1866 Résultats
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Twenty-one-year-old Peter Heisterkamp began signing his colorful and playful abstract artworks Palermo in 1964, when peers noted his resemblance to the American gangster Frank “Blinky” Palermo. This book, a historical and critical study of Palermo’s painting from the time he entered Joseph Beuys’s now famous class at the Düsseldorf academy in 1964 to his death in(...)
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Twenty-one-year-old Peter Heisterkamp began signing his colorful and playful abstract artworks Palermo in 1964, when peers noted his resemblance to the American gangster Frank “Blinky” Palermo. This book, a historical and critical study of Palermo’s painting from the time he entered Joseph Beuys’s now famous class at the Düsseldorf academy in 1964 to his death in(...)
Publication:
janvier 2009, New Haven, London
janvier 2009, New Haven, London
Titre:
Blinky Palermo: abstraction of an era
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Twenty-one-year-old Peter Heisterkamp began signing his colorful and playful abstract artworks Palermo in 1964, when peers noted his resemblance to the American gangster Frank “Blinky” Palermo. This book, a historical and critical study of Palermo’s painting from the time he entered Joseph Beuys’s now famous class at the Düsseldorf academy in 1964 to his death in 1977—explores his significance for postwar and abstract art. Christine Mehring notes that over the course of Palermo’s brief career he created five concurrent but distinct bodies of work: objects, cloth-pictures, wall-paintings, metal-pictures, and collaborative projects, primarily with his friend and colleague Gerhard Richter. Mehring shows how each of these groups demonstrates Palermo’s efforts to lead German art out of its international isolation and to transform modernist painting into historically resonant abstraction by incorporating artifice, humor, period colors, and play.
Blinky Palermo: abstraction of an era
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Twenty-one-year-old Peter Heisterkamp began signing his colorful and playful abstract artworks Palermo in 1964, when peers noted his resemblance to the American gangster Frank “Blinky” Palermo. This book, a historical and critical study of Palermo’s painting from the time he entered Joseph Beuys’s now famous class at the Düsseldorf academy in 1964 to his death in 1977—explores his significance for postwar and abstract art. Christine Mehring notes that over the course of Palermo’s brief career he created five concurrent but distinct bodies of work: objects, cloth-pictures, wall-paintings, metal-pictures, and collaborative projects, primarily with his friend and colleague Gerhard Richter. Mehring shows how each of these groups demonstrates Palermo’s efforts to lead German art out of its international isolation and to transform modernist painting into historically resonant abstraction by incorporating artifice, humor, period colors, and play.
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livres
livres
Publication:
janvier 2009, New Haven, London
janvier 2009, New Haven, London
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livres
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The interview has become a quintessentially twentieth-century form of historical narrative, writes co-editor Patricia Bickers in this rich collection of interviews with artists from the British magazine Art Monthly. From the interview with constructivist Naum Gabo, done just a few months before his death, this weighty volume (without illustrations) includes more than 60(...)
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The interview has become a quintessentially twentieth-century form of historical narrative, writes co-editor Patricia Bickers in this rich collection of interviews with artists from the British magazine Art Monthly. From the interview with constructivist Naum Gabo, done just a few months before his death, this weighty volume (without illustrations) includes more than 60(...)
Publication:
septembre 2008, London
septembre 2008, London
Titre:
Talking Art interviews with artists since 1976
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The interview has become a quintessentially twentieth-century form of historical narrative, writes co-editor Patricia Bickers in this rich collection of interviews with artists from the British magazine Art Monthly. From the interview with constructivist Naum Gabo, done just a few months before his death, this weighty volume (without illustrations) includes more than 60 influential artists of the last quarter of the twentieth century. The importance of the artists is unmistakable, including Frank Stella, David Hockney, Robert Motherwell, Jasper Johns, Barbara Kruger, Brice Marden, Gilbert & George, George Segal, Richard Serra, Claes Oldenburg, Sol LeWitt and John Baldessari. With an outstanding index of artists and others cited by the interviewees.
Talking Art interviews with artists since 1976
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The interview has become a quintessentially twentieth-century form of historical narrative, writes co-editor Patricia Bickers in this rich collection of interviews with artists from the British magazine Art Monthly. From the interview with constructivist Naum Gabo, done just a few months before his death, this weighty volume (without illustrations) includes more than 60 influential artists of the last quarter of the twentieth century. The importance of the artists is unmistakable, including Frank Stella, David Hockney, Robert Motherwell, Jasper Johns, Barbara Kruger, Brice Marden, Gilbert & George, George Segal, Richard Serra, Claes Oldenburg, Sol LeWitt and John Baldessari. With an outstanding index of artists and others cited by the interviewees.
