1910 Résultats
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This volume celebrates the work of the Italian artist Paolo Scheggi during the 1960s: the seminal and crucial creative decade prior to his untimely death in 1971 at the age of thirty-one. A selection of his paintings, including some unpublished canvases from private collections, reaffirms the role played by Scheggi in the development of modern art in Italy.
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This volume celebrates the work of the Italian artist Paolo Scheggi during the 1960s: the seminal and crucial creative decade prior to his untimely death in 1971 at the age of thirty-one. A selection of his paintings, including some unpublished canvases from private collections, reaffirms the role played by Scheggi in the development of modern art in Italy.
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Paolo Scheggi: The Humanistic Measurement of Space
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This volume celebrates the work of the Italian artist Paolo Scheggi during the 1960s: the seminal and crucial creative decade prior to his untimely death in 1971 at the age of thirty-one. A selection of his paintings, including some unpublished canvases from private collections, reaffirms the role played by Scheggi in the development of modern art in Italy.
Paolo Scheggi: The Humanistic Measurement of Space
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This volume celebrates the work of the Italian artist Paolo Scheggi during the 1960s: the seminal and crucial creative decade prior to his untimely death in 1971 at the age of thirty-one. A selection of his paintings, including some unpublished canvases from private collections, reaffirms the role played by Scheggi in the development of modern art in Italy.
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Publication:
septembre 2015
septembre 2015
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Olafur Eliasson: Contact
Olafur Eliasson: Contact
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This striking catalog, designed by Irma Boom, showcases the spectacular work of world-renowned contemporary artist Olafur Eliasson. Contact, Olafur Eliasson’s inaugural exhibition at the Fondation Louis Vuitton in Paris, addresses the themes of light—or rather, darkness and shadows—space, and time in installations that create a visceral experience for the spectator. The(...)
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This striking catalog, designed by Irma Boom, showcases the spectacular work of world-renowned contemporary artist Olafur Eliasson. Contact, Olafur Eliasson’s inaugural exhibition at the Fondation Louis Vuitton in Paris, addresses the themes of light—or rather, darkness and shadows—space, and time in installations that create a visceral experience for the spectator. The(...)
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septembre 2015
septembre 2015
Titre:
Olafur Eliasson: Contact
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This striking catalog, designed by Irma Boom, showcases the spectacular work of world-renowned contemporary artist Olafur Eliasson. Contact, Olafur Eliasson’s inaugural exhibition at the Fondation Louis Vuitton in Paris, addresses the themes of light—or rather, darkness and shadows—space, and time in installations that create a visceral experience for the spectator. The book features critical essays, an interview between the artist and curators, and sketches and preparatory drawings. It showcases the artist’s works in full color on black paper, emphasizing the luminosity of the show, accentuating the interplay of shadow and light, and rendering this volume a collectible artist’s book.
Olafur Eliasson: Contact
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This striking catalog, designed by Irma Boom, showcases the spectacular work of world-renowned contemporary artist Olafur Eliasson. Contact, Olafur Eliasson’s inaugural exhibition at the Fondation Louis Vuitton in Paris, addresses the themes of light—or rather, darkness and shadows—space, and time in installations that create a visceral experience for the spectator. The book features critical essays, an interview between the artist and curators, and sketches and preparatory drawings. It showcases the artist’s works in full color on black paper, emphasizing the luminosity of the show, accentuating the interplay of shadow and light, and rendering this volume a collectible artist’s book.
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livres
Publication:
septembre 2015
septembre 2015
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Rear views, a star-forming nebula, and the Office of Foreign Propaganda: the works of Taryn Simon
Rear views, a star-forming nebula, and the Office of Foreign Propaganda: the works of Taryn Simon
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Born in New York in 1975, Taryn Simon is at the forefront of contemporary photography practice. Her artistic medium is based around three equal elements: photography, text, and graphic design, which combined investigate the limitations of absolute understanding, examining the gaps between each element and how this can lead to disorientation and ambiguity. In the last ten(...)
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Born in New York in 1975, Taryn Simon is at the forefront of contemporary photography practice. Her artistic medium is based around three equal elements: photography, text, and graphic design, which combined investigate the limitations of absolute understanding, examining the gaps between each element and how this can lead to disorientation and ambiguity. In the last ten(...)
