1921 Résultats
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The immersive soundscape installations and intimate environments of the Canadian artist duo Janet Cardiff (born 1957) and Georges Bures Miller (born 1960) present an ongoing series of chapters in the life of the ghost in the machine. Their works describe tales of tag-sale menace and shared loneliness through aural means, wholly reconceiving the gallery experience. A(...)
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The immersive soundscape installations and intimate environments of the Canadian artist duo Janet Cardiff (born 1957) and Georges Bures Miller (born 1960) present an ongoing series of chapters in the life of the ghost in the machine. Their works describe tales of tag-sale menace and shared loneliness through aural means, wholly reconceiving the gallery experience. A(...)
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Janet Cardiff & George Bures Miller: works from the Goetz collection
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The immersive soundscape installations and intimate environments of the Canadian artist duo Janet Cardiff (born 1957) and Georges Bures Miller (born 1960) present an ongoing series of chapters in the life of the ghost in the machine. Their works describe tales of tag-sale menace and shared loneliness through aural means, wholly reconceiving the gallery experience. A pioneering collector of new media art, Ingvild Goetz has assembled a significant series of works by Cardiff and Miller over the years, and this publication presents this important collection for the first time. Texts by Goetz, Okwui Enwezor, León Krempel and Rainald Schumacher provide background details and references to each work that shed light on its place in the artists’ oeuvre, with a particular focus on the couple’s very personal and theatrical use of sound.
Janet Cardiff & George Bures Miller: works from the Goetz collection
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The immersive soundscape installations and intimate environments of the Canadian artist duo Janet Cardiff (born 1957) and Georges Bures Miller (born 1960) present an ongoing series of chapters in the life of the ghost in the machine. Their works describe tales of tag-sale menace and shared loneliness through aural means, wholly reconceiving the gallery experience. A pioneering collector of new media art, Ingvild Goetz has assembled a significant series of works by Cardiff and Miller over the years, and this publication presents this important collection for the first time. Texts by Goetz, Okwui Enwezor, León Krempel and Rainald Schumacher provide background details and references to each work that shed light on its place in the artists’ oeuvre, with a particular focus on the couple’s very personal and theatrical use of sound.
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livres
livres
Publication:
août 2012
août 2012
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livres
livres
Titre:
Sarah Crowner: format
Sarah Crowner: format
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The paintings of New York artist Sarah Crowner (born 1974) have offered a new slant on the constructedness of the abstract-geometric painting as developed by Max Bill, Ellsworth Kelly, Agnes Martin and Elizabeth Murray. Crowner sews together painted panels of canvas, raw linen and monochromatic fabrics, introducing a handmade touch to modernist aesthetics that often(...)
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The paintings of New York artist Sarah Crowner (born 1974) have offered a new slant on the constructedness of the abstract-geometric painting as developed by Max Bill, Ellsworth Kelly, Agnes Martin and Elizabeth Murray. Crowner sews together painted panels of canvas, raw linen and monochromatic fabrics, introducing a handmade touch to modernist aesthetics that often(...)
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Sarah Crowner: format
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The paintings of New York artist Sarah Crowner (born 1974) have offered a new slant on the constructedness of the abstract-geometric painting as developed by Max Bill, Ellsworth Kelly, Agnes Martin and Elizabeth Murray. Crowner sews together painted panels of canvas, raw linen and monochromatic fabrics, introducing a handmade touch to modernist aesthetics that often espoused the minimizing of the artist’s hand. Crowner’s first large-scale artist’s book extends this instinct for materiality to her vast archive of ephemera (magazines, publications, posters) from the 1920s through the 1940s, which she deploys here as a source material for the creation of new images that are built up through imposition, extraction, collaging and printing. Much like her paintings, the resulting works are geometrical and optical abstractions that bring fresh vigor to the tradition on which Crowner draws.
Sarah Crowner: format
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The paintings of New York artist Sarah Crowner (born 1974) have offered a new slant on the constructedness of the abstract-geometric painting as developed by Max Bill, Ellsworth Kelly, Agnes Martin and Elizabeth Murray. Crowner sews together painted panels of canvas, raw linen and monochromatic fabrics, introducing a handmade touch to modernist aesthetics that often espoused the minimizing of the artist’s hand. Crowner’s first large-scale artist’s book extends this instinct for materiality to her vast archive of ephemera (magazines, publications, posters) from the 1920s through the 1940s, which she deploys here as a source material for the creation of new images that are built up through imposition, extraction, collaging and printing. Much like her paintings, the resulting works are geometrical and optical abstractions that bring fresh vigor to the tradition on which Crowner draws.
