1885 Résultats
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Available in English for the first time, Viennese painter Maria Lassnig's diaries--originally published in German in 2000 by Hans Ulrich Obrist--are a collection of journal entries, notes, poems, letters, photographs and drawings.
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Available in English for the first time, Viennese painter Maria Lassnig's diaries--originally published in German in 2000 by Hans Ulrich Obrist--are a collection of journal entries, notes, poems, letters, photographs and drawings.
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Maria Lassnig: the pen is the sister of the brush
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Available in English for the first time, Viennese painter Maria Lassnig's diaries--originally published in German in 2000 by Hans Ulrich Obrist--are a collection of journal entries, notes, poems, letters, photographs and drawings.
Maria Lassnig: the pen is the sister of the brush
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Available in English for the first time, Viennese painter Maria Lassnig's diaries--originally published in German in 2000 by Hans Ulrich Obrist--are a collection of journal entries, notes, poems, letters, photographs and drawings.
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livres
livres
Publication:
mars 2009
mars 2009
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livres
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Clay Ketter
Clay Ketter
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sweedish Exhibition catalogue, Moderna museet, Stockolm, may to august 2009. Combining consistency and innovation, Ketter has continued to produce works at the junctures of architecture, sculpture and painting. The variation between media, including painting, photography and sculpture, establishes layers of complexity but the terse composition of his works are always(...)
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sweedish Exhibition catalogue, Moderna museet, Stockolm, may to august 2009. Combining consistency and innovation, Ketter has continued to produce works at the junctures of architecture, sculpture and painting. The variation between media, including painting, photography and sculpture, establishes layers of complexity but the terse composition of his works are always(...)
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Clay Ketter
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sweedish Exhibition catalogue, Moderna museet, Stockolm, may to august 2009. Combining consistency and innovation, Ketter has continued to produce works at the junctures of architecture, sculpture and painting. The variation between media, including painting, photography and sculpture, establishes layers of complexity but the terse composition of his works are always visually arresting.
Clay Ketter
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sweedish Exhibition catalogue, Moderna museet, Stockolm, may to august 2009. Combining consistency and innovation, Ketter has continued to produce works at the junctures of architecture, sculpture and painting. The variation between media, including painting, photography and sculpture, establishes layers of complexity but the terse composition of his works are always visually arresting.
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livres
livres
Publication:
août 2009
août 2009
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Danish installation artist Tue Greenfort is interested in ecological and economic issues: against the background of global interrelations, he examines how people deal with the protection of the environment and endangered species in view of the scarcity of raw materials.
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Danish installation artist Tue Greenfort is interested in ecological and economic issues: against the background of global interrelations, he examines how people deal with the protection of the environment and endangered species in view of the scarcity of raw materials.
Titre:
Tue Greenfort, linear deflection
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Danish installation artist Tue Greenfort is interested in ecological and economic issues: against the background of global interrelations, he examines how people deal with the protection of the environment and endangered species in view of the scarcity of raw materials.
Tue Greenfort, linear deflection
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Danish installation artist Tue Greenfort is interested in ecological and economic issues: against the background of global interrelations, he examines how people deal with the protection of the environment and endangered species in view of the scarcity of raw materials.
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livres
livres
Publication:
mars 2009
mars 2009
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livres
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Simryn Gill
Simryn Gill
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First published on the occasion of the exhibition Simryn Gill: Gathering, 20 November 2008 - 22 March 2009 organised by the Museum of Contemporary Art, Sydney, Australia.
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First published on the occasion of the exhibition Simryn Gill: Gathering, 20 November 2008 - 22 March 2009 organised by the Museum of Contemporary Art, Sydney, Australia.
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Simryn Gill
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First published on the occasion of the exhibition Simryn Gill: Gathering, 20 November 2008 - 22 March 2009 organised by the Museum of Contemporary Art, Sydney, Australia.
Simryn Gill
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First published on the occasion of the exhibition Simryn Gill: Gathering, 20 November 2008 - 22 March 2009 organised by the Museum of Contemporary Art, Sydney, Australia.
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livres
Publication:
mars 2009, Sydney, Köln
mars 2009, Sydney, Köln
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livres
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Une oeuvre d'art public de Michel Goulet offerte par la ville de Montréal à la ville de Québec dans le cadre des célébrations du 400e anniversaire de sa fondation.
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Une oeuvre d'art public de Michel Goulet offerte par la ville de Montréal à la ville de Québec dans le cadre des célébrations du 400e anniversaire de sa fondation.
Titre:
Michel Goulet: rêver le nouveau monde
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Une oeuvre d'art public de Michel Goulet offerte par la ville de Montréal à la ville de Québec dans le cadre des célébrations du 400e anniversaire de sa fondation.
