1920 Résultats
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer(...)
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer(...)
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Marcel Dzama: drawing on a revolution
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer into an enigmatic world of life and death, calm and violence, where irony, ridicule, and sexual themes disguise allusions to contemporary social and political issues. This catalogue of drawings, dioramas, and other works is published on the occasion of an exhibition of Dzamas work at La Casa Encendida in Madrid.
Marcel Dzama: drawing on a revolution
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer into an enigmatic world of life and death, calm and violence, where irony, ridicule, and sexual themes disguise allusions to contemporary social and political issues. This catalogue of drawings, dioramas, and other works is published on the occasion of an exhibition of Dzamas work at La Casa Encendida in Madrid.
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livres
livres
Publication:
décembre 2017
décembre 2017
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livres
Titre:
Diego Perrone: War games
Diego Perrone: War games
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Stemming from a project dedicated to the city of Genoa and in particular to its relationship with the sea, this photographic artist's book extends the site-specific glass sculpture designed by Perrone inside Villa del Principe's Hall of the Shipwreck.
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Stemming from a project dedicated to the city of Genoa and in particular to its relationship with the sea, this photographic artist's book extends the site-specific glass sculpture designed by Perrone inside Villa del Principe's Hall of the Shipwreck.
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Diego Perrone: War games
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Stemming from a project dedicated to the city of Genoa and in particular to its relationship with the sea, this photographic artist's book extends the site-specific glass sculpture designed by Perrone inside Villa del Principe's Hall of the Shipwreck.
Diego Perrone: War games
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Stemming from a project dedicated to the city of Genoa and in particular to its relationship with the sea, this photographic artist's book extends the site-specific glass sculpture designed by Perrone inside Villa del Principe's Hall of the Shipwreck.
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livres
livres
Publication:
août 2017
août 2017
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Beginning in 1970, Albers filled her graph-paper notebook regularly for ten years. This rare and previously unpublished document of her working process contains intricate drawings for her large body of graphic work, as well as studies for her late knot drawings. The notebook follows Albers’ deliberations and progression as a draftsman in their original form. It reveals(...)
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Beginning in 1970, Albers filled her graph-paper notebook regularly for ten years. This rare and previously unpublished document of her working process contains intricate drawings for her large body of graphic work, as well as studies for her late knot drawings. The notebook follows Albers’ deliberations and progression as a draftsman in their original form. It reveals(...)
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Anni Albers: Notebook 1970-1980
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Beginning in 1970, Albers filled her graph-paper notebook regularly for ten years. This rare and previously unpublished document of her working process contains intricate drawings for her large body of graphic work, as well as studies for her late knot drawings. The notebook follows Albers’ deliberations and progression as a draftsman in their original form. It reveals the way she went about making complex patterns, exploring them piece by piece, line by line, in a visually dramatic and mysteriously beautiful series of geometric arrangements.
Anni Albers: Notebook 1970-1980
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Beginning in 1970, Albers filled her graph-paper notebook regularly for ten years. This rare and previously unpublished document of her working process contains intricate drawings for her large body of graphic work, as well as studies for her late knot drawings. The notebook follows Albers’ deliberations and progression as a draftsman in their original form. It reveals the way she went about making complex patterns, exploring them piece by piece, line by line, in a visually dramatic and mysteriously beautiful series of geometric arrangements.
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livres
livres
Publication:
octobre 2017
octobre 2017
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From the outset, American artist Betty Woodman (born 1930) has used ceramics as her medium of expression and artistic research, and it has made her one of the most influential and original voices on the international art scene. Bridging the gap between art and craft, Woodman moves nimbly between the traditions of an age-old medium, taking inspiration from Minoan and(...)
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From the outset, American artist Betty Woodman (born 1930) has used ceramics as her medium of expression and artistic research, and it has made her one of the most influential and original voices on the international art scene. Bridging the gap between art and craft, Woodman moves nimbly between the traditions of an age-old medium, taking inspiration from Minoan and(...)
Titre:
Betty Woodman: theatre of the domestic
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From the outset, American artist Betty Woodman (born 1930) has used ceramics as her medium of expression and artistic research, and it has made her one of the most influential and original voices on the international art scene. Bridging the gap between art and craft, Woodman moves nimbly between the traditions of an age-old medium, taking inspiration from Minoan and Egyptian art, Greek and Etruscan sculpture, Tang Dynasty works, majolica and Sèvres porcelain, Italian Baroque architecture and the paintings of Bonnard, Picasso and Matisse, while also introducing innovations in both style and technique. This publication focuses on work made over the past ten years, while taking stock of Woodman's continued relevance to contemporary art and her importance among postwar artists.