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livres
Publication:
septembre 2008, London
septembre 2008, London
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livres
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Solution 9: The Great Pyramid is the first in the forthcoming Solution series where authors will be asked to develop an abundance of compact and original ideas for other countries and regions, contradicting the widely held assumption that, after the end of socialism, human advancement is only possible technologically or requires a yet-to-be-established world order. This(...)
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Solution 9: The Great Pyramid is the first in the forthcoming Solution series where authors will be asked to develop an abundance of compact and original ideas for other countries and regions, contradicting the widely held assumption that, after the end of socialism, human advancement is only possible technologically or requires a yet-to-be-established world order. This(...)
Publication:
janvier 1900, Berlin, New York
janvier 1900, Berlin, New York
Titre:
Solution 9: the great pyramid
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Solution 9: The Great Pyramid is the first in the forthcoming Solution series where authors will be asked to develop an abundance of compact and original ideas for other countries and regions, contradicting the widely held assumption that, after the end of socialism, human advancement is only possible technologically or requires a yet-to-be-established world order. This book also documents the architectural proposals for the Great Pyramid, selected by a jury composed of Rem Koolhaas, Omar Akbar, Stefano Boeri, and Miuccia Prada. It also contains critical texts and voices from the press on this exceptional project.
Solution 9: the great pyramid
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Solution 9: The Great Pyramid is the first in the forthcoming Solution series where authors will be asked to develop an abundance of compact and original ideas for other countries and regions, contradicting the widely held assumption that, after the end of socialism, human advancement is only possible technologically or requires a yet-to-be-established world order. This book also documents the architectural proposals for the Great Pyramid, selected by a jury composed of Rem Koolhaas, Omar Akbar, Stefano Boeri, and Miuccia Prada. It also contains critical texts and voices from the press on this exceptional project.
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livres
livres
Publication:
janvier 1900, Berlin, New York
janvier 1900, Berlin, New York
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livres
Titre:
Steven Shearer
Steven Shearer
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Published on the occasion of the exhibition organised by Ikon Gallery, Birmingham and The Power Plant, Toronto. This first monograph on Canadian artist Steven Shearer plunges the reader into the phenomenally versatile work he creates based on material in his extensive image bank of some 36,000 JPEGs of clippings, Xeroxes, and found photos. Shearer's obsession is his own(...)
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Published on the occasion of the exhibition organised by Ikon Gallery, Birmingham and The Power Plant, Toronto. This first monograph on Canadian artist Steven Shearer plunges the reader into the phenomenally versatile work he creates based on material in his extensive image bank of some 36,000 JPEGs of clippings, Xeroxes, and found photos. Shearer's obsession is his own(...)
Publication:
janvier 1900, Birmingham, Toronto
janvier 1900, Birmingham, Toronto
Titre:
Steven Shearer
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Published on the occasion of the exhibition organised by Ikon Gallery, Birmingham and The Power Plant, Toronto. This first monograph on Canadian artist Steven Shearer plunges the reader into the phenomenally versatile work he creates based on material in his extensive image bank of some 36,000 JPEGs of clippings, Xeroxes, and found photos. Shearer's obsession is his own development as a teenaged boy, and issues around teen identity and social class. The 67 works presented here - a mix of paintings, posters, highly intricate photo-collages, drawings and written poems, from his 2007 exhibitions at Ikon and The Power Plant galleries - while animated by the culture of Heavy Metal music, ultimately reveal the - need to belong - that helps define the human condition, especially during adolescence. Excellent interpretive essays by curators Nigel Prince, Helena Reckitt and Nancy Tousley.
Steven Shearer
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Published on the occasion of the exhibition organised by Ikon Gallery, Birmingham and The Power Plant, Toronto. This first monograph on Canadian artist Steven Shearer plunges the reader into the phenomenally versatile work he creates based on material in his extensive image bank of some 36,000 JPEGs of clippings, Xeroxes, and found photos. Shearer's obsession is his own development as a teenaged boy, and issues around teen identity and social class. The 67 works presented here - a mix of paintings, posters, highly intricate photo-collages, drawings and written poems, from his 2007 exhibitions at Ikon and The Power Plant galleries - while animated by the culture of Heavy Metal music, ultimately reveal the - need to belong - that helps define the human condition, especially during adolescence. Excellent interpretive essays by curators Nigel Prince, Helena Reckitt and Nancy Tousley.
