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Thomas Schütte has frequently cast himself into the role of a maverick - remained remote from the work of his artistic mentor, distanced himself from the statements of each ephemeral Zeitgeist and increasingly contradicted his own positions - and in so doing has become one of the most influential artists of his generation. Shifting from text to image to object to book,(...)
Thomas Schutte : Friedrich Christian Flick collection, volume 2
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Thomas Schütte has frequently cast himself into the role of a maverick - remained remote from the work of his artistic mentor, distanced himself from the statements of each ephemeral Zeitgeist and increasingly contradicted his own positions - and in so doing has become one of the most influential artists of his generation. Shifting from text to image to object to book, his work juxtaposes biographical moments with contemporary events, oscillates between the aspiration to shape the public reception of architecture and monumental sculpture and the conjunctive of model-maker, and projects avant-garde ideas onto traditional forms of art. With meticulous rigor, Ulrich Loock has observed the evolution of Schütte’s output over the past 25 years. Underpinning his lucid overview is a series of intensive discussions between the author and artist on the genesis and history of particular works. This well-designed book is the most comprehensive monograph of the artist’s work to date, and provides profound insight into Schütte’s work through detailed discussions of the pieces.
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"City Art" provides a complete record of the public art installations sponsored by New York City’s Percent for Art Program since 1983. It features two hundred works by artists including Vito Acconci, Dennis Adams, Siah Armajani, Alice Aycock, Dawoud Bey, Scott Burton, Jackie Ferrara, Komar & Melamid, Matt Mullican, Pat Steir, Fred Tomaselli, Ursula von Rydingsvard, Carrie(...)
mai 2005, London, New York
City art : New York's percent for art program
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"City Art" provides a complete record of the public art installations sponsored by New York City’s Percent for Art Program since 1983. It features two hundred works by artists including Vito Acconci, Dennis Adams, Siah Armajani, Alice Aycock, Dawoud Bey, Scott Burton, Jackie Ferrara, Komar & Melamid, Matt Mullican, Pat Steir, Fred Tomaselli, Ursula von Rydingsvard, Carrie Mae Weems, Fred Wilson and Krzysztof Wodiczko. "City Art" includes interior and exterior permanent art installations at schools, parks, playgrounds, courthouses and other sites throughout New York City’s five boroughs.
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In 1970 Robert Smithson (1938-1973), one of the most innovative and provocative artists of the twentieth century, created the landmark earthwork "Spiral Jetty" at Rozel Point on Utah's Great Salt Lake. This dramatic and highly influential work forms a coil 1,500 feet long and 15 feet wide and stretches out counter-clockwise into the lake's translucent red water. Composed(...)
juin 2005, New York
Robert Smithson : Spiral Jetty - true fictions, false realities
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In 1970 Robert Smithson (1938-1973), one of the most innovative and provocative artists of the twentieth century, created the landmark earthwork "Spiral Jetty" at Rozel Point on Utah's Great Salt Lake. This dramatic and highly influential work forms a coil 1,500 feet long and 15 feet wide and stretches out counter-clockwise into the lake's translucent red water. Composed of black basalt rocks and earth, the sculpture comprises the materials of its location: mud, salt crystals, rocks, water. The contributors to this comprehensive publication consider the sculpture in relation to its eponymous companions - a text work and a film. These essays situate this renowned series of works alongside Smithson's critical writings, proposals, drawings, sources, and models. Amply illustrated with archival and new photographs of the Jetty and many comparative illustrations, this book makes evident why Smithson's art and writings have had such a powerful impact on art and art theory for over thirty years.
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This publication is the first overview of projects by Bik Van der Pol over the last decade. Seven essays by leading authors draw attention to the breadth and significance of their methodology. The projects are thus placed within a critical framework and can serve as a source of inspiration for artists, architects, designers and theorists.
janvier 2005, Rotterdam
Bik Van der Pol : with love from the kitchen
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This publication is the first overview of projects by Bik Van der Pol over the last decade. Seven essays by leading authors draw attention to the breadth and significance of their methodology. The projects are thus placed within a critical framework and can serve as a source of inspiration for artists, architects, designers and theorists.
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"An artist's book is a work solely created by the artist's decisions. It is produced by the best methods to achieve quality in unlimited quantities. It should be available at a moderate price wherever books are sold." Paul Bianchini Through four thematic paths - looking, telling, thinking, collecting - this catalogue penetrates into the complex and still not well(...)
janvier 2005, Mantova
Looking, telling, thinking, collecting : four directions of the artist's book from the Sixties to present
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"An artist's book is a work solely created by the artist's decisions. It is produced by the best methods to achieve quality in unlimited quantities. It should be available at a moderate price wherever books are sold." Paul Bianchini Through four thematic paths - looking, telling, thinking, collecting - this catalogue penetrates into the complex and still not well known reality of the artist's book. An artistic experience, amazing in its results’ vastness and originality, which goes through historical and ideological contexts and which permeates the world of art, from to Sixties to the present.
