1885 Résultats
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livres
Titre:
Between Dog and Wolf
Between Dog and Wolf
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Nick Haymes' photography often explores the artist's role in and relationship with his family. This first small monograph finds him traveling with an extended family of young skateboarders. Between Dog and Wolf depicts--beyond their adventures and misadventures on wheels--their joy in living, in making out and hanging out. Haymes, who was born in England in 1969, observes(...)
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Nick Haymes' photography often explores the artist's role in and relationship with his family. This first small monograph finds him traveling with an extended family of young skateboarders. Between Dog and Wolf depicts--beyond their adventures and misadventures on wheels--their joy in living, in making out and hanging out. Haymes, who was born in England in 1969, observes(...)
Titre:
Between Dog and Wolf
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$29.00
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Nick Haymes' photography often explores the artist's role in and relationship with his family. This first small monograph finds him traveling with an extended family of young skateboarders. Between Dog and Wolf depicts--beyond their adventures and misadventures on wheels--their joy in living, in making out and hanging out. Haymes, who was born in England in 1969, observes his young subjects with a mix of friendly and almost fatherly care, documenting a delicate stage of life with equal attention to its dark moments and its blissful ones, in a raw and distinctive style that looks exceptionally closely. The artist has lived in New York since 2000, where he has worked with many widely respected magazines including i-D, Dazed & Confused, The Face, Vogue, TeenVogue, Another Magazine, Arena, Capricious and The Journal.
Between Dog and Wolf
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Nick Haymes' photography often explores the artist's role in and relationship with his family. This first small monograph finds him traveling with an extended family of young skateboarders. Between Dog and Wolf depicts--beyond their adventures and misadventures on wheels--their joy in living, in making out and hanging out. Haymes, who was born in England in 1969, observes his young subjects with a mix of friendly and almost fatherly care, documenting a delicate stage of life with equal attention to its dark moments and its blissful ones, in a raw and distinctive style that looks exceptionally closely. The artist has lived in New York since 2000, where he has worked with many widely respected magazines including i-D, Dazed & Confused, The Face, Vogue, TeenVogue, Another Magazine, Arena, Capricious and The Journal.
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livres
livres
Publication:
octobre 2007, Zurich
octobre 2007, Zurich
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livres
livres
Titre:
Ad Rock
Ad Rock
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Amsterdam-born photographer and filmmaker Ari Marcopoulos (1957) has become a familiar name to skaters and rockers, as well as to artists and international scenesters. Ad Rock is a concise portrait of Adam Horovitz from the Beastie Boys, filled with years of photographs of the musician at work, with his friends and at home. Following Marcopoulis' study of the(...)
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Amsterdam-born photographer and filmmaker Ari Marcopoulos (1957) has become a familiar name to skaters and rockers, as well as to artists and international scenesters. Ad Rock is a concise portrait of Adam Horovitz from the Beastie Boys, filled with years of photographs of the musician at work, with his friends and at home. Following Marcopoulis' study of the(...)
Publication:
janvier 2008, Zurich
janvier 2008, Zurich
Titre:
Ad Rock
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Amsterdam-born photographer and filmmaker Ari Marcopoulos (1957) has become a familiar name to skaters and rockers, as well as to artists and international scenesters. Ad Rock is a concise portrait of Adam Horovitz from the Beastie Boys, filled with years of photographs of the musician at work, with his friends and at home. Following Marcopoulis' study of the internationally renowned snowboarder, Terje Haakonsen, it is the second in a series of portrait books that features subjects up close and unguarded, simply living their lives. Ari Marcopoulos has work in the current international traveling exhibition Beautiful Losers, and recently had solo exhibitions at the Yerba Buena Center for the Arts in California and P.S.1 in New York. His photographs are regularly featured in The New York Times Magazine.
Ad Rock
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Amsterdam-born photographer and filmmaker Ari Marcopoulos (1957) has become a familiar name to skaters and rockers, as well as to artists and international scenesters. Ad Rock is a concise portrait of Adam Horovitz from the Beastie Boys, filled with years of photographs of the musician at work, with his friends and at home. Following Marcopoulis' study of the internationally renowned snowboarder, Terje Haakonsen, it is the second in a series of portrait books that features subjects up close and unguarded, simply living their lives. Ari Marcopoulos has work in the current international traveling exhibition Beautiful Losers, and recently had solo exhibitions at the Yerba Buena Center for the Arts in California and P.S.1 in New York. His photographs are regularly featured in The New York Times Magazine.
