1885 Résultats
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Titre:
Denis Darzacq
Denis Darzacq
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Depuis le milieu des années 1990, Denis Darzacq développe un travail personnel. De la photographie de presse qui fut, comme pour d’autres photographes français de sa génération, le berceau de sa pratique artistique, il conserve avant tout un regard aiguisé sur la société contemporaine et une méthode. Denis Darzacq a acquis la conviction qu’une image construite pouvait(...)
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Depuis le milieu des années 1990, Denis Darzacq développe un travail personnel. De la photographie de presse qui fut, comme pour d’autres photographes français de sa génération, le berceau de sa pratique artistique, il conserve avant tout un regard aiguisé sur la société contemporaine et une méthode. Denis Darzacq a acquis la conviction qu’une image construite pouvait(...)
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Denis Darzacq
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Depuis le milieu des années 1990, Denis Darzacq développe un travail personnel. De la photographie de presse qui fut, comme pour d’autres photographes français de sa génération, le berceau de sa pratique artistique, il conserve avant tout un regard aiguisé sur la société contemporaine et une méthode. Denis Darzacq a acquis la conviction qu’une image construite pouvait servir son analyse de la société avec plus d’efficacité. Depuis 2003, il a recours à des mises en scène qui reposent toutes sur le principe de la « disruption » (méthodologie dynamique tournée vers la création). Par leur état ou leur pose, les corps mis en scène bouleversent l’ordre établi, sans jamais faire basculer l’image dans le spectaculaire. L’ouvrage présente des photographies extraites de séries majeures du photographe, notamment « La chute et Hyper » qui opposent deux réalités sans manipulations numériques
Denis Darzacq
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Depuis le milieu des années 1990, Denis Darzacq développe un travail personnel. De la photographie de presse qui fut, comme pour d’autres photographes français de sa génération, le berceau de sa pratique artistique, il conserve avant tout un regard aiguisé sur la société contemporaine et une méthode. Denis Darzacq a acquis la conviction qu’une image construite pouvait servir son analyse de la société avec plus d’efficacité. Depuis 2003, il a recours à des mises en scène qui reposent toutes sur le principe de la « disruption » (méthodologie dynamique tournée vers la création). Par leur état ou leur pose, les corps mis en scène bouleversent l’ordre établi, sans jamais faire basculer l’image dans le spectaculaire. L’ouvrage présente des photographies extraites de séries majeures du photographe, notamment « La chute et Hyper » qui opposent deux réalités sans manipulations numériques
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livres
livres
Publication:
mars 2020
mars 2020
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livres
livres
Titre:
Conversations
Conversations
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Ai Weiwei is one of the world’s most acclaimed artists and dissidents. This book presents him in conversation with theorists, critics, journalists, and curators about key moments in his life and career. These wide-ranging conversations flow between topics such as his relationship with China, the meaning of citizenship, moving his studio to Lesbos to be on the front lines(...)
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Ai Weiwei is one of the world’s most acclaimed artists and dissidents. This book presents him in conversation with theorists, critics, journalists, and curators about key moments in his life and career. These wide-ranging conversations flow between topics such as his relationship with China, the meaning of citizenship, moving his studio to Lesbos to be on the front lines(...)
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Conversations
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Ai Weiwei is one of the world’s most acclaimed artists and dissidents. This book presents him in conversation with theorists, critics, journalists, and curators about key moments in his life and career. These wide-ranging conversations flow between topics such as his relationship with China, the meaning of citizenship, moving his studio to Lesbos to be on the front lines of the migrant crisis, how to make art, and technology as a tool for freedom or oppression. Ai opens up about his relationship to his father as a poet and as a dissident forced into hard labor in a small village after the Cultural Revolution. He shares his thoughts on formal education and the importance of finding your own way as an artist. New York- both the city and its people- were formative for Ai Weiwei, and he speaks eloquently about how these experiences continue to influence him. Ai conjures up scenes from his long relationship with the city: dropping out of Parsons School of Design because he couldn’t afford tuition, making portraits in Washington Square Park as an undocumented immigrant in the 1980s, taking photos for the New York Times at demonstrations in Tompkins Square Park, and returning to set up the ''Good Fences Make Good Neighbors'' project across the city. These candid, spontaneous conversations reveal why Ai Weiwei has become such a major force in contemporary art and political life.
