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This publication accompanies the exhibition 'Martin Kippenberger: The Problem of Perspective', organized by Ann Goldstein and presented at The Museum of Contemporary Art, Los Angeles, 21 September 2008 - 5 January 2009.
octobre 2008, Los Angeles, Cambridge, London
Martin Kippenberger: the problem perspective
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This publication accompanies the exhibition 'Martin Kippenberger: The Problem of Perspective', organized by Ann Goldstein and presented at The Museum of Contemporary Art, Los Angeles, 21 September 2008 - 5 January 2009.
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The book mixes intense visual content with critical commentary, an interview with the artist, a concentrated section on West's working methods, an artist's response to the work through words and images, and an extensive chronology and bibliography.
novembre 2008, Cambridge, London
Franz West work 1972-2008: to build a house you start with the roof
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The book mixes intense visual content with critical commentary, an interview with the artist, a concentrated section on West's working methods, an artist's response to the work through words and images, and an extensive chronology and bibliography.
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Anish Kapoor is one of a highly inventive generation of sculptors who emerged in London in the early 1980s. Since then he has created a remarkable body of work that blends a modernist sense of pure materiality with a fascination for the manipulation of form and the perception of space. This book - the first major American publication on Kapoor's work - surveys his work(...)
septembre 2008, Boston
Anish Kapoor : past, present, future
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Anish Kapoor is one of a highly inventive generation of sculptors who emerged in London in the early 1980s. Since then he has created a remarkable body of work that blends a modernist sense of pure materiality with a fascination for the manipulation of form and the perception of space. This book - the first major American publication on Kapoor's work - surveys his work since 1979, with a focus on sculptures and installations made since the early 1990s. With more than ninety color images of these ambitious and complex works, three original essays, an extended interview with Kapoor, and selections from his sketchbooks, this book confirms Anish Kapoor's place as one of the most remarkable sculptors working today. Kapoor's work has evolved into an abstract and perceptually complex elaboration of the sculptural object as at once monumental and evanescent, physical and ethereal - as in his famous Cloud Gate (2004) in Chicago's Millennium Park. The works in Anish Kapoor include such striking works as Past, Present, Future (2006), 1000 Names (1979-1980) and When I Am Pregnant (1992). Includes an interview with the artist by Nicholas Baume. Copublished with the Institute of Contemporary Art, Boston
World art studies
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This timely volume challenges the narrow Western-centrism of most art historical models. Archaeologists have found that, for tens of thousands of years, all human cultures have shared a desire for visual representation or expression. Yet the study of art history has traditionally focused on Western artworks of the past few centuries. World Art Studies examines the(...)
World art studies
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This timely volume challenges the narrow Western-centrism of most art historical models. Archaeologists have found that, for tens of thousands of years, all human cultures have shared a desire for visual representation or expression. Yet the study of art history has traditionally focused on Western artworks of the past few centuries. World Art Studies examines the phenomenon of art through a broader cultural, global and temporal perspective, bringing together a uniquely exhaustive range of perspectives on art and borrowing approaches from the study of neuroscience, evolutionary biology, anthropology and geography as models--alongside more conventional art historical perspectives. In musicology or linguistics, using such diverse viewpoints for reflection and research is considered part of the normal process. In that spirit, this volume goes beyond abstract models, using case studies to demonstrate and examine specific methods of investigation.
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Catalogue d'exposition au centre d'art contemporain de Malaga.
novembre 2008, Malaga
Rodney Graham: a glass of beer
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Catalogue d'exposition au centre d'art contemporain de Malaga.
Lucy Skaer
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Published on the occasion of the exhibition Lucy Skaer at the Fruitmarket Gallery, Edinburgh from may 17 to july 9 2008.
Lucy Skaer
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Published on the occasion of the exhibition Lucy Skaer at the Fruitmarket Gallery, Edinburgh from may 17 to july 9 2008.
Michalis Pichler Hearts
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A collection and archival documentation of discarded commodities, which carried depictions of hearts, found in public space mostly in Berlin, but also in Greece and New York City. The photo documentation is accompanied by transcriptions of every text carried by the found objects. A solid piece of conceptual photography and concrete poetry. This book is volume 2 of an(...)
Michalis Pichler Hearts
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A collection and archival documentation of discarded commodities, which carried depictions of hearts, found in public space mostly in Berlin, but also in Greece and New York City. The photo documentation is accompanied by transcriptions of every text carried by the found objects. A solid piece of conceptual photography and concrete poetry. This book is volume 2 of an encyclopedia (volume 1: stars & stripes aka 'new york garbage flag profile' / ISBN 978-3-865880-94-9)
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contributions: AA Bronson, Anonymus*, Inaki Bonillas, Mel Bochner, Marcel Broodthaers*, Heath Bunting, Alice Creischer, Brad Downey, Kenneth Goldsmith, Ellen Harvey, Burkhard Holdorff, Douglas Huebler*, Deborah Kelly, Sol LeWitt*, nature*, Akim Nguyen, Edgar Orlaineta, Grisha Perelman*, Michalis Pichler, Peter Piller, Adrian Piper, Johannes Raether, Allen Ruppersberg,(...)
Michalis Pichler working drawing and other visible things on paper not neccesarily meant to be viewed.
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contributions: AA Bronson, Anonymus*, Inaki Bonillas, Mel Bochner, Marcel Broodthaers*, Heath Bunting, Alice Creischer, Brad Downey, Kenneth Goldsmith, Ellen Harvey, Burkhard Holdorff, Douglas Huebler*, Deborah Kelly, Sol LeWitt*, nature*, Akim Nguyen, Edgar Orlaineta, Grisha Perelman*, Michalis Pichler, Peter Piller, Adrian Piper, Johannes Raether, Allen Ruppersberg, Stefan Schuster, Andreas Siekmann, Evgenia Tsalagrada, Xerox*, Haegue Yang, Adam Zaretsky * “found” material The title is a paraphrase of Mel Bochners landmark project from 1966 as organized with the SVA. The last two words "As Art" have been omitted from the title. put together by Michalis Pichler
Tim Lee: cap street project
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To accompany Tim Lee's Capp Street Project, this monograph includes two texts written by the artist over the course of his residency on the musician Neil Young and the comedian Steve Martin. This publication also includes an essay by Jens Hoffmann on the relationship between art and comedy and a text by Claire Fitzsimmons on the works produced over the course of Lee's(...)
juin 2008, San Francisco
Tim Lee: cap street project
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To accompany Tim Lee's Capp Street Project, this monograph includes two texts written by the artist over the course of his residency on the musician Neil Young and the comedian Steve Martin. This publication also includes an essay by Jens Hoffmann on the relationship between art and comedy and a text by Claire Fitzsimmons on the works produced over the course of Lee's residency, with illustrations of the new commissions for the Wattis Institute. Designed by Stripe/Jon Sueda.
Celebration at persepolis
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In 1971, the Shah of Iran held a week-long party among the ruins of Persepolis, leaving the temporary architecture behind when the celebration was done. For Art Basel 2008, "anthropologist of the avant-garde" Michael Stevenson reconstructed one of the guest tents, now a ruin itself, at scale. That project is expanded upon here.
Celebration at persepolis
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In 1971, the Shah of Iran held a week-long party among the ruins of Persepolis, leaving the temporary architecture behind when the celebration was done. For Art Basel 2008, "anthropologist of the avant-garde" Michael Stevenson reconstructed one of the guest tents, now a ruin itself, at scale. That project is expanded upon here.