1885 Résultats
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This publication was realized in conjunction with the exhibition Harun Farocki: one image doesn't take the place of the previous one nurated by Michèle Thériault and presented from October 19th to December 1st, 2007 at the Leonard & Bina Ellen Art Gallery, Concordia University.
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This publication was realized in conjunction with the exhibition Harun Farocki: one image doesn't take the place of the previous one nurated by Michèle Thériault and presented from October 19th to December 1st, 2007 at the Leonard & Bina Ellen Art Gallery, Concordia University.
Publication:
octobre 2008, Montréal, Kingston
octobre 2008, Montréal, Kingston
Titre:
Harun Farocki: one image doesn't take the place of the previous one
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This publication was realized in conjunction with the exhibition Harun Farocki: one image doesn't take the place of the previous one nurated by Michèle Thériault and presented from October 19th to December 1st, 2007 at the Leonard & Bina Ellen Art Gallery, Concordia University.
Harun Farocki: one image doesn't take the place of the previous one
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This publication was realized in conjunction with the exhibition Harun Farocki: one image doesn't take the place of the previous one nurated by Michèle Thériault and presented from October 19th to December 1st, 2007 at the Leonard & Bina Ellen Art Gallery, Concordia University.
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Publication:
octobre 2008, Montréal, Kingston
octobre 2008, Montréal, Kingston
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Nor : Nord, North, Norte. Vingt artistes et huit écrivains canadiens sont invités à incarner leurs « idées du nord ». Leurs œuvres sont recueillies sur les feuilles volantes d’un livre-objet unique. Nor est l’exposition portative et la cartographie imaginaire d’un lieu qui nous habite.
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Nor : Nord, North, Norte. Vingt artistes et huit écrivains canadiens sont invités à incarner leurs « idées du nord ». Leurs œuvres sont recueillies sur les feuilles volantes d’un livre-objet unique. Nor est l’exposition portative et la cartographie imaginaire d’un lieu qui nous habite.
Publication:
octobre 2004, Montréal
octobre 2004, Montréal
Titre:
Nor : Idées du nord / ideas of north
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Nor : Nord, North, Norte. Vingt artistes et huit écrivains canadiens sont invités à incarner leurs « idées du nord ». Leurs œuvres sont recueillies sur les feuilles volantes d’un livre-objet unique. Nor est l’exposition portative et la cartographie imaginaire d’un lieu qui nous habite.
Nor : Idées du nord / ideas of north
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Nor : Nord, North, Norte. Vingt artistes et huit écrivains canadiens sont invités à incarner leurs « idées du nord ». Leurs œuvres sont recueillies sur les feuilles volantes d’un livre-objet unique. Nor est l’exposition portative et la cartographie imaginaire d’un lieu qui nous habite.
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Publication:
octobre 2004, Montréal
octobre 2004, Montréal
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The work of the Danish-Icelandic artist Olafur Eliasson (born in Copenhagen, 1967) focuses on sensorial perception, the laws of physics and natural phenomena. He works in a variety of media, but is particularly known for his sculptural installations for specific places. His use of light, water, ice and clouds in these spaces is a reflection of his Icelandic roots,and the(...)
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The work of the Danish-Icelandic artist Olafur Eliasson (born in Copenhagen, 1967) focuses on sensorial perception, the laws of physics and natural phenomena. He works in a variety of media, but is particularly known for his sculptural installations for specific places. His use of light, water, ice and clouds in these spaces is a reflection of his Icelandic roots,and the(...)
Publication:
septembre 2008, Barcelona
septembre 2008, Barcelona
Titre:
Olafur Eliasson: the nature of things
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The work of the Danish-Icelandic artist Olafur Eliasson (born in Copenhagen, 1967) focuses on sensorial perception, the laws of physics and natural phenomena. He works in a variety of media, but is particularly known for his sculptural installations for specific places. His use of light, water, ice and clouds in these spaces is a reflection of his Icelandic roots,and the complexity and diversity of his work have made him a point of reference in the current international art scene. Olafur Eliasson was awarded the Joan Miro Prize in 2007 for his status as one of the leading artists of our times. His work has been shown in major museums around the world. "Light Lab" was at the Portikus centre in Frankfurt and "Take your Time:Olafur Eliasson," a retrospective for the San Francisco Museum of Modern Art that was later exhibited in the MoMA in New York.
