1920 Résultats
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Dans '' Rouge feu, bleu Klein, vert mélèze,'' Éva Prouteau parcourt l’ensemble de la pratique artistique d’Eva Taulois, abordant de concert son rapport à la couleur, à la sculpture et à la circulation des œuvres dans l’espace d’exposition. Elle revient également sur l’emploi de supports habituellement négligés car jugés purement décoratifs, tels que les textiles, les(...)
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Dans '' Rouge feu, bleu Klein, vert mélèze,'' Éva Prouteau parcourt l’ensemble de la pratique artistique d’Eva Taulois, abordant de concert son rapport à la couleur, à la sculpture et à la circulation des œuvres dans l’espace d’exposition. Elle revient également sur l’emploi de supports habituellement négligés car jugés purement décoratifs, tels que les textiles, les(...)
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Rouge feu, bleu Klein, vert mélèze
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Dans '' Rouge feu, bleu Klein, vert mélèze,'' Éva Prouteau parcourt l’ensemble de la pratique artistique d’Eva Taulois, abordant de concert son rapport à la couleur, à la sculpture et à la circulation des œuvres dans l’espace d’exposition. Elle revient également sur l’emploi de supports habituellement négligés car jugés purement décoratifs, tels que les textiles, les tapis ou des formes de mobilier (étagères, table et assises). Réalisé à partir de plusieurs entretiens menés à l’automne 2017 dans l’atelier d’Eva Taulois, le livre articule les réflexions de l’auteure avec des extraits de ces entretiens retranscrits directement dans le corps du texte, ainsi que de nombreuses reproductions d’œuvres en couleur.
Rouge feu, bleu Klein, vert mélèze
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Dans '' Rouge feu, bleu Klein, vert mélèze,'' Éva Prouteau parcourt l’ensemble de la pratique artistique d’Eva Taulois, abordant de concert son rapport à la couleur, à la sculpture et à la circulation des œuvres dans l’espace d’exposition. Elle revient également sur l’emploi de supports habituellement négligés car jugés purement décoratifs, tels que les textiles, les tapis ou des formes de mobilier (étagères, table et assises). Réalisé à partir de plusieurs entretiens menés à l’automne 2017 dans l’atelier d’Eva Taulois, le livre articule les réflexions de l’auteure avec des extraits de ces entretiens retranscrits directement dans le corps du texte, ainsi que de nombreuses reproductions d’œuvres en couleur.
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Publication:
avril 2018
avril 2018
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Rarely seen together, the artworks of Josef Albers (1888–1976) and Giorgio Morandi (1890–1964) share many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in(...)
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Rarely seen together, the artworks of Josef Albers (1888–1976) and Giorgio Morandi (1890–1964) share many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in(...)
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Albers and Morandi: never finished
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Rarely seen together, the artworks of Josef Albers (1888–1976) and Giorgio Morandi (1890–1964) share many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackled similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition ''Albers and Morandi: Never Finished'' at David Zwirner New York in 2021, the book illuminates the visual conversation between these two artists.
Albers and Morandi: never finished
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Rarely seen together, the artworks of Josef Albers (1888–1976) and Giorgio Morandi (1890–1964) share many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackled similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition ''Albers and Morandi: Never Finished'' at David Zwirner New York in 2021, the book illuminates the visual conversation between these two artists.
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Publication:
octobre 2021
octobre 2021
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This volume brings together the paintings and drawings of Elizabeth Murray (1940–2007) and the work of New York–based sculptor Jessi Reaves (born 1986). Despite the generations that separate Murray and Reaves, this publication highlights each artist’s lyrical, playful, and rigorous engagements with the decorative, domestic, and bodily. Published to accompany an exhibition(...)
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This volume brings together the paintings and drawings of Elizabeth Murray (1940–2007) and the work of New York–based sculptor Jessi Reaves (born 1986). Despite the generations that separate Murray and Reaves, this publication highlights each artist’s lyrical, playful, and rigorous engagements with the decorative, domestic, and bodily. Published to accompany an exhibition(...)
