1866 Résultats
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This catalogue is published on the occasion of the exhibition From Surface to Space. Malevich and early Modern Art at the Staatliche Kunsthalle Baden-Baden (25.10.2008-25.01.2009)
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This catalogue is published on the occasion of the exhibition From Surface to Space. Malevich and early Modern Art at the Staatliche Kunsthalle Baden-Baden (25.10.2008-25.01.2009)
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février 2009, Köln
février 2009, Köln
Titre:
Malevich and early modern art
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This catalogue is published on the occasion of the exhibition From Surface to Space. Malevich and early Modern Art at the Staatliche Kunsthalle Baden-Baden (25.10.2008-25.01.2009)
Malevich and early modern art
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This catalogue is published on the occasion of the exhibition From Surface to Space. Malevich and early Modern Art at the Staatliche Kunsthalle Baden-Baden (25.10.2008-25.01.2009)
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Publication:
février 2009, Köln
février 2009, Köln
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Documenting the production of the New York Graphic Workshop (NYGW), a group founded in 1965 by three young Latin American artists in New York - Luis Camnitzer, José Guillermo Castillo and Liliana Porter - this is the first comprehensive overview of this crucial, yet not so well-known, episode in the history of U.S. and Latin American Conceptual art. The mission of the(...)
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Documenting the production of the New York Graphic Workshop (NYGW), a group founded in 1965 by three young Latin American artists in New York - Luis Camnitzer, José Guillermo Castillo and Liliana Porter - this is the first comprehensive overview of this crucial, yet not so well-known, episode in the history of U.S. and Latin American Conceptual art. The mission of the(...)
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The New York Graphic Workshop, 1964-1970
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Documenting the production of the New York Graphic Workshop (NYGW), a group founded in 1965 by three young Latin American artists in New York - Luis Camnitzer, José Guillermo Castillo and Liliana Porter - this is the first comprehensive overview of this crucial, yet not so well-known, episode in the history of U.S. and Latin American Conceptual art. The mission of the NYGW was to redefine the practice of printmaking in Conceptual terms, focusing on the mechanical and repetitive nature of the medium rather than its traditional techniques. The NYGW functioned as a collective. It held unconventional exhibitions, including several by mail and one in a safe-deposit box on 57th Street, and it participated in The Museum of Modern Art's 1970 exhibition Information. The NYGW also produced prints by some of the leading contemporary artists of the period, including Michael Snow, Max Neuhaus, José Luis Cuevas and Salvador Dali.
The New York Graphic Workshop, 1964-1970
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Documenting the production of the New York Graphic Workshop (NYGW), a group founded in 1965 by three young Latin American artists in New York - Luis Camnitzer, José Guillermo Castillo and Liliana Porter - this is the first comprehensive overview of this crucial, yet not so well-known, episode in the history of U.S. and Latin American Conceptual art. The mission of the NYGW was to redefine the practice of printmaking in Conceptual terms, focusing on the mechanical and repetitive nature of the medium rather than its traditional techniques. The NYGW functioned as a collective. It held unconventional exhibitions, including several by mail and one in a safe-deposit box on 57th Street, and it participated in The Museum of Modern Art's 1970 exhibition Information. The NYGW also produced prints by some of the leading contemporary artists of the period, including Michael Snow, Max Neuhaus, José Luis Cuevas and Salvador Dali.
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Publication:
juillet 2009
juillet 2009
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Titre:
Jim Dine: poet singing
Jim Dine: poet singing
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American pop pioneer Jim Dine was asked by Los Angeles' Getty Museum in 2007 to produce the first contemporary project for the Getty Villa in Malibu by responding in some way to its renowned antiquities collection. Dine was drawn to the collection's ancient Greek sculptures and was given a room in the Villa for which he created three new monumental wood sculptures that he(...)
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American pop pioneer Jim Dine was asked by Los Angeles' Getty Museum in 2007 to produce the first contemporary project for the Getty Villa in Malibu by responding in some way to its renowned antiquities collection. Dine was drawn to the collection's ancient Greek sculptures and was given a room in the Villa for which he created three new monumental wood sculptures that he(...)
Titre:
Jim Dine: poet singing
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American pop pioneer Jim Dine was asked by Los Angeles' Getty Museum in 2007 to produce the first contemporary project for the Getty Villa in Malibu by responding in some way to its renowned antiquities collection. Dine was drawn to the collection's ancient Greek sculptures and was given a room in the Villa for which he created three new monumental wood sculptures that he painted brightly in the Hellenistic tradition. Dine also wrote a long poem, which he installed alongside the sculptures, on the gallery wall.
