1885 Résultats
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In this volume, Pablo Bronstein (born 1977) explores, in drawings and writing, the style that has come to dominate architectural development in London over the past 30 years, the pseudo-Georgian style characterized by its economy and its eccentric quotation of architectural history.
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In this volume, Pablo Bronstein (born 1977) explores, in drawings and writing, the style that has come to dominate architectural development in London over the past 30 years, the pseudo-Georgian style characterized by its economy and its eccentric quotation of architectural history.
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février 2018
février 2018
Titre:
Pablo Bronstein: Pseudo-Georgian London
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In this volume, Pablo Bronstein (born 1977) explores, in drawings and writing, the style that has come to dominate architectural development in London over the past 30 years, the pseudo-Georgian style characterized by its economy and its eccentric quotation of architectural history.
Pablo Bronstein: Pseudo-Georgian London
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In this volume, Pablo Bronstein (born 1977) explores, in drawings and writing, the style that has come to dominate architectural development in London over the past 30 years, the pseudo-Georgian style characterized by its economy and its eccentric quotation of architectural history.
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livres
Publication:
février 2018
février 2018
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Titre:
Ruth Asawa
Ruth Asawa
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Known for her intricate and dynamic wire sculptures, the American sculptor, educator and arts activist Ruth Asawa challenged conventional notions of material and form through her emphasis on lightness and transparency. Asawa began her now iconic looped-wire works in the late 1940s while still a student at Black Mountain College. Their unique structure was inspired by a(...)
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Known for her intricate and dynamic wire sculptures, the American sculptor, educator and arts activist Ruth Asawa challenged conventional notions of material and form through her emphasis on lightness and transparency. Asawa began her now iconic looped-wire works in the late 1940s while still a student at Black Mountain College. Their unique structure was inspired by a(...)
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Ruth Asawa
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Known for her intricate and dynamic wire sculptures, the American sculptor, educator and arts activist Ruth Asawa challenged conventional notions of material and form through her emphasis on lightness and transparency. Asawa began her now iconic looped-wire works in the late 1940s while still a student at Black Mountain College. Their unique structure was inspired by a 1947 trip to Mexico, during which local craftsmen taught her how to create baskets out of wire. While seemingly unrelated to the lessons of color and composition taught in Josef Albers’ legendary Basic Design course, these works, as she explained, are firmly grounded in his teachings in their use of unexpected materials and their elision of figure and ground.
Ruth Asawa
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Known for her intricate and dynamic wire sculptures, the American sculptor, educator and arts activist Ruth Asawa challenged conventional notions of material and form through her emphasis on lightness and transparency. Asawa began her now iconic looped-wire works in the late 1940s while still a student at Black Mountain College. Their unique structure was inspired by a 1947 trip to Mexico, during which local craftsmen taught her how to create baskets out of wire. While seemingly unrelated to the lessons of color and composition taught in Josef Albers’ legendary Basic Design course, these works, as she explained, are firmly grounded in his teachings in their use of unexpected materials and their elision of figure and ground.
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Publication:
mai 2018
mai 2018
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Belgian artist and draughtswoman Hannelore Van Dijck produces minute and highly textured charcoal drawings that often cover entire surfaces, whether they be walls, floors, sheets of paper, or textiles. Although her drawings might seem abstract at first, they are essentially hyperrealistic. Often the differences she introduces are subtle and nuanced, and therein lies their(...)
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Belgian artist and draughtswoman Hannelore Van Dijck produces minute and highly textured charcoal drawings that often cover entire surfaces, whether they be walls, floors, sheets of paper, or textiles. Although her drawings might seem abstract at first, they are essentially hyperrealistic. Often the differences she introduces are subtle and nuanced, and therein lies their(...)
