1866 Résultats
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Cette publication dresse le portrait d’une scène artistique française, dont le dynamisme, la prolixité, sont aujourd’hui manifestes. Le choix des 88 artistes est le produit d’une collaboration entre Blackjack éditions et les auteurs. Huit pages sont consacrées à chaque artiste, dont six dédiées à la reproduction iconographique des oeuvres; un espace qui permet de(...)
$92.25
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Cette publication dresse le portrait d’une scène artistique française, dont le dynamisme, la prolixité, sont aujourd’hui manifestes. Le choix des 88 artistes est le produit d’une collaboration entre Blackjack éditions et les auteurs. Huit pages sont consacrées à chaque artiste, dont six dédiées à la reproduction iconographique des oeuvres; un espace qui permet de(...)
Publication:
janvier 2008
janvier 2008
Titre:
French connection : 88 artistes contemporains 88 critiques d'art
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Cette publication dresse le portrait d’une scène artistique française, dont le dynamisme, la prolixité, sont aujourd’hui manifestes. Le choix des 88 artistes est le produit d’une collaboration entre Blackjack éditions et les auteurs. Huit pages sont consacrées à chaque artiste, dont six dédiées à la reproduction iconographique des oeuvres; un espace qui permet de présenter plusieurs aspects du travail. 88 critiques d’art ont écrit un texte qui vient clore le moment consacré à chaque artiste. Ce livre dresse donc aussi, en écho, un portrait de la critique d’art en France aujourd’hui.
French connection : 88 artistes contemporains 88 critiques d'art
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Cette publication dresse le portrait d’une scène artistique française, dont le dynamisme, la prolixité, sont aujourd’hui manifestes. Le choix des 88 artistes est le produit d’une collaboration entre Blackjack éditions et les auteurs. Huit pages sont consacrées à chaque artiste, dont six dédiées à la reproduction iconographique des oeuvres; un espace qui permet de présenter plusieurs aspects du travail. 88 critiques d’art ont écrit un texte qui vient clore le moment consacré à chaque artiste. Ce livre dresse donc aussi, en écho, un portrait de la critique d’art en France aujourd’hui.
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Publication:
janvier 2008
janvier 2008
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The Zurich painter Verena Loewensberg (1912-1986) belongs to the core group of concrete artists in Switzerland, alongside Max Bill, Camille Graeser and Richard Paul Lohse. Next to some lithographs, her woodcuts and linocuts are rated as the most splendid examples of concrete Swiss graphics. At a later stage, she only used the silkscreen technique which had become popular(...)
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The Zurich painter Verena Loewensberg (1912-1986) belongs to the core group of concrete artists in Switzerland, alongside Max Bill, Camille Graeser and Richard Paul Lohse. Next to some lithographs, her woodcuts and linocuts are rated as the most splendid examples of concrete Swiss graphics. At a later stage, she only used the silkscreen technique which had become popular(...)
Publication:
mars 2009, Zürich
mars 2009, Zürich
Titre:
Verena Loewensberg: druckgraphik/prints
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The Zurich painter Verena Loewensberg (1912-1986) belongs to the core group of concrete artists in Switzerland, alongside Max Bill, Camille Graeser and Richard Paul Lohse. Next to some lithographs, her woodcuts and linocuts are rated as the most splendid examples of concrete Swiss graphics. At a later stage, she only used the silkscreen technique which had become popular in Europe during the sixties. By using the silkscreen technique to produce graphics, she could best create evenly thick colour surfaces that are both distinct, yet adjoin each other with exact precision. With an essay by Bernadette Walter.
Verena Loewensberg: druckgraphik/prints
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The Zurich painter Verena Loewensberg (1912-1986) belongs to the core group of concrete artists in Switzerland, alongside Max Bill, Camille Graeser and Richard Paul Lohse. Next to some lithographs, her woodcuts and linocuts are rated as the most splendid examples of concrete Swiss graphics. At a later stage, she only used the silkscreen technique which had become popular in Europe during the sixties. By using the silkscreen technique to produce graphics, she could best create evenly thick colour surfaces that are both distinct, yet adjoin each other with exact precision. With an essay by Bernadette Walter.