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Rear views, a star-forming nebula, and the Office of Foreign Propaganda: the works of Taryn Simon
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Born in New York in 1975, Taryn Simon is at the forefront of contemporary photography practice. Her artistic medium is based around three equal elements: photography, text, and graphic design, which combined investigate the limitations of absolute understanding, examining the gaps between each element and how this can lead to disorientation and ambiguity. In the last ten years she has created a suite of projects which deal with a number of theoretical and visual concerns. Her formal interest in arrangement and cataloguing has seen her experiment with different methods of presentation and display, particularly in A Living Man Declared Dead and Other Chapters (2008-11) in which she travelled around the world researching bloodlines: splitting each work in the final piece up into three segments, she presented large portrait sequences of related individuals on the left, a text panel containing details and narratives in the centre, and 'footnote images' on the right of fragmented pieces of established narratives and other photographic evidence. Simon has also skilfully and poetically tackled aspects of the underbelly of American life. With new and re-published essays by amongst others Salman Rushdie, Homi Bhabha, Daniel Baumann, Tim Griffin, Tina Kuklieski, Hans Ulrich Obrist and Elisabeth Sussman. With an introduction by Simon Baker, Curator of Photography at Tate Modern.
Rear views, a star-forming nebula, and the Office of Foreign Propaganda: the works of Taryn Simon
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Born in New York in 1975, Taryn Simon is at the forefront of contemporary photography practice. Her artistic medium is based around three equal elements: photography, text, and graphic design, which combined investigate the limitations of absolute understanding, examining the gaps between each element and how this can lead to disorientation and ambiguity. In the last ten years she has created a suite of projects which deal with a number of theoretical and visual concerns. Her formal interest in arrangement and cataloguing has seen her experiment with different methods of presentation and display, particularly in A Living Man Declared Dead and Other Chapters (2008-11) in which she travelled around the world researching bloodlines: splitting each work in the final piece up into three segments, she presented large portrait sequences of related individuals on the left, a text panel containing details and narratives in the centre, and 'footnote images' on the right of fragmented pieces of established narratives and other photographic evidence. Simon has also skilfully and poetically tackled aspects of the underbelly of American life. With new and re-published essays by amongst others Salman Rushdie, Homi Bhabha, Daniel Baumann, Tim Griffin, Tina Kuklieski, Hans Ulrich Obrist and Elisabeth Sussman. With an introduction by Simon Baker, Curator of Photography at Tate Modern.
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livres
Publication:
septembre 2015
septembre 2015
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livres
Titre:
Joseph Cornell: wanderlust
Joseph Cornell: wanderlust
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Joseph Cornell (1903–1972) was one of the 20th century’s leading exponents of collage and assemblage. A connoisseur of an astonishing array of subjects, Cornell’s captivation with bygone imagery encompassed astronomical charts and geographical maps, Italian and Spanish Old Master paintings, historical ballet, early film, literature, poetry, and ornithology. Most iconic(...)
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Joseph Cornell (1903–1972) was one of the 20th century’s leading exponents of collage and assemblage. A connoisseur of an astonishing array of subjects, Cornell’s captivation with bygone imagery encompassed astronomical charts and geographical maps, Italian and Spanish Old Master paintings, historical ballet, early film, literature, poetry, and ornithology. Most iconic(...)
Publication:
septembre 2015
septembre 2015
Titre:
Joseph Cornell: wanderlust
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Joseph Cornell (1903–1972) was one of the 20th century’s leading exponents of collage and assemblage. A connoisseur of an astonishing array of subjects, Cornell’s captivation with bygone imagery encompassed astronomical charts and geographical maps, Italian and Spanish Old Master paintings, historical ballet, early film, literature, poetry, and ornithology. Most iconic among his works are his box constructions—microcosmic curiosity cabinets—filled with once-precious fragments that he collected in thrift shops in his native New York.
Joseph Cornell: wanderlust
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Joseph Cornell (1903–1972) was one of the 20th century’s leading exponents of collage and assemblage. A connoisseur of an astonishing array of subjects, Cornell’s captivation with bygone imagery encompassed astronomical charts and geographical maps, Italian and Spanish Old Master paintings, historical ballet, early film, literature, poetry, and ornithology. Most iconic among his works are his box constructions—microcosmic curiosity cabinets—filled with once-precious fragments that he collected in thrift shops in his native New York.
