$50.00
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This monograph presents research by Vienna-based artist Sofie Thorsen (born 1971) on an artistic phenomenon of postwar Austria—sculptures designed by artists for children to play on. Thorsen's works make explicit the connections between abstract sculpture, architecture, urban planning and the aesthetics of play.
Sophie Thorsen : play sculpture
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This monograph presents research by Vienna-based artist Sofie Thorsen (born 1971) on an artistic phenomenon of postwar Austria—sculptures designed by artists for children to play on. Thorsen's works make explicit the connections between abstract sculpture, architecture, urban planning and the aesthetics of play.
$65.00
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Secret Life, a collaboration between the celebrated artists Jonathan Horowitz (born 1966) and Elizabeth Peyton (born 1965), revolves around the broad theme of flowers and plants. Through painting, print, drawing, sculpture and photography, the artists delve into the history of floral symbolism in art and literature.
février 2015
Jonathan Horowitz & Elizabeth Peyton: secret life
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Secret Life, a collaboration between the celebrated artists Jonathan Horowitz (born 1966) and Elizabeth Peyton (born 1965), revolves around the broad theme of flowers and plants. Through painting, print, drawing, sculpture and photography, the artists delve into the history of floral symbolism in art and literature.
Ilit Azoulay
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Finally Without End features Ilit Azoulay’s meticulously composed photographs, and includes work from the series “Implicit Manifestations,” created during a six-month residency at the KW Institute for Contemporary Art in Berlin. Concerned with the unacknowledged scraps and remains of the everyday—from architectural debris to spools of thread—her photographs capture the(...)
Ilit Azoulay
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Finally Without End features Ilit Azoulay’s meticulously composed photographs, and includes work from the series “Implicit Manifestations,” created during a six-month residency at the KW Institute for Contemporary Art in Berlin. Concerned with the unacknowledged scraps and remains of the everyday—from architectural debris to spools of thread—her photographs capture the ambiguity of objects detached from their original purpose.
$58.95
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Works 1965-Today stems from a retrospective held at the Grazer Kunstverein showcasing Josef Bauer’s experiments with language, color, and their spatial contexts nearly forty years after his last exhibition in Graz. His practice combines sculpture, installation, painting, and performance to disturb our perception of words and colors as mere “carriers” of meaning. By(...)
Josef Bauer : works, 1965-today
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Works 1965-Today stems from a retrospective held at the Grazer Kunstverein showcasing Josef Bauer’s experiments with language, color, and their spatial contexts nearly forty years after his last exhibition in Graz. His practice combines sculpture, installation, painting, and performance to disturb our perception of words and colors as mere “carriers” of meaning. By removing their two-dimensional context, letters become objects that communicate directly with our bodies in an unfiltered and urgent language called “tactile poetry.”
Felix Gonzalez-Torres
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Felix Gonzalez-Torres, one of the most influential artists of his generation, lived and worked resolutely according to his own democratic ideology, determined to “make this a better place for everyone.” Combining principles of conceptual art, minimalism, political activism and poetic beauty, Gonzalez-Torres’s ever-changing arsenal included public billboards, give-away(...)
Felix Gonzalez-Torres
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Felix Gonzalez-Torres, one of the most influential artists of his generation, lived and worked resolutely according to his own democratic ideology, determined to “make this a better place for everyone.” Combining principles of conceptual art, minimalism, political activism and poetic beauty, Gonzalez-Torres’s ever-changing arsenal included public billboards, give-away piles of candy or posters, and ordinary objects (clocks, mirrors, light fixtures) often used to startling effect. His work challenged the notions of public and private space, originality, authorship and—most significantly—the authoritative structure in which he functioned. Now in its second edition, Gonzalez-Torres’s editor Julie Ault has amassed a comprehensive monograph of this important artist. In the spirit of the artist’s method, Ault rethinks the very idea of what a monograph should be. The book, which places strong emphasis on the written word, contains texts by Robert Storr and Miwon Kwon among other notables, as well as significant critical essays, exhibition statements, transcripts from lectures, personal correspondence, and writings that influenced Gonzalez-Torres and his work. Ample visual documentation adds another decisive layer of content. We see works not just in their finality, but often witness their transformation over a lifespan. This collection is a critical reference for the history of contemporary art.
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A Sculptor's World is the long-awaited reprint of Isamu Noguchi's 1968 autobiography, which Steidl last printed in 2004. It remains Noguchi's most comprehensive statement about the art that brought him international acclaim. This third edition includes the original foreword by R. Buckminster Fuller as well as a new timeline of major events in Noguchi's life between 1968,(...)