Publication:
mars 2021
mars 2021
Titre:
Wild Life: Elizabeth Murray & Jessi Reaves
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This volume brings together the paintings and drawings of Elizabeth Murray (1940–2007) and the work of New York–based sculptor Jessi Reaves (born 1986). Despite the generations that separate Murray and Reaves, this publication highlights each artist’s lyrical, playful, and rigorous engagements with the decorative, domestic, and bodily. Published to accompany an exhibition at the Contemporary Arts Museum Houston, this book explores Murray’s and Reaves’s often ambiguous conceptions of the body and the home, wherein both body and home are continuously coming together and falling apart. The publication features a newly commissioned conversation between Reaves and Johanna Fateman, as well as a reprint of a historical interview between Murray and Kate Horsfield, which together chart the two artists’ irreverent plays with color and form, high and low cultural references, and notions of masculinity and femininity.
Wild Life: Elizabeth Murray & Jessi Reaves
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This volume brings together the paintings and drawings of Elizabeth Murray (1940–2007) and the work of New York–based sculptor Jessi Reaves (born 1986). Despite the generations that separate Murray and Reaves, this publication highlights each artist’s lyrical, playful, and rigorous engagements with the decorative, domestic, and bodily. Published to accompany an exhibition at the Contemporary Arts Museum Houston, this book explores Murray’s and Reaves’s often ambiguous conceptions of the body and the home, wherein both body and home are continuously coming together and falling apart. The publication features a newly commissioned conversation between Reaves and Johanna Fateman, as well as a reprint of a historical interview between Murray and Kate Horsfield, which together chart the two artists’ irreverent plays with color and form, high and low cultural references, and notions of masculinity and femininity.
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livres
Publication:
mars 2021
mars 2021
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Born in Kinngait (Cape Dorset) in 1961, Shuvinai is part of a famed dynasty of artists that includes her grandmother Pitseolak Ashoona and her Sobey Art Award–winning cousin, the late Annie Pootoogook. Shuvinai is recognized as a member of a new generation of artists that engage with drawing in innovative ways. Her highly imaginative work combines aspects of traditional(...)
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Born in Kinngait (Cape Dorset) in 1961, Shuvinai is part of a famed dynasty of artists that includes her grandmother Pitseolak Ashoona and her Sobey Art Award–winning cousin, the late Annie Pootoogook. Shuvinai is recognized as a member of a new generation of artists that engage with drawing in innovative ways. Her highly imaginative work combines aspects of traditional(...)
Publication:
mars 2019
mars 2019
Titre:
Shuvinai Ashoona : life & work
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Born in Kinngait (Cape Dorset) in 1961, Shuvinai is part of a famed dynasty of artists that includes her grandmother Pitseolak Ashoona and her Sobey Art Award–winning cousin, the late Annie Pootoogook. Shuvinai is recognized as a member of a new generation of artists that engage with drawing in innovative ways. Her highly imaginative work combines aspects of traditional Inuit culture and mythology with influences derived from the non-Arctic world. This publication explores the world of an artist whose rich graphic imagery conveys an intricate and textured personal vision. Using pencil, pen and ink, and markers to render dense, highly imaginative drawings, Shuvinai creates art that reflects the intersection of values between the traditional and the contemporary in the North.
Shuvinai Ashoona : life & work
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Born in Kinngait (Cape Dorset) in 1961, Shuvinai is part of a famed dynasty of artists that includes her grandmother Pitseolak Ashoona and her Sobey Art Award–winning cousin, the late Annie Pootoogook. Shuvinai is recognized as a member of a new generation of artists that engage with drawing in innovative ways. Her highly imaginative work combines aspects of traditional Inuit culture and mythology with influences derived from the non-Arctic world. This publication explores the world of an artist whose rich graphic imagery conveys an intricate and textured personal vision. Using pencil, pen and ink, and markers to render dense, highly imaginative drawings, Shuvinai creates art that reflects the intersection of values between the traditional and the contemporary in the North.
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Publication:
mars 2019
mars 2019
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Créé en 1993 par l'artiste allemand Martin Kippenberger, le MOMAS (Museum of Modern Art Syros) est un musée d'artiste ouvert jusqu'en 1996 et situé sur l'île de Syros dans les Cyclades. Installé dans un bâtiment inachevé, Kippenberger y invitait ses amis artistes à y faire des projets et à y déposer des œuvres. Cosima von Bonin, Hubert Kiecol, Stephen Prina, Christopher(...)
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Créé en 1993 par l'artiste allemand Martin Kippenberger, le MOMAS (Museum of Modern Art Syros) est un musée d'artiste ouvert jusqu'en 1996 et situé sur l'île de Syros dans les Cyclades. Installé dans un bâtiment inachevé, Kippenberger y invitait ses amis artistes à y faire des projets et à y déposer des œuvres. Cosima von Bonin, Hubert Kiecol, Stephen Prina, Christopher(...)
