1866 Résultats
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This two-volume publication, produced on the occasion of an exhibition at The Fruitmarket Gallery, Edinburgh and Modern Art Oxford, is both a catalogue to the exhibition and a compendium of notes and drawings for as yet unrealised works. With one volume containing texts on and images of the seven major works exhibited, and the other bringing together sketches, drawings,(...)
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This two-volume publication, produced on the occasion of an exhibition at The Fruitmarket Gallery, Edinburgh and Modern Art Oxford, is both a catalogue to the exhibition and a compendium of notes and drawings for as yet unrealised works. With one volume containing texts on and images of the seven major works exhibited, and the other bringing together sketches, drawings,(...)
Publication:
janvier 1900, Edinburg, Oxford
janvier 1900, Edinburg, Oxford
Titre:
Janet Cardiff & George Bures Miller: The house of books has no windows
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This two-volume publication, produced on the occasion of an exhibition at The Fruitmarket Gallery, Edinburgh and Modern Art Oxford, is both a catalogue to the exhibition and a compendium of notes and drawings for as yet unrealised works. With one volume containing texts on and images of the seven major works exhibited, and the other bringing together sketches, drawings, notes and ideas for works that either may or may not one day be made, the publication offers a range of routes into the Cardiff/Miller imagination.
Janet Cardiff & George Bures Miller: The house of books has no windows
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This two-volume publication, produced on the occasion of an exhibition at The Fruitmarket Gallery, Edinburgh and Modern Art Oxford, is both a catalogue to the exhibition and a compendium of notes and drawings for as yet unrealised works. With one volume containing texts on and images of the seven major works exhibited, and the other bringing together sketches, drawings, notes and ideas for works that either may or may not one day be made, the publication offers a range of routes into the Cardiff/Miller imagination.
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livres
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janvier 1900, Edinburg, Oxford
janvier 1900, Edinburg, Oxford
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'Sheds' contains 32 pages of Peake's recent work inspired by a fascination with primitive structures, travels in China and a recent cycling trip around Europe drawing barns, sheds and grain silos. Peake's style of drawing is characterised by amazing detail and beautifully muted colours.
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'Sheds' contains 32 pages of Peake's recent work inspired by a fascination with primitive structures, travels in China and a recent cycling trip around Europe drawing barns, sheds and grain silos. Peake's style of drawing is characterised by amazing detail and beautifully muted colours.
Titre:
Sheds: nails, timber, felt, slatte, stone and rust
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'Sheds' contains 32 pages of Peake's recent work inspired by a fascination with primitive structures, travels in China and a recent cycling trip around Europe drawing barns, sheds and grain silos. Peake's style of drawing is characterised by amazing detail and beautifully muted colours.
Sheds: nails, timber, felt, slatte, stone and rust
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$21.00
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'Sheds' contains 32 pages of Peake's recent work inspired by a fascination with primitive structures, travels in China and a recent cycling trip around Europe drawing barns, sheds and grain silos. Peake's style of drawing is characterised by amazing detail and beautifully muted colours.
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livres
livres
Publication:
janvier 1900, London
janvier 1900, London
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livres
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En publiant à la une du Figaro, le 20 février 1909, le Manifeste du futurisme, le poète italien Marinetti lance le premier mouvement d'avant-garde artistique du XXe siècle. Son propos est radical : assez des chefs-d'œuvre du passé et des musées, vive la modernité des villes et la beauté de la vitesse! Des peintres s'y rallient bientôt – Boccioni, Carrà, Russolo, Balla et(...)
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En publiant à la une du Figaro, le 20 février 1909, le Manifeste du futurisme, le poète italien Marinetti lance le premier mouvement d'avant-garde artistique du XXe siècle. Son propos est radical : assez des chefs-d'œuvre du passé et des musées, vive la modernité des villes et la beauté de la vitesse! Des peintres s'y rallient bientôt – Boccioni, Carrà, Russolo, Balla et(...)
