paintings made between 1957 and 2003.
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livres
Publication:
février 2015
février 2015
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$23.95
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These illustrated essays address the full span of Genzken’s work, from the elegant floor sculptures with which she began her career to the assemblages, bursting with color and bristling with bric-a-brac, that she has produced since the beginning of the millennium. The texts, by writers including Yve-Alain Bois, Benjamin H. D. Buchloh, and the artist herself, consider her(...)
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These illustrated essays address the full span of Genzken’s work, from the elegant floor sculptures with which she began her career to the assemblages, bursting with color and bristling with bric-a-brac, that she has produced since the beginning of the millennium. The texts, by writers including Yve-Alain Bois, Benjamin H. D. Buchloh, and the artist herself, consider her(...)
Titre:
October files 17 : Isa Genzken
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These illustrated essays address the full span of Genzken’s work, from the elegant floor sculptures with which she began her career to the assemblages, bursting with color and bristling with bric-a-brac, that she has produced since the beginning of the millennium. The texts, by writers including Yve-Alain Bois, Benjamin H. D. Buchloh, and the artist herself, consider her formation in the West German milieu; her critique of conventions of architecture, reconstruction, and memorialization; her sympathy with mass culture; and her ongoing interrogation of public and private spheres. Two texts appear in English for the first time, including a quasi-autobiographical screenplay written by Genzken in 1993.
October files 17 : Isa Genzken
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These illustrated essays address the full span of Genzken’s work, from the elegant floor sculptures with which she began her career to the assemblages, bursting with color and bristling with bric-a-brac, that she has produced since the beginning of the millennium. The texts, by writers including Yve-Alain Bois, Benjamin H. D. Buchloh, and the artist herself, consider her formation in the West German milieu; her critique of conventions of architecture, reconstruction, and memorialization; her sympathy with mass culture; and her ongoing interrogation of public and private spheres. Two texts appear in English for the first time, including a quasi-autobiographical screenplay written by Genzken in 1993.
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Publication:
mars 2015
mars 2015
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A ‘complex’ can be an architectural configuration, a psychological syndrome or a political apparatus. In this book, John Miller approaches Educational Complex through corresponding lines of enquiry, considering the representation of Kelley’s schools (and his childhood home) as architectural models; popular fantasies associated with false memory syndrome; and the liberal(...)
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A ‘complex’ can be an architectural configuration, a psychological syndrome or a political apparatus. In this book, John Miller approaches Educational Complex through corresponding lines of enquiry, considering the representation of Kelley’s schools (and his childhood home) as architectural models; popular fantasies associated with false memory syndrome; and the liberal(...)
Titre:
Mike Kelley : educational complex
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A ‘complex’ can be an architectural configuration, a psychological syndrome or a political apparatus. In this book, John Miller approaches Educational Complex through corresponding lines of enquiry, considering the representation of Kelley’s schools (and his childhood home) as architectural models; popular fantasies associated with false memory syndrome; and the liberal democratic premises underpinning education. During his lifetime, Mike Kelley worked with a wide range of media, exploring themes as varied as grassroots politics, religious systems and social class. Miller shows that in Educational Complex, Kelley expands this political and aesthetic focus to test the ideological horizon of art as an institution.
Mike Kelley : educational complex
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A ‘complex’ can be an architectural configuration, a psychological syndrome or a political apparatus. In this book, John Miller approaches Educational Complex through corresponding lines of enquiry, considering the representation of Kelley’s schools (and his childhood home) as architectural models; popular fantasies associated with false memory syndrome; and the liberal democratic premises underpinning education. During his lifetime, Mike Kelley worked with a wide range of media, exploring themes as varied as grassroots politics, religious systems and social class. Miller shows that in Educational Complex, Kelley expands this political and aesthetic focus to test the ideological horizon of art as an institution.
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Publication:
mars 2015
mars 2015
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Vern Blosum does not exist. The story can be told in just a few lines: in 1961 an artist paints five canvases inspired by pages in a horticulture book; then came parking meters bearing temporal commentaries, water hydrants, and animals. Some of them were shown at Leo Castelli Gallery, sold to collectors and public institutions, included in seminal exhibitions or books on(...)
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Vern Blosum does not exist. The story can be told in just a few lines: in 1961 an artist paints five canvases inspired by pages in a horticulture book; then came parking meters bearing temporal commentaries, water hydrants, and animals. Some of them were shown at Leo Castelli Gallery, sold to collectors and public institutions, included in seminal exhibitions or books on(...)
