1907 Résultats
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livres
Titre:
The undesirables
The undesirables
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"The undesirables" by Myfanwy Macleod features work drawn from MacLeod’s public art endeavors over the past fifteen years and a newly commissioned text by Lisa Robertson. The publication comprises realized and unrealized projects as well as propositional ideas.
$50.00
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"The undesirables" by Myfanwy Macleod features work drawn from MacLeod’s public art endeavors over the past fifteen years and a newly commissioned text by Lisa Robertson. The publication comprises realized and unrealized projects as well as propositional ideas.
Publication:
avril 2025
avril 2025
Titre:
The undesirables
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$50.00
(disponible en magasin)
Résumé:
"The undesirables" by Myfanwy Macleod features work drawn from MacLeod’s public art endeavors over the past fifteen years and a newly commissioned text by Lisa Robertson. The publication comprises realized and unrealized projects as well as propositional ideas.
The undesirables
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$50.00
(disponible en magasin)
Résumé:
"The undesirables" by Myfanwy Macleod features work drawn from MacLeod’s public art endeavors over the past fifteen years and a newly commissioned text by Lisa Robertson. The publication comprises realized and unrealized projects as well as propositional ideas.
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livres
livres
Publication:
avril 2025
avril 2025
Classification:
livres
livres
Titre:
Amy Sillman: Oh, clock!
Amy Sillman: Oh, clock!
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$68.00
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In her painting, American artist Amy Sillman (born 1955) expands the standards of abstraction using material and conceptual interventions in the painting process. She destabilizes purported dichotomies and hierarchizations between figuration and abstraction, intimacy and clumsiness, ability and self-negation, process and completion. Now the serial drawings and paintings(...)
$68.00
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Résumé:
In her painting, American artist Amy Sillman (born 1955) expands the standards of abstraction using material and conceptual interventions in the painting process. She destabilizes purported dichotomies and hierarchizations between figuration and abstraction, intimacy and clumsiness, ability and self-negation, process and completion. Now the serial drawings and paintings(...)
Publication:
avril 2025
avril 2025
Titre:
Amy Sillman: Oh, clock!
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$68.00
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In her painting, American artist Amy Sillman (born 1955) expands the standards of abstraction using material and conceptual interventions in the painting process. She destabilizes purported dichotomies and hierarchizations between figuration and abstraction, intimacy and clumsiness, ability and self-negation, process and completion. Now the serial drawings and paintings are multicolored, now monochrome, now they show complex forms, now figures or body parts. And they are always filled with delight in the process. The publication "Amy Sillman: Oh, Clock!" highlights her critical exploration of the history of painting and conveys her complex and sophisticated painterly practice on canvas and beyond.
Amy Sillman: Oh, clock!
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In her painting, American artist Amy Sillman (born 1955) expands the standards of abstraction using material and conceptual interventions in the painting process. She destabilizes purported dichotomies and hierarchizations between figuration and abstraction, intimacy and clumsiness, ability and self-negation, process and completion. Now the serial drawings and paintings are multicolored, now monochrome, now they show complex forms, now figures or body parts. And they are always filled with delight in the process. The publication "Amy Sillman: Oh, Clock!" highlights her critical exploration of the history of painting and conveys her complex and sophisticated painterly practice on canvas and beyond.
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livres
livres
Publication:
avril 2025
avril 2025
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livres
livres
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$105.00
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Puerto Rico–born, New York–based artist Tony Bechara (born 1942) served as board president of El Museo del Barrio for 15 years, while also honing his own geometric abstraction process. Dividing his canvas into hundreds of quarter-inch squares, Bechara meticulously fills each space in with complementary colors. The resulting grid paintings thus evoke a variety of cultural(...)
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Puerto Rico–born, New York–based artist Tony Bechara (born 1942) served as board president of El Museo del Barrio for 15 years, while also honing his own geometric abstraction process. Dividing his canvas into hundreds of quarter-inch squares, Bechara meticulously fills each space in with complementary colors. The resulting grid paintings thus evoke a variety of cultural(...)
