1866 Résultats
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The art of Rachel Whiteread
The art of Rachel Whiteread
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Since achieving an international reputation in the early 1990s with casts of empty architectural spaces such as "House" and "Ghost", Rachel Whiteread has gone on making complex, subtle and often provocative works that consistently grab public attention. In pieces such as "Water Tower" in New York and her Holocaust Memorial in Vienna, Whiteread’s work is at once(...)
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Since achieving an international reputation in the early 1990s with casts of empty architectural spaces such as "House" and "Ghost", Rachel Whiteread has gone on making complex, subtle and often provocative works that consistently grab public attention. In pieces such as "Water Tower" in New York and her Holocaust Memorial in Vienna, Whiteread’s work is at once(...)
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The art of Rachel Whiteread
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Since achieving an international reputation in the early 1990s with casts of empty architectural spaces such as "House" and "Ghost", Rachel Whiteread has gone on making complex, subtle and often provocative works that consistently grab public attention. In pieces such as "Water Tower" in New York and her Holocaust Memorial in Vienna, Whiteread’s work is at once immensely reflective, both in its reference to history and to social or political situations of the present, and aware of its place within art history. In "The Art of Rachel Whiteread" a group of leading critics from museums and universities in Europe and North America examine the full range of Whiteread’s work, from the early domestic pieces of the late 1980s, through to her most recent public art projects such as "Monument" and "Room 101". These essays examine both the art historical legacy of post-minimalism within which Whiteread works and the historical commentaries that her site specific projects engender, and they suggest new critical approaches to what is likely to be one of the most enduring artistic projects of our time.
The art of Rachel Whiteread
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$38.00
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Since achieving an international reputation in the early 1990s with casts of empty architectural spaces such as "House" and "Ghost", Rachel Whiteread has gone on making complex, subtle and often provocative works that consistently grab public attention. In pieces such as "Water Tower" in New York and her Holocaust Memorial in Vienna, Whiteread’s work is at once immensely reflective, both in its reference to history and to social or political situations of the present, and aware of its place within art history. In "The Art of Rachel Whiteread" a group of leading critics from museums and universities in Europe and North America examine the full range of Whiteread’s work, from the early domestic pieces of the late 1980s, through to her most recent public art projects such as "Monument" and "Room 101". These essays examine both the art historical legacy of post-minimalism within which Whiteread works and the historical commentaries that her site specific projects engender, and they suggest new critical approaches to what is likely to be one of the most enduring artistic projects of our time.
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livres
livres
Publication:
novembre 2004, London
novembre 2004, London
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livres
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$36.00
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Now back in print, Johanna Drucker's "The Century of Artists' Books" is the seminal full-length study of the development of artists’ books as a 20th-century art form. By situating artists’ books within the context of mainstream developments in the visual arts, Drucker raises critical and theoretical issues as well as providing a historical overview of the medium. Within(...)
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Now back in print, Johanna Drucker's "The Century of Artists' Books" is the seminal full-length study of the development of artists’ books as a 20th-century art form. By situating artists’ books within the context of mainstream developments in the visual arts, Drucker raises critical and theoretical issues as well as providing a historical overview of the medium. Within(...)
Titre:
The century of artists' books
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Now back in print, Johanna Drucker's "The Century of Artists' Books" is the seminal full-length study of the development of artists’ books as a 20th-century art form. By situating artists’ books within the context of mainstream developments in the visual arts, Drucker raises critical and theoretical issues as well as providing a historical overview of the medium. Within its pages, she explores more than two hundred individual books in relation to their structure, form, and conceptualization. This latest edition of the book features a new preface by Drucker and includes an introduction by New York Times senior art critic Holland Cotter.
The century of artists' books
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Now back in print, Johanna Drucker's "The Century of Artists' Books" is the seminal full-length study of the development of artists’ books as a 20th-century art form. By situating artists’ books within the context of mainstream developments in the visual arts, Drucker raises critical and theoretical issues as well as providing a historical overview of the medium. Within its pages, she explores more than two hundred individual books in relation to their structure, form, and conceptualization. This latest edition of the book features a new preface by Drucker and includes an introduction by New York Times senior art critic Holland Cotter.