Conversations
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Ai Weiwei is one of the world’s most acclaimed artists and dissidents. This book presents him in conversation with theorists, critics, journalists, and curators about key moments in his life and career. These wide-ranging conversations flow between topics such as his relationship with China, the meaning of citizenship, moving his studio to Lesbos to be on the front lines of the migrant crisis, how to make art, and technology as a tool for freedom or oppression. Ai opens up about his relationship to his father as a poet and as a dissident forced into hard labor in a small village after the Cultural Revolution. He shares his thoughts on formal education and the importance of finding your own way as an artist. New York- both the city and its people- were formative for Ai Weiwei, and he speaks eloquently about how these experiences continue to influence him. Ai conjures up scenes from his long relationship with the city: dropping out of Parsons School of Design because he couldn’t afford tuition, making portraits in Washington Square Park as an undocumented immigrant in the 1980s, taking photos for the New York Times at demonstrations in Tompkins Square Park, and returning to set up the ''Good Fences Make Good Neighbors'' project across the city. These candid, spontaneous conversations reveal why Ai Weiwei has become such a major force in contemporary art and political life.
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livres
livres
Publication:
février 2021
février 2021
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livres
livres
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Ellsworh Kelly: Windows
Ellsworh Kelly: Windows
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The window as motif in the drawings and paintings of Ellsworth Kelly This monograph was copublished by Cahiers d’Art and Centre Pompidou on the occasion of the 2019 exhibition Ellsworth Kelly: Windows, which brought together, for the first time, the six Windows made by Ellsworth Kelly (1923–2015) in France between 1949 and 1950. Kelly’s years in France were a period of(...)
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The window as motif in the drawings and paintings of Ellsworth Kelly This monograph was copublished by Cahiers d’Art and Centre Pompidou on the occasion of the 2019 exhibition Ellsworth Kelly: Windows, which brought together, for the first time, the six Windows made by Ellsworth Kelly (1923–2015) in France between 1949 and 1950. Kelly’s years in France were a period of(...)
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avril 2020
avril 2020
Titre:
Ellsworh Kelly: Windows
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The window as motif in the drawings and paintings of Ellsworth Kelly This monograph was copublished by Cahiers d’Art and Centre Pompidou on the occasion of the 2019 exhibition Ellsworth Kelly: Windows, which brought together, for the first time, the six Windows made by Ellsworth Kelly (1923–2015) in France between 1949 and 1950. Kelly’s years in France were a period of perpetual invention, and are fundamental to an understanding of his work. As he wrote in 1969, “After constructing Window with two canvases and a wood frame, I realized that ... painting as I had known it was finished for me.” This signal moment is evoked through more than 80 works, paintings, drawings, sketches and photographs, along with two beautiful essays by Yve-Alain Bois and Jean-Pierre Criqui.
Ellsworh Kelly: Windows
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The window as motif in the drawings and paintings of Ellsworth Kelly This monograph was copublished by Cahiers d’Art and Centre Pompidou on the occasion of the 2019 exhibition Ellsworth Kelly: Windows, which brought together, for the first time, the six Windows made by Ellsworth Kelly (1923–2015) in France between 1949 and 1950. Kelly’s years in France were a period of perpetual invention, and are fundamental to an understanding of his work. As he wrote in 1969, “After constructing Window with two canvases and a wood frame, I realized that ... painting as I had known it was finished for me.” This signal moment is evoked through more than 80 works, paintings, drawings, sketches and photographs, along with two beautiful essays by Yve-Alain Bois and Jean-Pierre Criqui.
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livres
livres
Publication:
avril 2020
avril 2020
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livres
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Foraging for mushrooms with John Cage: writing, art, photography and ephemera from an idiosyncratic chapter in the composer's life Imagined as an extended mushroom-foraging expedition, John Cage: A Mycological Foray gathers together Cage’s mushroom-themed compositions, photographs, illustrations and ephemera. Indeterminacy Stories and other writings by Cage are(...)
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Foraging for mushrooms with John Cage: writing, art, photography and ephemera from an idiosyncratic chapter in the composer's life Imagined as an extended mushroom-foraging expedition, John Cage: A Mycological Foray gathers together Cage’s mushroom-themed compositions, photographs, illustrations and ephemera. Indeterminacy Stories and other writings by Cage are(...)
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John Cage: a mycological foray
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Foraging for mushrooms with John Cage: writing, art, photography and ephemera from an idiosyncratic chapter in the composer's life Imagined as an extended mushroom-foraging expedition, John Cage: A Mycological Foray gathers together Cage’s mushroom-themed compositions, photographs, illustrations and ephemera. Indeterminacy Stories and other writings by Cage are interwoven throughout the first volume within a central essay examining Cage’s enduring relationship with mycology. Also included is a transcript of Cage’s 1983 performance, MUSHROOMS et Variationes. The second volume is the inaugural reproduction of Cage’s 1972 portfolio, Mushroom Book, authored in collaboration with illustrator Lois Long and botanist Alexander H. Smith. Readers are thus drawn through the landscape of Cage’s mycologically centred oeuvre and interests, discovering assorted works, images, compositions, philosophies and ephemera, as one might encounter assorted fungi and flora while foraging.
