1885 Résultats
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This book accompanies and exhibition of the work of Vancouver artist, Scott McFarland, whose photographs are highlighted by meticulous staging that document a discrete range of subjects in serial format. The exhibition at the Contemporary Art Gallery concentrated on one of his ongoing projects : a large body of photographs detailing the interior and exterior of a(...)
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This book accompanies and exhibition of the work of Vancouver artist, Scott McFarland, whose photographs are highlighted by meticulous staging that document a discrete range of subjects in serial format. The exhibition at the Contemporary Art Gallery concentrated on one of his ongoing projects : a large body of photographs detailing the interior and exterior of a(...)
Publication:
mai 2003, Vancouver
mai 2003, Vancouver
Titre:
Scott McFarland : cabin photographs
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This book accompanies and exhibition of the work of Vancouver artist, Scott McFarland, whose photographs are highlighted by meticulous staging that document a discrete range of subjects in serial format. The exhibition at the Contemporary Art Gallery concentrated on one of his ongoing projects : a large body of photographs detailing the interior and exterior of a rural cabin on BC’s Sunshine Coast. McFarland’s naturalistic staging and close cropping emphasized and valorized objects and personal artefacts accumulating within the cabin, and stress an ongoing relationship between the site and its depiction.
Scott McFarland : cabin photographs
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This book accompanies and exhibition of the work of Vancouver artist, Scott McFarland, whose photographs are highlighted by meticulous staging that document a discrete range of subjects in serial format. The exhibition at the Contemporary Art Gallery concentrated on one of his ongoing projects : a large body of photographs detailing the interior and exterior of a rural cabin on BC’s Sunshine Coast. McFarland’s naturalistic staging and close cropping emphasized and valorized objects and personal artefacts accumulating within the cabin, and stress an ongoing relationship between the site and its depiction.
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Publication:
mai 2003, Vancouver
mai 2003, Vancouver
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Renée Van Halm : dream home
Renée Van Halm : dream home
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Writings in this catalogue describe and supplement the installation “Dream Home,” which was derived from real estate advertisements of the interiors of two houses listed for sale in Vancouver on a given day.
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Writings in this catalogue describe and supplement the installation “Dream Home,” which was derived from real estate advertisements of the interiors of two houses listed for sale in Vancouver on a given day.
Publication:
avril 2002, Vancouver
avril 2002, Vancouver
Titre:
Renée Van Halm : dream home
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Writings in this catalogue describe and supplement the installation “Dream Home,” which was derived from real estate advertisements of the interiors of two houses listed for sale in Vancouver on a given day.
Renée Van Halm : dream home
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Writings in this catalogue describe and supplement the installation “Dream Home,” which was derived from real estate advertisements of the interiors of two houses listed for sale in Vancouver on a given day.
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Publication:
avril 2002, Vancouver
avril 2002, Vancouver
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This catalogue was published on the occasion of the exhibitions "Our Love is Like the flowers, the Rain, the Sea and the Hours" at Tramway, Glasgow and "Our Love is Like the Earth, the Sun, the Trees and the Birth" at the Contemporary Art Gallery, Vancouver. It includes installations featuring a series of sculptures that suggest both a park-like landscape and an apartment(...)
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This catalogue was published on the occasion of the exhibitions "Our Love is Like the flowers, the Rain, the Sea and the Hours" at Tramway, Glasgow and "Our Love is Like the Earth, the Sun, the Trees and the Birth" at the Contemporary Art Gallery, Vancouver. It includes installations featuring a series of sculptures that suggest both a park-like landscape and an apartment(...)
Publication:
janvier 1900, Vancouver / Glasgow
janvier 1900, Vancouver / Glasgow
Titre:
Martin Boyce : this place is dreaming
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This catalogue was published on the occasion of the exhibitions "Our Love is Like the flowers, the Rain, the Sea and the Hours" at Tramway, Glasgow and "Our Love is Like the Earth, the Sun, the Trees and the Birth" at the Contemporary Art Gallery, Vancouver. It includes installations featuring a series of sculptures that suggest both a park-like landscape and an apartment interior in which the artist describes and abstracts cultural and social environments. The catalogue includes Martin Boyce’s conversation with Douglas Coupland, and essays by Raymond MacDonald and Douglas Coupland.
Martin Boyce : this place is dreaming
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This catalogue was published on the occasion of the exhibitions "Our Love is Like the flowers, the Rain, the Sea and the Hours" at Tramway, Glasgow and "Our Love is Like the Earth, the Sun, the Trees and the Birth" at the Contemporary Art Gallery, Vancouver. It includes installations featuring a series of sculptures that suggest both a park-like landscape and an apartment interior in which the artist describes and abstracts cultural and social environments. The catalogue includes Martin Boyce’s conversation with Douglas Coupland, and essays by Raymond MacDonald and Douglas Coupland.