Titre:
Tony Bechara: Annotations on color schemes
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Puerto Rico–born, New York–based artist Tony Bechara (born 1942) served as board president of El Museo del Barrio for 15 years, while also honing his own geometric abstraction process. Dividing his canvas into hundreds of quarter-inch squares, Bechara meticulously fills each space in with complementary colors. The resulting grid paintings thus evoke a variety of cultural influences: from Seurat’s pioneering pointillism to hard-edge abstraction, traditional weaving and 8-bit "pixel art" of the last half century. In keeping with Bechara’s richly chromatic oeuvre, this artist’s book is inspired by Bechara’s notes and color formulas that form the basis for his acrylic paintings. It features over 130 illustrations, with foldouts and multiple materials, as well as a glossary of key motifs that introduces Bechara’s personal artistic language to the public for the first time.
Tony Bechara: Annotations on color schemes
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Puerto Rico–born, New York–based artist Tony Bechara (born 1942) served as board president of El Museo del Barrio for 15 years, while also honing his own geometric abstraction process. Dividing his canvas into hundreds of quarter-inch squares, Bechara meticulously fills each space in with complementary colors. The resulting grid paintings thus evoke a variety of cultural influences: from Seurat’s pioneering pointillism to hard-edge abstraction, traditional weaving and 8-bit "pixel art" of the last half century. In keeping with Bechara’s richly chromatic oeuvre, this artist’s book is inspired by Bechara’s notes and color formulas that form the basis for his acrylic paintings. It features over 130 illustrations, with foldouts and multiple materials, as well as a glossary of key motifs that introduces Bechara’s personal artistic language to the public for the first time.
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livres
livres
Publication:
novembre 2025
novembre 2025
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livres
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$30.00
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A 1976 performance by American artist Barbara T. Smith (born 1931), "I Am Abandoned" featured a conversation in real time between two psychoanalytic computer programs (two of the earliest chatbots) alongside a staging of Goya’s "The Naked Maja," in which the artist projected an image of the famous painting on top of a clothed female model. This publication includes a full(...)
$30.00
(disponible sur commande)
Résumé:
A 1976 performance by American artist Barbara T. Smith (born 1931), "I Am Abandoned" featured a conversation in real time between two psychoanalytic computer programs (two of the earliest chatbots) alongside a staging of Goya’s "The Naked Maja," in which the artist projected an image of the famous painting on top of a clothed female model. This publication includes a full(...)
Titre:
Barbara T. Smith: I am abandoned
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A 1976 performance by American artist Barbara T. Smith (born 1931), "I Am Abandoned" featured a conversation in real time between two psychoanalytic computer programs (two of the earliest chatbots) alongside a staging of Goya’s "The Naked Maja," in which the artist projected an image of the famous painting on top of a clothed female model. This publication includes a full transcript of the "conversation" between the two programs, documentation and ephemera from the performance, and Smith’s reflections on the night. To revisit I Am Abandoned today is to see the critical and liberating potential that art can have when it intervenes in new technologies. Against today’s backdrop of AI, Smith’s early work with emerging technologies, and in this case chatbots, is prophetic and hints at the contemporary conversation around the gendered and racialized machinic biases of our current computational landscape.
Barbara T. Smith: I am abandoned
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$30.00
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Résumé:
A 1976 performance by American artist Barbara T. Smith (born 1931), "I Am Abandoned" featured a conversation in real time between two psychoanalytic computer programs (two of the earliest chatbots) alongside a staging of Goya’s "The Naked Maja," in which the artist projected an image of the famous painting on top of a clothed female model. This publication includes a full transcript of the "conversation" between the two programs, documentation and ephemera from the performance, and Smith’s reflections on the night. To revisit I Am Abandoned today is to see the critical and liberating potential that art can have when it intervenes in new technologies. Against today’s backdrop of AI, Smith’s early work with emerging technologies, and in this case chatbots, is prophetic and hints at the contemporary conversation around the gendered and racialized machinic biases of our current computational landscape.
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livres
livres
Publication:
avril 2025
avril 2025
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livres
livres
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$47.00
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"[The exhibition is] powerful and unhinged and overbuilt—a monument to the entropy of the postindustrial city, and the tenuous dance of its inhabitants." —New York Times Gordon Matta-Clark and Pope.L are esteemed for their respective interdisciplinary practices that examine the value and paradoxes of urban life as well as the risk inherent in art making. Utilizing(...)