Betty Woodman: theatre of the domestic
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From the outset, American artist Betty Woodman (born 1930) has used ceramics as her medium of expression and artistic research, and it has made her one of the most influential and original voices on the international art scene. Bridging the gap between art and craft, Woodman moves nimbly between the traditions of an age-old medium, taking inspiration from Minoan and Egyptian art, Greek and Etruscan sculpture, Tang Dynasty works, majolica and Sèvres porcelain, Italian Baroque architecture and the paintings of Bonnard, Picasso and Matisse, while also introducing innovations in both style and technique. This publication focuses on work made over the past ten years, while taking stock of Woodman's continued relevance to contemporary art and her importance among postwar artists.
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livres
livres
Publication:
janvier 2017
janvier 2017
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Quand l'artiste allemande Charlotte Salomon (1917-1943) confia sa série de gouaches Vie ? ou Théâtre ? à un ami, elle le supplia : « Prends-en soin, c'est toute ma vie. » Quelques mois plus tard, enceinte de 5 mois, elle mourait assassinée à Auschwitz. L'oeuvre que Charlotte Salomon a laissée en héritage constitue, au sens littéral, sa pièce de résistance, « quelque(...)
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Quand l'artiste allemande Charlotte Salomon (1917-1943) confia sa série de gouaches Vie ? ou Théâtre ? à un ami, elle le supplia : « Prends-en soin, c'est toute ma vie. » Quelques mois plus tard, enceinte de 5 mois, elle mourait assassinée à Auschwitz. L'oeuvre que Charlotte Salomon a laissée en héritage constitue, au sens littéral, sa pièce de résistance, « quelque(...)
Titre:
Charlotte Salomon : Vie? ou Théâtre?
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Quand l'artiste allemande Charlotte Salomon (1917-1943) confia sa série de gouaches Vie ? ou Théâtre ? à un ami, elle le supplia : « Prends-en soin, c'est toute ma vie. » Quelques mois plus tard, enceinte de 5 mois, elle mourait assassinée à Auschwitz. L'oeuvre que Charlotte Salomon a laissée en héritage constitue, au sens littéral, sa pièce de résistance, « quelque chose de vraiment fou et singulier » selon ses propres termes. Ce cycle de gouaches dessine un autoportrait vivant embrassant toutes les facettes de son existence : son enfance et son adolescence à Berlin, ses études d'art à l'ombre du Troisième Reich, sa relation avec le professeur de chant Alfred Wolfsohn, son exil en France et la complexité de son histoire familiale, marquée par le suicide de presque toutes les représentantes féminines.
Charlotte Salomon : Vie? ou Théâtre?
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Quand l'artiste allemande Charlotte Salomon (1917-1943) confia sa série de gouaches Vie ? ou Théâtre ? à un ami, elle le supplia : « Prends-en soin, c'est toute ma vie. » Quelques mois plus tard, enceinte de 5 mois, elle mourait assassinée à Auschwitz. L'oeuvre que Charlotte Salomon a laissée en héritage constitue, au sens littéral, sa pièce de résistance, « quelque chose de vraiment fou et singulier » selon ses propres termes. Ce cycle de gouaches dessine un autoportrait vivant embrassant toutes les facettes de son existence : son enfance et son adolescence à Berlin, ses études d'art à l'ombre du Troisième Reich, sa relation avec le professeur de chant Alfred Wolfsohn, son exil en France et la complexité de son histoire familiale, marquée par le suicide de presque toutes les représentantes féminines.
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livres
livres
Publication:
janvier 2018
janvier 2018
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In this volume, Pablo Bronstein (born 1977) explores, in drawings and writing, the style that has come to dominate architectural development in London over the past 30 years, the pseudo-Georgian style characterized by its economy and its eccentric quotation of architectural history.
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In this volume, Pablo Bronstein (born 1977) explores, in drawings and writing, the style that has come to dominate architectural development in London over the past 30 years, the pseudo-Georgian style characterized by its economy and its eccentric quotation of architectural history.
Publication:
février 2018
février 2018
Titre:
Pablo Bronstein: Pseudo-Georgian London
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In this volume, Pablo Bronstein (born 1977) explores, in drawings and writing, the style that has come to dominate architectural development in London over the past 30 years, the pseudo-Georgian style characterized by its economy and its eccentric quotation of architectural history.