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livres
livres
Publication:
septembre 2012
septembre 2012
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Soto: Paris and Beyond, 1950–1970 accompanies the first large-scale exhibition dedicated to Jesús Soto to be held at a New York museum in more than 35 years. It highlights this major Venezuelan artist’s early career, following his relocation from Caracas to Paris in 1950, and offers a rare opportunity to trace Soto’s visionary trajectory and his influence upon, and(...)
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Soto: Paris and Beyond, 1950–1970 accompanies the first large-scale exhibition dedicated to Jesús Soto to be held at a New York museum in more than 35 years. It highlights this major Venezuelan artist’s early career, following his relocation from Caracas to Paris in 1950, and offers a rare opportunity to trace Soto’s visionary trajectory and his influence upon, and(...)
Titre:
Soto: Paris and beyond, 1950-1970
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Soto: Paris and Beyond, 1950–1970 accompanies the first large-scale exhibition dedicated to Jesús Soto to be held at a New York museum in more than 35 years. It highlights this major Venezuelan artist’s early career, following his relocation from Caracas to Paris in 1950, and offers a rare opportunity to trace Soto’s visionary trajectory and his influence upon, and exchanges with, other members of the avant-garde. Soto’s achievements in the field of interactive art established his reputation as both an international exponent of kinetic art and one of the most influential Latin American artists of the twentieth century. This fully illustrated catalogue includes essays by curator Estrellita B. Brodsky and art historian Sarah K. Rich.
Soto: Paris and beyond, 1950-1970
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Soto: Paris and Beyond, 1950–1970 accompanies the first large-scale exhibition dedicated to Jesús Soto to be held at a New York museum in more than 35 years. It highlights this major Venezuelan artist’s early career, following his relocation from Caracas to Paris in 1950, and offers a rare opportunity to trace Soto’s visionary trajectory and his influence upon, and exchanges with, other members of the avant-garde. Soto’s achievements in the field of interactive art established his reputation as both an international exponent of kinetic art and one of the most influential Latin American artists of the twentieth century. This fully illustrated catalogue includes essays by curator Estrellita B. Brodsky and art historian Sarah K. Rich.
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livres
livres
Publication:
juillet 2012
juillet 2012
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livres
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Aram Bartholl’s work explores the power structures, the social systems, the cultural innovations, the inner dynamics, the languages, and the products that are shaping our age. This first comprehensive monograph offers entry to an oeuvre in which space and cyberspace mingle and mangle each other, a realm that uses as little technology as possible while still speaking a(...)
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Aram Bartholl’s work explores the power structures, the social systems, the cultural innovations, the inner dynamics, the languages, and the products that are shaping our age. This first comprehensive monograph offers entry to an oeuvre in which space and cyberspace mingle and mangle each other, a realm that uses as little technology as possible while still speaking a(...)
Titre:
Aram Batholl : the speed book
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Aram Bartholl’s work explores the power structures, the social systems, the cultural innovations, the inner dynamics, the languages, and the products that are shaping our age. This first comprehensive monograph offers entry to an oeuvre in which space and cyberspace mingle and mangle each other, a realm that uses as little technology as possible while still speaking a digital language.
Aram Batholl : the speed book
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Aram Bartholl’s work explores the power structures, the social systems, the cultural innovations, the inner dynamics, the languages, and the products that are shaping our age. This first comprehensive monograph offers entry to an oeuvre in which space and cyberspace mingle and mangle each other, a realm that uses as little technology as possible while still speaking a digital language.
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livres
livres
Publication:
mai 2012
mai 2012
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livres
Titre:
Christopher Wool
Christopher Wool
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In-your-face, achingly simple, deceptively frank, the work of Christopher Wool is so very New York. Though he owes a debt to abstract expressionism and pop art, he completely transcends—even demolishes—these genres. Whether it’s a text-based painting or an abstract spray-painted piece, his work is immediately engaging. Wool questions painting, like many other artists in(...)
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In-your-face, achingly simple, deceptively frank, the work of Christopher Wool is so very New York. Though he owes a debt to abstract expressionism and pop art, he completely transcends—even demolishes—these genres. Whether it’s a text-based painting or an abstract spray-painted piece, his work is immediately engaging. Wool questions painting, like many other artists in(...)
