1866 Résultats
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Anish Kapoor is one of a highly inventive generation of sculptors who emerged in London in the early 1980s. Since then he has created a remarkable body of work that blends a modernist sense of pure materiality with a fascination for the manipulation of form and the perception of space. This book - the first major American publication on Kapoor's work - surveys his work(...)
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Anish Kapoor is one of a highly inventive generation of sculptors who emerged in London in the early 1980s. Since then he has created a remarkable body of work that blends a modernist sense of pure materiality with a fascination for the manipulation of form and the perception of space. This book - the first major American publication on Kapoor's work - surveys his work(...)
Publication:
septembre 2008, Boston
septembre 2008, Boston
Titre:
Anish Kapoor : past, present, future
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Anish Kapoor is one of a highly inventive generation of sculptors who emerged in London in the early 1980s. Since then he has created a remarkable body of work that blends a modernist sense of pure materiality with a fascination for the manipulation of form and the perception of space. This book - the first major American publication on Kapoor's work - surveys his work since 1979, with a focus on sculptures and installations made since the early 1990s. With more than ninety color images of these ambitious and complex works, three original essays, an extended interview with Kapoor, and selections from his sketchbooks, this book confirms Anish Kapoor's place as one of the most remarkable sculptors working today. Kapoor's work has evolved into an abstract and perceptually complex elaboration of the sculptural object as at once monumental and evanescent, physical and ethereal - as in his famous Cloud Gate (2004) in Chicago's Millennium Park. The works in Anish Kapoor include such striking works as Past, Present, Future (2006), 1000 Names (1979-1980) and When I Am Pregnant (1992). Includes an interview with the artist by Nicholas Baume. Copublished with the Institute of Contemporary Art, Boston
Anish Kapoor : past, present, future
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Anish Kapoor is one of a highly inventive generation of sculptors who emerged in London in the early 1980s. Since then he has created a remarkable body of work that blends a modernist sense of pure materiality with a fascination for the manipulation of form and the perception of space. This book - the first major American publication on Kapoor's work - surveys his work since 1979, with a focus on sculptures and installations made since the early 1990s. With more than ninety color images of these ambitious and complex works, three original essays, an extended interview with Kapoor, and selections from his sketchbooks, this book confirms Anish Kapoor's place as one of the most remarkable sculptors working today. Kapoor's work has evolved into an abstract and perceptually complex elaboration of the sculptural object as at once monumental and evanescent, physical and ethereal - as in his famous Cloud Gate (2004) in Chicago's Millennium Park. The works in Anish Kapoor include such striking works as Past, Present, Future (2006), 1000 Names (1979-1980) and When I Am Pregnant (1992). Includes an interview with the artist by Nicholas Baume. Copublished with the Institute of Contemporary Art, Boston
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septembre 2008, Boston
septembre 2008, Boston
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World art studies
World art studies
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This timely volume challenges the narrow Western-centrism of most art historical models. Archaeologists have found that, for tens of thousands of years, all human cultures have shared a desire for visual representation or expression. Yet the study of art history has traditionally focused on Western artworks of the past few centuries. World Art Studies examines the(...)
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This timely volume challenges the narrow Western-centrism of most art historical models. Archaeologists have found that, for tens of thousands of years, all human cultures have shared a desire for visual representation or expression. Yet the study of art history has traditionally focused on Western artworks of the past few centuries. World Art Studies examines the(...)
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World art studies
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This timely volume challenges the narrow Western-centrism of most art historical models. Archaeologists have found that, for tens of thousands of years, all human cultures have shared a desire for visual representation or expression. Yet the study of art history has traditionally focused on Western artworks of the past few centuries. World Art Studies examines the phenomenon of art through a broader cultural, global and temporal perspective, bringing together a uniquely exhaustive range of perspectives on art and borrowing approaches from the study of neuroscience, evolutionary biology, anthropology and geography as models--alongside more conventional art historical perspectives. In musicology or linguistics, using such diverse viewpoints for reflection and research is considered part of the normal process. In that spirit, this volume goes beyond abstract models, using case studies to demonstrate and examine specific methods of investigation.