Pablo Bronstein: Pseudo-Georgian London
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In this volume, Pablo Bronstein (born 1977) explores, in drawings and writing, the style that has come to dominate architectural development in London over the past 30 years, the pseudo-Georgian style characterized by its economy and its eccentric quotation of architectural history.
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livres
livres
Publication:
février 2018
février 2018
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livres
Titre:
Ruth Asawa
Ruth Asawa
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Known for her intricate and dynamic wire sculptures, the American sculptor, educator and arts activist Ruth Asawa challenged conventional notions of material and form through her emphasis on lightness and transparency. Asawa began her now iconic looped-wire works in the late 1940s while still a student at Black Mountain College. Their unique structure was inspired by a(...)
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Known for her intricate and dynamic wire sculptures, the American sculptor, educator and arts activist Ruth Asawa challenged conventional notions of material and form through her emphasis on lightness and transparency. Asawa began her now iconic looped-wire works in the late 1940s while still a student at Black Mountain College. Their unique structure was inspired by a(...)
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Ruth Asawa
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Known for her intricate and dynamic wire sculptures, the American sculptor, educator and arts activist Ruth Asawa challenged conventional notions of material and form through her emphasis on lightness and transparency. Asawa began her now iconic looped-wire works in the late 1940s while still a student at Black Mountain College. Their unique structure was inspired by a 1947 trip to Mexico, during which local craftsmen taught her how to create baskets out of wire. While seemingly unrelated to the lessons of color and composition taught in Josef Albers’ legendary Basic Design course, these works, as she explained, are firmly grounded in his teachings in their use of unexpected materials and their elision of figure and ground.
Ruth Asawa
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Known for her intricate and dynamic wire sculptures, the American sculptor, educator and arts activist Ruth Asawa challenged conventional notions of material and form through her emphasis on lightness and transparency. Asawa began her now iconic looped-wire works in the late 1940s while still a student at Black Mountain College. Their unique structure was inspired by a 1947 trip to Mexico, during which local craftsmen taught her how to create baskets out of wire. While seemingly unrelated to the lessons of color and composition taught in Josef Albers’ legendary Basic Design course, these works, as she explained, are firmly grounded in his teachings in their use of unexpected materials and their elision of figure and ground.
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livres
livres
Publication:
mai 2018
mai 2018
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Belgian artist and draughtswoman Hannelore Van Dijck produces minute and highly textured charcoal drawings that often cover entire surfaces, whether they be walls, floors, sheets of paper, or textiles. Although her drawings might seem abstract at first, they are essentially hyperrealistic. Often the differences she introduces are subtle and nuanced, and therein lies their(...)
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Belgian artist and draughtswoman Hannelore Van Dijck produces minute and highly textured charcoal drawings that often cover entire surfaces, whether they be walls, floors, sheets of paper, or textiles. Although her drawings might seem abstract at first, they are essentially hyperrealistic. Often the differences she introduces are subtle and nuanced, and therein lies their(...)
Titre:
Hannelore van Dijck: the lasting one, that didn't last, that still lasts
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Belgian artist and draughtswoman Hannelore Van Dijck produces minute and highly textured charcoal drawings that often cover entire surfaces, whether they be walls, floors, sheets of paper, or textiles. Although her drawings might seem abstract at first, they are essentially hyperrealistic. Often the differences she introduces are subtle and nuanced, and therein lies their power. They can be described as graphic interventions – small dashes, circular or geometric motifs, lines resembling wood grain, smudges – that appear natural in a way, and as such, become part of the architecture or environment. This artists’ book coincides with an exhibition of Van Dijck’s work at Be-Part in Belgium.
Hannelore van Dijck: the lasting one, that didn't last, that still lasts
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Belgian artist and draughtswoman Hannelore Van Dijck produces minute and highly textured charcoal drawings that often cover entire surfaces, whether they be walls, floors, sheets of paper, or textiles. Although her drawings might seem abstract at first, they are essentially hyperrealistic. Often the differences she introduces are subtle and nuanced, and therein lies their power. They can be described as graphic interventions – small dashes, circular or geometric motifs, lines resembling wood grain, smudges – that appear natural in a way, and as such, become part of the architecture or environment. This artists’ book coincides with an exhibition of Van Dijck’s work at Be-Part in Belgium.
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livres
livres
Publication:
février 2018
février 2018
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livres
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Mark Dion is a prominent pioneer of environmental and ecological art. As a visual artist, he appropriates scientific methods of fieldwork, collecting, ordering, and exhibiting objects. He reflects on the visual representation of nature, engages in institutional critique, contributes to postcolonial discourse, and bears witness to the devastating impact of humankind on our(...)