Titre:
Hannelore van Dijck: the lasting one, that didn't last, that still lasts
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Belgian artist and draughtswoman Hannelore Van Dijck produces minute and highly textured charcoal drawings that often cover entire surfaces, whether they be walls, floors, sheets of paper, or textiles. Although her drawings might seem abstract at first, they are essentially hyperrealistic. Often the differences she introduces are subtle and nuanced, and therein lies their power. They can be described as graphic interventions – small dashes, circular or geometric motifs, lines resembling wood grain, smudges – that appear natural in a way, and as such, become part of the architecture or environment. This artists’ book coincides with an exhibition of Van Dijck’s work at Be-Part in Belgium.
Hannelore van Dijck: the lasting one, that didn't last, that still lasts
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Belgian artist and draughtswoman Hannelore Van Dijck produces minute and highly textured charcoal drawings that often cover entire surfaces, whether they be walls, floors, sheets of paper, or textiles. Although her drawings might seem abstract at first, they are essentially hyperrealistic. Often the differences she introduces are subtle and nuanced, and therein lies their power. They can be described as graphic interventions – small dashes, circular or geometric motifs, lines resembling wood grain, smudges – that appear natural in a way, and as such, become part of the architecture or environment. This artists’ book coincides with an exhibition of Van Dijck’s work at Be-Part in Belgium.
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Publication:
février 2018
février 2018
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Mark Dion is a prominent pioneer of environmental and ecological art. As a visual artist, he appropriates scientific methods of fieldwork, collecting, ordering, and exhibiting objects. He reflects on the visual representation of nature, engages in institutional critique, contributes to postcolonial discourse, and bears witness to the devastating impact of humankind on our(...)
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Mark Dion is a prominent pioneer of environmental and ecological art. As a visual artist, he appropriates scientific methods of fieldwork, collecting, ordering, and exhibiting objects. He reflects on the visual representation of nature, engages in institutional critique, contributes to postcolonial discourse, and bears witness to the devastating impact of humankind on our(...)
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The incomplete writings of Mark Dion: selected interviews, fragments and miscellanry
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Mark Dion is a prominent pioneer of environmental and ecological art. As a visual artist, he appropriates scientific methods of fieldwork, collecting, ordering, and exhibiting objects. He reflects on the visual representation of nature, engages in institutional critique, contributes to postcolonial discourse, and bears witness to the devastating impact of humankind on our natural environment. Nearly a hundred illustrated texts by Dion and interviews with the artist from the mid-1980s to the present are published in this book. His writings are characterised by curiosity, directness, and intellectual versatility. Often polemical and mildly ironic, they emphasise the urgency of his work.
The incomplete writings of Mark Dion: selected interviews, fragments and miscellanry
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Mark Dion is a prominent pioneer of environmental and ecological art. As a visual artist, he appropriates scientific methods of fieldwork, collecting, ordering, and exhibiting objects. He reflects on the visual representation of nature, engages in institutional critique, contributes to postcolonial discourse, and bears witness to the devastating impact of humankind on our natural environment. Nearly a hundred illustrated texts by Dion and interviews with the artist from the mid-1980s to the present are published in this book. His writings are characterised by curiosity, directness, and intellectual versatility. Often polemical and mildly ironic, they emphasise the urgency of his work.
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livres
livres
Publication:
janvier 2018
janvier 2018
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livres
livres
Titre:
Pierre Soulages
Pierre Soulages
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Il retrace l’itinéraire de Pierre Soulages, de sa découverte du monde de l’art dans le Paris de l’entre-deux-guerres à sa rencontre avec l’école de New York et l’expressionnisme abstrait, de la reconnaissance internationale dès le début des années 1950 à l’ouverture du musée de Rodez. Et simultanément, il explore la singularité esthétique d’une œuvre qui interroge le(...)
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Il retrace l’itinéraire de Pierre Soulages, de sa découverte du monde de l’art dans le Paris de l’entre-deux-guerres à sa rencontre avec l’école de New York et l’expressionnisme abstrait, de la reconnaissance internationale dès le début des années 1950 à l’ouverture du musée de Rodez. Et simultanément, il explore la singularité esthétique d’une œuvre qui interroge le(...)