Jim Dine: poet singing
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American pop pioneer Jim Dine was asked by Los Angeles' Getty Museum in 2007 to produce the first contemporary project for the Getty Villa in Malibu by responding in some way to its renowned antiquities collection. Dine was drawn to the collection's ancient Greek sculptures and was given a room in the Villa for which he created three new monumental wood sculptures that he painted brightly in the Hellenistic tradition. Dine also wrote a long poem, which he installed alongside the sculptures, on the gallery wall.
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Publication:
mars 2009
mars 2009
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Titre:
Aernout Mik
Aernout Mik
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Dutch artist Aernout Mik's moving-image installations meld filmmaking, sculpture and architecture into experiences that are at once compelling and unsettling, irrational yet plausible. The artist designs and constructs architectural spaces that hold his moving images, making the viewer's physical relationship to the piece a critical component of the overall experience. By(...)
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Dutch artist Aernout Mik's moving-image installations meld filmmaking, sculpture and architecture into experiences that are at once compelling and unsettling, irrational yet plausible. The artist designs and constructs architectural spaces that hold his moving images, making the viewer's physical relationship to the piece a critical component of the overall experience. By(...)
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Aernout Mik
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Dutch artist Aernout Mik's moving-image installations meld filmmaking, sculpture and architecture into experiences that are at once compelling and unsettling, irrational yet plausible. The artist designs and constructs architectural spaces that hold his moving images, making the viewer's physical relationship to the piece a critical component of the overall experience. By interrogating the most basic ideas of narrative and reality and rejecting classical cinematic ideals, Mik creates works that are rich in allusion but subversive of codes. Published to accompany the artist's first U.S. retrospective, this volume is a vivid exploration of Mik's work and process. Laurence Kardish, MoMA's Senior Curator in the Department of Film, situates Mik within the history of documentary and nonnarrative cinema, while Michael Taussig, Professor of Anthropology at Columbia University, investigates the ways in which the artist's work changes the way we see reality while simultaneously reinforcing the norms of visual culture. Abundantly illustrated with stills and the artist's own drawings, the book also features detailed descriptions of the installations, an exhibition history and a bibliography, making it the most comprehensive volume on the artist available in English.
Aernout Mik
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Dutch artist Aernout Mik's moving-image installations meld filmmaking, sculpture and architecture into experiences that are at once compelling and unsettling, irrational yet plausible. The artist designs and constructs architectural spaces that hold his moving images, making the viewer's physical relationship to the piece a critical component of the overall experience. By interrogating the most basic ideas of narrative and reality and rejecting classical cinematic ideals, Mik creates works that are rich in allusion but subversive of codes. Published to accompany the artist's first U.S. retrospective, this volume is a vivid exploration of Mik's work and process. Laurence Kardish, MoMA's Senior Curator in the Department of Film, situates Mik within the history of documentary and nonnarrative cinema, while Michael Taussig, Professor of Anthropology at Columbia University, investigates the ways in which the artist's work changes the way we see reality while simultaneously reinforcing the norms of visual culture. Abundantly illustrated with stills and the artist's own drawings, the book also features detailed descriptions of the installations, an exhibition history and a bibliography, making it the most comprehensive volume on the artist available in English.
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Publication:
juin 2009
juin 2009
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This book brings together frames from all of the Super-8 and video films made by the Swiss artist Roman Signer. As fractions of time, the stills mark key moments in Signers precisely choreographed work: moments of collapse, of extreme acceleration and of temporary or prolonged hiatus, of transformation, of consolidation and dispersion.
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This book brings together frames from all of the Super-8 and video films made by the Swiss artist Roman Signer. As fractions of time, the stills mark key moments in Signers precisely choreographed work: moments of collapse, of extreme acceleration and of temporary or prolonged hiatus, of transformation, of consolidation and dispersion.
Titre:
Projections, super-8 films and videos 1975-2008
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This book brings together frames from all of the Super-8 and video films made by the Swiss artist Roman Signer. As fractions of time, the stills mark key moments in Signers precisely choreographed work: moments of collapse, of extreme acceleration and of temporary or prolonged hiatus, of transformation, of consolidation and dispersion.
Projections, super-8 films and videos 1975-2008
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This book brings together frames from all of the Super-8 and video films made by the Swiss artist Roman Signer. As fractions of time, the stills mark key moments in Signers precisely choreographed work: moments of collapse, of extreme acceleration and of temporary or prolonged hiatus, of transformation, of consolidation and dispersion.