Olafur Eliasson: the nature of things
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The work of the Danish-Icelandic artist Olafur Eliasson (born in Copenhagen, 1967) focuses on sensorial perception, the laws of physics and natural phenomena. He works in a variety of media, but is particularly known for his sculptural installations for specific places. His use of light, water, ice and clouds in these spaces is a reflection of his Icelandic roots,and the complexity and diversity of his work have made him a point of reference in the current international art scene. Olafur Eliasson was awarded the Joan Miro Prize in 2007 for his status as one of the leading artists of our times. His work has been shown in major museums around the world. "Light Lab" was at the Portikus centre in Frankfurt and "Take your Time:Olafur Eliasson," a retrospective for the San Francisco Museum of Modern Art that was later exhibited in the MoMA in New York.
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Publication:
septembre 2008, Barcelona
septembre 2008, Barcelona
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livres
livres
Titre:
Jan Albers
Jan Albers
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Jan Albers is part of a young generation of conceptual artists whose work is defined by its openness. They confront modernity`s tight vocabulary of images, exploring the manner in which this vocabulary penetrates the world in which we exist. His view is directed to elements of our familiar surroundings and he uses his work to distil them so they appear new and unexpected to us.
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Jan Albers is part of a young generation of conceptual artists whose work is defined by its openness. They confront modernity`s tight vocabulary of images, exploring the manner in which this vocabulary penetrates the world in which we exist. His view is directed to elements of our familiar surroundings and he uses his work to distil them so they appear new and unexpected to us.
Publication:
janvier 1900, Frankfurt am Main, Goslar
janvier 1900, Frankfurt am Main, Goslar
Titre:
Jan Albers
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Jan Albers is part of a young generation of conceptual artists whose work is defined by its openness. They confront modernity`s tight vocabulary of images, exploring the manner in which this vocabulary penetrates the world in which we exist. His view is directed to elements of our familiar surroundings and he uses his work to distil them so they appear new and unexpected to us.
Jan Albers
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Jan Albers is part of a young generation of conceptual artists whose work is defined by its openness. They confront modernity`s tight vocabulary of images, exploring the manner in which this vocabulary penetrates the world in which we exist. His view is directed to elements of our familiar surroundings and he uses his work to distil them so they appear new and unexpected to us.
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livres
livres
Publication:
janvier 1900, Frankfurt am Main, Goslar
janvier 1900, Frankfurt am Main, Goslar
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livres
Titre:
David Hatcher i don't must
David Hatcher i don't must
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ed. by Astrid Mania with contributions by Jon Bywater & Mark McCloud, Charles Esche & Joëlle de La Casiniére, Chaz Doherty & Nova Paul, Sven Beckstette & John Welchman, Alena Boika & Ivan Mecl, Ron Athey & Emily Roysdon, Rik Reinking & Peter Anthony, Gwenneth Porter & David Craig, Simon Sheikh & Gerald Raunig, Mehdi Chouakri & Mark Gisbourne, Manray Hsu & Lise Nellemann,(...)
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ed. by Astrid Mania with contributions by Jon Bywater & Mark McCloud, Charles Esche & Joëlle de La Casiniére, Chaz Doherty & Nova Paul, Sven Beckstette & John Welchman, Alena Boika & Ivan Mecl, Ron Athey & Emily Roysdon, Rik Reinking & Peter Anthony, Gwenneth Porter & David Craig, Simon Sheikh & Gerald Raunig, Mehdi Chouakri & Mark Gisbourne, Manray Hsu & Lise Nellemann,(...)