Titre:
Le futurisme: une avant-garde radicale
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En publiant à la une du Figaro, le 20 février 1909, le Manifeste du futurisme, le poète italien Marinetti lance le premier mouvement d'avant-garde artistique du XXe siècle. Son propos est radical : assez des chefs-d'œuvre du passé et des musées, vive la modernité des villes et la beauté de la vitesse! Des peintres s'y rallient bientôt – Boccioni, Carrà, Russolo, Balla et Severini –, prônant à leur tour le «dynamisme pictural». Soirées futuristes et conférences se multiplient un peu partout en Europe, de même que les manifestes, tant politiques qu'artistiques. Gagnant rapidement tous les domaines – sculpture, architecture, musique, mais aussi cinéma, théâtre, danse, mode et cuisine –, le futurisme opère jusque dans les années 1930 une véritable révolution des idées, et une mise en cause de l'art lui-même. C'est à l'analyse de cette «philosophie du devenir» que nous convie Giovanni Lista, manifestes à l'appui.
Le futurisme: une avant-garde radicale
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En publiant à la une du Figaro, le 20 février 1909, le Manifeste du futurisme, le poète italien Marinetti lance le premier mouvement d'avant-garde artistique du XXe siècle. Son propos est radical : assez des chefs-d'œuvre du passé et des musées, vive la modernité des villes et la beauté de la vitesse! Des peintres s'y rallient bientôt – Boccioni, Carrà, Russolo, Balla et Severini –, prônant à leur tour le «dynamisme pictural». Soirées futuristes et conférences se multiplient un peu partout en Europe, de même que les manifestes, tant politiques qu'artistiques. Gagnant rapidement tous les domaines – sculpture, architecture, musique, mais aussi cinéma, théâtre, danse, mode et cuisine –, le futurisme opère jusque dans les années 1930 une véritable révolution des idées, et une mise en cause de l'art lui-même. C'est à l'analyse de cette «philosophie du devenir» que nous convie Giovanni Lista, manifestes à l'appui.
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livres
livres
Publication:
novembre 2008, Paris
novembre 2008, Paris
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livres
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The dictionary. The ubiquitous high-gloss fashion ad. The fraught relationship between artist and critic. Sleeping Beauty ties these disparate strands of our everyday lives together only to strip away everything we thought we knew about each of them. A collaborative work by the artist John Sparagana and the critic Mieke Bal, this truly cutting-edge work takes the shape of(...)
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The dictionary. The ubiquitous high-gloss fashion ad. The fraught relationship between artist and critic. Sleeping Beauty ties these disparate strands of our everyday lives together only to strip away everything we thought we knew about each of them. A collaborative work by the artist John Sparagana and the critic Mieke Bal, this truly cutting-edge work takes the shape of(...)
Publication:
janvier 1900, Chicago
janvier 1900, Chicago
Titre:
Sleeping beauty: a one-artist dictionary
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The dictionary. The ubiquitous high-gloss fashion ad. The fraught relationship between artist and critic. Sleeping Beauty ties these disparate strands of our everyday lives together only to strip away everything we thought we knew about each of them. A collaborative work by the artist John Sparagana and the critic Mieke Bal, this truly cutting-edge work takes the shape of a conversation between his creations—distressed, or “fatigued,” magazine pages—and her words, imagining anew the relationships of image to text and of art to those who write about it.
Sleeping beauty: a one-artist dictionary
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The dictionary. The ubiquitous high-gloss fashion ad. The fraught relationship between artist and critic. Sleeping Beauty ties these disparate strands of our everyday lives together only to strip away everything we thought we knew about each of them. A collaborative work by the artist John Sparagana and the critic Mieke Bal, this truly cutting-edge work takes the shape of a conversation between his creations—distressed, or “fatigued,” magazine pages—and her words, imagining anew the relationships of image to text and of art to those who write about it.