Michel Goulet: rêver le nouveau monde
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Une oeuvre d'art public de Michel Goulet offerte par la ville de Montréal à la ville de Québec dans le cadre des célébrations du 400e anniversaire de sa fondation.
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Publication:
février 2009, Montréal
février 2009, Montréal
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This publication accompanies the exhibition Silvia Kolbowski: Nothing and Everything, curated by Michèle Thériault and presented from January 29th to March 7th, 2009 at the Leonard & Bina Ellen Art Gallery, Concordia University.
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This publication accompanies the exhibition Silvia Kolbowski: Nothing and Everything, curated by Michèle Thériault and presented from January 29th to March 7th, 2009 at the Leonard & Bina Ellen Art Gallery, Concordia University.
Publication:
mars 2009, Montréal
mars 2009, Montréal
Titre:
Silvia Kolbowski: nothing and everything / rien et tout
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This publication accompanies the exhibition Silvia Kolbowski: Nothing and Everything, curated by Michèle Thériault and presented from January 29th to March 7th, 2009 at the Leonard & Bina Ellen Art Gallery, Concordia University.
Silvia Kolbowski: nothing and everything / rien et tout
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This publication accompanies the exhibition Silvia Kolbowski: Nothing and Everything, curated by Michèle Thériault and presented from January 29th to March 7th, 2009 at the Leonard & Bina Ellen Art Gallery, Concordia University.
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Publication:
mars 2009, Montréal
mars 2009, Montréal
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This catalogue is published on the occasion of the exhibition From Surface to Space. Malevich and early Modern Art at the Staatliche Kunsthalle Baden-Baden (25.10.2008-25.01.2009)
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This catalogue is published on the occasion of the exhibition From Surface to Space. Malevich and early Modern Art at the Staatliche Kunsthalle Baden-Baden (25.10.2008-25.01.2009)
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février 2009, Köln
février 2009, Köln
Titre:
Malevich and early modern art
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This catalogue is published on the occasion of the exhibition From Surface to Space. Malevich and early Modern Art at the Staatliche Kunsthalle Baden-Baden (25.10.2008-25.01.2009)
Malevich and early modern art
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This catalogue is published on the occasion of the exhibition From Surface to Space. Malevich and early Modern Art at the Staatliche Kunsthalle Baden-Baden (25.10.2008-25.01.2009)
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Publication:
février 2009, Köln
février 2009, Köln
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Documenting the production of the New York Graphic Workshop (NYGW), a group founded in 1965 by three young Latin American artists in New York - Luis Camnitzer, José Guillermo Castillo and Liliana Porter - this is the first comprehensive overview of this crucial, yet not so well-known, episode in the history of U.S. and Latin American Conceptual art. The mission of the(...)
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Résumé:
Documenting the production of the New York Graphic Workshop (NYGW), a group founded in 1965 by three young Latin American artists in New York - Luis Camnitzer, José Guillermo Castillo and Liliana Porter - this is the first comprehensive overview of this crucial, yet not so well-known, episode in the history of U.S. and Latin American Conceptual art. The mission of the(...)
Titre:
The New York Graphic Workshop, 1964-1970
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Documenting the production of the New York Graphic Workshop (NYGW), a group founded in 1965 by three young Latin American artists in New York - Luis Camnitzer, José Guillermo Castillo and Liliana Porter - this is the first comprehensive overview of this crucial, yet not so well-known, episode in the history of U.S. and Latin American Conceptual art. The mission of the NYGW was to redefine the practice of printmaking in Conceptual terms, focusing on the mechanical and repetitive nature of the medium rather than its traditional techniques. The NYGW functioned as a collective. It held unconventional exhibitions, including several by mail and one in a safe-deposit box on 57th Street, and it participated in The Museum of Modern Art's 1970 exhibition Information. The NYGW also produced prints by some of the leading contemporary artists of the period, including Michael Snow, Max Neuhaus, José Luis Cuevas and Salvador Dali.
The New York Graphic Workshop, 1964-1970
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Documenting the production of the New York Graphic Workshop (NYGW), a group founded in 1965 by three young Latin American artists in New York - Luis Camnitzer, José Guillermo Castillo and Liliana Porter - this is the first comprehensive overview of this crucial, yet not so well-known, episode in the history of U.S. and Latin American Conceptual art. The mission of the NYGW was to redefine the practice of printmaking in Conceptual terms, focusing on the mechanical and repetitive nature of the medium rather than its traditional techniques. The NYGW functioned as a collective. It held unconventional exhibitions, including several by mail and one in a safe-deposit box on 57th Street, and it participated in The Museum of Modern Art's 1970 exhibition Information. The NYGW also produced prints by some of the leading contemporary artists of the period, including Michael Snow, Max Neuhaus, José Luis Cuevas and Salvador Dali.