$47.00
(disponible sur commande)
Résumé:
"[The exhibition is] powerful and unhinged and overbuilt—a monument to the entropy of the postindustrial city, and the tenuous dance of its inhabitants." —New York Times Gordon Matta-Clark and Pope.L are esteemed for their respective interdisciplinary practices that examine the value and paradoxes of urban life as well as the risk inherent in art making. Utilizing(...)
Titre:
Gordon Matta-Clark and Pope.L: Impossible failures
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"[The exhibition is] powerful and unhinged and overbuilt—a monument to the entropy of the postindustrial city, and the tenuous dance of its inhabitants." —New York Times Gordon Matta-Clark and Pope.L are esteemed for their respective interdisciplinary practices that examine the value and paradoxes of urban life as well as the risk inherent in art making. Utilizing performance, film, drawing, and various multimedia projects, the two artists often open up interstitial spaces by realizing sweeping gestures that take into account shifting, decentralized zones. Grounded in the concept of failure, the sixth exhibition at 52 Walker and its accompanying catalogue reconsider societal, artistic, and structural failure—and its related expressions of hope.
Gordon Matta-Clark and Pope.L: Impossible failures
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"[The exhibition is] powerful and unhinged and overbuilt—a monument to the entropy of the postindustrial city, and the tenuous dance of its inhabitants." —New York Times Gordon Matta-Clark and Pope.L are esteemed for their respective interdisciplinary practices that examine the value and paradoxes of urban life as well as the risk inherent in art making. Utilizing performance, film, drawing, and various multimedia projects, the two artists often open up interstitial spaces by realizing sweeping gestures that take into account shifting, decentralized zones. Grounded in the concept of failure, the sixth exhibition at 52 Walker and its accompanying catalogue reconsider societal, artistic, and structural failure—and its related expressions of hope.
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livres
livres
Publication:
octobre 2024
octobre 2024
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livres
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$42.95
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Résumé:
American visual artist and scholar Joseph Grigely (born 1956) here brings together writings, lectures, interviews and documentation of his work spanning 40 years. Deaf since the age of 10, his art and writing have long questioned and made use of various modes of communication—photographs, handwritten notes, lipreading, newspaper headlines, paintings and TV captions—to(...)
$42.95
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Résumé:
American visual artist and scholar Joseph Grigely (born 1956) here brings together writings, lectures, interviews and documentation of his work spanning 40 years. Deaf since the age of 10, his art and writing have long questioned and made use of various modes of communication—photographs, handwritten notes, lipreading, newspaper headlines, paintings and TV captions—to(...)
Titre:
Joseph Grigely: Otherhow: Essays and documents on art and disability, 1985-2024
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$42.95
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American visual artist and scholar Joseph Grigely (born 1956) here brings together writings, lectures, interviews and documentation of his work spanning 40 years. Deaf since the age of 10, his art and writing have long questioned and made use of various modes of communication—photographs, handwritten notes, lipreading, newspaper headlines, paintings and TV captions—to examine and scrutinize the ableism embedded in cultural and media production. ''Otherhow'' interrogates modes of access and analyzes how issues of accessibility and their resolution provide a benefit to everyone, not just the disabled. Chapters devoted to art, access and advocacy underpin the interconnected nature of these issues. Letters of complaint, faxes and emails, unpublished op-eds, exhibition proposals, statements on equality and access: each provides a glimpse into how Grigely’s work has been shaped by—or constructed from—the "tangled process" of opening access. The book is rounded out by a series of visual inventories: collections of images that document failures of access or, in the case of the obituaries, highlight those who had a disability or were activists working to establish greater access for those with disabilities.
Joseph Grigely: Otherhow: Essays and documents on art and disability, 1985-2024
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$42.95
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Résumé:
American visual artist and scholar Joseph Grigely (born 1956) here brings together writings, lectures, interviews and documentation of his work spanning 40 years. Deaf since the age of 10, his art and writing have long questioned and made use of various modes of communication—photographs, handwritten notes, lipreading, newspaper headlines, paintings and TV captions—to examine and scrutinize the ableism embedded in cultural and media production. ''Otherhow'' interrogates modes of access and analyzes how issues of accessibility and their resolution provide a benefit to everyone, not just the disabled. Chapters devoted to art, access and advocacy underpin the interconnected nature of these issues. Letters of complaint, faxes and emails, unpublished op-eds, exhibition proposals, statements on equality and access: each provides a glimpse into how Grigely’s work has been shaped by—or constructed from—the "tangled process" of opening access. The book is rounded out by a series of visual inventories: collections of images that document failures of access or, in the case of the obituaries, highlight those who had a disability or were activists working to establish greater access for those with disabilities.