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Publication:
janvier 1900, Chicago
janvier 1900, Chicago
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This publication was realized in conjunction with the exhibition Harun Farocki: one image doesn't take the place of the previous one nurated by Michèle Thériault and presented from October 19th to December 1st, 2007 at the Leonard & Bina Ellen Art Gallery, Concordia University.
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This publication was realized in conjunction with the exhibition Harun Farocki: one image doesn't take the place of the previous one nurated by Michèle Thériault and presented from October 19th to December 1st, 2007 at the Leonard & Bina Ellen Art Gallery, Concordia University.
Publication:
octobre 2008, Montréal, Kingston
octobre 2008, Montréal, Kingston
Titre:
Harun Farocki: one image doesn't take the place of the previous one
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This publication was realized in conjunction with the exhibition Harun Farocki: one image doesn't take the place of the previous one nurated by Michèle Thériault and presented from October 19th to December 1st, 2007 at the Leonard & Bina Ellen Art Gallery, Concordia University.
Harun Farocki: one image doesn't take the place of the previous one
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This publication was realized in conjunction with the exhibition Harun Farocki: one image doesn't take the place of the previous one nurated by Michèle Thériault and presented from October 19th to December 1st, 2007 at the Leonard & Bina Ellen Art Gallery, Concordia University.
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livres
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octobre 2008, Montréal, Kingston
octobre 2008, Montréal, Kingston
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livres
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Nor : Nord, North, Norte. Vingt artistes et huit écrivains canadiens sont invités à incarner leurs « idées du nord ». Leurs œuvres sont recueillies sur les feuilles volantes d’un livre-objet unique. Nor est l’exposition portative et la cartographie imaginaire d’un lieu qui nous habite.
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Nor : Nord, North, Norte. Vingt artistes et huit écrivains canadiens sont invités à incarner leurs « idées du nord ». Leurs œuvres sont recueillies sur les feuilles volantes d’un livre-objet unique. Nor est l’exposition portative et la cartographie imaginaire d’un lieu qui nous habite.
Publication:
octobre 2004, Montréal
octobre 2004, Montréal
Titre:
Nor : Idées du nord / ideas of north
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Nor : Nord, North, Norte. Vingt artistes et huit écrivains canadiens sont invités à incarner leurs « idées du nord ». Leurs œuvres sont recueillies sur les feuilles volantes d’un livre-objet unique. Nor est l’exposition portative et la cartographie imaginaire d’un lieu qui nous habite.
Nor : Idées du nord / ideas of north
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Nor : Nord, North, Norte. Vingt artistes et huit écrivains canadiens sont invités à incarner leurs « idées du nord ». Leurs œuvres sont recueillies sur les feuilles volantes d’un livre-objet unique. Nor est l’exposition portative et la cartographie imaginaire d’un lieu qui nous habite.
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octobre 2004, Montréal
octobre 2004, Montréal
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The work of the Danish-Icelandic artist Olafur Eliasson (born in Copenhagen, 1967) focuses on sensorial perception, the laws of physics and natural phenomena. He works in a variety of media, but is particularly known for his sculptural installations for specific places. His use of light, water, ice and clouds in these spaces is a reflection of his Icelandic roots,and the(...)
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The work of the Danish-Icelandic artist Olafur Eliasson (born in Copenhagen, 1967) focuses on sensorial perception, the laws of physics and natural phenomena. He works in a variety of media, but is particularly known for his sculptural installations for specific places. His use of light, water, ice and clouds in these spaces is a reflection of his Icelandic roots,and the(...)
Publication:
septembre 2008, Barcelona
septembre 2008, Barcelona
Titre:
Olafur Eliasson: the nature of things
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The work of the Danish-Icelandic artist Olafur Eliasson (born in Copenhagen, 1967) focuses on sensorial perception, the laws of physics and natural phenomena. He works in a variety of media, but is particularly known for his sculptural installations for specific places. His use of light, water, ice and clouds in these spaces is a reflection of his Icelandic roots,and the complexity and diversity of his work have made him a point of reference in the current international art scene. Olafur Eliasson was awarded the Joan Miro Prize in 2007 for his status as one of the leading artists of our times. His work has been shown in major museums around the world. "Light Lab" was at the Portikus centre in Frankfurt and "Take your Time:Olafur Eliasson," a retrospective for the San Francisco Museum of Modern Art that was later exhibited in the MoMA in New York.