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livres
Publication:
mars 2009, Zürich
mars 2009, Zürich
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livres
livres
Titre:
Spike Jonze: sonny
Spike Jonze: sonny
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French filmmaker Spike Jonze explores the life of infamous orphan Sonny of Los Angeles in the touching series of portraits shot in 2007 and 2008.
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French filmmaker Spike Jonze explores the life of infamous orphan Sonny of Los Angeles in the touching series of portraits shot in 2007 and 2008.
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Spike Jonze: sonny
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French filmmaker Spike Jonze explores the life of infamous orphan Sonny of Los Angeles in the touching series of portraits shot in 2007 and 2008.
Spike Jonze: sonny
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French filmmaker Spike Jonze explores the life of infamous orphan Sonny of Los Angeles in the touching series of portraits shot in 2007 and 2008.
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livres
Publication:
mars 2009, Zürich
mars 2009, Zürich
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livres
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Anja Kirschner: baumuster
Anja Kirschner: baumuster
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Anja Kirschner's drawings present a series of plans for a future film set, dealing with the legendary 18th century criminal Jack Sheppard and his inferred relationship with Daniel Defoe, thought to have been the ghost writer of his 'autobiography'. The designs combine elements from constructivist theatre design and early 18th century prints, depicting modular components(...)
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Anja Kirschner's drawings present a series of plans for a future film set, dealing with the legendary 18th century criminal Jack Sheppard and his inferred relationship with Daniel Defoe, thought to have been the ghost writer of his 'autobiography'. The designs combine elements from constructivist theatre design and early 18th century prints, depicting modular components(...)
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Anja Kirschner: baumuster
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Anja Kirschner's drawings present a series of plans for a future film set, dealing with the legendary 18th century criminal Jack Sheppard and his inferred relationship with Daniel Defoe, thought to have been the ghost writer of his 'autobiography'. The designs combine elements from constructivist theatre design and early 18th century prints, depicting modular components of the set to be constructed during filming, indicating the systemic relationship between workshop and prison cell, bourgeois home and the gallows. Anja Kirschner was born in 1977 in Munich, Germany and lives and works in London.
Anja Kirschner: baumuster
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Anja Kirschner's drawings present a series of plans for a future film set, dealing with the legendary 18th century criminal Jack Sheppard and his inferred relationship with Daniel Defoe, thought to have been the ghost writer of his 'autobiography'. The designs combine elements from constructivist theatre design and early 18th century prints, depicting modular components of the set to be constructed during filming, indicating the systemic relationship between workshop and prison cell, bourgeois home and the gallows. Anja Kirschner was born in 1977 in Munich, Germany and lives and works in London.
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livres
livres
Publication:
mars 2009, Zürich
mars 2009, Zürich
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Andreas Banderas (1985) lives in Oslo, Norway, and is studying graphic design at the National Academy of Arts. His first zine with Nieves consist of drawings and collages made during the last year, when he got a scanner and started to draw for the first time since kindergarten.
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Andreas Banderas (1985) lives in Oslo, Norway, and is studying graphic design at the National Academy of Arts. His first zine with Nieves consist of drawings and collages made during the last year, when he got a scanner and started to draw for the first time since kindergarten.
Titre:
Andreas Banderas: it's just a hobby that I picked up in the lobby
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Andreas Banderas (1985) lives in Oslo, Norway, and is studying graphic design at the National Academy of Arts. His first zine with Nieves consist of drawings and collages made during the last year, when he got a scanner and started to draw for the first time since kindergarten.
Andreas Banderas: it's just a hobby that I picked up in the lobby
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Andreas Banderas (1985) lives in Oslo, Norway, and is studying graphic design at the National Academy of Arts. His first zine with Nieves consist of drawings and collages made during the last year, when he got a scanner and started to draw for the first time since kindergarten.
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livres
Publication:
mars 2009, Zürich
mars 2009, Zürich
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For Domicile Conjugal – a title borrowed from François Truffaut's movie of 1970 – Katagiri ( Sapporo, 1977 ) selects details from drawings made during the course of 2008. Her first published book focuses on architecture from a richly illustrated world built upon since 2003. Drawn freehand and without drafts, Katagiri's skillful pen drawings give birth to a dimension(...)
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For Domicile Conjugal – a title borrowed from François Truffaut's movie of 1970 – Katagiri ( Sapporo, 1977 ) selects details from drawings made during the course of 2008. Her first published book focuses on architecture from a richly illustrated world built upon since 2003. Drawn freehand and without drafts, Katagiri's skillful pen drawings give birth to a dimension(...)