Isamu Noguchi: a sculptor's world, 3rd edition
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A Sculptor's World is the long-awaited reprint of Isamu Noguchi's 1968 autobiography, which Steidl last printed in 2004. It remains Noguchi's most comprehensive statement about the art that brought him international acclaim. This third edition includes the original foreword by R. Buckminster Fuller as well as a new timeline of major events in Noguchi's life between 1968, when he created his seminal autobiography, and his death in 1988.
livres
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Following the theme of her previous publication Support Structures (2010) and written in the intimate format of a conversation, artist Céline Condorelli explores the history and philosophical nature of friendship. London-based Condorelli, who has shown at the Centre Pompidou and Serpentine Gallery, is most interested in what friendships have been left out of normative,(...)
Céline Condorelli: the company she keeps
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Following the theme of her previous publication Support Structures (2010) and written in the intimate format of a conversation, artist Céline Condorelli explores the history and philosophical nature of friendship. London-based Condorelli, who has shown at the Centre Pompidou and Serpentine Gallery, is most interested in what friendships have been left out of normative, patriarchal history. Why is the philosophical discourse dominated by or only about men? Why have no women philosophers written about friendship? And what about friendships between other excluded groups–slaves or pirates? Through conversations with sociologist Avery F. Gordon, philosopher Johan Frederik Hartle and curators Nick Aikens and Polly Staple, this thoughtful book addresses the practice of friendship as a way of being in the world, and most importantly, how friendship conditions the way we work together.
livres
mars 2015
Inside Carol Rama
$80.00
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A photographic book on the museum house of one of the most eccentric female artists of the 20th century. With over a hundred photographs, this volume explores the rooms, objects, and light of the apartment in which Carol Rama has been living and working for over seventy years, retracing the personal life and artistic career of the painter. The book is intended to disclose(...)
Inside Carol Rama
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A photographic book on the museum house of one of the most eccentric female artists of the 20th century. With over a hundred photographs, this volume explores the rooms, objects, and light of the apartment in which Carol Rama has been living and working for over seventy years, retracing the personal life and artistic career of the painter. The book is intended to disclose a secret place, in which the artist has gathered countless mementos over the years: ones from her family, donated by friends such as Man Ray, Carlo Mollino, and Andy Warhol, or collected in memory of special situations or people. While apparently scattered, these objects have actually been arranged with great care.
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A richly illustrated monograph dedicated to one of the most attractive and influential figures of contemporary creation. Loie Fuller was one of the leading and most influential figures of the twentieth-century art scene. Her persona, choreographies, and technical innovations have exerted a strong influence on the conceptual theories and achievements of choreographers,(...)
Body stages : the metamorphosis of Loïe Fuller
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A richly illustrated monograph dedicated to one of the most attractive and influential figures of contemporary creation. Loie Fuller was one of the leading and most influential figures of the twentieth-century art scene. Her persona, choreographies, and technical innovations have exerted a strong influence on the conceptual theories and achievements of choreographers, producers, theater and film directors, painters, sculptors, architects, and other performance artists of our times. Loie Fuller played a decisive role in the art nouveau movement, she was the muse who inspired the Electricity Pavilion in 1900, and she orchestrated the first shows, in the contemporary sense of the word, in France. Through a number of photographs, paintings, sculptures, and documents, this volume attempts to unravel the various strands of her extravagant life, to chart her dedication to the performance arts, and to demonstrate her incredible technical inventiveness-in short, to provide an insight into one of the most attractive and influential figures of contemporary creation.
Sergei Sviatchenko: collages
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Each day brings another deluge of images, and with this overproduction can come a panicky sensation that the meaning of images is draining away. The urge to divert the flow has given rise to a new international wave of collage-making. This is the first monograph to focus exclusively on the prolific collage output of Sergei Sviatchenko, a leading figure in the contemporary(...)
Sergei Sviatchenko: collages
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Each day brings another deluge of images, and with this overproduction can come a panicky sensation that the meaning of images is draining away. The urge to divert the flow has given rise to a new international wave of collage-making. This is the first monograph to focus exclusively on the prolific collage output of Sergei Sviatchenko, a leading figure in the contemporary collage world. Edited by Rick Poynor, who provides a critical overview, it gathers Sviatchenko's most significant work from the past 10 years and shows little-seen collages from his early years in Ukraine before he moved in 1990 to live and work in Denmark.