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livres
livres
Publication:
janvier 2008, Zurich
janvier 2008, Zurich
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livres
livres
Titre:
Fiona Tan: vox populi: Tokyo
Fiona Tan: vox populi: Tokyo
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Following Vox Populi, Norway and Vox Populi, Sydney this is the third in the series of Vox Populi publications, each one presenting us with a social portrait of a people taken from images selected from personal and private family photo albums. Drawing on the documentary tradition, in combination with contemporary concerns of participation and egalitarianism, Vox Populi,(...)
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Following Vox Populi, Norway and Vox Populi, Sydney this is the third in the series of Vox Populi publications, each one presenting us with a social portrait of a people taken from images selected from personal and private family photo albums. Drawing on the documentary tradition, in combination with contemporary concerns of participation and egalitarianism, Vox Populi,(...)
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Fiona Tan: vox populi: Tokyo
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Following Vox Populi, Norway and Vox Populi, Sydney this is the third in the series of Vox Populi publications, each one presenting us with a social portrait of a people taken from images selected from personal and private family photo albums. Drawing on the documentary tradition, in combination with contemporary concerns of participation and egalitarianism, Vox Populi, Tokyo continues this ever-expanding mappo mundi.
Fiona Tan: vox populi: Tokyo
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Following Vox Populi, Norway and Vox Populi, Sydney this is the third in the series of Vox Populi publications, each one presenting us with a social portrait of a people taken from images selected from personal and private family photo albums. Drawing on the documentary tradition, in combination with contemporary concerns of participation and egalitarianism, Vox Populi, Tokyo continues this ever-expanding mappo mundi.
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livres
livres
Publication:
décembre 2007, London
décembre 2007, London
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livres
livres
Titre:
GRR30: urban recordings
GRR30: urban recordings
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$40.00
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26th September 2006, Neue Zuercher Zeitung, Zurich: 'This meaty and yet compact volume compiles everyday scenes from all over the globe. (...) The opulent mix of old and new drawings exemplifies Giezendanner's tendency to work less on complete pictures and more on a 'world of images'. (Villoe Huszai)
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26th September 2006, Neue Zuercher Zeitung, Zurich: 'This meaty and yet compact volume compiles everyday scenes from all over the globe. (...) The opulent mix of old and new drawings exemplifies Giezendanner's tendency to work less on complete pictures and more on a 'world of images'. (Villoe Huszai)
Publication:
juin 2006, Zurich/Berlin
juin 2006, Zurich/Berlin
Titre:
GRR30: urban recordings
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26th September 2006, Neue Zuercher Zeitung, Zurich: 'This meaty and yet compact volume compiles everyday scenes from all over the globe. (...) The opulent mix of old and new drawings exemplifies Giezendanner's tendency to work less on complete pictures and more on a 'world of images'. (Villoe Huszai)
GRR30: urban recordings
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26th September 2006, Neue Zuercher Zeitung, Zurich: 'This meaty and yet compact volume compiles everyday scenes from all over the globe. (...) The opulent mix of old and new drawings exemplifies Giezendanner's tendency to work less on complete pictures and more on a 'world of images'. (Villoe Huszai)
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livres
livres
Publication:
juin 2006, Zurich/Berlin
juin 2006, Zurich/Berlin
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livres
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$25.00
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Two materials co-exist at the heart of Dani Jakobs work: salt and silk. The artist paints and devises installations. The vibrantly coloured, abstractly geometric silk paintings that look like an "abstract model of the cranium" contrast with the amorphous salt pictures created using the chemical process of salt crystalisation and that are reminiscent of aerial(...)
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Two materials co-exist at the heart of Dani Jakobs work: salt and silk. The artist paints and devises installations. The vibrantly coloured, abstractly geometric silk paintings that look like an "abstract model of the cranium" contrast with the amorphous salt pictures created using the chemical process of salt crystalisation and that are reminiscent of aerial(...)