Publication:
janvier 2007, Frankfurt
janvier 2007, Frankfurt
Titre:
David Hatcher i don't must
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ed. by Astrid Mania with contributions by Jon Bywater & Mark McCloud, Charles Esche & Joëlle de La Casiniére, Chaz Doherty & Nova Paul, Sven Beckstette & John Welchman, Alena Boika & Ivan Mecl, Ron Athey & Emily Roysdon, Rik Reinking & Peter Anthony, Gwenneth Porter & David Craig, Simon Sheikh & Gerald Raunig, Mehdi Chouakri & Mark Gisbourne, Manray Hsu & Lise Nellemann, Jeremy Prestholdt & Kianga Ford, Leif Holmstrand & Jack Helgesen, Rüdiger Schlömer & Wilhelm Schürmann, Jan Tumlir & Peter Zellner (english, german)
David Hatcher i don't must
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ed. by Astrid Mania with contributions by Jon Bywater & Mark McCloud, Charles Esche & Joëlle de La Casiniére, Chaz Doherty & Nova Paul, Sven Beckstette & John Welchman, Alena Boika & Ivan Mecl, Ron Athey & Emily Roysdon, Rik Reinking & Peter Anthony, Gwenneth Porter & David Craig, Simon Sheikh & Gerald Raunig, Mehdi Chouakri & Mark Gisbourne, Manray Hsu & Lise Nellemann, Jeremy Prestholdt & Kianga Ford, Leif Holmstrand & Jack Helgesen, Rüdiger Schlömer & Wilhelm Schürmann, Jan Tumlir & Peter Zellner (english, german)
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Publication:
janvier 2007, Frankfurt
janvier 2007, Frankfurt
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Introduction by Lucy Lippard, essay by Mike Davis. Between October 2006 and April 2007, three gardens were given away. Each garden was planted in one of the three microclimates in San Francisco: sunbelt, transition belt and fog belt. The households were selected based on an ad posted on Craiglist. It was posted on October 10th ad midnight. By 9:30am October 11th, we had(...)
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Introduction by Lucy Lippard, essay by Mike Davis. Between October 2006 and April 2007, three gardens were given away. Each garden was planted in one of the three microclimates in San Francisco: sunbelt, transition belt and fog belt. The households were selected based on an ad posted on Craiglist. It was posted on October 10th ad midnight. By 9:30am October 11th, we had(...)
Publication:
septembre 2008, San Francisco
septembre 2008, San Francisco
Titre:
Amy Franceschini: victory gardens 2007: a plan for subsidized urban gardens
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Introduction by Lucy Lippard, essay by Mike Davis. Between October 2006 and April 2007, three gardens were given away. Each garden was planted in one of the three microclimates in San Francisco: sunbelt, transition belt and fog belt. The households were selected based on an ad posted on Craiglist. It was posted on October 10th ad midnight. By 9:30am October 11th, we had received over 800 responses. Each garden was delivered on the Victory Garden Trike and included a planting party, a Starter Kit, and two lessons. The lessons included how to build a raised bed, install a drip system, planting instructions, seasonal planting, seed saving, harvesting methods, composting, and canning. 1 Artist 1 Concept is a series of books by individual artists, produced by The Expanding Color System.
Amy Franceschini: victory gardens 2007: a plan for subsidized urban gardens
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Introduction by Lucy Lippard, essay by Mike Davis. Between October 2006 and April 2007, three gardens were given away. Each garden was planted in one of the three microclimates in San Francisco: sunbelt, transition belt and fog belt. The households were selected based on an ad posted on Craiglist. It was posted on October 10th ad midnight. By 9:30am October 11th, we had received over 800 responses. Each garden was delivered on the Victory Garden Trike and included a planting party, a Starter Kit, and two lessons. The lessons included how to build a raised bed, install a drip system, planting instructions, seasonal planting, seed saving, harvesting methods, composting, and canning. 1 Artist 1 Concept is a series of books by individual artists, produced by The Expanding Color System.
