Lausanne
$26.95
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Les dessins quotidiens de Ronan Bouroullec. Alors que les projets collaboratifs des Bouroullec impliquent un processus de recherche rigoureux et complexe, les travaux personnels de Ronan ne comportent aucune contrainte ni aucun plan. Le dessin, qui est une activité régulière depuis sa plus petite enfance, occupe une place importante dans sa vie quotidienne, et se(...)
Lausanne
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Les dessins quotidiens de Ronan Bouroullec. Alors que les projets collaboratifs des Bouroullec impliquent un processus de recherche rigoureux et complexe, les travaux personnels de Ronan ne comportent aucune contrainte ni aucun plan. Le dessin, qui est une activité régulière depuis sa plus petite enfance, occupe une place importante dans sa vie quotidienne, et se pratique à l'instinct et en toute liberté.
Jeanne Lebrun NOZ
$20.00
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"Idoine & Jeanne Lebrun" est augmenté de "Noz", un essai à l’écriture spontanée et directe dans lequel elle articule des expériences personnelles à des problématiques majeures de notre contemporanéité – la place de l’argent et ses représentations, l’instrumentalisation des émotions dans le système économique et politique hégémonique. Avec en contrepoint: comment tricher,(...)
Jeanne Lebrun NOZ
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"Idoine & Jeanne Lebrun" est augmenté de "Noz", un essai à l’écriture spontanée et directe dans lequel elle articule des expériences personnelles à des problématiques majeures de notre contemporanéité – la place de l’argent et ses représentations, l’instrumentalisation des émotions dans le système économique et politique hégémonique. Avec en contrepoint: comment tricher, s’organiser, et revendiquer une résistance pirate, joyeuse et collective, une inscription dans les failles, vers d’autres manières de vivre.
The MoMA plant collection
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"The MoMA Plant Collection" displays the tradition of including plant life in the Museum of Modern Art NY. The book presents 340 photographs and drawings that pay tribute to the pairing of plants with art. What can the placement of greenery next to the works of Mark Rothko, Henri Matisse, and many others tell us about the relationship between culture and nature? A(...)
The MoMA plant collection
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"The MoMA Plant Collection" displays the tradition of including plant life in the Museum of Modern Art NY. The book presents 340 photographs and drawings that pay tribute to the pairing of plants with art. What can the placement of greenery next to the works of Mark Rothko, Henri Matisse, and many others tell us about the relationship between culture and nature? A question that Meijer started to investigate in her first artist's book, 'The Plant Collection' (ROMA, 2019), on plants in the Stedelijk Museum in Amsterdam, and continues at this museum in New York.
Unearth 001: Shun Kadohashi
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''Unearth 001'' is Shun Kadohashi’s first book. It was published to coincide with aato gallery‘s exhibition ''Shapes and Paintings''. ''Unearth'' is a series of books exploring the practice and processes of artists working with ceramics.
Unearth 001: Shun Kadohashi
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''Unearth 001'' is Shun Kadohashi’s first book. It was published to coincide with aato gallery‘s exhibition ''Shapes and Paintings''. ''Unearth'' is a series of books exploring the practice and processes of artists working with ceramics.
Dizionario Vol.1
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Italian artist Luca Massaro has been building a solid body of work on ‘the invisible space that separates an image from its caption, photographs from words, in their different forms of production, translation and transmission’. Through an eclectic array of photographs, words, sculptures, installations and artists books, concocted with advertising techniques of(...)
Dizionario Vol.1
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Italian artist Luca Massaro has been building a solid body of work on ‘the invisible space that separates an image from its caption, photographs from words, in their different forms of production, translation and transmission’. Through an eclectic array of photographs, words, sculptures, installations and artists books, concocted with advertising techniques of manipulation, borrowed from the urban and online accelerated mediascape, such as the proliferation of backlit devices, the repetition of graphic logos and leitmotifs, his work plays with the conflicting hybridization of iconotexts today. Dizionario is a long-term project: every ten years the artist will publish a volume that assembles around 1000 new images accumulated in the previous decade from his personal archive. This verbo-visual archive, a collision of signs, layers and transparencies, which creates abstract images out of language, is used as a matrix for the fabrication of new works with various materials. For Volume 1, these images-words have been shot in the public space and mostly, yet not exclusively, in the urban landscape, since 2012 in Europe, Japan, Mexico and North America.
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Over the years, construction workers seem to have developed a mysterious script made with adhesive tape that is readable by only a few. What do these signs mean? Is this some sort of secret language? Or is there no meaning at all? Are things always as they seem? Visual artist and architect SerraGlia, fascinated by cities and by semiotics, decided to create an artistic and(...)