Publication:
décembre 2007, Berlin
décembre 2007, Berlin
Titre:
Dani Jakob : von einem land / of a land
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Two materials co-exist at the heart of Dani Jakobs work: salt and silk. The artist paints and devises installations. The vibrantly coloured, abstractly geometric silk paintings that look like an "abstract model of the cranium" contrast with the amorphous salt pictures created using the chemical process of salt crystalisation and that are reminiscent of aerial photographs of distand lands and coastlines. She interlinks both of these opposites in spatially expansive floor paintings. Her "geometrical eye" places a landscape into a space, is derived from a lake of salt without perspective, an anti-space, a non-place, interlinks then, "draws lines, noting trajectories of movement", rhythmatises them arriving at a symmetry and creates a utopian space. "A land" that defies unequivocal decipherment. The artist book documents Dani Jakobs most recent works from 2005 to 2007 in 30 images with large illustrations and detailed views. These compositions enter into a conversation with a lyrical text by Klaus Theweleit, which was especially written for this book and runs all the way through it.
Dani Jakob : von einem land / of a land
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$25.00
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Résumé:
Two materials co-exist at the heart of Dani Jakobs work: salt and silk. The artist paints and devises installations. The vibrantly coloured, abstractly geometric silk paintings that look like an "abstract model of the cranium" contrast with the amorphous salt pictures created using the chemical process of salt crystalisation and that are reminiscent of aerial photographs of distand lands and coastlines. She interlinks both of these opposites in spatially expansive floor paintings. Her "geometrical eye" places a landscape into a space, is derived from a lake of salt without perspective, an anti-space, a non-place, interlinks then, "draws lines, noting trajectories of movement", rhythmatises them arriving at a symmetry and creates a utopian space. "A land" that defies unequivocal decipherment. The artist book documents Dani Jakobs most recent works from 2005 to 2007 in 30 images with large illustrations and detailed views. These compositions enter into a conversation with a lyrical text by Klaus Theweleit, which was especially written for this book and runs all the way through it.
Classification:
livres
livres
Publication:
décembre 2007, Berlin
décembre 2007, Berlin
Classification:
livres
livres
Titre:
Equilibres
Equilibres
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$62.00
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The Swiss collaborators Fischli & Weiss have said of this early series of color and black-and-white photographs, "Balance is most beautiful just shortly before it collapses." Indeed their tense arrangements of household miscellany often look on the verge of falling, or are caught in the process. The only texts included with them are associative titles, including Natural(...)
$62.00
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The Swiss collaborators Fischli & Weiss have said of this early series of color and black-and-white photographs, "Balance is most beautiful just shortly before it collapses." Indeed their tense arrangements of household miscellany often look on the verge of falling, or are caught in the process. The only texts included with them are associative titles, including Natural(...)
Publication:
mars 2007, Collogne
mars 2007, Collogne
Titre:
Equilibres
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$62.00
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Résumé:
The Swiss collaborators Fischli & Weiss have said of this early series of color and black-and-white photographs, "Balance is most beautiful just shortly before it collapses." Indeed their tense arrangements of household miscellany often look on the verge of falling, or are caught in the process. The only texts included with them are associative titles, including Natural Grace, (a spatula on a plate on a wine bottle on an apple on a cup), The Fart (chairs on Coke bottles and aerosol cans), and Invisible Power, (showing one end of a paper construction held aloft by the breeze from a small fan). Many of the constructions appear under several titles, in several styles: Completion, when shot in grainy, starkly lit black-and-white, becomes Honor, Courage, Confidence, and in close-up, Can I , May I, Do Anything? On the page, these often elaborate and expansive objects acquire an incidental quality that makes them both more real and more transient. Ultimately, the only evidence of their existence is these images. While a small selection of these works appeared in the artist's book Quiet Afternoon, most have never before been published in any form.
Equilibres
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Résumé:
The Swiss collaborators Fischli & Weiss have said of this early series of color and black-and-white photographs, "Balance is most beautiful just shortly before it collapses." Indeed their tense arrangements of household miscellany often look on the verge of falling, or are caught in the process. The only texts included with them are associative titles, including Natural Grace, (a spatula on a plate on a wine bottle on an apple on a cup), The Fart (chairs on Coke bottles and aerosol cans), and Invisible Power, (showing one end of a paper construction held aloft by the breeze from a small fan). Many of the constructions appear under several titles, in several styles: Completion, when shot in grainy, starkly lit black-and-white, becomes Honor, Courage, Confidence, and in close-up, Can I , May I, Do Anything? On the page, these often elaborate and expansive objects acquire an incidental quality that makes them both more real and more transient. Ultimately, the only evidence of their existence is these images. While a small selection of these works appeared in the artist's book Quiet Afternoon, most have never before been published in any form.