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septembre 2015
septembre 2015
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Danielle Aubert's Library of The Dispossessed examines the lived experience of one hundred used copies of "The Dispossessed", a 1974 science fiction novel by Ursula Le Guin. It takes the form of polyphonic group readings (during which each reader is reading from a different copy of the Library), a book of readers' marks, and an instrumental interpretation of the markings,(...)
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Danielle Aubert's Library of The Dispossessed examines the lived experience of one hundred used copies of "The Dispossessed", a 1974 science fiction novel by Ursula Le Guin. It takes the form of polyphonic group readings (during which each reader is reading from a different copy of the Library), a book of readers' marks, and an instrumental interpretation of the markings,(...)
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Danielle Aubert: Marking the dispossessed
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Danielle Aubert's Library of The Dispossessed examines the lived experience of one hundred used copies of "The Dispossessed", a 1974 science fiction novel by Ursula Le Guin. It takes the form of polyphonic group readings (during which each reader is reading from a different copy of the Library), a book of readers' marks, and an instrumental interpretation of the markings, composed by Jason Treuting of So Percussion and Mobius Percussion. The used, mass market paperback has little value. This particular volume — "The Dispossessed" — is available cheaply or for free as an e-book (Amazon), audio book (Audible), PDF or TeX file (Anarchist Library). Most of the books collected for The Library of the Dispossessed were purchased from online resellers. They are marked by previous owners (New Tecumseth Public Library, Kate Wilkins, Lee W. Smith); bear messages from past readers (“good move!,” “I’m going to vomit,” “don’t ever let yourself be owned”); and carry miscellaneous scraps of paper (a boarding pass, a reminder to pick up Jess at 9:00).
Danielle Aubert: Marking the dispossessed
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Danielle Aubert's Library of The Dispossessed examines the lived experience of one hundred used copies of "The Dispossessed", a 1974 science fiction novel by Ursula Le Guin. It takes the form of polyphonic group readings (during which each reader is reading from a different copy of the Library), a book of readers' marks, and an instrumental interpretation of the markings, composed by Jason Treuting of So Percussion and Mobius Percussion. The used, mass market paperback has little value. This particular volume — "The Dispossessed" — is available cheaply or for free as an e-book (Amazon), audio book (Audible), PDF or TeX file (Anarchist Library). Most of the books collected for The Library of the Dispossessed were purchased from online resellers. They are marked by previous owners (New Tecumseth Public Library, Kate Wilkins, Lee W. Smith); bear messages from past readers (“good move!,” “I’m going to vomit,” “don’t ever let yourself be owned”); and carry miscellaneous scraps of paper (a boarding pass, a reminder to pick up Jess at 9:00).
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livres
Publication:
juillet 2015
juillet 2015
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Lothar Gotz: Line Drawings
Lothar Gotz: Line Drawings
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Best known for his large-scale wall paintings and installations, London-based contemporary German painter Lothar Götz's drawings now lie at the center of his practice and are an important resource for his wall paintings and installations. Built up of layers of juxtaposing colors, the drawings engage ideas of space and abstraction. This monograph assembles a selection(...)
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Best known for his large-scale wall paintings and installations, London-based contemporary German painter Lothar Götz's drawings now lie at the center of his practice and are an important resource for his wall paintings and installations. Built up of layers of juxtaposing colors, the drawings engage ideas of space and abstraction. This monograph assembles a selection(...)
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Lothar Gotz: Line Drawings
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Best known for his large-scale wall paintings and installations, London-based contemporary German painter Lothar Götz's drawings now lie at the center of his practice and are an important resource for his wall paintings and installations. Built up of layers of juxtaposing colors, the drawings engage ideas of space and abstraction. This monograph assembles a selection of dense compositions on painted card and board made between 2009 and 2014 in which Götz explores the impact of thin pencil lines or varying colors and intensity on surfaces.
Lothar Gotz: Line Drawings
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Best known for his large-scale wall paintings and installations, London-based contemporary German painter Lothar Götz's drawings now lie at the center of his practice and are an important resource for his wall paintings and installations. Built up of layers of juxtaposing colors, the drawings engage ideas of space and abstraction. This monograph assembles a selection of dense compositions on painted card and board made between 2009 and 2014 in which Götz explores the impact of thin pencil lines or varying colors and intensity on surfaces.