John Cage: a mycological foray
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Foraging for mushrooms with John Cage: writing, art, photography and ephemera from an idiosyncratic chapter in the composer's life Imagined as an extended mushroom-foraging expedition, John Cage: A Mycological Foray gathers together Cage’s mushroom-themed compositions, photographs, illustrations and ephemera. Indeterminacy Stories and other writings by Cage are interwoven throughout the first volume within a central essay examining Cage’s enduring relationship with mycology. Also included is a transcript of Cage’s 1983 performance, MUSHROOMS et Variationes. The second volume is the inaugural reproduction of Cage’s 1972 portfolio, Mushroom Book, authored in collaboration with illustrator Lois Long and botanist Alexander H. Smith. Readers are thus drawn through the landscape of Cage’s mycologically centred oeuvre and interests, discovering assorted works, images, compositions, philosophies and ephemera, as one might encounter assorted fungi and flora while foraging.
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livres
livres
Publication:
août 2020
août 2020
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livres
livres
Titre:
Ray Johnson c/o
Ray Johnson c/o
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Ray Johnson (1927–1995) was a renowned maker of meticulous collages whose works influenced movements including Pop Art, Fluxus, and Conceptual Art. Emerging from the interdisciplinary community of artists and poets at Black Mountain College, Johnson was extraordinarily adept at using social interaction as an artistic endeavor and founded a mail art network known as the(...)
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Ray Johnson (1927–1995) was a renowned maker of meticulous collages whose works influenced movements including Pop Art, Fluxus, and Conceptual Art. Emerging from the interdisciplinary community of artists and poets at Black Mountain College, Johnson was extraordinarily adept at using social interaction as an artistic endeavor and founded a mail art network known as the(...)
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Ray Johnson c/o
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Ray Johnson (1927–1995) was a renowned maker of meticulous collages whose works influenced movements including Pop Art, Fluxus, and Conceptual Art. Emerging from the interdisciplinary community of artists and poets at Black Mountain College, Johnson was extraordinarily adept at using social interaction as an artistic endeavor and founded a mail art network known as the New York Correspondence School. Drawing on the vast collection of Johnson’s work at the Art Institute of Chicago, this volume gives new shape to our understanding of his artistic practice and features hundreds of pieces that include artist’s books, collages, drawings, mail art, and performance documentation. In keeping with Johnson’s democratic, rhizomatic, and antihierarchical ethos, this indispensable resource on the artist’s oeuvre contains 700 illustrations, many of them never before published, and twenty-one short essays by various contributors that allow readers to dip into and out of the book in a nonlinear manner.
Ray Johnson c/o
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Ray Johnson (1927–1995) was a renowned maker of meticulous collages whose works influenced movements including Pop Art, Fluxus, and Conceptual Art. Emerging from the interdisciplinary community of artists and poets at Black Mountain College, Johnson was extraordinarily adept at using social interaction as an artistic endeavor and founded a mail art network known as the New York Correspondence School. Drawing on the vast collection of Johnson’s work at the Art Institute of Chicago, this volume gives new shape to our understanding of his artistic practice and features hundreds of pieces that include artist’s books, collages, drawings, mail art, and performance documentation. In keeping with Johnson’s democratic, rhizomatic, and antihierarchical ethos, this indispensable resource on the artist’s oeuvre contains 700 illustrations, many of them never before published, and twenty-one short essays by various contributors that allow readers to dip into and out of the book in a nonlinear manner.
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livres
Publication:
avril 2021
avril 2021
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Livre d'artiste. « Campo di Marte » a été conçu en mars 2020, à une époque où Nathalie Du Pasquier ne peignait pas. Après avoir découpé des photos de peintures réalisées entre les années 1980 et 2020, l'artiste les a ensuite placées dans une séquence comme s'il s'agissait d'une série de polices de caractères, en se concentrant uniquement sur leurs qualités formelles et(...)
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Livre d'artiste. « Campo di Marte » a été conçu en mars 2020, à une époque où Nathalie Du Pasquier ne peignait pas. Après avoir découpé des photos de peintures réalisées entre les années 1980 et 2020, l'artiste les a ensuite placées dans une séquence comme s'il s'agissait d'une série de polices de caractères, en se concentrant uniquement sur leurs qualités formelles et(...)