Publication:
février 2021
février 2021
Titre:
Martin Kippenberger : MOMAS Project
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Créé en 1993 par l'artiste allemand Martin Kippenberger, le MOMAS (Museum of Modern Art Syros) est un musée d'artiste ouvert jusqu'en 1996 et situé sur l'île de Syros dans les Cyclades. Installé dans un bâtiment inachevé, Kippenberger y invitait ses amis artistes à y faire des projets et à y déposer des œuvres. Cosima von Bonin, Hubert Kiecol, Stephen Prina, Christopher Wool (qui en réalisa la signalétique), Lukas Baumewerd, Michel Majerus, Michael Krebber, Heimo Zobernig furent parmi les artistes invités à intervenir dans un lieu destiné à un public fort réduit (une dizaine de personnes tout au plus). Le MAMCO conserve la quasi-totalité de ce qui a été produit dans le cadre de cette utopie muséale. Cet ouvrage en restistitue pour la première fois l'historique complet tant du point de vue de l'économie générale de l'art de Kippenberger (Daniel Baumann), que de la logique propre à ce bureau des projets et à ses relations avec le MAMCO (Thierry Davila). On y découvre notamment comment le musée alternatif peut être un outil de travail pour le musée institué.
Martin Kippenberger : MOMAS Project
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Créé en 1993 par l'artiste allemand Martin Kippenberger, le MOMAS (Museum of Modern Art Syros) est un musée d'artiste ouvert jusqu'en 1996 et situé sur l'île de Syros dans les Cyclades. Installé dans un bâtiment inachevé, Kippenberger y invitait ses amis artistes à y faire des projets et à y déposer des œuvres. Cosima von Bonin, Hubert Kiecol, Stephen Prina, Christopher Wool (qui en réalisa la signalétique), Lukas Baumewerd, Michel Majerus, Michael Krebber, Heimo Zobernig furent parmi les artistes invités à intervenir dans un lieu destiné à un public fort réduit (une dizaine de personnes tout au plus). Le MAMCO conserve la quasi-totalité de ce qui a été produit dans le cadre de cette utopie muséale. Cet ouvrage en restistitue pour la première fois l'historique complet tant du point de vue de l'économie générale de l'art de Kippenberger (Daniel Baumann), que de la logique propre à ce bureau des projets et à ses relations avec le MAMCO (Thierry Davila). On y découvre notamment comment le musée alternatif peut être un outil de travail pour le musée institué.
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Publication:
février 2021
février 2021
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'Abitata pietra' (lived-in stone) is a publishing project by Antonio Cammareri, Stefania D’Amato, and Luogo Comune. It is an intense investigation, a graphic and geographical visual narration, a landscape of signs, a collection of illustrations that analyse particular and global elements, fragments and entities, in an attempt to define the rupestrian landscape that(...)
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'Abitata pietra' (lived-in stone) is a publishing project by Antonio Cammareri, Stefania D’Amato, and Luogo Comune. It is an intense investigation, a graphic and geographical visual narration, a landscape of signs, a collection of illustrations that analyse particular and global elements, fragments and entities, in an attempt to define the rupestrian landscape that(...)
Publication:
mars 2021
mars 2021
Titre:
Abitata Pietra: Inhabited topography
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'Abitata pietra' (lived-in stone) is a publishing project by Antonio Cammareri, Stefania D’Amato, and Luogo Comune. It is an intense investigation, a graphic and geographical visual narration, a landscape of signs, a collection of illustrations that analyse particular and global elements, fragments and entities, in an attempt to define the rupestrian landscape that connects the italian territories of Matera, Montescaglioso, and many other towns and 'inhabited topographies' all over the world. The book is the result of site specific research and narrative experimentation carried out collectively by the artists and includes five photographic contributions on rupestrian civilisation.
Abitata Pietra: Inhabited topography
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'Abitata pietra' (lived-in stone) is a publishing project by Antonio Cammareri, Stefania D’Amato, and Luogo Comune. It is an intense investigation, a graphic and geographical visual narration, a landscape of signs, a collection of illustrations that analyse particular and global elements, fragments and entities, in an attempt to define the rupestrian landscape that connects the italian territories of Matera, Montescaglioso, and many other towns and 'inhabited topographies' all over the world. The book is the result of site specific research and narrative experimentation carried out collectively by the artists and includes five photographic contributions on rupestrian civilisation.