Titre:
Yuka Katagiri domicile conjugal
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For Domicile Conjugal – a title borrowed from François Truffaut's movie of 1970 – Katagiri ( Sapporo, 1977 ) selects details from drawings made during the course of 2008. Her first published book focuses on architecture from a richly illustrated world built upon since 2003. Drawn freehand and without drafts, Katagiri's skillful pen drawings give birth to a dimension populated by people and intelligent animals, hanging in the balance of the playful physics unique to her craft. The staple ingredients of traditional Japanese art – mountains, trees, architecture and daily activity – are present but free of the structured compositions and realism. Instead we find a collision between the eccentricity of the west and the precision of the eastern tradition.
Yuka Katagiri domicile conjugal
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For Domicile Conjugal – a title borrowed from François Truffaut's movie of 1970 – Katagiri ( Sapporo, 1977 ) selects details from drawings made during the course of 2008. Her first published book focuses on architecture from a richly illustrated world built upon since 2003. Drawn freehand and without drafts, Katagiri's skillful pen drawings give birth to a dimension populated by people and intelligent animals, hanging in the balance of the playful physics unique to her craft. The staple ingredients of traditional Japanese art – mountains, trees, architecture and daily activity – are present but free of the structured compositions and realism. Instead we find a collision between the eccentricity of the west and the precision of the eastern tradition.
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livres
livres
Publication:
mars 2009, Zurich
mars 2009, Zurich
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Borrowing its title from Gregg Araki’s 2005 film, in which the camera’s contemplation of the male body encourages us to feel that body, and covering a broad span of subjects and films, Mysterious Skin offers a wider, more representative picture of the depiction of the male body in contemporary world cinemas than has hitherto been attempted. An international array of(...)
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Borrowing its title from Gregg Araki’s 2005 film, in which the camera’s contemplation of the male body encourages us to feel that body, and covering a broad span of subjects and films, Mysterious Skin offers a wider, more representative picture of the depiction of the male body in contemporary world cinemas than has hitherto been attempted. An international array of(...)
Titre:
Mysterious skin: male bodies in contemporary cinema
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Borrowing its title from Gregg Araki’s 2005 film, in which the camera’s contemplation of the male body encourages us to feel that body, and covering a broad span of subjects and films, Mysterious Skin offers a wider, more representative picture of the depiction of the male body in contemporary world cinemas than has hitherto been attempted. An international array of major experts explore the treatment of masculinity and the male body in the cinemas of Africa, Australia, China, France, Germany, Great Britain, India, North America, Spain, Taiwan and Vietnam, as well as Hollywood. Their common concern is to reveal how the representation of the male body is used in films to convey a country’s anxieties about its national identity and history, as well as how it engages with questions of racial, sexual or gender politics. They discuss key actors, directors and films of these countries, from Ewan MacGregor in Peter Greenaway’s The Pillow Book, through the films of Wong Kar Wai, to Paul Hogan as Mick Dundee in Crocodile Dundee. In so doing, Mysterious Skin also provides a strong overview of important cinema produced around the world in the last twenty years.
Mysterious skin: male bodies in contemporary cinema
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Borrowing its title from Gregg Araki’s 2005 film, in which the camera’s contemplation of the male body encourages us to feel that body, and covering a broad span of subjects and films, Mysterious Skin offers a wider, more representative picture of the depiction of the male body in contemporary world cinemas than has hitherto been attempted. An international array of major experts explore the treatment of masculinity and the male body in the cinemas of Africa, Australia, China, France, Germany, Great Britain, India, North America, Spain, Taiwan and Vietnam, as well as Hollywood. Their common concern is to reveal how the representation of the male body is used in films to convey a country’s anxieties about its national identity and history, as well as how it engages with questions of racial, sexual or gender politics. They discuss key actors, directors and films of these countries, from Ewan MacGregor in Peter Greenaway’s The Pillow Book, through the films of Wong Kar Wai, to Paul Hogan as Mick Dundee in Crocodile Dundee. In so doing, Mysterious Skin also provides a strong overview of important cinema produced around the world in the last twenty years.
