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Cuban artist Diango Hernàndez creates paintings in the shape of faceted diamonds, which for him are symbols of a land governed by a single party, a metaphor of an "untouchable" regime whose politics seem to have no end. Source materials for the paintings are drawn from government propaganda beginning in the 1950s.
Diango Hernandez: diamonds and stones: my education
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Cuban artist Diango Hernàndez creates paintings in the shape of faceted diamonds, which for him are symbols of a land governed by a single party, a metaphor of an "untouchable" regime whose politics seem to have no end. Source materials for the paintings are drawn from government propaganda beginning in the 1950s.
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This first monograph on British performance artist William Hunt (born in 1977) is designed to unfold to 43 x 33 inches, revealing a performatively produced silk screen of the artist's body. Produced in a limited edition of 500. 1 pg folded into 28 sections / 8 duotone
mars 2009, Rotterdam
Tempting fate by swimming alone
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This first monograph on British performance artist William Hunt (born in 1977) is designed to unfold to 43 x 33 inches, revealing a performatively produced silk screen of the artist's body. Produced in a limited edition of 500. 1 pg folded into 28 sections / 8 duotone
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Published on the occasion of the exhibition Ulla von Brandenburg whose beginning is not, nor end cannot be, 27 May - 12 October 2008, IMMA.
Ulla von Brandenburg: whose beginning is not, nor end cannot be
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Published on the occasion of the exhibition Ulla von Brandenburg whose beginning is not, nor end cannot be, 27 May - 12 October 2008, IMMA.
Michael Hakimi
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The murals, computer images, paper works, drawings and objects of Berlin-based Michael Hakimi are combined in site-specific installations to form intricate networks of meaning. Hakimi expands the function of his formally reduced, two-dimensional images by means of his interventions, emphasizing the semantic divide between object and sign. The artist examines the narrative(...)
Michael Hakimi
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The murals, computer images, paper works, drawings and objects of Berlin-based Michael Hakimi are combined in site-specific installations to form intricate networks of meaning. Hakimi expands the function of his formally reduced, two-dimensional images by means of his interventions, emphasizing the semantic divide between object and sign. The artist examines the narrative potential of symbols and basic geometric shapes through the collagelike interaction of his works with readymades of the simplest materials. His installation "Large Oven" (2004), for example, realized for the Kunstverein Hamburg, and the spatial project "Roof" (2007), produced for the Kunsthalle Basel, both of which are comprehensively documented for the first time in the present publication, create walk-in scenarios reflecting social, political and urban realities. Beyond these works, this retrospective monograph presents all of Hakimi's work since 2002.
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Available in English for the first time, Viennese painter Maria Lassnig's diaries--originally published in German in 2000 by Hans Ulrich Obrist--are a collection of journal entries, notes, poems, letters, photographs and drawings.
Maria Lassnig: the pen is the sister of the brush
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Available in English for the first time, Viennese painter Maria Lassnig's diaries--originally published in German in 2000 by Hans Ulrich Obrist--are a collection of journal entries, notes, poems, letters, photographs and drawings.
Clay Ketter
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sweedish Exhibition catalogue, Moderna museet, Stockolm, may to august 2009. Combining consistency and innovation, Ketter has continued to produce works at the junctures of architecture, sculpture and painting. The variation between media, including painting, photography and sculpture, establishes layers of complexity but the terse composition of his works are always(...)
Clay Ketter
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sweedish Exhibition catalogue, Moderna museet, Stockolm, may to august 2009. Combining consistency and innovation, Ketter has continued to produce works at the junctures of architecture, sculpture and painting. The variation between media, including painting, photography and sculpture, establishes layers of complexity but the terse composition of his works are always visually arresting.
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Danish installation artist Tue Greenfort is interested in ecological and economic issues: against the background of global interrelations, he examines how people deal with the protection of the environment and endangered species in view of the scarcity of raw materials.
Tue Greenfort, linear deflection
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Danish installation artist Tue Greenfort is interested in ecological and economic issues: against the background of global interrelations, he examines how people deal with the protection of the environment and endangered species in view of the scarcity of raw materials.
Simryn Gill
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First published on the occasion of the exhibition Simryn Gill: Gathering, 20 November 2008 - 22 March 2009 organised by the Museum of Contemporary Art, Sydney, Australia.
Simryn Gill
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First published on the occasion of the exhibition Simryn Gill: Gathering, 20 November 2008 - 22 March 2009 organised by the Museum of Contemporary Art, Sydney, Australia.
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Une oeuvre d'art public de Michel Goulet offerte par la ville de Montréal à la ville de Québec dans le cadre des célébrations du 400e anniversaire de sa fondation.
Michel Goulet: rêver le nouveau monde
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Une oeuvre d'art public de Michel Goulet offerte par la ville de Montréal à la ville de Québec dans le cadre des célébrations du 400e anniversaire de sa fondation.
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This publication accompanies the exhibition Silvia Kolbowski: Nothing and Everything, curated by Michèle Thériault and presented from January 29th to March 7th, 2009 at the Leonard & Bina Ellen Art Gallery, Concordia University.
mars 2009, Montréal
Silvia Kolbowski: nothing and everything / rien et tout
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This publication accompanies the exhibition Silvia Kolbowski: Nothing and Everything, curated by Michèle Thériault and presented from January 29th to March 7th, 2009 at the Leonard & Bina Ellen Art Gallery, Concordia University.