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Publication:
janvier 1900, Vancouver / Glasgow
janvier 1900, Vancouver / Glasgow
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"Richard Greaves : anarchitecte" est la première exposition solo d'envergure consacrée à cet architecte montréalais. Il réalise ses oeuvres à partir de granges abandonnées qi'il démembre et d'installations faites à partir d'objets glanés au rebut.
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"Richard Greaves : anarchitecte" est la première exposition solo d'envergure consacrée à cet architecte montréalais. Il réalise ses oeuvres à partir de granges abandonnées qi'il démembre et d'installations faites à partir d'objets glanés au rebut.
Publication:
novembre 2005, Milan
novembre 2005, Milan
Titre:
Richard Greaves : anarchitecte / anarchitect
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"Richard Greaves : anarchitecte" est la première exposition solo d'envergure consacrée à cet architecte montréalais. Il réalise ses oeuvres à partir de granges abandonnées qi'il démembre et d'installations faites à partir d'objets glanés au rebut.
Richard Greaves : anarchitecte / anarchitect
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"Richard Greaves : anarchitecte" est la première exposition solo d'envergure consacrée à cet architecte montréalais. Il réalise ses oeuvres à partir de granges abandonnées qi'il démembre et d'installations faites à partir d'objets glanés au rebut.
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Publication:
novembre 2005, Milan
novembre 2005, Milan
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Balancing environmental, social, economic, and aesthetic concerns, sustainable design has the potential to transform everyday life and is already reshaping the fields of architecture and product design. "Beyond green : toward a sustainable art" explores the influence of this design philosophy on an emerging generation of international artists who combine a fresh aesthetic(...)
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Balancing environmental, social, economic, and aesthetic concerns, sustainable design has the potential to transform everyday life and is already reshaping the fields of architecture and product design. "Beyond green : toward a sustainable art" explores the influence of this design philosophy on an emerging generation of international artists who combine a fresh aesthetic(...)
Publication:
septembre 2005, Chicago / New York
septembre 2005, Chicago / New York
Titre:
Beyond green : toward a sustainable art
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Balancing environmental, social, economic, and aesthetic concerns, sustainable design has the potential to transform everyday life and is already reshaping the fields of architecture and product design. "Beyond green : toward a sustainable art" explores the influence of this design philosophy on an emerging generation of international artists who combine a fresh aesthetic sensibility with a constructively critical approach to the production, dissemination, and display of art. This catalogue's exhibition includes existing works, commissions, and previously presented work that has been “recycled,” spotlighting ways in which artists are building paths to new forms of practice. The exhibition is curated by Stephanie Smith, curator at the Smart Museum of Art, University of Chicago, and is co-organized by iCI and the Smart Museum. It is accompanied by an illustrated catalogue with artist interviews, and essays by Smith and by design historian Victor Margolin.
Beyond green : toward a sustainable art
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Balancing environmental, social, economic, and aesthetic concerns, sustainable design has the potential to transform everyday life and is already reshaping the fields of architecture and product design. "Beyond green : toward a sustainable art" explores the influence of this design philosophy on an emerging generation of international artists who combine a fresh aesthetic sensibility with a constructively critical approach to the production, dissemination, and display of art. This catalogue's exhibition includes existing works, commissions, and previously presented work that has been “recycled,” spotlighting ways in which artists are building paths to new forms of practice. The exhibition is curated by Stephanie Smith, curator at the Smart Museum of Art, University of Chicago, and is co-organized by iCI and the Smart Museum. It is accompanied by an illustrated catalogue with artist interviews, and essays by Smith and by design historian Victor Margolin.
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Publication:
septembre 2005, Chicago / New York
septembre 2005, Chicago / New York
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R (n) s'empare du superbe espace du Couvent des Cordeliers aménagé par Rikrit Tiravanija pour sa rétrospective de l'hiver organisée par l'ARC. Plus qu'une exposition, "I've heard about…" est une promenade, un parcours sensoriel à travers un projet urbain. L'urbain fait ici référence à la ville comme être vivant, comme organisme complexe et évolutif.
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R (n) s'empare du superbe espace du Couvent des Cordeliers aménagé par Rikrit Tiravanija pour sa rétrospective de l'hiver organisée par l'ARC. Plus qu'une exposition, "I've heard about…" est une promenade, un parcours sensoriel à travers un projet urbain. L'urbain fait ici référence à la ville comme être vivant, comme organisme complexe et évolutif.