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Publication:
mars 2009, Zürich
mars 2009, Zürich
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The topic of these videos by art historian and philosopher Boris Groys is, actually, video as a medium: the use of the image within the video, the analogy between video and essay, the difference between private and public use of the video, the video running in loop as a contemporary form of ritual.
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The topic of these videos by art historian and philosopher Boris Groys is, actually, video as a medium: the use of the image within the video, the analogy between video and essay, the difference between private and public use of the video, the video running in loop as a contemporary form of ritual.
Titre:
Boris Groys: thinking in loop
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The topic of these videos by art historian and philosopher Boris Groys is, actually, video as a medium: the use of the image within the video, the analogy between video and essay, the difference between private and public use of the video, the video running in loop as a contemporary form of ritual.
Boris Groys: thinking in loop
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The topic of these videos by art historian and philosopher Boris Groys is, actually, video as a medium: the use of the image within the video, the analogy between video and essay, the difference between private and public use of the video, the video running in loop as a contemporary form of ritual.
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livres
Publication:
février 2009, Ostfildern
février 2009, Ostfildern
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Titre:
Tony Conrad : yellow movies
Tony Conrad : yellow movies
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This first monograph on artist, filmmaker and musician Tony Conrad documents his seminal Yellow Movie project of the early 1970s. Published to accompany Conrad's recent one-person exhibition at New York's Greene Naftali Gallery and Galerie Bucholz, Köln, it includes an introductory note by Conrad, a new text by Diedrich Diederichsen and comprehensive documentation of all(...)
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This first monograph on artist, filmmaker and musician Tony Conrad documents his seminal Yellow Movie project of the early 1970s. Published to accompany Conrad's recent one-person exhibition at New York's Greene Naftali Gallery and Galerie Bucholz, Köln, it includes an introductory note by Conrad, a new text by Diedrich Diederichsen and comprehensive documentation of all(...)
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Tony Conrad : yellow movies
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This first monograph on artist, filmmaker and musician Tony Conrad documents his seminal Yellow Movie project of the early 1970s. Published to accompany Conrad's recent one-person exhibition at New York's Greene Naftali Gallery and Galerie Bucholz, Köln, it includes an introductory note by Conrad, a new text by Diedrich Diederichsen and comprehensive documentation of all the Yellow Movies still in existence. Art in America's David Coggins described the project in 2007: "Yellow Movies, a series of works from the early 1970s by pioneering filmmaker Tony Conrad, initially appears to be nothing more than white squares enclosed by black borders painted on large sheets of paper. Yet these casual paintings, roughly the size of old home-movie screens, are formed by latex house paint that slowly yellows over time, creating what are essentially unhurried photographic exposures. Conrad sought to make abstract films that would last a lifetime, and there's a discreet thrill to knowing that what you're seeing is changing, invisibly, before your eyes."
Tony Conrad : yellow movies
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This first monograph on artist, filmmaker and musician Tony Conrad documents his seminal Yellow Movie project of the early 1970s. Published to accompany Conrad's recent one-person exhibition at New York's Greene Naftali Gallery and Galerie Bucholz, Köln, it includes an introductory note by Conrad, a new text by Diedrich Diederichsen and comprehensive documentation of all the Yellow Movies still in existence. Art in America's David Coggins described the project in 2007: "Yellow Movies, a series of works from the early 1970s by pioneering filmmaker Tony Conrad, initially appears to be nothing more than white squares enclosed by black borders painted on large sheets of paper. Yet these casual paintings, roughly the size of old home-movie screens, are formed by latex house paint that slowly yellows over time, creating what are essentially unhurried photographic exposures. Conrad sought to make abstract films that would last a lifetime, and there's a discreet thrill to knowing that what you're seeing is changing, invisibly, before your eyes."
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Publication:
février 2009
février 2009
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Titre:
Robin Rhode : Who saw who
Robin Rhode : Who saw who
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Born in South Africa in 1976, Berlin-based Robin Rhode uses the barest of means to comment on urban poverty, the politics of leisure and the commodification of youth cultures. Drawing plays a crucial role in his inventive, witty and playful performances, photographs and video animations, which are often created on the street, and entail Rhode, mimelike, interacting with(...)
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Born in South Africa in 1976, Berlin-based Robin Rhode uses the barest of means to comment on urban poverty, the politics of leisure and the commodification of youth cultures. Drawing plays a crucial role in his inventive, witty and playful performances, photographs and video animations, which are often created on the street, and entail Rhode, mimelike, interacting with(...)