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Publication:
juillet 2015
juillet 2015
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In this beautifully designed and sensuously illustrated hybrid artist book / exhibition document, New York based French artist Camille Henrot reconsiders source material and ideas from her Artist Research Fellowship at the Smithsonian, her 2013 video Grosse Fatigue and her installation The Pale Fox (2014 15), which was shown at several museums throughout Europe. The(...)
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In this beautifully designed and sensuously illustrated hybrid artist book / exhibition document, New York based French artist Camille Henrot reconsiders source material and ideas from her Artist Research Fellowship at the Smithsonian, her 2013 video Grosse Fatigue and her installation The Pale Fox (2014 15), which was shown at several museums throughout Europe. The(...)
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Camille Henrot: elephant child
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In this beautifully designed and sensuously illustrated hybrid artist book / exhibition document, New York based French artist Camille Henrot reconsiders source material and ideas from her Artist Research Fellowship at the Smithsonian, her 2013 video Grosse Fatigue and her installation The Pale Fox (2014 15), which was shown at several museums throughout Europe. The accompanying text by Henrot, in collaboration with Clara Meister and Michael Connor, forms the core of the book, and is in keeping with Henrot s characteristic approach to knowledge production and organization. An interview between the artist and social anthropologist Monique Jeudy-Ballini offers further insight into Henrot s mode of thinking and her fascination with anthropology. A natural continuation of her artistic practice, Elephant Child combines Henrot s research materials, photographic fragments, preparatory notes and sketches alongside color photographs of the artist s sculptures, video stills and installation images.
Camille Henrot: elephant child
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In this beautifully designed and sensuously illustrated hybrid artist book / exhibition document, New York based French artist Camille Henrot reconsiders source material and ideas from her Artist Research Fellowship at the Smithsonian, her 2013 video Grosse Fatigue and her installation The Pale Fox (2014 15), which was shown at several museums throughout Europe. The accompanying text by Henrot, in collaboration with Clara Meister and Michael Connor, forms the core of the book, and is in keeping with Henrot s characteristic approach to knowledge production and organization. An interview between the artist and social anthropologist Monique Jeudy-Ballini offers further insight into Henrot s mode of thinking and her fascination with anthropology. A natural continuation of her artistic practice, Elephant Child combines Henrot s research materials, photographic fragments, preparatory notes and sketches alongside color photographs of the artist s sculptures, video stills and installation images.
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livres
Publication:
février 2016
février 2016
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$34.00
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History Rising is a subversive and engaging study of museum display. By distancing museum objects from their support structures Dutch artist Marjolijn Dijkman and UK independent curator Jes Fernie critique the assumptions behind how things are positioned, who chooses to display them and how social, political and aesthetic choices dictate the language of display.
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History Rising is a subversive and engaging study of museum display. By distancing museum objects from their support structures Dutch artist Marjolijn Dijkman and UK independent curator Jes Fernie critique the assumptions behind how things are positioned, who chooses to display them and how social, political and aesthetic choices dictate the language of display.
Publication:
octobre 2015
octobre 2015
Titre:
History rising: Marjolijn Dijkman & Jes Fernie
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History Rising is a subversive and engaging study of museum display. By distancing museum objects from their support structures Dutch artist Marjolijn Dijkman and UK independent curator Jes Fernie critique the assumptions behind how things are positioned, who chooses to display them and how social, political and aesthetic choices dictate the language of display.
History rising: Marjolijn Dijkman & Jes Fernie
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History Rising is a subversive and engaging study of museum display. By distancing museum objects from their support structures Dutch artist Marjolijn Dijkman and UK independent curator Jes Fernie critique the assumptions behind how things are positioned, who chooses to display them and how social, political and aesthetic choices dictate the language of display.
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Publication:
octobre 2015
octobre 2015
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$59.50
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Berlin-based artist Olaf Holzapfel explores the interstices between art and craft by collaborating with local farmers and craftspeople to create sculptural work that interweaves human settlement, technique and abstraction. The handsome full-color exhibition catalog features both large site-specific installations consisting of hay, straw and wooden frameworks along(...)
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Berlin-based artist Olaf Holzapfel explores the interstices between art and craft by collaborating with local farmers and craftspeople to create sculptural work that interweaves human settlement, technique and abstraction. The handsome full-color exhibition catalog features both large site-specific installations consisting of hay, straw and wooden frameworks along(...)