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Publication:
janvier 1900, Birmingham, Toronto
janvier 1900, Birmingham, Toronto
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Ce catalogue a été publié à l'occasion de l'exposition Bridget Rilet Rétrospective organisée par le Musée d'Art moderne de la ville de Paris et présentée du 12 juin au 14 septembre 2008.
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Ce catalogue a été publié à l'occasion de l'exposition Bridget Rilet Rétrospective organisée par le Musée d'Art moderne de la ville de Paris et présentée du 12 juin au 14 septembre 2008.
Titre:
Bridget Riley rétrospective: musée d'art moderne de la ville de Paris
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Ce catalogue a été publié à l'occasion de l'exposition Bridget Rilet Rétrospective organisée par le Musée d'Art moderne de la ville de Paris et présentée du 12 juin au 14 septembre 2008.
Bridget Riley rétrospective: musée d'art moderne de la ville de Paris
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Ce catalogue a été publié à l'occasion de l'exposition Bridget Rilet Rétrospective organisée par le Musée d'Art moderne de la ville de Paris et présentée du 12 juin au 14 septembre 2008.
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livres
Publication:
septembre 2008, Paris, Londres
septembre 2008, Paris, Londres
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livres
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This catalogue is being published on the occasion of the exhibitions: Pressspanplatten für den Frieden / Chipboards for Peace, Kunstverein Heilbronn, 20.01.-11.03.2007. Edifice Complex, Oldenburger Kunstverein, Oldenburg, 23.03-13.05.2007 Preservation of Monuments and Historic Buildings and Bodywork, Kunstverein Arnberg, 13.04.-10.06.2007
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This catalogue is being published on the occasion of the exhibitions: Pressspanplatten für den Frieden / Chipboards for Peace, Kunstverein Heilbronn, 20.01.-11.03.2007. Edifice Complex, Oldenburger Kunstverein, Oldenburg, 23.03-13.05.2007 Preservation of Monuments and Historic Buildings and Bodywork, Kunstverein Arnberg, 13.04.-10.06.2007
Titre:
Ich war die putzfrau am bauhaus
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This catalogue is being published on the occasion of the exhibitions: Pressspanplatten für den Frieden / Chipboards for Peace, Kunstverein Heilbronn, 20.01.-11.03.2007. Edifice Complex, Oldenburger Kunstverein, Oldenburg, 23.03-13.05.2007 Preservation of Monuments and Historic Buildings and Bodywork, Kunstverein Arnberg, 13.04.-10.06.2007
Ich war die putzfrau am bauhaus
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This catalogue is being published on the occasion of the exhibitions: Pressspanplatten für den Frieden / Chipboards for Peace, Kunstverein Heilbronn, 20.01.-11.03.2007. Edifice Complex, Oldenburger Kunstverein, Oldenburg, 23.03-13.05.2007 Preservation of Monuments and Historic Buildings and Bodywork, Kunstverein Arnberg, 13.04.-10.06.2007
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Publication:
juin 2008, Köln
juin 2008, Köln
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livres
Titre:
Working at Copan
Working at Copan
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This publication was developed in th context of Sao Paulo S.A.: praticas estéticas, sociais e politicas em debate. Oscar Niemeyer's Modernist landmark Edificio Copan was the largest residential building in Latin America when it became part of Sao Paulo's skyline in 1966. In a project that's as much sociology as art, Berlin-based artist Peter Freidl interviews some of(...)
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This publication was developed in th context of Sao Paulo S.A.: praticas estéticas, sociais e politicas em debate. Oscar Niemeyer's Modernist landmark Edificio Copan was the largest residential building in Latin America when it became part of Sao Paulo's skyline in 1966. In a project that's as much sociology as art, Berlin-based artist Peter Freidl interviews some of(...)
Titre:
Working at Copan
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$21.95
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This publication was developed in th context of Sao Paulo S.A.: praticas estéticas, sociais e politicas em debate. Oscar Niemeyer's Modernist landmark Edificio Copan was the largest residential building in Latin America when it became part of Sao Paulo's skyline in 1966. In a project that's as much sociology as art, Berlin-based artist Peter Freidl interviews some of the 107 full-time employees whose lives are occupied with keeping this vertical utopia running. the author asks them about their work and their lives outside work, trying to paint a picture through first-hand accounts of the complex urban social reality of a Brazilian megalopolis.