Olafur Eliasson: the nature of things
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The work of the Danish-Icelandic artist Olafur Eliasson (born in Copenhagen, 1967) focuses on sensorial perception, the laws of physics and natural phenomena. He works in a variety of media, but is particularly known for his sculptural installations for specific places. His use of light, water, ice and clouds in these spaces is a reflection of his Icelandic roots,and the complexity and diversity of his work have made him a point of reference in the current international art scene. Olafur Eliasson was awarded the Joan Miro Prize in 2007 for his status as one of the leading artists of our times. His work has been shown in major museums around the world. "Light Lab" was at the Portikus centre in Frankfurt and "Take your Time:Olafur Eliasson," a retrospective for the San Francisco Museum of Modern Art that was later exhibited in the MoMA in New York.
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Publication:
septembre 2008, Barcelona
septembre 2008, Barcelona
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livres
livres
Titre:
Jan Albers
Jan Albers
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Jan Albers is part of a young generation of conceptual artists whose work is defined by its openness. They confront modernity`s tight vocabulary of images, exploring the manner in which this vocabulary penetrates the world in which we exist. His view is directed to elements of our familiar surroundings and he uses his work to distil them so they appear new and unexpected to us.
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Jan Albers is part of a young generation of conceptual artists whose work is defined by its openness. They confront modernity`s tight vocabulary of images, exploring the manner in which this vocabulary penetrates the world in which we exist. His view is directed to elements of our familiar surroundings and he uses his work to distil them so they appear new and unexpected to us.
Publication:
janvier 1900, Frankfurt am Main, Goslar
janvier 1900, Frankfurt am Main, Goslar
Titre:
Jan Albers
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Jan Albers is part of a young generation of conceptual artists whose work is defined by its openness. They confront modernity`s tight vocabulary of images, exploring the manner in which this vocabulary penetrates the world in which we exist. His view is directed to elements of our familiar surroundings and he uses his work to distil them so they appear new and unexpected to us.
Jan Albers
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Jan Albers is part of a young generation of conceptual artists whose work is defined by its openness. They confront modernity`s tight vocabulary of images, exploring the manner in which this vocabulary penetrates the world in which we exist. His view is directed to elements of our familiar surroundings and he uses his work to distil them so they appear new and unexpected to us.
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livres
livres
Publication:
janvier 1900, Frankfurt am Main, Goslar
janvier 1900, Frankfurt am Main, Goslar
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livres
livres
Titre:
David Hatcher i don't must
David Hatcher i don't must
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ed. by Astrid Mania with contributions by Jon Bywater & Mark McCloud, Charles Esche & Joëlle de La Casiniére, Chaz Doherty & Nova Paul, Sven Beckstette & John Welchman, Alena Boika & Ivan Mecl, Ron Athey & Emily Roysdon, Rik Reinking & Peter Anthony, Gwenneth Porter & David Craig, Simon Sheikh & Gerald Raunig, Mehdi Chouakri & Mark Gisbourne, Manray Hsu & Lise Nellemann,(...)
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ed. by Astrid Mania with contributions by Jon Bywater & Mark McCloud, Charles Esche & Joëlle de La Casiniére, Chaz Doherty & Nova Paul, Sven Beckstette & John Welchman, Alena Boika & Ivan Mecl, Ron Athey & Emily Roysdon, Rik Reinking & Peter Anthony, Gwenneth Porter & David Craig, Simon Sheikh & Gerald Raunig, Mehdi Chouakri & Mark Gisbourne, Manray Hsu & Lise Nellemann,(...)