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Publication:
mars 2021
mars 2021
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This ambitious publication surveys Neel’s nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York’s global diaspora reveal that Neel viewed humanism as both a political and(...)
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This ambitious publication surveys Neel’s nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York’s global diaspora reveal that Neel viewed humanism as both a political and(...)
Titre:
Alice Neel: people come first
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This ambitious publication surveys Neel’s nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York’s global diaspora reveal that Neel viewed humanism as both a political and philosophical ideal. In addition to these paintings of famous and unknown sitters, the more than 100 works highlighted include Neel’s emotionally charged cityscapes and still lifes as well as the artist’s erotic pastels and watercolors. Essays tackle Neel’s portrayal of LGBTQ subjects; her unique aesthetic language, which merged abstraction and figuration; and her commitment to progressive politics, civil rights, feminism, and racial diversity.
Alice Neel: people come first
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This ambitious publication surveys Neel’s nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York’s global diaspora reveal that Neel viewed humanism as both a political and philosophical ideal. In addition to these paintings of famous and unknown sitters, the more than 100 works highlighted include Neel’s emotionally charged cityscapes and still lifes as well as the artist’s erotic pastels and watercolors. Essays tackle Neel’s portrayal of LGBTQ subjects; her unique aesthetic language, which merged abstraction and figuration; and her commitment to progressive politics, civil rights, feminism, and racial diversity.
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livres
livres
Publication:
avril 2021
avril 2021
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An exploration of the art and writing of Louise Bourgeois through the lens of her relationship with Freudian psychoanalysis. From 1952 to 1985, Louise Bourgeois (1911–2010) underwent extensive Freudian analysis that probed her family history, marriage, motherhood, and artistic ambition—and generated inspiration for her artwork. Examining the impact of psychoanalysis on(...)
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An exploration of the art and writing of Louise Bourgeois through the lens of her relationship with Freudian psychoanalysis. From 1952 to 1985, Louise Bourgeois (1911–2010) underwent extensive Freudian analysis that probed her family history, marriage, motherhood, and artistic ambition—and generated inspiration for her artwork. Examining the impact of psychoanalysis on(...)
Titre:
Louise Bourgeois: Freud's daughter
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An exploration of the art and writing of Louise Bourgeois through the lens of her relationship with Freudian psychoanalysis. From 1952 to 1985, Louise Bourgeois (1911–2010) underwent extensive Freudian analysis that probed her family history, marriage, motherhood, and artistic ambition—and generated inspiration for her artwork. Examining the impact of psychoanalysis on Bourgeois’s work, this volume offers insight into her creative process. Philip Larratt-Smith, Bourgeois’s literary archivist, provides an overview of the artist’s life and work and the ways in which the psychoanalytic process informed her artistic practice. An essay by Juliet Mitchell offers a cutting-edge feminist psychoanalyst’s viewpoint on the artist’s long and complex relationship with therapy. In addition, a short text written by Bourgeois (first published in 1991) addresses Freud’s own relationship to art and artists. Featuring excerpts from Bourgeois’s copious diaries, rarely seen notebook pages, and archival family photographs, Louise Bourgeois, "Freud’s daughter" opens exciting new avenues for understanding an innovative, influential, and groundbreaking artist whose wide-ranging work includes not only renowned large-scale sculptures but also a plethora of paintings and prints.
Louise Bourgeois: Freud's daughter
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An exploration of the art and writing of Louise Bourgeois through the lens of her relationship with Freudian psychoanalysis. From 1952 to 1985, Louise Bourgeois (1911–2010) underwent extensive Freudian analysis that probed her family history, marriage, motherhood, and artistic ambition—and generated inspiration for her artwork. Examining the impact of psychoanalysis on Bourgeois’s work, this volume offers insight into her creative process. Philip Larratt-Smith, Bourgeois’s literary archivist, provides an overview of the artist’s life and work and the ways in which the psychoanalytic process informed her artistic practice. An essay by Juliet Mitchell offers a cutting-edge feminist psychoanalyst’s viewpoint on the artist’s long and complex relationship with therapy. In addition, a short text written by Bourgeois (first published in 1991) addresses Freud’s own relationship to art and artists. Featuring excerpts from Bourgeois’s copious diaries, rarely seen notebook pages, and archival family photographs, Louise Bourgeois, "Freud’s daughter" opens exciting new avenues for understanding an innovative, influential, and groundbreaking artist whose wide-ranging work includes not only renowned large-scale sculptures but also a plethora of paintings and prints.