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livres
livres
Publication:
février 2026
février 2026
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livres
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$90.00
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Across the spring and summer seasons of 1919 and 1920, Swedish artist Hilma af Klint engaged in a period of intense observation of nature, venturing into forests and fields and drawing the flowers she found there. The resulting 46 sheets comprise her ''Nature Studies'' portfolio, recently acquired by the Museum of Modern Art, New York. In pencil and jewel-toned(...)
$90.00
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Résumé:
Across the spring and summer seasons of 1919 and 1920, Swedish artist Hilma af Klint engaged in a period of intense observation of nature, venturing into forests and fields and drawing the flowers she found there. The resulting 46 sheets comprise her ''Nature Studies'' portfolio, recently acquired by the Museum of Modern Art, New York. In pencil and jewel-toned(...)
Titre:
What stands behind the flowers: Hilma af Klint
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Across the spring and summer seasons of 1919 and 1920, Swedish artist Hilma af Klint engaged in a period of intense observation of nature, venturing into forests and fields and drawing the flowers she found there. The resulting 46 sheets comprise her ''Nature Studies'' portfolio, recently acquired by the Museum of Modern Art, New York. In pencil and jewel-toned watercolor, af Klint juxtaposed exquisitely rendered blossoms with enigmatic diagrams: a blooming sunflower is echoed by nested circles; lily of the valley is joined by a colorful checkerboard; catsfoot is set against a pair of mirrored spirals. Together, these two modes—representational and abstract—demonstrate the artist’s belief that close observation of nature reveals "what stands behind the flowers": ineffable aspects of the human character. Published in conjunction with the first public exhibition of this rare portfolio, ''Hilma af Klint: What Stands Behind the Flowers'' presents the drawings alongside contextualizing artworks and translations of the artist’s previously unpublished writings. An overview essay by curator Jodi Hauptman explores af Klint’s portfolio and the circumstances of its creation; texts by Ewa Lajer-Burcharth, Laura Neufeld and Lena Struwe unpack the imagery, materiality and botanical knowledge behind these works.
What stands behind the flowers: Hilma af Klint
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$90.00
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Résumé:
Across the spring and summer seasons of 1919 and 1920, Swedish artist Hilma af Klint engaged in a period of intense observation of nature, venturing into forests and fields and drawing the flowers she found there. The resulting 46 sheets comprise her ''Nature Studies'' portfolio, recently acquired by the Museum of Modern Art, New York. In pencil and jewel-toned watercolor, af Klint juxtaposed exquisitely rendered blossoms with enigmatic diagrams: a blooming sunflower is echoed by nested circles; lily of the valley is joined by a colorful checkerboard; catsfoot is set against a pair of mirrored spirals. Together, these two modes—representational and abstract—demonstrate the artist’s belief that close observation of nature reveals "what stands behind the flowers": ineffable aspects of the human character. Published in conjunction with the first public exhibition of this rare portfolio, ''Hilma af Klint: What Stands Behind the Flowers'' presents the drawings alongside contextualizing artworks and translations of the artist’s previously unpublished writings. An overview essay by curator Jodi Hauptman explores af Klint’s portfolio and the circumstances of its creation; texts by Ewa Lajer-Burcharth, Laura Neufeld and Lena Struwe unpack the imagery, materiality and botanical knowledge behind these works.
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livres
livres
Publication:
juin 2025
juin 2025
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livres
livres
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$86.95
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Joseca Yanomami (born 1971) is a member of the Indigenous Yanomami people in the brazilian Amazon. His drawings depict Yanomami culture and history and address the conflict between Indigenous and non-Indigenous peoples. This book reproduces 93 drawings held by MASP, the most substantial existing collection of his work.
$86.95
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Joseca Yanomami (born 1971) is a member of the Indigenous Yanomami people in the brazilian Amazon. His drawings depict Yanomami culture and history and address the conflict between Indigenous and non-Indigenous peoples. This book reproduces 93 drawings held by MASP, the most substantial existing collection of his work.
