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Published to accompany the 2008 Deutsche Guggenheim survey curated by American artist Collier Schorr, Freeway Balconies unfolds more as an artist's book than a straightforward exhibition catalogue. Borrowing from Allen Ginsberg, the title refers to the meeting place of spectacle and voyeurism in American culture--expressed here through Schorr's idiosyncratic mix of 19(...)
Collier Schorr: freeway balconies
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Published to accompany the 2008 Deutsche Guggenheim survey curated by American artist Collier Schorr, Freeway Balconies unfolds more as an artist's book than a straightforward exhibition catalogue. Borrowing from Allen Ginsberg, the title refers to the meeting place of spectacle and voyeurism in American culture--expressed here through Schorr's idiosyncratic mix of 19 emerging and established artists, including Sharon Hayes, Bruce Nauman, Francesca Woodman, Rashawn Griffin and Richard Prince, among others. Her choices, arranged around selections of her own work, reveal her probing interest in slippages of identity and identification, cultural memory and forgetting and the ways in which artistic action and production engage these issues.
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Published on the occasion of his fifth solo exhibition at David Zwirner gallery in New York, Even the Ghost of the Past presents new work by the influential young Canadian artist Marcel Dzama--including a DVD of original short films. A favorite among the art, literary and indie music scenes, Dzama is best known for his figurative compositions of pen and watercolor on(...)
Marcel Dzama: even the ghost of the past
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Published on the occasion of his fifth solo exhibition at David Zwirner gallery in New York, Even the Ghost of the Past presents new work by the influential young Canadian artist Marcel Dzama--including a DVD of original short films. A favorite among the art, literary and indie music scenes, Dzama is best known for his figurative compositions of pen and watercolor on manila-colored paper. Bearing a characteristic palette of muted browns, greys, greens and reds, Dzama's drawings are populated by an expansive cast of human, animal and hybrid characters. In recent years, Dzama has extended his practice to include work in multiple media. A recent exhibition, for example, transformed the gallery into an odeum of imagination, replete with drawings, sculptures, dioramas and films. Featuring an interview with the artist by filmmaker Spike Jonze and designed in collaboration with the artist as two hardback books twin-bound into one with a custom drawing on the cover, Even the Ghost of the Past is destined to become an instant collector's item.
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décembre 2008
Jasper Johns: light bulb
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Jasper Johns: Light Bulb is organized by the Museum of Contemporary Art San Diego.
novembre 2008, San Diego
Jasper Johns: light bulb
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Jasper Johns: Light Bulb is organized by the Museum of Contemporary Art San Diego.
La sage femme
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Louise Bourgeois' work is profound and coherent, a cross between surrealism and expressionism, psychoanalysis and feminism, a fusion between object and concept. By means of spiral writing, symbolic in her prints, the artist rewrites her past through female identity and body image, a corporal synthesis of her every emotion and fear. She destroys and reconstructs her(...)
juin 2008, Murcia
La sage femme
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Louise Bourgeois' work is profound and coherent, a cross between surrealism and expressionism, psychoanalysis and feminism, a fusion between object and concept. By means of spiral writing, symbolic in her prints, the artist rewrites her past through female identity and body image, a corporal synthesis of her every emotion and fear. She destroys and reconstructs her memories, like strange mutations or reflections in a distorted mirror.
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Researching the phenomena by which financial corporations operate internationally, artist Alice Creischer (Berlin, 1960) uses installations, drawings, collages, articles and texts to explore the relationships between official government policy, financial business and culture, and the origins of alienation and manipulation. This thought-provoking analysis of her ethical(...)
Alice Creischer: apparatus for the osmotic compensation of the pressure of wealth during the contemplation of poverty
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Researching the phenomena by which financial corporations operate internationally, artist Alice Creischer (Berlin, 1960) uses installations, drawings, collages, articles and texts to explore the relationships between official government policy, financial business and culture, and the origins of alienation and manipulation. This thought-provoking analysis of her ethical and critical perpectives on contemporary liberal governments and financial, political, and social crisis includes contributions by Colectivo Situaciones, Bartomeu Mari, Andreas Siekmann.