Publication:
janvier 2007, Frankfurt
janvier 2007, Frankfurt
Titre:
David Hatcher i don't must
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ed. by Astrid Mania with contributions by Jon Bywater & Mark McCloud, Charles Esche & Joëlle de La Casiniére, Chaz Doherty & Nova Paul, Sven Beckstette & John Welchman, Alena Boika & Ivan Mecl, Ron Athey & Emily Roysdon, Rik Reinking & Peter Anthony, Gwenneth Porter & David Craig, Simon Sheikh & Gerald Raunig, Mehdi Chouakri & Mark Gisbourne, Manray Hsu & Lise Nellemann, Jeremy Prestholdt & Kianga Ford, Leif Holmstrand & Jack Helgesen, Rüdiger Schlömer & Wilhelm Schürmann, Jan Tumlir & Peter Zellner (english, german)
David Hatcher i don't must
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ed. by Astrid Mania with contributions by Jon Bywater & Mark McCloud, Charles Esche & Joëlle de La Casiniére, Chaz Doherty & Nova Paul, Sven Beckstette & John Welchman, Alena Boika & Ivan Mecl, Ron Athey & Emily Roysdon, Rik Reinking & Peter Anthony, Gwenneth Porter & David Craig, Simon Sheikh & Gerald Raunig, Mehdi Chouakri & Mark Gisbourne, Manray Hsu & Lise Nellemann, Jeremy Prestholdt & Kianga Ford, Leif Holmstrand & Jack Helgesen, Rüdiger Schlömer & Wilhelm Schürmann, Jan Tumlir & Peter Zellner (english, german)
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livres
livres
Publication:
janvier 2007, Frankfurt
janvier 2007, Frankfurt
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livres
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Introduction by Lucy Lippard, essay by Mike Davis. Between October 2006 and April 2007, three gardens were given away. Each garden was planted in one of the three microclimates in San Francisco: sunbelt, transition belt and fog belt. The households were selected based on an ad posted on Craiglist. It was posted on October 10th ad midnight. By 9:30am October 11th, we had(...)
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Introduction by Lucy Lippard, essay by Mike Davis. Between October 2006 and April 2007, three gardens were given away. Each garden was planted in one of the three microclimates in San Francisco: sunbelt, transition belt and fog belt. The households were selected based on an ad posted on Craiglist. It was posted on October 10th ad midnight. By 9:30am October 11th, we had(...)
Publication:
septembre 2008, San Francisco
septembre 2008, San Francisco
Titre:
Amy Franceschini: victory gardens 2007: a plan for subsidized urban gardens
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Introduction by Lucy Lippard, essay by Mike Davis. Between October 2006 and April 2007, three gardens were given away. Each garden was planted in one of the three microclimates in San Francisco: sunbelt, transition belt and fog belt. The households were selected based on an ad posted on Craiglist. It was posted on October 10th ad midnight. By 9:30am October 11th, we had received over 800 responses. Each garden was delivered on the Victory Garden Trike and included a planting party, a Starter Kit, and two lessons. The lessons included how to build a raised bed, install a drip system, planting instructions, seasonal planting, seed saving, harvesting methods, composting, and canning. 1 Artist 1 Concept is a series of books by individual artists, produced by The Expanding Color System.
Amy Franceschini: victory gardens 2007: a plan for subsidized urban gardens
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Introduction by Lucy Lippard, essay by Mike Davis. Between October 2006 and April 2007, three gardens were given away. Each garden was planted in one of the three microclimates in San Francisco: sunbelt, transition belt and fog belt. The households were selected based on an ad posted on Craiglist. It was posted on October 10th ad midnight. By 9:30am October 11th, we had received over 800 responses. Each garden was delivered on the Victory Garden Trike and included a planting party, a Starter Kit, and two lessons. The lessons included how to build a raised bed, install a drip system, planting instructions, seasonal planting, seed saving, harvesting methods, composting, and canning. 1 Artist 1 Concept is a series of books by individual artists, produced by The Expanding Color System.
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livres
livres
Publication:
septembre 2008, San Francisco
septembre 2008, San Francisco