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Christopher Wool
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In-your-face, achingly simple, deceptively frank, the work of Christopher Wool is so very New York. Though he owes a debt to abstract expressionism and pop art, he completely transcends—even demolishes—these genres. Whether it’s a text-based painting or an abstract spray-painted piece, his work is immediately engaging. Wool questions painting, like many other artists in his generation, but he doesn’t provide any easy answers. “The harder you look the harder you look,” he puts it in one of his word paintings, and that is an excellent example of how he states the obvious whilst provoking us to think deeper about what seems obvious.
Christopher Wool
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In-your-face, achingly simple, deceptively frank, the work of Christopher Wool is so very New York. Though he owes a debt to abstract expressionism and pop art, he completely transcends—even demolishes—these genres. Whether it’s a text-based painting or an abstract spray-painted piece, his work is immediately engaging. Wool questions painting, like many other artists in his generation, but he doesn’t provide any easy answers. “The harder you look the harder you look,” he puts it in one of his word paintings, and that is an excellent example of how he states the obvious whilst provoking us to think deeper about what seems obvious.
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livres
livres
Publication:
septembre 2012
septembre 2012
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Turner's sketchbooks were private things which he kept to himself. They might live for some time, rolled up in his coat pockets or travel bags, to be pulled out as need arose. In the studio, they served as memory banks for future work. The sketchbook reproduced within this publication includes watercolour sketches Turner made on his trip to Lucerne in Switzerland(...)
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Turner's sketchbooks were private things which he kept to himself. They might live for some time, rolled up in his coat pockets or travel bags, to be pulled out as need arose. In the studio, they served as memory banks for future work. The sketchbook reproduced within this publication includes watercolour sketches Turner made on his trip to Lucerne in Switzerland(...)
Titre:
J. M. W. Turner: the Lucerne sketchbook
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Turner's sketchbooks were private things which he kept to himself. They might live for some time, rolled up in his coat pockets or travel bags, to be pulled out as need arose. In the studio, they served as memory banks for future work. The sketchbook reproduced within this publication includes watercolour sketches Turner made on his trip to Lucerne in Switzerland capturing the beautiful Rigi mountain, a landscape he returned to again and again. Drawn back to the mountains, Turner made these sketches after the famous The Blue Rigi, Sunrise 1842, and they reveal his masterful hand as he portrays the ever changing moods of the Swiss-Alps, depicted through rainy showers, sunbeams filtering through clouds and rainbows cast across the blue mountain peaks.
J. M. W. Turner: the Lucerne sketchbook
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Turner's sketchbooks were private things which he kept to himself. They might live for some time, rolled up in his coat pockets or travel bags, to be pulled out as need arose. In the studio, they served as memory banks for future work. The sketchbook reproduced within this publication includes watercolour sketches Turner made on his trip to Lucerne in Switzerland capturing the beautiful Rigi mountain, a landscape he returned to again and again. Drawn back to the mountains, Turner made these sketches after the famous The Blue Rigi, Sunrise 1842, and they reveal his masterful hand as he portrays the ever changing moods of the Swiss-Alps, depicted through rainy showers, sunbeams filtering through clouds and rainbows cast across the blue mountain peaks.
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livres
livres
Publication:
mars 2019
mars 2019
Classification:
livres
livres
Titre:
Minoru Onoda
Minoru Onoda
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Minoru Onoda is best known as a member of Gutai, Japan's first postwar radical artistic movement, which challenged what it saw as the rigid, reactionary ideologies of the art of the time and initiated new ones that redefined the relationships among matter, time, and space. Concurrent to the inception of Gutai, Onoda became enchanted by concepts of repetition, producing(...)
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Minoru Onoda is best known as a member of Gutai, Japan's first postwar radical artistic movement, which challenged what it saw as the rigid, reactionary ideologies of the art of the time and initiated new ones that redefined the relationships among matter, time, and space. Concurrent to the inception of Gutai, Onoda became enchanted by concepts of repetition, producing(...)
Titre:
Minoru Onoda
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Minoru Onoda is best known as a member of Gutai, Japan's first postwar radical artistic movement, which challenged what it saw as the rigid, reactionary ideologies of the art of the time and initiated new ones that redefined the relationships among matter, time, and space. Concurrent to the inception of Gutai, Onoda became enchanted by concepts of repetition, producing paintings and drawings with amalgamations of gradually increasing dots and organically growing shapes. But less is known in the West about Onoda's early and late-career work.