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Nathalie du Pasquier: Campo di Marte
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Livre d'artiste. « Campo di Marte » a été conçu en mars 2020, à une époque où Nathalie Du Pasquier ne peignait pas. Après avoir découpé des photos de peintures réalisées entre les années 1980 et 2020, l'artiste les a ensuite placées dans une séquence comme s'il s'agissait d'une série de polices de caractères, en se concentrant uniquement sur leurs qualités formelles et sur la possibilité d'interprétation offerte par leur assemblage. Il en ressort un jeu de féerie, un surréalisme quotidien où les images constituent des sortes de phrases, entremêlées de divers éléments tirés du monde du livre : titres, poèmes ou simples calculs, époque où l'artiste était perdu pour les mots.
Nathalie du Pasquier: Campo di Marte
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Livre d'artiste. « Campo di Marte » a été conçu en mars 2020, à une époque où Nathalie Du Pasquier ne peignait pas. Après avoir découpé des photos de peintures réalisées entre les années 1980 et 2020, l'artiste les a ensuite placées dans une séquence comme s'il s'agissait d'une série de polices de caractères, en se concentrant uniquement sur leurs qualités formelles et sur la possibilité d'interprétation offerte par leur assemblage. Il en ressort un jeu de féerie, un surréalisme quotidien où les images constituent des sortes de phrases, entremêlées de divers éléments tirés du monde du livre : titres, poèmes ou simples calculs, époque où l'artiste était perdu pour les mots.
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livres
livres
Publication:
septembre 2020
septembre 2020
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livres
livres
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An artist’s mobile museum in the tradition of Robert Filliou and Marcel Broodthaers. Founded in Brussels in 2013 by Pierre Leguillon (born 1969), the Museum of Mistakes is a traveling exhibition composed of postcards, record sleeves, posters, pieces of fabric, ceramics, folk art and children's drawings. This book, the first on the museum, also includes items deemed too(...)
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An artist’s mobile museum in the tradition of Robert Filliou and Marcel Broodthaers. Founded in Brussels in 2013 by Pierre Leguillon (born 1969), the Museum of Mistakes is a traveling exhibition composed of postcards, record sleeves, posters, pieces of fabric, ceramics, folk art and children's drawings. This book, the first on the museum, also includes items deemed too(...)
Publication:
novembre 2020
novembre 2020
Titre:
Pierre Leguillon: The Museum of Mistakes
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An artist’s mobile museum in the tradition of Robert Filliou and Marcel Broodthaers. Founded in Brussels in 2013 by Pierre Leguillon (born 1969), the Museum of Mistakes is a traveling exhibition composed of postcards, record sleeves, posters, pieces of fabric, ceramics, folk art and children's drawings. This book, the first on the museum, also includes items deemed too small or fragile to take on tour.
Pierre Leguillon: The Museum of Mistakes
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An artist’s mobile museum in the tradition of Robert Filliou and Marcel Broodthaers. Founded in Brussels in 2013 by Pierre Leguillon (born 1969), the Museum of Mistakes is a traveling exhibition composed of postcards, record sleeves, posters, pieces of fabric, ceramics, folk art and children's drawings. This book, the first on the museum, also includes items deemed too small or fragile to take on tour.
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livres
livres
Publication:
novembre 2020
novembre 2020
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livres
livres
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Thomas Demand: House of card
Thomas Demand: House of card
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Published on the occasion of a major solo exhibition of Thomas Demand’s work at Belgium museum M Leuven in October 2020, this book focuses on Demand’s relationship to architecture and his engagement with architects over almost fifteen years. The starting point is his ongoing series ‘Model Studies’, in which the concept of the model itself is key, and includes rarely show(...)
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Published on the occasion of a major solo exhibition of Thomas Demand’s work at Belgium museum M Leuven in October 2020, this book focuses on Demand’s relationship to architecture and his engagement with architects over almost fifteen years. The starting point is his ongoing series ‘Model Studies’, in which the concept of the model itself is key, and includes rarely show(...)
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Thomas Demand: House of card
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Published on the occasion of a major solo exhibition of Thomas Demand’s work at Belgium museum M Leuven in October 2020, this book focuses on Demand’s relationship to architecture and his engagement with architects over almost fifteen years. The starting point is his ongoing series ‘Model Studies’, in which the concept of the model itself is key, and includes rarely show projects such as Black Label (2009), Embassy (2007), and Nagelhaus (2008).