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livres
livres
Publication:
mars 2007, Collogne
mars 2007, Collogne
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livres
livres
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$78.00
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A solid album of recent work, this volume includes exhibition photographs as well as notes and sketches, and documents work both interior and exterior, including a light installation that put Bustamante's mark all over Austria's Kunsthaus Bregenz. "Given the fact that [they] had committed the entire building to me, it seemed obvious that I should display my presence from(...)
$78.00
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Résumé:
A solid album of recent work, this volume includes exhibition photographs as well as notes and sketches, and documents work both interior and exterior, including a light installation that put Bustamante's mark all over Austria's Kunsthaus Bregenz. "Given the fact that [they] had committed the entire building to me, it seemed obvious that I should display my presence from(...)
Titre:
Jean-Marc Bustamante beautifuldays
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A solid album of recent work, this volume includes exhibition photographs as well as notes and sketches, and documents work both interior and exterior, including a light installation that put Bustamante's mark all over Austria's Kunsthaus Bregenz. "Given the fact that [they] had committed the entire building to me, it seemed obvious that I should display my presence from the outside. The display is a signal. It reveals itself progressively as the 200 lights come on, until all of them are ablaze."
Jean-Marc Bustamante beautifuldays
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$78.00
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A solid album of recent work, this volume includes exhibition photographs as well as notes and sketches, and documents work both interior and exterior, including a light installation that put Bustamante's mark all over Austria's Kunsthaus Bregenz. "Given the fact that [they] had committed the entire building to me, it seemed obvious that I should display my presence from the outside. The display is a signal. It reveals itself progressively as the 200 lights come on, until all of them are ablaze."
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livres
livres
Publication:
juillet 2007, Köln
juillet 2007, Köln
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livres
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$63.00
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In paintings, murals, and book illustrations, Aaron Douglas (1899–1979) produced the most powerful visual legacy of the Harlem Renaissance, prompting the philosopher and writer Alain Locke to dub him the “father of Black American art.” Presenting more than ninety illustrations of Douglas’s works and the commentary of leading critics and historians, this book focuses on(...)
$63.00
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In paintings, murals, and book illustrations, Aaron Douglas (1899–1979) produced the most powerful visual legacy of the Harlem Renaissance, prompting the philosopher and writer Alain Locke to dub him the “father of Black American art.” Presenting more than ninety illustrations of Douglas’s works and the commentary of leading critics and historians, this book focuses on(...)
Publication:
octobre 2007, New Haven/London
octobre 2007, New Haven/London
Titre:
Aaron Douglas. African American Modernist
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In paintings, murals, and book illustrations, Aaron Douglas (1899–1979) produced the most powerful visual legacy of the Harlem Renaissance, prompting the philosopher and writer Alain Locke to dub him the “father of Black American art.” Presenting more than ninety illustrations of Douglas’s works and the commentary of leading critics and historians, this book focuses on the artist’s career from the 1920s through the 1940s in relation to American modernism. Its authors argue that Douglas’s bold work opened doors for African American artists in Harlem and beyond, and that it invited a dialogue with modernism that put African American life, labor, and freedom, along with African traditions and motifs, at its center. New information emerges from these pages, reflecting the rich interchange between the visual arts, music, dance, literature, and politics that shaped Douglas’s work and also defined the Harlem Renaissance.
Aaron Douglas. African American Modernist
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In paintings, murals, and book illustrations, Aaron Douglas (1899–1979) produced the most powerful visual legacy of the Harlem Renaissance, prompting the philosopher and writer Alain Locke to dub him the “father of Black American art.” Presenting more than ninety illustrations of Douglas’s works and the commentary of leading critics and historians, this book focuses on the artist’s career from the 1920s through the 1940s in relation to American modernism. Its authors argue that Douglas’s bold work opened doors for African American artists in Harlem and beyond, and that it invited a dialogue with modernism that put African American life, labor, and freedom, along with African traditions and motifs, at its center. New information emerges from these pages, reflecting the rich interchange between the visual arts, music, dance, literature, and politics that shaped Douglas’s work and also defined the Harlem Renaissance.