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livres
Publication:
novembre 2004, New York
novembre 2004, New York
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livres
Titre:
Dan Graham by Dan Graham
Dan Graham by Dan Graham
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Beautifully designed, this catalogue is from the exhibition held at Chiba City Art Museum at the end of 2003. It provides a detailed presentation of Graham's work with notes by the artist.
$79.95
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Beautifully designed, this catalogue is from the exhibition held at Chiba City Art Museum at the end of 2003. It provides a detailed presentation of Graham's work with notes by the artist.
Publication:
janvier 1900, Chiba
janvier 1900, Chiba
Titre:
Dan Graham by Dan Graham
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Beautifully designed, this catalogue is from the exhibition held at Chiba City Art Museum at the end of 2003. It provides a detailed presentation of Graham's work with notes by the artist.
Dan Graham by Dan Graham
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Beautifully designed, this catalogue is from the exhibition held at Chiba City Art Museum at the end of 2003. It provides a detailed presentation of Graham's work with notes by the artist.
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livres
livres
Publication:
janvier 1900, Chiba
janvier 1900, Chiba
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livres
livres
Titre:
Stalker
Stalker
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$48.00
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Catalogue de l'exposition tenue au capc Musée d'art contemporain de Bordeaux.
$48.00
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Catalogue de l'exposition tenue au capc Musée d'art contemporain de Bordeaux.
Publication:
mai 2004, Bordeaux
mai 2004, Bordeaux
Titre:
Stalker
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Catalogue de l'exposition tenue au capc Musée d'art contemporain de Bordeaux.
Stalker
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Catalogue de l'exposition tenue au capc Musée d'art contemporain de Bordeaux.
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livres
Publication:
mai 2004, Bordeaux
mai 2004, Bordeaux
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livres
Titre:
Hans Haacke
Hans Haacke
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Born in Cologne in 1936 and based in New York since 1965, Haacke’s strong political, cultural and social concerns are reflected in his installations, texts and sculptures. Throughout his fifty-year career Haacke has frequently changed the presentation of his art to get his message across. Often borrowing from non-art sources such as corporate advertising,(...)
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Born in Cologne in 1936 and based in New York since 1965, Haacke’s strong political, cultural and social concerns are reflected in his installations, texts and sculptures. Throughout his fifty-year career Haacke has frequently changed the presentation of his art to get his message across. Often borrowing from non-art sources such as corporate advertising,(...)
Publication:
mai 2004, London
mai 2004, London
Titre:
Hans Haacke
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Born in Cologne in 1936 and based in New York since 1965, Haacke’s strong political, cultural and social concerns are reflected in his installations, texts and sculptures. Throughout his fifty-year career Haacke has frequently changed the presentation of his art to get his message across. Often borrowing from non-art sources such as corporate advertising, questionnaires or scientific experimentation, Haacke is probably the most successful and best-known late twentieth-century artist to create a political art that manages to hit its mark with succinct elegance. Haacke sometimes works almost as a sleuth-like reporter, uncovering museum politics in his art. This practice has famously led on occasion to museum officials cancelling his exhibitions. For example, his 1971 one-person show at the Solomon R. Guggenheim Museum, New York, was cancelled in response to his proposal to present the questionable real estate dealings of several New York companies. Haacke is a unique figure in post-war art, and his work has touched on such diverse movements as Conceptual, Pop, Minimal and Land art. His integrity as well as the formal innovations of his art have proven hugely influential for many generations of contemporary artists.