Titre:
Vern Blosum : planned obsolescence
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Vern Blosum does not exist. The story can be told in just a few lines: in 1961 an artist paints five canvases inspired by pages in a horticulture book; then came parking meters bearing temporal commentaries, water hydrants, and animals. Some of them were shown at Leo Castelli Gallery, sold to collectors and public institutions, included in seminal exhibitions or books on Pop art: a seemingly normal progression in an artist’s career, were it not for a rumor that emerged regarding his true identity. Alfred H. Barr, the director of MoMA, started to worry about it in 1964 and, after extensive inquiries, came to the conclusion that Vern Blosum did not exist. His paintings were taken down or sent back to storage, and the artist’s name fell into oblivion. Vern Blosum does not exist, but his work does. And that is precisely what this book aims to reveal.
Vern Blosum : planned obsolescence
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Vern Blosum does not exist. The story can be told in just a few lines: in 1961 an artist paints five canvases inspired by pages in a horticulture book; then came parking meters bearing temporal commentaries, water hydrants, and animals. Some of them were shown at Leo Castelli Gallery, sold to collectors and public institutions, included in seminal exhibitions or books on Pop art: a seemingly normal progression in an artist’s career, were it not for a rumor that emerged regarding his true identity. Alfred H. Barr, the director of MoMA, started to worry about it in 1964 and, after extensive inquiries, came to the conclusion that Vern Blosum did not exist. His paintings were taken down or sent back to storage, and the artist’s name fell into oblivion. Vern Blosum does not exist, but his work does. And that is precisely what this book aims to reveal.
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Publication:
février 2015
février 2015
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livres
Titre:
Hansjörg Mayer: typo
Hansjörg Mayer: typo
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This volume surveys the astonishing variety of Hansjörg Mayer's (born 1943) concrete and visual poetry—a field in which he was a protagonist—alongside other typographic and printed works, several of which are in color. Also included are reproductions of all 26 issues of his influential concrete poetry broadsheet Futura.
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Résumé:
This volume surveys the astonishing variety of Hansjörg Mayer's (born 1943) concrete and visual poetry—a field in which he was a protagonist—alongside other typographic and printed works, several of which are in color. Also included are reproductions of all 26 issues of his influential concrete poetry broadsheet Futura.
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Hansjörg Mayer: typo
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This volume surveys the astonishing variety of Hansjörg Mayer's (born 1943) concrete and visual poetry—a field in which he was a protagonist—alongside other typographic and printed works, several of which are in color. Also included are reproductions of all 26 issues of his influential concrete poetry broadsheet Futura.
Hansjörg Mayer: typo
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Résumé:
This volume surveys the astonishing variety of Hansjörg Mayer's (born 1943) concrete and visual poetry—a field in which he was a protagonist—alongside other typographic and printed works, several of which are in color. Also included are reproductions of all 26 issues of his influential concrete poetry broadsheet Futura.
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livres
Publication:
février 2015
février 2015
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livres
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Hansjörg Mayer: foto
Hansjörg Mayer: foto
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German publisher, author and artist Hansjörg Mayer (born 1943) has been taking photographs of structures and strange surfaces since the late 1950s. This publication highlights these works, which emphasize the fleeting and the ephemeral (a quality intensified by the advances of camera technology—digital cameras and smart phones).
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Résumé:
German publisher, author and artist Hansjörg Mayer (born 1943) has been taking photographs of structures and strange surfaces since the late 1950s. This publication highlights these works, which emphasize the fleeting and the ephemeral (a quality intensified by the advances of camera technology—digital cameras and smart phones).
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Hansjörg Mayer: foto
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Résumé:
German publisher, author and artist Hansjörg Mayer (born 1943) has been taking photographs of structures and strange surfaces since the late 1950s. This publication highlights these works, which emphasize the fleeting and the ephemeral (a quality intensified by the advances of camera technology—digital cameras and smart phones).
Hansjörg Mayer: foto
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$50.00
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Résumé:
German publisher, author and artist Hansjörg Mayer (born 1943) has been taking photographs of structures and strange surfaces since the late 1950s. This publication highlights these works, which emphasize the fleeting and the ephemeral (a quality intensified by the advances of camera technology—digital cameras and smart phones).
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livres
livres
Publication:
février 2015
février 2015