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livres
livres
Publication:
octobre 2007, New Haven/London
octobre 2007, New Haven/London
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livres
livres
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$68.50
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Joseph Cornell (1903–1972) was a self-taught yet highly sophisticated artist who is celebrated for his pioneering achievement in collage, assemblage, and film. Cornell’s lyrical compositions combine found materials in ways that reflect a very personal exploration of art and culture and that represent his belief in art as an uplifting voyage into the imagination. This(...)
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Joseph Cornell (1903–1972) was a self-taught yet highly sophisticated artist who is celebrated for his pioneering achievement in collage, assemblage, and film. Cornell’s lyrical compositions combine found materials in ways that reflect a very personal exploration of art and culture and that represent his belief in art as an uplifting voyage into the imagination. This(...)
Publication:
novembre 2007, New Haven, London
novembre 2007, New Haven, London
Titre:
Joseph Cornell: navigating the imagination
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Joseph Cornell (1903–1972) was a self-taught yet highly sophisticated artist who is celebrated for his pioneering achievement in collage, assemblage, and film. Cornell’s lyrical compositions combine found materials in ways that reflect a very personal exploration of art and culture and that represent his belief in art as an uplifting voyage into the imagination. This stunning book is published to accompany the first retrospective of the artist’s work in twenty-six years.
Joseph Cornell: navigating the imagination
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Joseph Cornell (1903–1972) was a self-taught yet highly sophisticated artist who is celebrated for his pioneering achievement in collage, assemblage, and film. Cornell’s lyrical compositions combine found materials in ways that reflect a very personal exploration of art and culture and that represent his belief in art as an uplifting voyage into the imagination. This stunning book is published to accompany the first retrospective of the artist’s work in twenty-six years.
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livres
livres
Publication:
novembre 2007, New Haven, London
novembre 2007, New Haven, London
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livres
livres
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Cet ouvrage réunit l'intégralité des poèmes des Fleurs du Mal de Charles Baudelaire illustrés par cent quatre-vingt-cinq œuvres peintes, dessinées, lithographiées, aquarellées, essentiellement de la seconde moitié du XIXe siècle. Il révèle les correspondances multiples qui existent entre l'œuvre phare que constituent Les Fleurs du Mal et la peinture du XIXe siècle(...)
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Cet ouvrage réunit l'intégralité des poèmes des Fleurs du Mal de Charles Baudelaire illustrés par cent quatre-vingt-cinq œuvres peintes, dessinées, lithographiées, aquarellées, essentiellement de la seconde moitié du XIXe siècle. Il révèle les correspondances multiples qui existent entre l'œuvre phare que constituent Les Fleurs du Mal et la peinture du XIXe siècle(...)
Titre:
Les fleurs du mal illustrées par la peinture symboliste et décadente
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Cet ouvrage réunit l'intégralité des poèmes des Fleurs du Mal de Charles Baudelaire illustrés par cent quatre-vingt-cinq œuvres peintes, dessinées, lithographiées, aquarellées, essentiellement de la seconde moitié du XIXe siècle. Il révèle les correspondances multiples qui existent entre l'œuvre phare que constituent Les Fleurs du Mal et la peinture du XIXe siècle finissant. Cette complicité des arts souligne autant les préoccupations baudelairiennes que celles d'artistes non moins visionnaires: la volonté d'exprimer par des images fortes les aspirations et les désillusions d'une génération dont la sensibilité s'exacerbe à la recherche de la vérité.
Les fleurs du mal illustrées par la peinture symboliste et décadente
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Cet ouvrage réunit l'intégralité des poèmes des Fleurs du Mal de Charles Baudelaire illustrés par cent quatre-vingt-cinq œuvres peintes, dessinées, lithographiées, aquarellées, essentiellement de la seconde moitié du XIXe siècle. Il révèle les correspondances multiples qui existent entre l'œuvre phare que constituent Les Fleurs du Mal et la peinture du XIXe siècle finissant. Cette complicité des arts souligne autant les préoccupations baudelairiennes que celles d'artistes non moins visionnaires: la volonté d'exprimer par des images fortes les aspirations et les désillusions d'une génération dont la sensibilité s'exacerbe à la recherche de la vérité.
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livres
livres
Publication:
novembre 2007, Paris
novembre 2007, Paris