Publication:
octobre 2017
octobre 2017
Titre:
Pierre Soulages
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Il retrace l’itinéraire de Pierre Soulages, de sa découverte du monde de l’art dans le Paris de l’entre-deux-guerres à sa rencontre avec l’école de New York et l’expressionnisme abstrait, de la reconnaissance internationale dès le début des années 1950 à l’ouverture du musée de Rodez. Et simultanément, il explore la singularité esthétique d’une œuvre qui interroge le pouvoir de la peinture, un pouvoir intimement lié à la sensation et l’émotion. L’art, selon Soulages, doit « rendre présent un rapport aux autres et au monde. L’œuvre renouvelle le regard, le change et nous change, et à travers les époques exerce un pouvoir sur celui qui regarde. […] Très tôt j’ai pratiqué une peinture qui abandonnait l’image, et que je n’ai jamais considérée comme un langage (au sens où le langage transmet une signification). Ni image, ni langage. »
Pierre Soulages
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Il retrace l’itinéraire de Pierre Soulages, de sa découverte du monde de l’art dans le Paris de l’entre-deux-guerres à sa rencontre avec l’école de New York et l’expressionnisme abstrait, de la reconnaissance internationale dès le début des années 1950 à l’ouverture du musée de Rodez. Et simultanément, il explore la singularité esthétique d’une œuvre qui interroge le pouvoir de la peinture, un pouvoir intimement lié à la sensation et l’émotion. L’art, selon Soulages, doit « rendre présent un rapport aux autres et au monde. L’œuvre renouvelle le regard, le change et nous change, et à travers les époques exerce un pouvoir sur celui qui regarde. […] Très tôt j’ai pratiqué une peinture qui abandonnait l’image, et que je n’ai jamais considérée comme un langage (au sens où le langage transmet une signification). Ni image, ni langage. »
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livres
Publication:
octobre 2017
octobre 2017
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Monographie de référence consacrée à l'œuvre singulièrement radical de Michel Parmentier. Son titre mentionne deux œuvres de Michel Parmentier, celle que l'artiste situait à l'origine de son œuvre (Décembre 1965), et sa dernière, réalisée le 20 novembre 1999. Les contenus de cet ouvrage, pour la plupart inédits, ont été constitués et rassemblés par Guy Massaux,(...)
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Monographie de référence consacrée à l'œuvre singulièrement radical de Michel Parmentier. Son titre mentionne deux œuvres de Michel Parmentier, celle que l'artiste situait à l'origine de son œuvre (Décembre 1965), et sa dernière, réalisée le 20 novembre 1999. Les contenus de cet ouvrage, pour la plupart inédits, ont été constitués et rassemblés par Guy Massaux,(...)
Titre:
Michel Parmentier : décembre 1965 - 20 novembre 1999, une rétrospective
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Monographie de référence consacrée à l'œuvre singulièrement radical de Michel Parmentier. Son titre mentionne deux œuvres de Michel Parmentier, celle que l'artiste situait à l'origine de son œuvre (Décembre 1965), et sa dernière, réalisée le 20 novembre 1999. Les contenus de cet ouvrage, pour la plupart inédits, ont été constitués et rassemblés par Guy Massaux, cofondateur de l'association Michel Parmentier (AMP – Fonds Michel Parmentier, Bruxelles). 31 œuvres reproduites sont ici contextualisées par plus de 250 documents d'archives et éclairées par cinq auteurs. La conception graphique a été confiée à Ludovic Balland, en collaboration avec Emmanuel Crivelli. La typographie originale NEXT qu'il a dessinée est publiée pour la première fois à l'occasion de ce livre.