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livres
livres
Publication:
juin 2021
juin 2021
Classification:
livres
livres
Titre:
Dana Claxton
Dana Claxton
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Dana Claxton (born 1959) is a critically acclaimed, award-winning artist and filmmaker working across film, video, photography, single and multichannel video installation and performance art. Her practice investigates the body, the socio-political and the spiritual within realms of indigenous beauty. This book consolidates our understanding of Dana Claxton’s dominant(...)
$91.00
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Dana Claxton (born 1959) is a critically acclaimed, award-winning artist and filmmaker working across film, video, photography, single and multichannel video installation and performance art. Her practice investigates the body, the socio-political and the spiritual within realms of indigenous beauty. This book consolidates our understanding of Dana Claxton’s dominant(...)
Publication:
septembre 2021
septembre 2021
Titre:
Dana Claxton
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Dana Claxton (born 1959) is a critically acclaimed, award-winning artist and filmmaker working across film, video, photography, single and multichannel video installation and performance art. Her practice investigates the body, the socio-political and the spiritual within realms of indigenous beauty. This book consolidates our understanding of Dana Claxton’s dominant and recurring themes—indigenous history, culture, beauty and spirituality. While Claxton’s art often alludes to the destructive legacy of colonialism, it also celebrates the resurgence of First Nations’ presence and contemporary identity. What emerges is an artist delivering works of ever greater power and conviction. With her expansive and genre-defying practice—photography, videos, mixed-media installations, text works, performances and curatorial work—she continues to critically reimagine the space of the gallery to be accessible for wider Indigenous audiences and to uphold new understandings of beauty.
Dana Claxton
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Dana Claxton (born 1959) is a critically acclaimed, award-winning artist and filmmaker working across film, video, photography, single and multichannel video installation and performance art. Her practice investigates the body, the socio-political and the spiritual within realms of indigenous beauty. This book consolidates our understanding of Dana Claxton’s dominant and recurring themes—indigenous history, culture, beauty and spirituality. While Claxton’s art often alludes to the destructive legacy of colonialism, it also celebrates the resurgence of First Nations’ presence and contemporary identity. What emerges is an artist delivering works of ever greater power and conviction. With her expansive and genre-defying practice—photography, videos, mixed-media installations, text works, performances and curatorial work—she continues to critically reimagine the space of the gallery to be accessible for wider Indigenous audiences and to uphold new understandings of beauty.
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livres
Publication:
septembre 2021
septembre 2021
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Whatever the medium – design, painting, textile or sculpture – Nathalie Du Pasquier’s work is born from an accumulation that constructs architectures of shapes and colours. Beautifully quiet still lifes, electric patterns, domestic landscapes, and construction games are mixed in a joyous freedom, as a myriad of visual spaces to explore. ‘Sempre Milanese’ is a walk along(...)
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Whatever the medium – design, painting, textile or sculpture – Nathalie Du Pasquier’s work is born from an accumulation that constructs architectures of shapes and colours. Beautifully quiet still lifes, electric patterns, domestic landscapes, and construction games are mixed in a joyous freedom, as a myriad of visual spaces to explore. ‘Sempre Milanese’ is a walk along(...)
Titre:
Nathalie du Pasquier: Sempre Milanese
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Whatever the medium – design, painting, textile or sculpture – Nathalie Du Pasquier’s work is born from an accumulation that constructs architectures of shapes and colours. Beautifully quiet still lifes, electric patterns, domestic landscapes, and construction games are mixed in a joyous freedom, as a myriad of visual spaces to explore. ‘Sempre Milanese’ is a walk along that singular course through a selection of works going from the early 1980’s to today. This publication is a new edition, with an extra 16 pages of Fotokino’s previous book ‘Milanese’, published in 2015.
Nathalie du Pasquier: Sempre Milanese
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Whatever the medium – design, painting, textile or sculpture – Nathalie Du Pasquier’s work is born from an accumulation that constructs architectures of shapes and colours. Beautifully quiet still lifes, electric patterns, domestic landscapes, and construction games are mixed in a joyous freedom, as a myriad of visual spaces to explore. ‘Sempre Milanese’ is a walk along that singular course through a selection of works going from the early 1980’s to today. This publication is a new edition, with an extra 16 pages of Fotokino’s previous book ‘Milanese’, published in 2015.
Classification:
livres
livres
Publication:
novembre 2019
novembre 2019