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Publication:
septembre 2008, San Francisco
septembre 2008, San Francisco
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livres
Titre:
Le jeu de la guerre
Le jeu de la guerre
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En 1965, Guy Debord dépose le brevet d'un Jeu de la Guerre (dit encore Kliegspiel) qu'il avait imaginé dix ans plus tôt. Eu janvier 1977, il s'associe à Gérard Lebovici pour fonder, à parts égales, une société dont l'objet est la production, la publication et l'exploitation de jeux. Sous la dénomination " Les Jeux stratégiques et historiques ", la société publie(...)
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En 1965, Guy Debord dépose le brevet d'un Jeu de la Guerre (dit encore Kliegspiel) qu'il avait imaginé dix ans plus tôt. Eu janvier 1977, il s'associe à Gérard Lebovici pour fonder, à parts égales, une société dont l'objet est la production, la publication et l'exploitation de jeux. Sous la dénomination " Les Jeux stratégiques et historiques ", la société publie(...)
Publication:
avril 2006, Paris
avril 2006, Paris
Titre:
Le jeu de la guerre
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En 1965, Guy Debord dépose le brevet d'un Jeu de la Guerre (dit encore Kliegspiel) qu'il avait imaginé dix ans plus tôt. Eu janvier 1977, il s'associe à Gérard Lebovici pour fonder, à parts égales, une société dont l'objet est la production, la publication et l'exploitation de jeux. Sous la dénomination " Les Jeux stratégiques et historiques ", la société publie simultanément en français et en anglais une Règle du " Jeu de la Guerre ", et fait réaliser par un artisan quatre (ou cinq) exemplaires du jeu, dont la table (45,5 cm x 36,5 cm) et les pièces ciselées sont en cuivre argenté. C'est en 1987, après la disparition de Gérard Lebovici, que paraîtra, aux éditions qui portaient son nom, Le Jeu de la Guerre, présenté sous la forme d'un " relevé des positions successives de toutes les forces au cours d'une partie ". Un modèle rudimentaire du jeu avait été diffusé dans le même temps. En 1991, par décision de Guy Debord, Le Jeu de la Guerre est mis au pilon avec l'ensemble de ses autres livres publiés. Nous le faisons reparaître dans une nouvelle édition revue, corrigée et augmentée de documents retrouvés, susceptibles d'éclairer le lecteur sur le fondement et la nature spécifique de ce jeu tel que l'a conçu et réalisé son inventeur Guy Debord.
Le jeu de la guerre
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En 1965, Guy Debord dépose le brevet d'un Jeu de la Guerre (dit encore Kliegspiel) qu'il avait imaginé dix ans plus tôt. Eu janvier 1977, il s'associe à Gérard Lebovici pour fonder, à parts égales, une société dont l'objet est la production, la publication et l'exploitation de jeux. Sous la dénomination " Les Jeux stratégiques et historiques ", la société publie simultanément en français et en anglais une Règle du " Jeu de la Guerre ", et fait réaliser par un artisan quatre (ou cinq) exemplaires du jeu, dont la table (45,5 cm x 36,5 cm) et les pièces ciselées sont en cuivre argenté. C'est en 1987, après la disparition de Gérard Lebovici, que paraîtra, aux éditions qui portaient son nom, Le Jeu de la Guerre, présenté sous la forme d'un " relevé des positions successives de toutes les forces au cours d'une partie ". Un modèle rudimentaire du jeu avait été diffusé dans le même temps. En 1991, par décision de Guy Debord, Le Jeu de la Guerre est mis au pilon avec l'ensemble de ses autres livres publiés. Nous le faisons reparaître dans une nouvelle édition revue, corrigée et augmentée de documents retrouvés, susceptibles d'éclairer le lecteur sur le fondement et la nature spécifique de ce jeu tel que l'a conçu et réalisé son inventeur Guy Debord.
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Publication:
avril 2006, Paris
avril 2006, Paris
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livres
Titre:
Warja Lavater: Pictograms
Warja Lavater: Pictograms
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An early progenitor of the artist's book genre, Warja Honegger-Lavater was born in Winterthur, Switzerland in 1913. She worked as an illustrator for the magazine Jeunesse from 1944-1958, and moved to New York shortly thereafter where she began a wonderful series of artist's books. These books were published between 1962 and 1971, an exceptionally ripe time for artists to(...)