World art studies
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This timely volume challenges the narrow Western-centrism of most art historical models. Archaeologists have found that, for tens of thousands of years, all human cultures have shared a desire for visual representation or expression. Yet the study of art history has traditionally focused on Western artworks of the past few centuries. World Art Studies examines the phenomenon of art through a broader cultural, global and temporal perspective, bringing together a uniquely exhaustive range of perspectives on art and borrowing approaches from the study of neuroscience, evolutionary biology, anthropology and geography as models--alongside more conventional art historical perspectives. In musicology or linguistics, using such diverse viewpoints for reflection and research is considered part of the normal process. In that spirit, this volume goes beyond abstract models, using case studies to demonstrate and examine specific methods of investigation.
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Publication:
juin 2008, Amsterdam
juin 2008, Amsterdam
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Catalogue d'exposition au centre d'art contemporain de Malaga.
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Catalogue d'exposition au centre d'art contemporain de Malaga.
Publication:
novembre 2008, Malaga
novembre 2008, Malaga
Titre:
Rodney Graham: a glass of beer
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Catalogue d'exposition au centre d'art contemporain de Malaga.
Rodney Graham: a glass of beer
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Catalogue d'exposition au centre d'art contemporain de Malaga.
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novembre 2008, Malaga
novembre 2008, Malaga
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Lucy Skaer
Lucy Skaer
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Published on the occasion of the exhibition Lucy Skaer at the Fruitmarket Gallery, Edinburgh from may 17 to july 9 2008.
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Published on the occasion of the exhibition Lucy Skaer at the Fruitmarket Gallery, Edinburgh from may 17 to july 9 2008.
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Lucy Skaer
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Published on the occasion of the exhibition Lucy Skaer at the Fruitmarket Gallery, Edinburgh from may 17 to july 9 2008.
Lucy Skaer
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Published on the occasion of the exhibition Lucy Skaer at the Fruitmarket Gallery, Edinburgh from may 17 to july 9 2008.
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Publication:
juin 2008, Edinburgh
juin 2008, Edinburgh
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Michalis Pichler Hearts
Michalis Pichler Hearts
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A collection and archival documentation of discarded commodities, which carried depictions of hearts, found in public space mostly in Berlin, but also in Greece and New York City. The photo documentation is accompanied by transcriptions of every text carried by the found objects. A solid piece of conceptual photography and concrete poetry. This book is volume 2 of an(...)
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A collection and archival documentation of discarded commodities, which carried depictions of hearts, found in public space mostly in Berlin, but also in Greece and New York City. The photo documentation is accompanied by transcriptions of every text carried by the found objects. A solid piece of conceptual photography and concrete poetry. This book is volume 2 of an(...)
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Michalis Pichler Hearts
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A collection and archival documentation of discarded commodities, which carried depictions of hearts, found in public space mostly in Berlin, but also in Greece and New York City. The photo documentation is accompanied by transcriptions of every text carried by the found objects. A solid piece of conceptual photography and concrete poetry. This book is volume 2 of an encyclopedia (volume 1: stars & stripes aka 'new york garbage flag profile' / ISBN 978-3-865880-94-9)
Michalis Pichler Hearts
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A collection and archival documentation of discarded commodities, which carried depictions of hearts, found in public space mostly in Berlin, but also in Greece and New York City. The photo documentation is accompanied by transcriptions of every text carried by the found objects. A solid piece of conceptual photography and concrete poetry. This book is volume 2 of an encyclopedia (volume 1: stars & stripes aka 'new york garbage flag profile' / ISBN 978-3-865880-94-9)
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Publication:
juin 2008, Athens
juin 2008, Athens
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contributions: AA Bronson, Anonymus*, Inaki Bonillas, Mel Bochner, Marcel Broodthaers*, Heath Bunting, Alice Creischer, Brad Downey, Kenneth Goldsmith, Ellen Harvey, Burkhard Holdorff, Douglas Huebler*, Deborah Kelly, Sol LeWitt*, nature*, Akim Nguyen, Edgar Orlaineta, Grisha Perelman*, Michalis Pichler, Peter Piller, Adrian Piper, Johannes Raether, Allen Ruppersberg,(...)
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contributions: AA Bronson, Anonymus*, Inaki Bonillas, Mel Bochner, Marcel Broodthaers*, Heath Bunting, Alice Creischer, Brad Downey, Kenneth Goldsmith, Ellen Harvey, Burkhard Holdorff, Douglas Huebler*, Deborah Kelly, Sol LeWitt*, nature*, Akim Nguyen, Edgar Orlaineta, Grisha Perelman*, Michalis Pichler, Peter Piller, Adrian Piper, Johannes Raether, Allen Ruppersberg,(...)