Publication:
janvier 2006, Paris
janvier 2006, Paris
Titre:
I've heard about...(c) : R(n) avec Benoit Durandin
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R (n) s'empare du superbe espace du Couvent des Cordeliers aménagé par Rikrit Tiravanija pour sa rétrospective de l'hiver organisée par l'ARC. Plus qu'une exposition, "I've heard about…" est une promenade, un parcours sensoriel à travers un projet urbain. L'urbain fait ici référence à la ville comme être vivant, comme organisme complexe et évolutif.
I've heard about...(c) : R(n) avec Benoit Durandin
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R (n) s'empare du superbe espace du Couvent des Cordeliers aménagé par Rikrit Tiravanija pour sa rétrospective de l'hiver organisée par l'ARC. Plus qu'une exposition, "I've heard about…" est une promenade, un parcours sensoriel à travers un projet urbain. L'urbain fait ici référence à la ville comme être vivant, comme organisme complexe et évolutif.
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Publication:
janvier 2006, Paris
janvier 2006, Paris
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$57.00
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Un coup d'œil attentif aux murs des grandes villes suffit à s'en convaincre : l'art a conquis la rue. Malgré l'interdiction proclamée par la République, affiches, pochoirs ou graffitis rehaussent de couleurs l'environnement des citadins. Le phénomène n'est pas nouveau. Depuis quarante ans, des plasticiens questionnent la ville et y exposent leurs œuvres. Aujourd'hui(...)
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Un coup d'œil attentif aux murs des grandes villes suffit à s'en convaincre : l'art a conquis la rue. Malgré l'interdiction proclamée par la République, affiches, pochoirs ou graffitis rehaussent de couleurs l'environnement des citadins. Le phénomène n'est pas nouveau. Depuis quarante ans, des plasticiens questionnent la ville et y exposent leurs œuvres. Aujourd'hui(...)
Publication:
janvier 2006, Paris
janvier 2006, Paris
Titre:
In situ : un panorama de l'art urbain de 1975 à nos jours
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Un coup d'œil attentif aux murs des grandes villes suffit à s'en convaincre : l'art a conquis la rue. Malgré l'interdiction proclamée par la République, affiches, pochoirs ou graffitis rehaussent de couleurs l'environnement des citadins. Le phénomène n'est pas nouveau. Depuis quarante ans, des plasticiens questionnent la ville et y exposent leurs œuvres. Aujourd'hui cependant, une nouvelle génération d'artistes, dont beaucoup ont grandi le Posca à la main, revisite l'esthétique de la rue. Après l'effervescence des années 80 et la répression des années 90, cette " nouvelle vague " marie les techniques, multiplie les supports et développe un langage plastique original en marge des circuits officiels. C'est à un panorama de l'art urbain que In Situ nous convie. L'ouvrage revient sur l'apparition et le développement de cette mouvance foisonnante et dresse un état des lieux des pratiques. Les artistes y racontent leur parcours, expliquent leur démarche, analysent et commentent un mode d'expression dont la vitalité séduit les citadins.
In situ : un panorama de l'art urbain de 1975 à nos jours
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Un coup d'œil attentif aux murs des grandes villes suffit à s'en convaincre : l'art a conquis la rue. Malgré l'interdiction proclamée par la République, affiches, pochoirs ou graffitis rehaussent de couleurs l'environnement des citadins. Le phénomène n'est pas nouveau. Depuis quarante ans, des plasticiens questionnent la ville et y exposent leurs œuvres. Aujourd'hui cependant, une nouvelle génération d'artistes, dont beaucoup ont grandi le Posca à la main, revisite l'esthétique de la rue. Après l'effervescence des années 80 et la répression des années 90, cette " nouvelle vague " marie les techniques, multiplie les supports et développe un langage plastique original en marge des circuits officiels. C'est à un panorama de l'art urbain que In Situ nous convie. L'ouvrage revient sur l'apparition et le développement de cette mouvance foisonnante et dresse un état des lieux des pratiques. Les artistes y racontent leur parcours, expliquent leur démarche, analysent et commentent un mode d'expression dont la vitalité séduit les citadins.
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Publication:
janvier 2006, Paris
janvier 2006, Paris
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$15.00
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"The idea of north" is a three-part exhibition of contemporary art from Canada, Iceland, Norway and Sweden that addresses the concept of the locality and sound. It is the result of a collaboration between curators in Canada, Iceland and Norway. A total of 24 artists have been involved in this project.