Minoru Onoda
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Minoru Onoda is best known as a member of Gutai, Japan's first postwar radical artistic movement, which challenged what it saw as the rigid, reactionary ideologies of the art of the time and initiated new ones that redefined the relationships among matter, time, and space. Concurrent to the inception of Gutai, Onoda became enchanted by concepts of repetition, producing paintings and drawings with amalgamations of gradually increasing dots and organically growing shapes. But less is known in the West about Onoda's early and late-career work.
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livres
livres
Publication:
mars 2019
mars 2019
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livres
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$56.95
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While the title might suggest a project about weather, the contributions address the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, and politics of sustainability, climate justice, and resilience.
$56.95
(disponible en magasin)
Résumé:
While the title might suggest a project about weather, the contributions address the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, and politics of sustainability, climate justice, and resilience.
Titre:
The work of wind : air, land, sea
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$56.95
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While the title might suggest a project about weather, the contributions address the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, and politics of sustainability, climate justice, and resilience.
The work of wind : air, land, sea
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$56.95
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Résumé:
While the title might suggest a project about weather, the contributions address the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, and politics of sustainability, climate justice, and resilience.
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livres
livres
Publication:
mars 2019
mars 2019
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livres
livres
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$30.50
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This exhibition catalogue features the artist’s earlier work, from photography series to sculpture installations. It is presented within the context of one of America’s great Gilded Age mansions - the Driehaus Museum’s home - creating compelling juxtapositions that will reveal new perspectives on both the art and its setting.
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Résumé:
This exhibition catalogue features the artist’s earlier work, from photography series to sculpture installations. It is presented within the context of one of America’s great Gilded Age mansions - the Driehaus Museum’s home - creating compelling juxtapositions that will reveal new perspectives on both the art and its setting.
Titre:
A tale of today. Yinka Shonibare CBE
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This exhibition catalogue features the artist’s earlier work, from photography series to sculpture installations. It is presented within the context of one of America’s great Gilded Age mansions - the Driehaus Museum’s home - creating compelling juxtapositions that will reveal new perspectives on both the art and its setting.
A tale of today. Yinka Shonibare CBE
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$30.50
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Résumé:
This exhibition catalogue features the artist’s earlier work, from photography series to sculpture installations. It is presented within the context of one of America’s great Gilded Age mansions - the Driehaus Museum’s home - creating compelling juxtapositions that will reveal new perspectives on both the art and its setting.
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livres
livres
Publication:
avril 2019
avril 2019
Classification:
livres
livres
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$45.00
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Unappreciated in his own lifetime, Paul Gauguin (1848–1903) is now recognized as one of the giants of French postimpressionism and a pioneer of early modernism. A rebel in both art and life, he rejected his bourgeois upbringing and comfortable stockbroker's job to devote his life to painting. Eventually, dismayed by the "hypocrisy of civilization" and in search of a(...)
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Unappreciated in his own lifetime, Paul Gauguin (1848–1903) is now recognized as one of the giants of French postimpressionism and a pioneer of early modernism. A rebel in both art and life, he rejected his bourgeois upbringing and comfortable stockbroker's job to devote his life to painting. Eventually, dismayed by the "hypocrisy of civilization" and in search of a(...)
Titre:
Paul Gauguin's intimate journals
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Unappreciated in his own lifetime, Paul Gauguin (1848–1903) is now recognized as one of the giants of French postimpressionism and a pioneer of early modernism. A rebel in both art and life, he rejected his bourgeois upbringing and comfortable stockbroker's job to devote his life to painting. Eventually, dismayed by the "hypocrisy of civilization" and in search of a primitive idyll, he left Paris and took up residence in the South Seas, first in Tahiti and, later, in the Marquesas Islands. He would never return to Europe. In the final months of his life, he wrote this witty, revealing autobiographical memoir with the request that it be published upon his death. It first appeared in the original French in 1918, and was translated into English three years later.
Paul Gauguin's intimate journals
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Unappreciated in his own lifetime, Paul Gauguin (1848–1903) is now recognized as one of the giants of French postimpressionism and a pioneer of early modernism. A rebel in both art and life, he rejected his bourgeois upbringing and comfortable stockbroker's job to devote his life to painting. Eventually, dismayed by the "hypocrisy of civilization" and in search of a primitive idyll, he left Paris and took up residence in the South Seas, first in Tahiti and, later, in the Marquesas Islands. He would never return to Europe. In the final months of his life, he wrote this witty, revealing autobiographical memoir with the request that it be published upon his death. It first appeared in the original French in 1918, and was translated into English three years later.
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livres
livres
Publication:
avril 2019
avril 2019