Thomas Demand: House of card
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Published on the occasion of a major solo exhibition of Thomas Demand’s work at Belgium museum M Leuven in October 2020, this book focuses on Demand’s relationship to architecture and his engagement with architects over almost fifteen years. The starting point is his ongoing series ‘Model Studies’, in which the concept of the model itself is key, and includes rarely show projects such as Black Label (2009), Embassy (2007), and Nagelhaus (2008).
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livres
livres
Publication:
octobre 2020
octobre 2020
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livres
livres
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Marcel Duchamp's disguises and countless photographic self-portrayals, and his humorous commentaries on art, the art industry, art criticism, and art history, are legendary in word and image. Less well known is a Marcel Duchamp who, with great empathy and strategic awareness, embraced the cause of the artists in his contemporary cultural environment: as curator of(...)
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Marcel Duchamp's disguises and countless photographic self-portrayals, and his humorous commentaries on art, the art industry, art criticism, and art history, are legendary in word and image. Less well known is a Marcel Duchamp who, with great empathy and strategic awareness, embraced the cause of the artists in his contemporary cultural environment: as curator of(...)
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Marcel Duchamp: the curatorial work
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Marcel Duchamp's disguises and countless photographic self-portrayals, and his humorous commentaries on art, the art industry, art criticism, and art history, are legendary in word and image. Less well known is a Marcel Duchamp who, with great empathy and strategic awareness, embraced the cause of the artists in his contemporary cultural environment: as curator of exhibitions from the early 1910s to his death in 1968, as juror and consultant for some of the most important collections, museums, and galleries of modern art. The volume outlines nearly seventy exhibitions, supplemented by recent research findings, and illustrates Duchamp’s close cooperation with leading figures of his time, including Louise and Walter Conrad Arensberg, Katherine S. Dreier, Francis Picabia, Sidney and Harriet Janis as well as André Breton, Julien Levy, and Peggy Guggenheim.
Marcel Duchamp: the curatorial work
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Marcel Duchamp's disguises and countless photographic self-portrayals, and his humorous commentaries on art, the art industry, art criticism, and art history, are legendary in word and image. Less well known is a Marcel Duchamp who, with great empathy and strategic awareness, embraced the cause of the artists in his contemporary cultural environment: as curator of exhibitions from the early 1910s to his death in 1968, as juror and consultant for some of the most important collections, museums, and galleries of modern art. The volume outlines nearly seventy exhibitions, supplemented by recent research findings, and illustrates Duchamp’s close cooperation with leading figures of his time, including Louise and Walter Conrad Arensberg, Katherine S. Dreier, Francis Picabia, Sidney and Harriet Janis as well as André Breton, Julien Levy, and Peggy Guggenheim.
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livres
livres
Publication:
avril 2020
avril 2020
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livres
livres
Titre:
Donald Judd: October files
Donald Judd: October files
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Donald Judd (1928-1994) is one of the most influential American artists of the postwar era. Beginning in the 1960s, he developed new ideas about art--in both his works and writings--that challenged many of modernism's core tenets by resisting the categories of painting and sculpture. Judd described this work as "specific objects." Critics labeled it minimalism. Perhaps(...)
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Donald Judd (1928-1994) is one of the most influential American artists of the postwar era. Beginning in the 1960s, he developed new ideas about art--in both his works and writings--that challenged many of modernism's core tenets by resisting the categories of painting and sculpture. Judd described this work as "specific objects." Critics labeled it minimalism. Perhaps(...)
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Donald Judd: October files
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Donald Judd (1928-1994) is one of the most influential American artists of the postwar era. Beginning in the 1960s, he developed new ideas about art--in both his works and writings--that challenged many of modernism's core tenets by resisting the categories of painting and sculpture. Judd described this work as "specific objects." Critics labeled it minimalism. Perhaps because Judd's own critical writings provide a discursive framework for his work, some of the monographic essays on his work are not widely known. This volume collects critical and scholarly writings on Judd, examining his work as both artist and critic.
Donald Judd: October files
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Donald Judd (1928-1994) is one of the most influential American artists of the postwar era. Beginning in the 1960s, he developed new ideas about art--in both his works and writings--that challenged many of modernism's core tenets by resisting the categories of painting and sculpture. Judd described this work as "specific objects." Critics labeled it minimalism. Perhaps because Judd's own critical writings provide a discursive framework for his work, some of the monographic essays on his work are not widely known. This volume collects critical and scholarly writings on Judd, examining his work as both artist and critic.
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livres
livres
Publication:
janvier 2021
janvier 2021