Signs fiction: seeking a new language
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Over the years, construction workers seem to have developed a mysterious script made with adhesive tape that is readable by only a few. What do these signs mean? Is this some sort of secret language? Or is there no meaning at all? Are things always as they seem? Visual artist and architect SerraGlia, fascinated by cities and by semiotics, decided to create an artistic and slightly ironic visual statement about these found signs. He is not seeking to reveal their absolute truth. Instead, he wants to question our perception of our surroundings.
livres
Dialogues in public art
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By the 1990s, public art had evolved far beyond the lonely monument on an open plaza. Now public artists might design the entire plaza, create an event to alter the social dynamics of an urban environment, or help to reconstruct a neighborhood. Dialogues in Public Art (...)
Dialogues in public art
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By the 1990s, public art had evolved far beyond the lonely monument on an open plaza. Now public artists might design the entire plaza, create an event to alter the social dynamics of an urban environment, or help to reconstruct a neighborhood. Dialogues in Public Art presents a rich blend of interviews with the people who create and experience public art--from an artist who mounted three bronze sculptures in the South Bronx to the bureaucrat who led the fight to have them removed; from an artist who describes his work as a "cancer" on architecture to a pair of architects who might agree with him; from an artist who formed a coalition to convert twenty-two derelict row houses into an art center/community revitalization project to a young woman who got her life back on track while living in one of the converted houses. The twenty interviews are divided into four parts: Controversies in Public Art, Experiments in Public Art as Architecture and Urban Planning, Dialogues on Dialogue-Based Public Art Projects, and Public Art for Public Health. Tom Finkelpearl's introductory essay provides a concise overview of changing attitudes toward the city as the site of public art. Interviewees: Vito Acconci, John Ahearn, David Avalos, Denise Scott Brown, Rufus L. Chaney, Mel Chin, Douglas Crimp, Paulo Freire, Andrew Ginzel, Linnea Glatt, Louis Hock, Ron Jensen, Kristin Jones, Maya Lin, Rick Lowe, Jackie McLean, Frank Moore, Jagoda Przybylak, Assata Shakur, Michael Singer, Elizabeth Sisco, Arthur Symes, Mierle Laderman Ukeles, Robert Venturi, Krzysztof Wodiczko.
livres
mai 2000, Cambridge
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Out of Place is a group show bringing together eleven European artists who use the urban landscape as a source of creativity, whether through remembering places with a strong personal association, transforming the reality of a city or inventing entirely imaginary places. As so many cities undergo change and regeneration, artists make personal responses to the flux and(...)
Out of place : memory, imagination and the city
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Out of Place is a group show bringing together eleven European artists who use the urban landscape as a source of creativity, whether through remembering places with a strong personal association, transforming the reality of a city or inventing entirely imaginary places. As so many cities undergo change and regeneration, artists make personal responses to the flux and history of urban life, looking at its lesser-loved and forgotten areas and constructing entire imaginary cities.
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Since the sixties, the American artist Keith Sonnier has introduced light into his sculptures and installations. In collaboration with architects Baumschlager & Eberle, Sonnier has recently created a light installation for an underground passage in the Munich Re Group building. Neon lighting bathes the corridors in intense colour, thereby taking on a spatial quality. (...)
juillet 2003, Ostfildern-Ruit
Keith Sonnier : sculpture light space
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Since the sixties, the American artist Keith Sonnier has introduced light into his sculptures and installations. In collaboration with architects Baumschlager & Eberle, Sonnier has recently created a light installation for an underground passage in the Munich Re Group building. Neon lighting bathes the corridors in intense colour, thereby taking on a spatial quality. For the new parish church of St. Franciscus in Steyr-Resthof in Upper Austria by the architects Riepl & Rieple, Sonnier developed an all-embracing concept whereby light is the sign of a liturgical venue and constitutes the focal point of an entire neighbourhood.
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The newly founded gallery Haunch of Venison inaugurates its opening with an exhibition by internationally acclaimed sculptor Rachel Whiteread. The exhibition and accompanying publication feature Whiteread's newest work, Untitled (Domestic), a massive sculpture cast from the fire escape staircases of Haunch of Venison's premises--a 3-storey building constructed in the late(...)
juillet 2003, London
Rachel Whiteread : Haunch of Venison
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The newly founded gallery Haunch of Venison inaugurates its opening with an exhibition by internationally acclaimed sculptor Rachel Whiteread. The exhibition and accompanying publication feature Whiteread's newest work, Untitled (Domestic), a massive sculpture cast from the fire escape staircases of Haunch of Venison's premises--a 3-storey building constructed in the late 18th century that was originally the home of Admiral Lord Nelson. Reincarnating the staircase in its negative form, the imposing white sculpture invokes the building's past while reflecting the artist's interest in the formal and purely architectural qualities of sculpture. This inaugural publication features installation views of the exhibition, including additional work dating from 1995 to the present day, as well as two amply illustrated essays and a complete bibliography. The first text considers Whiteread's immense public commissions in relation to their environment; the second outlines the history and techniques involved in creating the cast staircase sculptures.