Titre:
Olaf Holzapfel: the technology of the land
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Berlin-based artist Olaf Holzapfel explores the interstices between art and craft by collaborating with local farmers and craftspeople to create sculptural work that interweaves human settlement, technique and abstraction. The handsome full-color exhibition catalog features both large site-specific installations consisting of hay, straw and wooden frameworks along with his smaller woven sculptures from his exhibition at the Lindenau-Museum Altenburg. Using space-generating methods like plaiting, weaving and latticing age-old settler techniques his sculptures don t differentiate between the manufactured and the handcrafted, the functional and the aesthetic. By transforming age-old handiwork into contemporary art, Holzapfel unsettles the division between nature and culture, tradition and modernity. A concluding essay by writer Jennifer Allen explores the pattern-making and abstraction in Holzapfel s work in relationship to Adolf Loos s influential 1908 essay Crime and Ornament.
Olaf Holzapfel: the technology of the land
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Berlin-based artist Olaf Holzapfel explores the interstices between art and craft by collaborating with local farmers and craftspeople to create sculptural work that interweaves human settlement, technique and abstraction. The handsome full-color exhibition catalog features both large site-specific installations consisting of hay, straw and wooden frameworks along with his smaller woven sculptures from his exhibition at the Lindenau-Museum Altenburg. Using space-generating methods like plaiting, weaving and latticing age-old settler techniques his sculptures don t differentiate between the manufactured and the handcrafted, the functional and the aesthetic. By transforming age-old handiwork into contemporary art, Holzapfel unsettles the division between nature and culture, tradition and modernity. A concluding essay by writer Jennifer Allen explores the pattern-making and abstraction in Holzapfel s work in relationship to Adolf Loos s influential 1908 essay Crime and Ornament.
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livres
Publication:
juillet 2015
juillet 2015
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$66.95
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A collaboration between sculptor Olaf Nicolai and photographer Heidi Specker, this artist book poetically captures Nicolai’s intervention during the reconstruction of the Bauhaus Masters’ Houses—once home to Moholy-Nagy, Kandinsky and Klee, among others—in Dessau. Coating the walls with marble dust with varying degrees of granulation to create geometrical patterns,(...)
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A collaboration between sculptor Olaf Nicolai and photographer Heidi Specker, this artist book poetically captures Nicolai’s intervention during the reconstruction of the Bauhaus Masters’ Houses—once home to Moholy-Nagy, Kandinsky and Klee, among others—in Dessau. Coating the walls with marble dust with varying degrees of granulation to create geometrical patterns,(...)
Titre:
Olaf Nicolai, Heindi Specker : le pigment de la lumière
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A collaboration between sculptor Olaf Nicolai and photographer Heidi Specker, this artist book poetically captures Nicolai’s intervention during the reconstruction of the Bauhaus Masters’ Houses—once home to Moholy-Nagy, Kandinsky and Klee, among others—in Dessau. Coating the walls with marble dust with varying degrees of granulation to create geometrical patterns, Nicolai produced a subtle relief that responds to the homes changing light conditions. Specker in turn gives the camouflaged surfaces a heightened sense of presence through her photographic renderings that direct the viewer’s gaze to the interplay of contour, surface, space and light. In Nicolai and Specker’s joint publication, an aesthetic intervention in a reconstructed space finds another iteration through the medium of photography in book form. The soft cover and Chinese fold give this elegant artist book and abstract journey through an iconic space a supple, organic feel.OLAF NICOLAI & HEIDI SPECKER
Olaf Nicolai, Heindi Specker : le pigment de la lumière
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A collaboration between sculptor Olaf Nicolai and photographer Heidi Specker, this artist book poetically captures Nicolai’s intervention during the reconstruction of the Bauhaus Masters’ Houses—once home to Moholy-Nagy, Kandinsky and Klee, among others—in Dessau. Coating the walls with marble dust with varying degrees of granulation to create geometrical patterns, Nicolai produced a subtle relief that responds to the homes changing light conditions. Specker in turn gives the camouflaged surfaces a heightened sense of presence through her photographic renderings that direct the viewer’s gaze to the interplay of contour, surface, space and light. In Nicolai and Specker’s joint publication, an aesthetic intervention in a reconstructed space finds another iteration through the medium of photography in book form. The soft cover and Chinese fold give this elegant artist book and abstract journey through an iconic space a supple, organic feel.OLAF NICOLAI & HEIDI SPECKER
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livres
livres
Publication:
juillet 2015
juillet 2015