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An early progenitor of the artist's book genre, Warja Honegger-Lavater was born in Winterthur, Switzerland in 1913. She worked as an illustrator for the magazine Jeunesse from 1944-1958, and moved to New York shortly thereafter where she began a wonderful series of artist's books. These books were published between 1962 and 1971, an exceptionally ripe time for artists to(...)
Titre:
Warja Lavater: Pictograms
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An early progenitor of the artist's book genre, Warja Honegger-Lavater was born in Winterthur, Switzerland in 1913. She worked as an illustrator for the magazine Jeunesse from 1944-1958, and moved to New York shortly thereafter where she began a wonderful series of artist's books. These books were published between 1962 and 1971, an exceptionally ripe time for artists to turn to the bookform, a time when the most often cited "first" artist's book also appeared, Twentysix Gasoline Stations (1962) by Ed Ruscha. Nieves is delighted to release this previously unpublished collection of 60 ink pictograms, drawn between 1976 and 1996, originally printed individually as A2 plane prints.
Warja Lavater: Pictograms
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An early progenitor of the artist's book genre, Warja Honegger-Lavater was born in Winterthur, Switzerland in 1913. She worked as an illustrator for the magazine Jeunesse from 1944-1958, and moved to New York shortly thereafter where she began a wonderful series of artist's books. These books were published between 1962 and 1971, an exceptionally ripe time for artists to turn to the bookform, a time when the most often cited "first" artist's book also appeared, Twentysix Gasoline Stations (1962) by Ed Ruscha. Nieves is delighted to release this previously unpublished collection of 60 ink pictograms, drawn between 1976 and 1996, originally printed individually as A2 plane prints.
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livres
livres
Publication:
janvier 1900, Zurich
janvier 1900, Zurich
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livres
Titre:
Sarah Morris 1972 block m
Sarah Morris 1972 block m
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This catalogue is published in conjunction with the exhibition 'Sarah Morris 1972', April 25 - August 3, 2008 at the Städtische Galerie.
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This catalogue is published in conjunction with the exhibition 'Sarah Morris 1972', April 25 - August 3, 2008 at the Städtische Galerie.
Titre:
Sarah Morris 1972 block m
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This catalogue is published in conjunction with the exhibition 'Sarah Morris 1972', April 25 - August 3, 2008 at the Städtische Galerie.
Sarah Morris 1972 block m
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This catalogue is published in conjunction with the exhibition 'Sarah Morris 1972', April 25 - August 3, 2008 at the Städtische Galerie.
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livres
Publication:
septembre 2008, Köln
septembre 2008, Köln
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livres
livres
Titre:
Observatorium
Observatorium
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This concise and challenging exhibition catalogue tracks recent work by Berlin artist (and JRP|Ringier book series editor) Christoph Keller. Featured projects include documentation of a shamanistic ritual, reenactments of Wilhelm Reich's Cloudbuster experiments and "Archives as Objects as Monuments."
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Résumé:
This concise and challenging exhibition catalogue tracks recent work by Berlin artist (and JRP|Ringier book series editor) Christoph Keller. Featured projects include documentation of a shamanistic ritual, reenactments of Wilhelm Reich's Cloudbuster experiments and "Archives as Objects as Monuments."
Titre:
Observatorium
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This concise and challenging exhibition catalogue tracks recent work by Berlin artist (and JRP|Ringier book series editor) Christoph Keller. Featured projects include documentation of a shamanistic ritual, reenactments of Wilhelm Reich's Cloudbuster experiments and "Archives as Objects as Monuments."
Observatorium
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This concise and challenging exhibition catalogue tracks recent work by Berlin artist (and JRP|Ringier book series editor) Christoph Keller. Featured projects include documentation of a shamanistic ritual, reenactments of Wilhelm Reich's Cloudbuster experiments and "Archives as Objects as Monuments."
Classification:
livres
livres
Publication:
janvier 1900, Köln
janvier 1900, Köln