Titre:
Yoseca Yanomami: Our forest land
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$86.95
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Joseca Yanomami (born 1971) is a member of the Indigenous Yanomami people in the brazilian Amazon. His drawings depict Yanomami culture and history and address the conflict between Indigenous and non-Indigenous peoples. This book reproduces 93 drawings held by MASP, the most substantial existing collection of his work.
Yoseca Yanomami: Our forest land
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$86.95
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Résumé:
Joseca Yanomami (born 1971) is a member of the Indigenous Yanomami people in the brazilian Amazon. His drawings depict Yanomami culture and history and address the conflict between Indigenous and non-Indigenous peoples. This book reproduces 93 drawings held by MASP, the most substantial existing collection of his work.
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livres
livres
Publication:
juin 2023
juin 2023
Classification:
livres
livres
Titre:
Philip Guston: Ten drawings
Philip Guston: Ten drawings
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$28.00
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Dix dessins du peintre américain. Philip Guston (1913-1980), peintre américain rattaché à l'École de New York, est l'un des fondateurs, aux côtés de Jackson Pollock et Willem De Kooning, de l'expressionnisme abstrait, également connu pour son œuvre figurative fortement marquée par son engagement politique.
$28.00
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Dix dessins du peintre américain. Philip Guston (1913-1980), peintre américain rattaché à l'École de New York, est l'un des fondateurs, aux côtés de Jackson Pollock et Willem De Kooning, de l'expressionnisme abstrait, également connu pour son œuvre figurative fortement marquée par son engagement politique.
Titre:
Philip Guston: Ten drawings
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$28.00
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Dix dessins du peintre américain. Philip Guston (1913-1980), peintre américain rattaché à l'École de New York, est l'un des fondateurs, aux côtés de Jackson Pollock et Willem De Kooning, de l'expressionnisme abstrait, également connu pour son œuvre figurative fortement marquée par son engagement politique.
Philip Guston: Ten drawings
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$28.00
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Dix dessins du peintre américain. Philip Guston (1913-1980), peintre américain rattaché à l'École de New York, est l'un des fondateurs, aux côtés de Jackson Pollock et Willem De Kooning, de l'expressionnisme abstrait, également connu pour son œuvre figurative fortement marquée par son engagement politique.
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livres
livres
Publication:
mai 2025
mai 2025
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livres
livres
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$79.00
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This catalogue for an exhibition of work by Marlene Dumas at the Museum of Cycladic Art in Athens features over 40 paintings and works on paper. It offers a cross-section of the artist’s challenging representations of the human body. The works were gathered from different phases of the artist’s life, in order to make combinations that would make sense to be shown together(...)
$79.00
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Résumé:
This catalogue for an exhibition of work by Marlene Dumas at the Museum of Cycladic Art in Athens features over 40 paintings and works on paper. It offers a cross-section of the artist’s challenging representations of the human body. The works were gathered from different phases of the artist’s life, in order to make combinations that would make sense to be shown together(...)
Titre:
Marlene Dumas: Cycladic Blues at the Cycladic
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$79.00
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This catalogue for an exhibition of work by Marlene Dumas at the Museum of Cycladic Art in Athens features over 40 paintings and works on paper. It offers a cross-section of the artist’s challenging representations of the human body. The works were gathered from different phases of the artist’s life, in order to make combinations that would make sense to be shown together with works from the museum’s collection, and are grouped into four categories: the family portrait, erotic figure, fragmented body, and portraits of sculptures. In this way her artworks enter into an anachronistic dialogue with the abstracted human forms of Cycladic figurines crafted by unknown artists several millennia ago.
Marlene Dumas: Cycladic Blues at the Cycladic
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$79.00
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This catalogue for an exhibition of work by Marlene Dumas at the Museum of Cycladic Art in Athens features over 40 paintings and works on paper. It offers a cross-section of the artist’s challenging representations of the human body. The works were gathered from different phases of the artist’s life, in order to make combinations that would make sense to be shown together with works from the museum’s collection, and are grouped into four categories: the family portrait, erotic figure, fragmented body, and portraits of sculptures. In this way her artworks enter into an anachronistic dialogue with the abstracted human forms of Cycladic figurines crafted by unknown artists several millennia ago.
Classification:
livres
livres
Publication:
juin 2025
juin 2025