Hans Haacke
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Born in Cologne in 1936 and based in New York since 1965, Haacke’s strong political, cultural and social concerns are reflected in his installations, texts and sculptures. Throughout his fifty-year career Haacke has frequently changed the presentation of his art to get his message across. Often borrowing from non-art sources such as corporate advertising, questionnaires or scientific experimentation, Haacke is probably the most successful and best-known late twentieth-century artist to create a political art that manages to hit its mark with succinct elegance. Haacke sometimes works almost as a sleuth-like reporter, uncovering museum politics in his art. This practice has famously led on occasion to museum officials cancelling his exhibitions. For example, his 1971 one-person show at the Solomon R. Guggenheim Museum, New York, was cancelled in response to his proposal to present the questionable real estate dealings of several New York companies. Haacke is a unique figure in post-war art, and his work has touched on such diverse movements as Conceptual, Pop, Minimal and Land art. His integrity as well as the formal innovations of his art have proven hugely influential for many generations of contemporary artists.
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livres
livres
Publication:
mai 2004, London
mai 2004, London
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In late 1960 Michael Snow made several naturalistic flat cut-out cardboard figures which used the/a wall as their background. In early 1961, to make one of these, he drew—then cut out with a matte knife—a side view of a female figure walking, 152 cm tall, within a drawn rectangle on a piece of cardboard. All his work between 1961 and 1967 used the outline or silhouette of(...)
$79.95
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Résumé:
In late 1960 Michael Snow made several naturalistic flat cut-out cardboard figures which used the/a wall as their background. In early 1961, to make one of these, he drew—then cut out with a matte knife—a side view of a female figure walking, 152 cm tall, within a drawn rectangle on a piece of cardboard. All his work between 1961 and 1967 used the outline or silhouette of(...)
Publication:
mai 2004, Brussels
mai 2004, Brussels
Titre:
Michael Snow : Biographie of the walking woman / de la femme qui marche 1961 - 1967 (2004)
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In late 1960 Michael Snow made several naturalistic flat cut-out cardboard figures which used the/a wall as their background. In early 1961, to make one of these, he drew—then cut out with a matte knife—a side view of a female figure walking, 152 cm tall, within a drawn rectangle on a piece of cardboard. All his work between 1961 and 1967 used the outline or silhouette of the original cut-out as both tool and subject. "Biographie" is a 2004 The Walking Woman work which consists of the juxtaposition and the many-sided sequential ordering of a selection from these deliberate, inadvertent, and by-chance photographic documents. It is a Finnegan’s Wake, non-chronological biography. / À la fin des années 1960, Michael Snow réalisa plusieurs découpages naturalistes de figurines en carton en utilisant le mur comme arrière plan. Au début de 1961, il dessina, puis découpa la silhouette de profil d’une femme marchant, haute de 152 cm, dans un morceau de carton.Tout son travail, entre 1961 et 1967, utilise le profil ou la silhouette de la découpe originale aussi bien comme outil que comme sujet. Le livre "Biographie" est un livre d’artiste qui consiste en la juxtaposition et l’ordonnancement séquentiel de documents photographiques délibérés, inopinés ou aléatoires, conjuguant les apparitions ordinaires et sublimes de La femme qui marche. C’est une biographie non chronologique à la Finnegan’s Wake.
Michael Snow : Biographie of the walking woman / de la femme qui marche 1961 - 1967 (2004)
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In late 1960 Michael Snow made several naturalistic flat cut-out cardboard figures which used the/a wall as their background. In early 1961, to make one of these, he drew—then cut out with a matte knife—a side view of a female figure walking, 152 cm tall, within a drawn rectangle on a piece of cardboard. All his work between 1961 and 1967 used the outline or silhouette of the original cut-out as both tool and subject. "Biographie" is a 2004 The Walking Woman work which consists of the juxtaposition and the many-sided sequential ordering of a selection from these deliberate, inadvertent, and by-chance photographic documents. It is a Finnegan’s Wake, non-chronological biography. / À la fin des années 1960, Michael Snow réalisa plusieurs découpages naturalistes de figurines en carton en utilisant le mur comme arrière plan. Au début de 1961, il dessina, puis découpa la silhouette de profil d’une femme marchant, haute de 152 cm, dans un morceau de carton.Tout son travail, entre 1961 et 1967, utilise le profil ou la silhouette de la découpe originale aussi bien comme outil que comme sujet. Le livre "Biographie" est un livre d’artiste qui consiste en la juxtaposition et l’ordonnancement séquentiel de documents photographiques délibérés, inopinés ou aléatoires, conjuguant les apparitions ordinaires et sublimes de La femme qui marche. C’est une biographie non chronologique à la Finnegan’s Wake.