Nancy Spero: dissidances
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This book has been published on the occasion of the exhibition Nancy Spero Dissidances organized and produced by the Museu d'Art Contemporain de Barcelona and the Museo Nacional Centro Arte Reina Sofia, Madrid.
Nancy Spero: dissidances
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This book has been published on the occasion of the exhibition Nancy Spero Dissidances organized and produced by the Museu d'Art Contemporain de Barcelona and the Museo Nacional Centro Arte Reina Sofia, Madrid.
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Charleville regroupe les travaux de Patti Smith (textes, dessins et photographies) autour de la figure d’Arthur Rimbaud, soigneusement réunis et conservés par l’auteur sur une période de presque quarante ans. Statues présente un ensemble de photographies de sculptures prises par Patti Smith. Ces polaroïds réalisés entre 2002 et 2008 sont accompagnés de poèmes de(...)
Coffret Patti Smith trois: Charleville, Statues, Cahier
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Charleville regroupe les travaux de Patti Smith (textes, dessins et photographies) autour de la figure d’Arthur Rimbaud, soigneusement réunis et conservés par l’auteur sur une période de presque quarante ans. Statues présente un ensemble de photographies de sculptures prises par Patti Smith. Ces polaroïds réalisés entre 2002 et 2008 sont accompagnés de poèmes de l’artiste. Cahier est un carnet de notes inspiré de ceux de Patti Smith. Les premières pages sont écrites de sa main tandis que le reste de l’ouvrage, totalement vierge, est laissé à l’usage personnel du lecteur.
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En 2008, la Fondation Cartier pour l’art contemporain accueille le célèbre designer italien Andrea Branzi, qui présente deux installations monumentales spécialement conçues pour le rez-de-chaussée du bâtiment de Jean Nouvel. Alliant des matériaux aussi divers que le verre et le métal, le chanvre et le bambou, l’artiste crée une structure architecturale fragile, délicate(...)
Andrea Branzi : open enclosure
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En 2008, la Fondation Cartier pour l’art contemporain accueille le célèbre designer italien Andrea Branzi, qui présente deux installations monumentales spécialement conçues pour le rez-de-chaussée du bâtiment de Jean Nouvel. Alliant des matériaux aussi divers que le verre et le métal, le chanvre et le bambou, l’artiste crée une structure architecturale fragile, délicate et poétique, où s’entremêlent éléments industriels, manufacturés, technologiques et naturels.
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I don't know about Freud, nut I don't know any politician who wanted any of this stuff to happen, unless, like you say, they were bent on destroying themselves.
Proxity to power, american style
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I don't know about Freud, nut I don't know any politician who wanted any of this stuff to happen, unless, like you say, they were bent on destroying themselves.
Ai Weiwei
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Born in 1957, Beijing-based Ai Weiwei is perhaps the most internationally visible contemporary Chinese artist. Philip Tinari has described his practice as a, "multitasking sprawl--encompassing artmaking, curating, publishing and architectural design--[that] threatens to answer the vaguely unsettling question, What would Andy Warhol's career have looked like if it had(...)
Ai Weiwei
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Born in 1957, Beijing-based Ai Weiwei is perhaps the most internationally visible contemporary Chinese artist. Philip Tinari has described his practice as a, "multitasking sprawl--encompassing artmaking, curating, publishing and architectural design--[that] threatens to answer the vaguely unsettling question, What would Andy Warhol's career have looked like if it had played out in turn-of-the-millennium China? (For one thing, architecture might have stood in for film; where Warhol created an alter-Hollywood, Ai is a self-invented starchitect)." After spending the early 1980s in New York, Ai moved back to Beijing in 1994. Already an important member of the Stars group, a socially critical movement that borrowed heavily from western art and culture, he established the famed China Art Archives and Warehouse in 1997. In 2000, on the occasion of the Shanghai Biennale, he organized the attention-grabbing group exhibition Fuck Off in collaboration with curator Feng Boyi. More recently, he was involved in the design of the Olympic Stadium in Beijing by Herzog & de Meuron. This publication takes an in-depth look at Ai's under-explored engagement with ceramics, and is published on the occasion of a solo exhibition of his recent ceramic work at Holland's Groningen Museum.