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The Carpenter Center for the Visual Arts at Harvard University sought to cultivate its position as an iconic modernist building, school and exhibition venue. Drawing on the exhibition histories and academic pursuits of the famed 1963 Le Corbusier building and both Martin Becks 2014-16 exhibition, Program, and the accompanying catalog, "An organized system of instructions"(...)
An organized system of instructions
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The Carpenter Center for the Visual Arts at Harvard University sought to cultivate its position as an iconic modernist building, school and exhibition venue. Drawing on the exhibition histories and academic pursuits of the famed 1963 Le Corbusier building and both Martin Becks 2014-16 exhibition, Program, and the accompanying catalog, "An organized system of instructions" presents the explorative strategies, interventions, installations, events and displays that the Carpenter Center used to build, organize and engage its audiences.
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Green light is an act of welcoming, addressed both to those who have fled hardship and instability in their home countries and to the residents of the cities receiving them. Working together in a playful creative process, participants build a modular light and construct a communal environment in which difference is not only accepted but embraced.
Olafur Eliasson green light: an artistic workshop
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Green light is an act of welcoming, addressed both to those who have fled hardship and instability in their home countries and to the residents of the cities receiving them. Working together in a playful creative process, participants build a modular light and construct a communal environment in which difference is not only accepted but embraced.
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Cet ouvrage est la première publication à comprendre l'intégralité des textes des œuvres théâtrales de l'artiste Guy de Cointet, écrites entre 1973 et 1983. 25 pièces, augmentées d'un appareil explicatif et de très nombreux documents issus des archives du Fonds de Cointet à la Bibliothèque Kandinsky du Centre Pompidou.
septembre 2017
Guy de Cointet : théâtre complet
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Cet ouvrage est la première publication à comprendre l'intégralité des textes des œuvres théâtrales de l'artiste Guy de Cointet, écrites entre 1973 et 1983. 25 pièces, augmentées d'un appareil explicatif et de très nombreux documents issus des archives du Fonds de Cointet à la Bibliothèque Kandinsky du Centre Pompidou.
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Drawing attention to the visual quality of concentration, sensation, relations, attraction and repulsion Dutch artist Esther Tielemans presents painted panels as decor hanging on the wall, lying on the floor or hanging free in space. Taken together, these forms act almost like props, creating a large-scale abstract landscape for the viewer to wander.
septembre 2013
Esther Tielemans : New scenes - OMP 57
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Drawing attention to the visual quality of concentration, sensation, relations, attraction and repulsion Dutch artist Esther Tielemans presents painted panels as decor hanging on the wall, lying on the floor or hanging free in space. Taken together, these forms act almost like props, creating a large-scale abstract landscape for the viewer to wander.
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Louise Bourgeois: An Unfolding Portrait explores the prints and books of the celebrated sculptor. This little-known body of work is vast in scope?numbering some 1,200 individual compositions?and highly significant within her larger practice. These works encompass the same themes and motifs that occupied Bourgeois throughout her career, and they are explored here within(...)
Louise Bourgeois: an unfolding portrait
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Louise Bourgeois: An Unfolding Portrait explores the prints and books of the celebrated sculptor. This little-known body of work is vast in scope?numbering some 1,200 individual compositions?and highly significant within her larger practice. These works encompass the same themes and motifs that occupied Bourgeois throughout her career, and they are explored here within the context of related sculptures, drawings and early paintings. This investigation sheds light on Bourgeois’ creative process overall, most vividly through the evolving print states and variants that led to her final compositions; seeing these sequences unfold is akin to looking over the artist’s shoulder as she worked.
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PARANORMAL. Tony Oursler vs Gustavo Rol is the catalog of the exhibition hosted from November 3, 2017 at Pinacoteca Agnelli, which continues its research path on the theme of collecting. This time the topic is the paranormal: a collection of works by American artist Tony Oursler and his personal objects collection about the occult world, dialogue with works by psychic(...)
Paranormal: Tony Oursler vs. Gustavo Rol
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PARANORMAL. Tony Oursler vs Gustavo Rol is the catalog of the exhibition hosted from November 3, 2017 at Pinacoteca Agnelli, which continues its research path on the theme of collecting. This time the topic is the paranormal: a collection of works by American artist Tony Oursler and his personal objects collection about the occult world, dialogue with works by psychic painter Gustavo Rol. The selection has been made by Oursler himself together with the curator Paolo Colombo and the director of the Pinacoteca Marcella Pralormo.
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American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published(...)
Gordon Matta-Clark: splitting, cutting, writing, drawing, eating
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American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published on the occasion of an eponymous exhibition at the Serralves Museum of Contemporary Art, Porto, and Culturgest, Lisbon. The attractively designed book includes numerous of the artist’s own sketches and plans for various works, plus letters and other material that together form an in-depth portrait.
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer(...)
Marcel Dzama: drawing on a revolution
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Marcel Dzama is a prolific artist who works in multiple disciplines, including sculpture, watercolour, ink, collage, and film. His art depicts anachronistic, fanciful, and subversive worlds that contain human figures, animals, and mythical hybrid creatures. Using a visual language strongly influenced by fables and masquerades, his complex narratives transport the viewer into an enigmatic world of life and death, calm and violence, where irony, ridicule, and sexual themes disguise allusions to contemporary social and political issues. This catalogue of drawings, dioramas, and other works is published on the occasion of an exhibition of Dzamas work at La Casa Encendida in Madrid.
Diego Perrone: War games
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Stemming from a project dedicated to the city of Genoa and in particular to its relationship with the sea, this photographic artist's book extends the site-specific glass sculpture designed by Perrone inside Villa del Principe's Hall of the Shipwreck.
Diego Perrone: War games
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Stemming from a project dedicated to the city of Genoa and in particular to its relationship with the sea, this photographic artist's book extends the site-specific glass sculpture designed by Perrone inside Villa del Principe's Hall of the Shipwreck.
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Beginning in 1970, Albers filled her graph-paper notebook regularly for ten years. This rare and previously unpublished document of her working process contains intricate drawings for her large body of graphic work, as well as studies for her late knot drawings. The notebook follows Albers’ deliberations and progression as a draftsman in their original form. It reveals(...)
Anni Albers: Notebook 1970-1980
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Beginning in 1970, Albers filled her graph-paper notebook regularly for ten years. This rare and previously unpublished document of her working process contains intricate drawings for her large body of graphic work, as well as studies for her late knot drawings. The notebook follows Albers’ deliberations and progression as a draftsman in their original form. It reveals the way she went about making complex patterns, exploring them piece by piece, line by line, in a visually dramatic and mysteriously beautiful series of geometric arrangements.