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"The idea of north" is a three-part exhibition of contemporary art from Canada, Iceland, Norway and Sweden that addresses the concept of the locality and sound. It is the result of a collaboration between curators in Canada, Iceland and Norway. A total of 24 artists have been involved in this project.
Titre:
The idea of north : an exhibition about sound and site
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"The idea of north" is a three-part exhibition of contemporary art from Canada, Iceland, Norway and Sweden that addresses the concept of the locality and sound. It is the result of a collaboration between curators in Canada, Iceland and Norway. A total of 24 artists have been involved in this project.
The idea of north : an exhibition about sound and site
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"The idea of north" is a three-part exhibition of contemporary art from Canada, Iceland, Norway and Sweden that addresses the concept of the locality and sound. It is the result of a collaboration between curators in Canada, Iceland and Norway. A total of 24 artists have been involved in this project.
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Publication:
janvier 2006, Halifax
janvier 2006, Halifax
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$50.00
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Documentation of Buren's site specific artwork which was realised for park of the Gori Collection in Prato, Italy.
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Documentation of Buren's site specific artwork which was realised for park of the Gori Collection in Prato, Italy.
Publication:
avril 2006, Prato
avril 2006, Prato
Titre:
Daniel Buren : cabane éclatée aux 4 salles
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Documentation of Buren's site specific artwork which was realised for park of the Gori Collection in Prato, Italy.
Daniel Buren : cabane éclatée aux 4 salles
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Documentation of Buren's site specific artwork which was realised for park of the Gori Collection in Prato, Italy.
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livres
Publication:
avril 2006, Prato
avril 2006, Prato
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livres
livres
Titre:
Vera Röhm
Vera Röhm
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$36.50
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Vera Röhm’s name comes up in discussions of contemporary constructive art as an unorthodox example of the sculptural approach. Since the beginning of her artistic career she has been concerned with a repertoire of elementary geometric shapes. Her approach plays upon different kinds of distortion: incisions, cross-sections, mutilation and restoration/reconstruction; which(...)
$36.50
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Résumé:
Vera Röhm’s name comes up in discussions of contemporary constructive art as an unorthodox example of the sculptural approach. Since the beginning of her artistic career she has been concerned with a repertoire of elementary geometric shapes. Her approach plays upon different kinds of distortion: incisions, cross-sections, mutilation and restoration/reconstruction; which(...)
Publication:
avril 2006, London
avril 2006, London
Titre:
Vera Röhm
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Vera Röhm’s name comes up in discussions of contemporary constructive art as an unorthodox example of the sculptural approach. Since the beginning of her artistic career she has been concerned with a repertoire of elementary geometric shapes. Her approach plays upon different kinds of distortion: incisions, cross-sections, mutilation and restoration/reconstruction; which bring about an increased richness of form and complexity, and challenge the viewer’s imagination. Metamorphosis of materials in "Integrations", multiplication of shapes in "Shadow Objects", not to forget her photographs of the Jaipur Observatory – all of these offer unexpected angles on the real world. When her works include written words – as is the case with her cube-series bearing the inscription "Night Is The Shadow of The Earth" – this can be associated with Concrete Poetry. Her work in general also falls within the tradition of Constructivism, although there is an almost temperamental inclination to geometrical form, which is always manifest in the rich variations of shape that inform her sculptures. This first comprehensive presentation of the artist’s work in the English language is accompanied by essays by the poet and critic Eugen Gomringer and the art historian Stephen Bann.
Vera Röhm
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Vera Röhm’s name comes up in discussions of contemporary constructive art as an unorthodox example of the sculptural approach. Since the beginning of her artistic career she has been concerned with a repertoire of elementary geometric shapes. Her approach plays upon different kinds of distortion: incisions, cross-sections, mutilation and restoration/reconstruction; which bring about an increased richness of form and complexity, and challenge the viewer’s imagination. Metamorphosis of materials in "Integrations", multiplication of shapes in "Shadow Objects", not to forget her photographs of the Jaipur Observatory – all of these offer unexpected angles on the real world. When her works include written words – as is the case with her cube-series bearing the inscription "Night Is The Shadow of The Earth" – this can be associated with Concrete Poetry. Her work in general also falls within the tradition of Constructivism, although there is an almost temperamental inclination to geometrical form, which is always manifest in the rich variations of shape that inform her sculptures. This first comprehensive presentation of the artist’s work in the English language is accompanied by essays by the poet and critic Eugen Gomringer and the art historian Stephen Bann.
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livres
livres
Publication:
avril 2006, London
avril 2006, London