New canvas
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Daniel Gordon cuts, builds, experiments and photographs. Gordon’s relationship to photography is intrinsically linked to his working process. Like a painter or sculptor, he has an intense studio practice. He imagines and creates his images from scratch, literally and figuratively. This book, arguably the most comprehensive monograph of the artist to date, focuses on both(...)
New canvas
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Daniel Gordon cuts, builds, experiments and photographs. Gordon’s relationship to photography is intrinsically linked to his working process. Like a painter or sculptor, he has an intense studio practice. He imagines and creates his images from scratch, literally and figuratively. This book, arguably the most comprehensive monograph of the artist to date, focuses on both Gordon’s final works and the process that leads to the end result, by emphasizing on the different layers that compose his photographs.
Gego: Measuring infinity
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Accompanying the first major museum retrospective exhibition of Gego’s work in the US in more than 15 years, this expansive, definitive catalog charts the evolution of Gego’s singular approach to abstraction through organic forms, linear structures and systematic spatial investigations. Featuring nearly 300 images, including more than 160 sculptures, drawings, prints,(...)
juin 2023
Gego: Measuring infinity
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Accompanying the first major museum retrospective exhibition of Gego’s work in the US in more than 15 years, this expansive, definitive catalog charts the evolution of Gego’s singular approach to abstraction through organic forms, linear structures and systematic spatial investigations. Featuring nearly 300 images, including more than 160 sculptures, drawings, prints, artist’s books, textiles and installations made between the early 1950s and the early 1990s, this volume also presents 11 illustrated essays by experts in the field of modern and contemporary Latin American art that trace Gego’s artistic development across various mediums and disciplines, including her significant contributions to architecture and design; ground her practice in various art movements that materialized in Latin America, Europe and the US during her lifetime; and consider the pedagogical influence of her two-decade teaching career in Caracas. This essential publication advances an expanded understanding and appreciation of the artist’s work within the context of 20th-century modernism.
For Zitkála-Šá
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Paying tribute to Yankton Dakota writer, musician, and activist Zitkála-Šá (b.1876), this publication is structured through a series of scores for thirteen contemporary female Indigenous performing artists: Laura Ortman, Cheryl L’Hirondelle, Suzanne Kite, Barbara Croall, Jacqueline Wilson, Autumn Chacon, Heidi Senungetuk, Ange Loft, Joy Harjo, Carmina Escobar, Olivia(...)
For Zitkála-Šá
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Paying tribute to Yankton Dakota writer, musician, and activist Zitkála-Šá (b.1876), this publication is structured through a series of scores for thirteen contemporary female Indigenous performing artists: Laura Ortman, Cheryl L’Hirondelle, Suzanne Kite, Barbara Croall, Jacqueline Wilson, Autumn Chacon, Heidi Senungetuk, Ange Loft, Joy Harjo, Carmina Escobar, Olivia Shortt, Candice Hopkins, and Buffy Sainte-Marie. ''For Zitkála-Šá'' is supplemented by texts by each artist and a contextualizing essay by Chacon.
Queuejumping
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Encyclopaedic in form, Marina Roy’s ''Queuejumping'' eloquently unspools manifestations of capitalist, colonialist, agrologic, and scientific impulses, all within the context of the letter Q. Roy enlists art writing, poetry, lists, found images, and essays on humankind’s hunger to supersede the Other (in order to uphold what she calls ''the vertically directed world'') in(...)
Queuejumping
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Encyclopaedic in form, Marina Roy’s ''Queuejumping'' eloquently unspools manifestations of capitalist, colonialist, agrologic, and scientific impulses, all within the context of the letter Q. Roy enlists art writing, poetry, lists, found images, and essays on humankind’s hunger to supersede the Other (in order to uphold what she calls ''the vertically directed world'') in this artfully academic work. From queens, queers, quadrupeds, and the Quran, to quick, quiddity, and quotidian, and from millions of years of organic decay to contemplating contemporary art, dive into the origins of hegemonic forces, what is lost by winning, and what can be gained by stepping out of line.
Phllip Metten: Five works
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Combining a genuine interest in contemporary and historical architecture with a desire to make sculpture functional, these five projects form a distinct body of work within Philip Metten’s practice: ‘Bar’ (2013), ‘153. Stanton’ (2015), ‘The Corner Show’ (2015), ‘Cinema’ (2017), and ‘Essen’ (2016–2021). Wouter Davidts’s analysis of ‘Untitled’ (2014) sets the tone, a work(...)
Phllip Metten: Five works
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Combining a genuine interest in contemporary and historical architecture with a desire to make sculpture functional, these five projects form a distinct body of work within Philip Metten’s practice: ‘Bar’ (2013), ‘153. Stanton’ (2015), ‘The Corner Show’ (2015), ‘Cinema’ (2017), and ‘Essen’ (2016–2021). Wouter Davidts’s analysis of ‘Untitled’ (2014) sets the tone, a work that seems to anticipate the complex interplay between drawing, sculpture, and architecture apparent in Metten’s other projects, where he gives spaces with a distinct social programme and scale a sculptural transformation. With photos by Jan Kempenaers and drawings by Kris Kimpe and Samyra Moumouh.