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livres
livres
Publication:
mai 2004, Brussels
mai 2004, Brussels
Classification:
livres
livres
Titre:
Jeff Wall
Jeff Wall
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$18.95
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Livret accompagnant une exposition ayant eu lieu au Nouveau Musée de Villeurbanne, France, du 5 mars - 15 mai 1988.
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Livret accompagnant une exposition ayant eu lieu au Nouveau Musée de Villeurbanne, France, du 5 mars - 15 mai 1988.
Publication:
décembre 2001, Villeurbanne
décembre 2001, Villeurbanne
Titre:
Jeff Wall
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Livret accompagnant une exposition ayant eu lieu au Nouveau Musée de Villeurbanne, France, du 5 mars - 15 mai 1988.
Jeff Wall
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Livret accompagnant une exposition ayant eu lieu au Nouveau Musée de Villeurbanne, France, du 5 mars - 15 mai 1988.
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livres
livres
Publication:
décembre 2001, Villeurbanne
décembre 2001, Villeurbanne
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livres
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$31.95
(disponible en magasin)
Résumé:
In "The World as I Found It" Alain Paiement revisits his photographic mapping of the building at 5012 Boulevard Saint-Laurent in Montréal, the building where he has lived and worked for over ten years. Entitled "Parages(Vicinity) 2002", this work was originally presented as an installation of multiple suspended banners, first at Galerie de l'UQAM in Montréal, and later at(...)
$31.95
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In "The World as I Found It" Alain Paiement revisits his photographic mapping of the building at 5012 Boulevard Saint-Laurent in Montréal, the building where he has lived and worked for over ten years. Entitled "Parages(Vicinity) 2002", this work was originally presented as an installation of multiple suspended banners, first at Galerie de l'UQAM in Montréal, and later at(...)
Publication:
janvier 2003, New York
janvier 2003, New York
Titre:
Alain Paiement : the world as I found it
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In "The World as I Found It" Alain Paiement revisits his photographic mapping of the building at 5012 Boulevard Saint-Laurent in Montréal, the building where he has lived and worked for over ten years. Entitled "Parages(Vicinity) 2002", this work was originally presented as an installation of multiple suspended banners, first at Galerie de l'UQAM in Montréal, and later at the Pratt Manhattan Gallery in New York. The book is formatted like a travel guide. The images presented are signposts to "Parages", marking a number of points of interest. Included with the book is a map that presents "Parages" in its entirety.
Alain Paiement : the world as I found it
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In "The World as I Found It" Alain Paiement revisits his photographic mapping of the building at 5012 Boulevard Saint-Laurent in Montréal, the building where he has lived and worked for over ten years. Entitled "Parages(Vicinity) 2002", this work was originally presented as an installation of multiple suspended banners, first at Galerie de l'UQAM in Montréal, and later at the Pratt Manhattan Gallery in New York. The book is formatted like a travel guide. The images presented are signposts to "Parages", marking a number of points of interest. Included with the book is a map that presents "Parages" in its entirety.
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livres
livres
Publication:
janvier 2003, New York
janvier 2003, New York
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livres
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$108.00
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Challenging European cultural conventions, the work of Swiss-Bolivian artist Carmen Perrin is infused with fine undertones and references to her Latin American roots. In her preference for industrial mass-produced materials she transposes electric wire, cables and building materials into a subtle, ambiguous imagery and sculptures which activate the surrounding space.(...)