Working at Copan
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This publication was developed in th context of Sao Paulo S.A.: praticas estéticas, sociais e politicas em debate. Oscar Niemeyer's Modernist landmark Edificio Copan was the largest residential building in Latin America when it became part of Sao Paulo's skyline in 1966. In a project that's as much sociology as art, Berlin-based artist Peter Freidl interviews some of the 107 full-time employees whose lives are occupied with keeping this vertical utopia running. the author asks them about their work and their lives outside work, trying to paint a picture through first-hand accounts of the complex urban social reality of a Brazilian megalopolis.
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livres
Publication:
juin 2008
juin 2008
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livres
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$62.00
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This catalog is published in conjunction with two exhibitions: one at K21 in Düsseldorf (december 8, 2007- April 13, 2008) and one at MAMbo in Bologna (April 20-June 8, 2008).
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This catalog is published in conjunction with two exhibitions: one at K21 in Düsseldorf (december 8, 2007- April 13, 2008) and one at MAMbo in Bologna (April 20-June 8, 2008).
Titre:
Jeroen de Rijke / Willem de Rooij
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This catalog is published in conjunction with two exhibitions: one at K21 in Düsseldorf (december 8, 2007- April 13, 2008) and one at MAMbo in Bologna (April 20-June 8, 2008).
Jeroen de Rijke / Willem de Rooij
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This catalog is published in conjunction with two exhibitions: one at K21 in Düsseldorf (december 8, 2007- April 13, 2008) and one at MAMbo in Bologna (April 20-June 8, 2008).
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livres
livres
Publication:
septembre 2008, Köln
septembre 2008, Köln
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livres
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$46.95
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Philippe Rahm & Alain Robbe-Grillet: Météorologie d'intérieur Christine Macel: Nouvelles temporalités dans l'architecture, entretien avec Philippe Rahm Olivier Lugon: La conférence, Parole, dessin et projection chez Le Corbusier Maria Stavrinaki: Dada inhumain; l'artiste et son milieu Éric Michaud: Portrait du juif en négateur de l'Incarnation
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Philippe Rahm & Alain Robbe-Grillet: Météorologie d'intérieur Christine Macel: Nouvelles temporalités dans l'architecture, entretien avec Philippe Rahm Olivier Lugon: La conférence, Parole, dessin et projection chez Le Corbusier Maria Stavrinaki: Dada inhumain; l'artiste et son milieu Éric Michaud: Portrait du juif en négateur de l'Incarnation
Titre:
Les Cahiers du Musée national d'art moderne 103, printemps 2008
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Philippe Rahm & Alain Robbe-Grillet: Météorologie d'intérieur Christine Macel: Nouvelles temporalités dans l'architecture, entretien avec Philippe Rahm Olivier Lugon: La conférence, Parole, dessin et projection chez Le Corbusier Maria Stavrinaki: Dada inhumain; l'artiste et son milieu Éric Michaud: Portrait du juif en négateur de l'Incarnation
Les Cahiers du Musée national d'art moderne 103, printemps 2008
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Philippe Rahm & Alain Robbe-Grillet: Météorologie d'intérieur Christine Macel: Nouvelles temporalités dans l'architecture, entretien avec Philippe Rahm Olivier Lugon: La conférence, Parole, dessin et projection chez Le Corbusier Maria Stavrinaki: Dada inhumain; l'artiste et son milieu Éric Michaud: Portrait du juif en négateur de l'Incarnation
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livres
livres
Publication:
janvier 1900
janvier 1900
Classification:
livres
livres
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$24.00
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The DVD extensively documents the sound and light works in the exhibition including audio and video recordings and installations, and is accompanied by a 68-page catalogue (21 color plates and 6 halftones) with essays by Valerie Cassel-Oliver, Romi Crawford and Greg Tate.
$24.00
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Résumé:
The DVD extensively documents the sound and light works in the exhibition including audio and video recordings and installations, and is accompanied by a 68-page catalogue (21 color plates and 6 halftones) with essays by Valerie Cassel-Oliver, Romi Crawford and Greg Tate.
Publication:
janvier 1900
janvier 1900
Titre:
Black Light white noise: sound and light in contemporary art
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$24.00
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The DVD extensively documents the sound and light works in the exhibition including audio and video recordings and installations, and is accompanied by a 68-page catalogue (21 color plates and 6 halftones) with essays by Valerie Cassel-Oliver, Romi Crawford and Greg Tate.
Black Light white noise: sound and light in contemporary art
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$24.00
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Résumé:
The DVD extensively documents the sound and light works in the exhibition including audio and video recordings and installations, and is accompanied by a 68-page catalogue (21 color plates and 6 halftones) with essays by Valerie Cassel-Oliver, Romi Crawford and Greg Tate.
Classification:
livres
livres
Publication:
janvier 1900
janvier 1900