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Mark Dion is a prominent pioneer of environmental and ecological art. As a visual artist, he appropriates scientific methods of fieldwork, collecting, ordering, and exhibiting objects. He reflects on the visual representation of nature, engages in institutional critique, contributes to postcolonial discourse, and bears witness to the devastating impact of humankind on our(...)
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The incomplete writings of Mark Dion: selected interviews, fragments and miscellanry
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Mark Dion is a prominent pioneer of environmental and ecological art. As a visual artist, he appropriates scientific methods of fieldwork, collecting, ordering, and exhibiting objects. He reflects on the visual representation of nature, engages in institutional critique, contributes to postcolonial discourse, and bears witness to the devastating impact of humankind on our natural environment. Nearly a hundred illustrated texts by Dion and interviews with the artist from the mid-1980s to the present are published in this book. His writings are characterised by curiosity, directness, and intellectual versatility. Often polemical and mildly ironic, they emphasise the urgency of his work.
The incomplete writings of Mark Dion: selected interviews, fragments and miscellanry
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Mark Dion is a prominent pioneer of environmental and ecological art. As a visual artist, he appropriates scientific methods of fieldwork, collecting, ordering, and exhibiting objects. He reflects on the visual representation of nature, engages in institutional critique, contributes to postcolonial discourse, and bears witness to the devastating impact of humankind on our natural environment. Nearly a hundred illustrated texts by Dion and interviews with the artist from the mid-1980s to the present are published in this book. His writings are characterised by curiosity, directness, and intellectual versatility. Often polemical and mildly ironic, they emphasise the urgency of his work.
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livres
livres
Publication:
janvier 2018
janvier 2018
Classification:
livres
livres
Titre:
Pierre Soulages
Pierre Soulages
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Il retrace l’itinéraire de Pierre Soulages, de sa découverte du monde de l’art dans le Paris de l’entre-deux-guerres à sa rencontre avec l’école de New York et l’expressionnisme abstrait, de la reconnaissance internationale dès le début des années 1950 à l’ouverture du musée de Rodez. Et simultanément, il explore la singularité esthétique d’une œuvre qui interroge le(...)
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Il retrace l’itinéraire de Pierre Soulages, de sa découverte du monde de l’art dans le Paris de l’entre-deux-guerres à sa rencontre avec l’école de New York et l’expressionnisme abstrait, de la reconnaissance internationale dès le début des années 1950 à l’ouverture du musée de Rodez. Et simultanément, il explore la singularité esthétique d’une œuvre qui interroge le(...)
Publication:
octobre 2017
octobre 2017
Titre:
Pierre Soulages
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Il retrace l’itinéraire de Pierre Soulages, de sa découverte du monde de l’art dans le Paris de l’entre-deux-guerres à sa rencontre avec l’école de New York et l’expressionnisme abstrait, de la reconnaissance internationale dès le début des années 1950 à l’ouverture du musée de Rodez. Et simultanément, il explore la singularité esthétique d’une œuvre qui interroge le pouvoir de la peinture, un pouvoir intimement lié à la sensation et l’émotion. L’art, selon Soulages, doit « rendre présent un rapport aux autres et au monde. L’œuvre renouvelle le regard, le change et nous change, et à travers les époques exerce un pouvoir sur celui qui regarde. […] Très tôt j’ai pratiqué une peinture qui abandonnait l’image, et que je n’ai jamais considérée comme un langage (au sens où le langage transmet une signification). Ni image, ni langage. »
Pierre Soulages
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Il retrace l’itinéraire de Pierre Soulages, de sa découverte du monde de l’art dans le Paris de l’entre-deux-guerres à sa rencontre avec l’école de New York et l’expressionnisme abstrait, de la reconnaissance internationale dès le début des années 1950 à l’ouverture du musée de Rodez. Et simultanément, il explore la singularité esthétique d’une œuvre qui interroge le pouvoir de la peinture, un pouvoir intimement lié à la sensation et l’émotion. L’art, selon Soulages, doit « rendre présent un rapport aux autres et au monde. L’œuvre renouvelle le regard, le change et nous change, et à travers les époques exerce un pouvoir sur celui qui regarde. […] Très tôt j’ai pratiqué une peinture qui abandonnait l’image, et que je n’ai jamais considérée comme un langage (au sens où le langage transmet une signification). Ni image, ni langage. »
Classification:
livres
livres
Publication:
octobre 2017
octobre 2017