Publication:
février 2009, London
février 2009, London
Titre:
Robin Rhode : Who saw who
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Born in South Africa in 1976, Berlin-based Robin Rhode uses the barest of means to comment on urban poverty, the politics of leisure and the commodification of youth cultures. Drawing plays a crucial role in his inventive, witty and playful performances, photographs and video animations, which are often created on the street, and entail Rhode, mimelike, interacting with two-dimensional representations of everyday objects.
Robin Rhode : Who saw who
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Born in South Africa in 1976, Berlin-based Robin Rhode uses the barest of means to comment on urban poverty, the politics of leisure and the commodification of youth cultures. Drawing plays a crucial role in his inventive, witty and playful performances, photographs and video animations, which are often created on the street, and entail Rhode, mimelike, interacting with two-dimensional representations of everyday objects.
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livres
Publication:
février 2009, London
février 2009, London
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livres
Titre:
William Kentridge
William Kentridge
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This book offers a lavishly illustrated look at the distinctive work of acclaimed South African artist. The unique artistic vision and distinctive visual style have made him a hugely sought after talent by major galleries around the world. This is a superbly illustrated volume in which the artist himself takes readers on an unprecedented behind the scenes tour of his(...)
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This book offers a lavishly illustrated look at the distinctive work of acclaimed South African artist. The unique artistic vision and distinctive visual style have made him a hugely sought after talent by major galleries around the world. This is a superbly illustrated volume in which the artist himself takes readers on an unprecedented behind the scenes tour of his(...)
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William Kentridge
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This book offers a lavishly illustrated look at the distinctive work of acclaimed South African artist. The unique artistic vision and distinctive visual style have made him a hugely sought after talent by major galleries around the world. This is a superbly illustrated volume in which the artist himself takes readers on an unprecedented behind the scenes tour of his latest work - which includes sculpture, film, animation, and drawing.
William Kentridge
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This book offers a lavishly illustrated look at the distinctive work of acclaimed South African artist. The unique artistic vision and distinctive visual style have made him a hugely sought after talent by major galleries around the world. This is a superbly illustrated volume in which the artist himself takes readers on an unprecedented behind the scenes tour of his latest work - which includes sculpture, film, animation, and drawing.
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livres
Publication:
mars 2009, Vicenza
mars 2009, Vicenza
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livres
Titre:
Phil Collins: Soy mi madre
Phil Collins: Soy mi madre
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Glasgow-based artist Phil Collins' film Soy Mi Madre examines the immigrant populations of Colorado's Roaring Fork Valley, a sizable percentage of which hail from northwestern Mexico. The region relies heavily on service and maintenance work provided largely through this population, who often commute to work in Aspen. Loosely inspired by Jean Genet's The Maids--a seminal(...)
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Glasgow-based artist Phil Collins' film Soy Mi Madre examines the immigrant populations of Colorado's Roaring Fork Valley, a sizable percentage of which hail from northwestern Mexico. The region relies heavily on service and maintenance work provided largely through this population, who often commute to work in Aspen. Loosely inspired by Jean Genet's The Maids--a seminal(...)
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Phil Collins: Soy mi madre
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Glasgow-based artist Phil Collins' film Soy Mi Madre examines the immigrant populations of Colorado's Roaring Fork Valley, a sizable percentage of which hail from northwestern Mexico. The region relies heavily on service and maintenance work provided largely through this population, who often commute to work in Aspen. Loosely inspired by Jean Genet's The Maids--a seminal example of Theatre of the Absurd that renders surreal the intricate power dynamics that exist between people of divergent socioeconomic groups and exploits the volatility of social identity--Soy Mi Madre portrays the social realities of this region through the melodramatic lens of the telenovela.
Phil Collins: Soy mi madre
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Glasgow-based artist Phil Collins' film Soy Mi Madre examines the immigrant populations of Colorado's Roaring Fork Valley, a sizable percentage of which hail from northwestern Mexico. The region relies heavily on service and maintenance work provided largely through this population, who often commute to work in Aspen. Loosely inspired by Jean Genet's The Maids--a seminal example of Theatre of the Absurd that renders surreal the intricate power dynamics that exist between people of divergent socioeconomic groups and exploits the volatility of social identity--Soy Mi Madre portrays the social realities of this region through the melodramatic lens of the telenovela.
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livres
livres
Publication:
mars 2009
mars 2009