$108.00
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Challenging European cultural conventions, the work of Swiss-Bolivian artist Carmen Perrin is infused with fine undertones and references to her Latin American roots. In her preference for industrial mass-produced materials she transposes electric wire, cables and building materials into a subtle, ambiguous imagery and sculptures which activate the surrounding space.(...)
Publication:
août 2004, Basel
août 2004, Basel
Titre:
Carmen Perrin : contexts public situations
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Challenging European cultural conventions, the work of Swiss-Bolivian artist Carmen Perrin is infused with fine undertones and references to her Latin American roots. In her preference for industrial mass-produced materials she transposes electric wire, cables and building materials into a subtle, ambiguous imagery and sculptures which activate the surrounding space. This publication presents 15 of her most important art-in-architecture interventions: in the Zurich headquarters of the Swiss National Bank, the Dock Midfield Terminal of Zurich-Kloten Airport, Lucerne's Gynaecological Hospital and further projects in France, Brazil, USA (New York) and Switzerland. Carmen Perrin, born in Bolivia in 1953,immigrated to Switzerland in 1960.She now lives in France and teaches at Geneva's École Supérieure des Beaux-Arts.
Carmen Perrin : contexts public situations
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Challenging European cultural conventions, the work of Swiss-Bolivian artist Carmen Perrin is infused with fine undertones and references to her Latin American roots. In her preference for industrial mass-produced materials she transposes electric wire, cables and building materials into a subtle, ambiguous imagery and sculptures which activate the surrounding space. This publication presents 15 of her most important art-in-architecture interventions: in the Zurich headquarters of the Swiss National Bank, the Dock Midfield Terminal of Zurich-Kloten Airport, Lucerne's Gynaecological Hospital and further projects in France, Brazil, USA (New York) and Switzerland. Carmen Perrin, born in Bolivia in 1953,immigrated to Switzerland in 1960.She now lives in France and teaches at Geneva's École Supérieure des Beaux-Arts.
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livres
livres
Publication:
août 2004, Basel
août 2004, Basel
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livres
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$55.95
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A fully illustrated 200- page book produced by The Museum of Contemporary Art, Los Angeles, and distributed by Distributed Art Publishers, New York. The publication includes essays by the organizing curators Grant Arnold (Vancouver), Connie Butler (Los Angeles) and Jessica Bradley (Toronto), and guest writers Lynne Cooke (New York), Diedrich Diederichsen (Berlin), Sara(...)
$55.95
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A fully illustrated 200- page book produced by The Museum of Contemporary Art, Los Angeles, and distributed by Distributed Art Publishers, New York. The publication includes essays by the organizing curators Grant Arnold (Vancouver), Connie Butler (Los Angeles) and Jessica Bradley (Toronto), and guest writers Lynne Cooke (New York), Diedrich Diederichsen (Berlin), Sara(...)
Publication:
janvier 1900, Toronto
janvier 1900, Toronto
Titre:
Rodney Graham : a little thought
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$55.95
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A fully illustrated 200- page book produced by The Museum of Contemporary Art, Los Angeles, and distributed by Distributed Art Publishers, New York. The publication includes essays by the organizing curators Grant Arnold (Vancouver), Connie Butler (Los Angeles) and Jessica Bradley (Toronto), and guest writers Lynne Cooke (New York), Diedrich Diederichsen (Berlin), Sara Krajewski (Seattle) and Shepherd Steiner (Vancouver).
Rodney Graham : a little thought
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A fully illustrated 200- page book produced by The Museum of Contemporary Art, Los Angeles, and distributed by Distributed Art Publishers, New York. The publication includes essays by the organizing curators Grant Arnold (Vancouver), Connie Butler (Los Angeles) and Jessica Bradley (Toronto), and guest writers Lynne Cooke (New York), Diedrich Diederichsen (Berlin), Sara Krajewski (Seattle) and Shepherd Steiner (Vancouver).
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livres
livres
Publication:
janvier 1900, Toronto
janvier 1900, Toronto