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livres
Publication:
janvier 1900
janvier 1900
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livres
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An extraordinary double world of Soviet drudgery Juxtaposed with sex and beauty, created by Boris Mikhailov, one of the most Influential photographers from the former Soviet Union Previously unpublished due to artistic restrictions imposed during the Communist era, this is a unique and highly collectible object, formed of 52 colour tableaux printed on separate unbound(...)
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An extraordinary double world of Soviet drudgery Juxtaposed with sex and beauty, created by Boris Mikhailov, one of the most Influential photographers from the former Soviet Union Previously unpublished due to artistic restrictions imposed during the Communist era, this is a unique and highly collectible object, formed of 52 colour tableaux printed on separate unbound(...)
Titre:
Boris Mikhailov: yesterday's sandwich
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An extraordinary double world of Soviet drudgery Juxtaposed with sex and beauty, created by Boris Mikhailov, one of the most Influential photographers from the former Soviet Union Previously unpublished due to artistic restrictions imposed during the Communist era, this is a unique and highly collectible object, formed of 52 colour tableaux printed on separate unbound boards and enclosed within a specially created folder and slip case Yesterday's Sandwich embodies Mikhailov's role as artist, documentary photographer and social observer demonstrating his rich imagination and practical solutions for survival in an unstable society
Boris Mikhailov: yesterday's sandwich
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An extraordinary double world of Soviet drudgery Juxtaposed with sex and beauty, created by Boris Mikhailov, one of the most Influential photographers from the former Soviet Union Previously unpublished due to artistic restrictions imposed during the Communist era, this is a unique and highly collectible object, formed of 52 colour tableaux printed on separate unbound boards and enclosed within a specially created folder and slip case Yesterday's Sandwich embodies Mikhailov's role as artist, documentary photographer and social observer demonstrating his rich imagination and practical solutions for survival in an unstable society
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livres
Publication:
février 2009
février 2009
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Cuban artist Diango Hernàndez creates paintings in the shape of faceted diamonds, which for him are symbols of a land governed by a single party, a metaphor of an "untouchable" regime whose politics seem to have no end. Source materials for the paintings are drawn from government propaganda beginning in the 1950s.
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Cuban artist Diango Hernàndez creates paintings in the shape of faceted diamonds, which for him are symbols of a land governed by a single party, a metaphor of an "untouchable" regime whose politics seem to have no end. Source materials for the paintings are drawn from government propaganda beginning in the 1950s.
Titre:
Diango Hernandez: diamonds and stones: my education
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Cuban artist Diango Hernàndez creates paintings in the shape of faceted diamonds, which for him are symbols of a land governed by a single party, a metaphor of an "untouchable" regime whose politics seem to have no end. Source materials for the paintings are drawn from government propaganda beginning in the 1950s.
Diango Hernandez: diamonds and stones: my education
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Cuban artist Diango Hernàndez creates paintings in the shape of faceted diamonds, which for him are symbols of a land governed by a single party, a metaphor of an "untouchable" regime whose politics seem to have no end. Source materials for the paintings are drawn from government propaganda beginning in the 1950s.
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livres
Publication:
février 2009, Bologna
février 2009, Bologna
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livres
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This first monograph on British performance artist William Hunt (born in 1977) is designed to unfold to 43 x 33 inches, revealing a performatively produced silk screen of the artist's body. Produced in a limited edition of 500. 1 pg folded into 28 sections / 8 duotone
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This first monograph on British performance artist William Hunt (born in 1977) is designed to unfold to 43 x 33 inches, revealing a performatively produced silk screen of the artist's body. Produced in a limited edition of 500. 1 pg folded into 28 sections / 8 duotone
Publication:
mars 2009, Rotterdam
mars 2009, Rotterdam
Titre:
Tempting fate by swimming alone
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This first monograph on British performance artist William Hunt (born in 1977) is designed to unfold to 43 x 33 inches, revealing a performatively produced silk screen of the artist's body. Produced in a limited edition of 500. 1 pg folded into 28 sections / 8 duotone
Tempting fate by swimming alone
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$34.00
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This first monograph on British performance artist William Hunt (born in 1977) is designed to unfold to 43 x 33 inches, revealing a performatively produced silk screen of the artist's body. Produced in a limited edition of 500. 1 pg folded into 28 sections / 8 duotone
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livres
livres
Publication:
mars 2009, Rotterdam
mars 2009, Rotterdam