Titre:
Michalis Pichler working drawing and other visible things on paper not neccesarily meant to be viewed.
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contributions: AA Bronson, Anonymus*, Inaki Bonillas, Mel Bochner, Marcel Broodthaers*, Heath Bunting, Alice Creischer, Brad Downey, Kenneth Goldsmith, Ellen Harvey, Burkhard Holdorff, Douglas Huebler*, Deborah Kelly, Sol LeWitt*, nature*, Akim Nguyen, Edgar Orlaineta, Grisha Perelman*, Michalis Pichler, Peter Piller, Adrian Piper, Johannes Raether, Allen Ruppersberg, Stefan Schuster, Andreas Siekmann, Evgenia Tsalagrada, Xerox*, Haegue Yang, Adam Zaretsky * “found” material The title is a paraphrase of Mel Bochners landmark project from 1966 as organized with the SVA. The last two words "As Art" have been omitted from the title. put together by Michalis Pichler
Michalis Pichler working drawing and other visible things on paper not neccesarily meant to be viewed.
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contributions: AA Bronson, Anonymus*, Inaki Bonillas, Mel Bochner, Marcel Broodthaers*, Heath Bunting, Alice Creischer, Brad Downey, Kenneth Goldsmith, Ellen Harvey, Burkhard Holdorff, Douglas Huebler*, Deborah Kelly, Sol LeWitt*, nature*, Akim Nguyen, Edgar Orlaineta, Grisha Perelman*, Michalis Pichler, Peter Piller, Adrian Piper, Johannes Raether, Allen Ruppersberg, Stefan Schuster, Andreas Siekmann, Evgenia Tsalagrada, Xerox*, Haegue Yang, Adam Zaretsky * “found” material The title is a paraphrase of Mel Bochners landmark project from 1966 as organized with the SVA. The last two words "As Art" have been omitted from the title. put together by Michalis Pichler
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juin 2008, Chatou
juin 2008, Chatou
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Tim Lee: cap street project
Tim Lee: cap street project
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To accompany Tim Lee's Capp Street Project, this monograph includes two texts written by the artist over the course of his residency on the musician Neil Young and the comedian Steve Martin. This publication also includes an essay by Jens Hoffmann on the relationship between art and comedy and a text by Claire Fitzsimmons on the works produced over the course of Lee's(...)
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To accompany Tim Lee's Capp Street Project, this monograph includes two texts written by the artist over the course of his residency on the musician Neil Young and the comedian Steve Martin. This publication also includes an essay by Jens Hoffmann on the relationship between art and comedy and a text by Claire Fitzsimmons on the works produced over the course of Lee's(...)
Publication:
juin 2008, San Francisco
juin 2008, San Francisco
Titre:
Tim Lee: cap street project
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To accompany Tim Lee's Capp Street Project, this monograph includes two texts written by the artist over the course of his residency on the musician Neil Young and the comedian Steve Martin. This publication also includes an essay by Jens Hoffmann on the relationship between art and comedy and a text by Claire Fitzsimmons on the works produced over the course of Lee's residency, with illustrations of the new commissions for the Wattis Institute. Designed by Stripe/Jon Sueda.
Tim Lee: cap street project
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To accompany Tim Lee's Capp Street Project, this monograph includes two texts written by the artist over the course of his residency on the musician Neil Young and the comedian Steve Martin. This publication also includes an essay by Jens Hoffmann on the relationship between art and comedy and a text by Claire Fitzsimmons on the works produced over the course of Lee's residency, with illustrations of the new commissions for the Wattis Institute. Designed by Stripe/Jon Sueda.
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juin 2008, San Francisco
juin 2008, San Francisco
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Celebration at persepolis
Celebration at persepolis
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In 1971, the Shah of Iran held a week-long party among the ruins of Persepolis, leaving the temporary architecture behind when the celebration was done. For Art Basel 2008, "anthropologist of the avant-garde" Michael Stevenson reconstructed one of the guest tents, now a ruin itself, at scale. That project is expanded upon here.
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In 1971, the Shah of Iran held a week-long party among the ruins of Persepolis, leaving the temporary architecture behind when the celebration was done. For Art Basel 2008, "anthropologist of the avant-garde" Michael Stevenson reconstructed one of the guest tents, now a ruin itself, at scale. That project is expanded upon here.