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livres
livres
Publication:
juillet 2009
juillet 2009
Classification:
livres
livres
Titre:
Jim Dine: poet singing
Jim Dine: poet singing
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American pop pioneer Jim Dine was asked by Los Angeles' Getty Museum in 2007 to produce the first contemporary project for the Getty Villa in Malibu by responding in some way to its renowned antiquities collection. Dine was drawn to the collection's ancient Greek sculptures and was given a room in the Villa for which he created three new monumental wood sculptures that he(...)
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American pop pioneer Jim Dine was asked by Los Angeles' Getty Museum in 2007 to produce the first contemporary project for the Getty Villa in Malibu by responding in some way to its renowned antiquities collection. Dine was drawn to the collection's ancient Greek sculptures and was given a room in the Villa for which he created three new monumental wood sculptures that he(...)
Titre:
Jim Dine: poet singing
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American pop pioneer Jim Dine was asked by Los Angeles' Getty Museum in 2007 to produce the first contemporary project for the Getty Villa in Malibu by responding in some way to its renowned antiquities collection. Dine was drawn to the collection's ancient Greek sculptures and was given a room in the Villa for which he created three new monumental wood sculptures that he painted brightly in the Hellenistic tradition. Dine also wrote a long poem, which he installed alongside the sculptures, on the gallery wall.
Jim Dine: poet singing
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American pop pioneer Jim Dine was asked by Los Angeles' Getty Museum in 2007 to produce the first contemporary project for the Getty Villa in Malibu by responding in some way to its renowned antiquities collection. Dine was drawn to the collection's ancient Greek sculptures and was given a room in the Villa for which he created three new monumental wood sculptures that he painted brightly in the Hellenistic tradition. Dine also wrote a long poem, which he installed alongside the sculptures, on the gallery wall.
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Publication:
mars 2009
mars 2009
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Titre:
Aernout Mik
Aernout Mik
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Dutch artist Aernout Mik's moving-image installations meld filmmaking, sculpture and architecture into experiences that are at once compelling and unsettling, irrational yet plausible. The artist designs and constructs architectural spaces that hold his moving images, making the viewer's physical relationship to the piece a critical component of the overall experience. By(...)
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Dutch artist Aernout Mik's moving-image installations meld filmmaking, sculpture and architecture into experiences that are at once compelling and unsettling, irrational yet plausible. The artist designs and constructs architectural spaces that hold his moving images, making the viewer's physical relationship to the piece a critical component of the overall experience. By(...)
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Aernout Mik
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Dutch artist Aernout Mik's moving-image installations meld filmmaking, sculpture and architecture into experiences that are at once compelling and unsettling, irrational yet plausible. The artist designs and constructs architectural spaces that hold his moving images, making the viewer's physical relationship to the piece a critical component of the overall experience. By interrogating the most basic ideas of narrative and reality and rejecting classical cinematic ideals, Mik creates works that are rich in allusion but subversive of codes. Published to accompany the artist's first U.S. retrospective, this volume is a vivid exploration of Mik's work and process. Laurence Kardish, MoMA's Senior Curator in the Department of Film, situates Mik within the history of documentary and nonnarrative cinema, while Michael Taussig, Professor of Anthropology at Columbia University, investigates the ways in which the artist's work changes the way we see reality while simultaneously reinforcing the norms of visual culture. Abundantly illustrated with stills and the artist's own drawings, the book also features detailed descriptions of the installations, an exhibition history and a bibliography, making it the most comprehensive volume on the artist available in English.
Aernout Mik
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Dutch artist Aernout Mik's moving-image installations meld filmmaking, sculpture and architecture into experiences that are at once compelling and unsettling, irrational yet plausible. The artist designs and constructs architectural spaces that hold his moving images, making the viewer's physical relationship to the piece a critical component of the overall experience. By interrogating the most basic ideas of narrative and reality and rejecting classical cinematic ideals, Mik creates works that are rich in allusion but subversive of codes. Published to accompany the artist's first U.S. retrospective, this volume is a vivid exploration of Mik's work and process. Laurence Kardish, MoMA's Senior Curator in the Department of Film, situates Mik within the history of documentary and nonnarrative cinema, while Michael Taussig, Professor of Anthropology at Columbia University, investigates the ways in which the artist's work changes the way we see reality while simultaneously reinforcing the norms of visual culture. Abundantly illustrated with stills and the artist's own drawings, the book also features detailed descriptions of the installations, an exhibition history and a bibliography, making it the most comprehensive volume on the artist available in English.
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livres
livres
Publication:
juin 2009
juin 2009