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Celebration at persepolis
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In 1971, the Shah of Iran held a week-long party among the ruins of Persepolis, leaving the temporary architecture behind when the celebration was done. For Art Basel 2008, "anthropologist of the avant-garde" Michael Stevenson reconstructed one of the guest tents, now a ruin itself, at scale. That project is expanded upon here.
Celebration at persepolis
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In 1971, the Shah of Iran held a week-long party among the ruins of Persepolis, leaving the temporary architecture behind when the celebration was done. For Art Basel 2008, "anthropologist of the avant-garde" Michael Stevenson reconstructed one of the guest tents, now a ruin itself, at scale. That project is expanded upon here.
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Publication:
juin 2008, Bristol
juin 2008, Bristol
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$46.00
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Based on Sedá's work for Documenta 12, this book documents a complex and long-term project realized in Nova Lisen, Brno, Czech Republic, where the artist lives. In the guise of a kind of "mail art," Sedá put in contact the inhabitants of a housing project undergoing renovation, breaking down the conventions of addressing an audience in the art context, as well as(...)
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Based on Sedá's work for Documenta 12, this book documents a complex and long-term project realized in Nova Lisen, Brno, Czech Republic, where the artist lives. In the guise of a kind of "mail art," Sedá put in contact the inhabitants of a housing project undergoing renovation, breaking down the conventions of addressing an audience in the art context, as well as(...)
Titre:
For every dog a different master
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Based on Sedá's work for Documenta 12, this book documents a complex and long-term project realized in Nova Lisen, Brno, Czech Republic, where the artist lives. In the guise of a kind of "mail art," Sedá put in contact the inhabitants of a housing project undergoing renovation, breaking down the conventions of addressing an audience in the art context, as well as stimulating exchanges and relations between the involuntarily participants. Fifth volume of the "Tranzit" series edited by Vít Havránek and focusing on Central and Eastern European artists. Text in English /Czech
For every dog a different master
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Based on Sedá's work for Documenta 12, this book documents a complex and long-term project realized in Nova Lisen, Brno, Czech Republic, where the artist lives. In the guise of a kind of "mail art," Sedá put in contact the inhabitants of a housing project undergoing renovation, breaking down the conventions of addressing an audience in the art context, as well as stimulating exchanges and relations between the involuntarily participants. Fifth volume of the "Tranzit" series edited by Vít Havránek and focusing on Central and Eastern European artists. Text in English /Czech
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livres
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Publication:
juin 2008, Zürich
juin 2008, Zürich
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$52.00
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Cette publication rassemble trois études sur la vie de Reverdin, sur les enjeux esthétiques de ses dessins et des gravures réalisées à partir d'eux. La qualité des reproductions permet de rendre compte de la technique de gravure de la “roulette”. Au-delà de sa carrière d'enseignant, Reverdin apparaît comme un véritable auteur ayant donné ses lettres de noblesse à l'art de(...)
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Cette publication rassemble trois études sur la vie de Reverdin, sur les enjeux esthétiques de ses dessins et des gravures réalisées à partir d'eux. La qualité des reproductions permet de rendre compte de la technique de gravure de la “roulette”. Au-delà de sa carrière d'enseignant, Reverdin apparaît comme un véritable auteur ayant donné ses lettres de noblesse à l'art de(...)
Publication:
juin 2008, Zürich
juin 2008, Zürich
Titre:
Gravures classiques d'après François-Gédéon Reverdin : quand la copie devient modèle
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Cette publication rassemble trois études sur la vie de Reverdin, sur les enjeux esthétiques de ses dessins et des gravures réalisées à partir d'eux. La qualité des reproductions permet de rendre compte de la technique de gravure de la “roulette”. Au-delà de sa carrière d'enseignant, Reverdin apparaît comme un véritable auteur ayant donné ses lettres de noblesse à l'art de la copie et de l'interprétation.
Gravures classiques d'après François-Gédéon Reverdin : quand la copie devient modèle
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$52.00
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Cette publication rassemble trois études sur la vie de Reverdin, sur les enjeux esthétiques de ses dessins et des gravures réalisées à partir d'eux. La qualité des reproductions permet de rendre compte de la technique de gravure de la “roulette”. Au-delà de sa carrière d'enseignant, Reverdin apparaît comme un véritable auteur ayant donné ses lettres de noblesse à l'art de la copie et de l'interprétation.
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livres
livres
Publication:
juin 2008, Zürich
juin 2008, Zürich