Michel Parmentier : décembre 1965 - 20 novembre 1999, une rétrospective
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Monographie de référence consacrée à l'œuvre singulièrement radical de Michel Parmentier. Son titre mentionne deux œuvres de Michel Parmentier, celle que l'artiste situait à l'origine de son œuvre (Décembre 1965), et sa dernière, réalisée le 20 novembre 1999. Les contenus de cet ouvrage, pour la plupart inédits, ont été constitués et rassemblés par Guy Massaux, cofondateur de l'association Michel Parmentier (AMP – Fonds Michel Parmentier, Bruxelles). 31 œuvres reproduites sont ici contextualisées par plus de 250 documents d'archives et éclairées par cinq auteurs. La conception graphique a été confiée à Ludovic Balland, en collaboration avec Emmanuel Crivelli. La typographie originale NEXT qu'il a dessinée est publiée pour la première fois à l'occasion de ce livre.
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Publication:
décembre 2016
décembre 2016
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De “Plante à pop-corn” à “Premières demeures”, cette monographie réunit cent trente œuvres réalisées entre 1994 et 2017. Autant de notices et plus de trois cents reproductions qui restituent la trajectoire artistique de Christophe Berdaguer et Marie Péjus. Leurs vidéos, leurs dessins, leurs installations, leurs dispositifs questionnent les interactions entre architecture(...)
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De “Plante à pop-corn” à “Premières demeures”, cette monographie réunit cent trente œuvres réalisées entre 1994 et 2017. Autant de notices et plus de trois cents reproductions qui restituent la trajectoire artistique de Christophe Berdaguer et Marie Péjus. Leurs vidéos, leurs dessins, leurs installations, leurs dispositifs questionnent les interactions entre architecture(...)
Publication:
janvier 2018
janvier 2018
Titre:
Christophe Berdaguer et Marie Péjus : chroniques
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De “Plante à pop-corn” à “Premières demeures”, cette monographie réunit cent trente œuvres réalisées entre 1994 et 2017. Autant de notices et plus de trois cents reproductions qui restituent la trajectoire artistique de Christophe Berdaguer et Marie Péjus. Leurs vidéos, leurs dessins, leurs installations, leurs dispositifs questionnent les interactions entre architecture et psychanalyse, entre environnement et neurosciences, entre forme et sens, entre espace intérieur et mondes extérieurs, entre théorie et production.
Christophe Berdaguer et Marie Péjus : chroniques
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De “Plante à pop-corn” à “Premières demeures”, cette monographie réunit cent trente œuvres réalisées entre 1994 et 2017. Autant de notices et plus de trois cents reproductions qui restituent la trajectoire artistique de Christophe Berdaguer et Marie Péjus. Leurs vidéos, leurs dessins, leurs installations, leurs dispositifs questionnent les interactions entre architecture et psychanalyse, entre environnement et neurosciences, entre forme et sens, entre espace intérieur et mondes extérieurs, entre théorie et production.
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livres
livres
Publication:
janvier 2018
janvier 2018
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$54.00
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This study to addresses the role of the city in the work of French artist Jean Dubuffet (1901–84). Dubuffet promoted the art of children and the mentally ill as Art Brut, and sought to emulate the immediacy of their untrained styles in his own work. But this publication reveals another side of Dubuffet—an artist grounded in his own place and time, a participant in the(...)
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This study to addresses the role of the city in the work of French artist Jean Dubuffet (1901–84). Dubuffet promoted the art of children and the mentally ill as Art Brut, and sought to emulate the immediacy of their untrained styles in his own work. But this publication reveals another side of Dubuffet—an artist grounded in his own place and time, a participant in the(...)
Titre:
Dubuffet and the city: people, place, and urban space
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This study to addresses the role of the city in the work of French artist Jean Dubuffet (1901–84). Dubuffet promoted the art of children and the mentally ill as Art Brut, and sought to emulate the immediacy of their untrained styles in his own work. But this publication reveals another side of Dubuffet—an artist grounded in his own place and time, a participant in the day’s activities and discourses. "Dubuffet and the City: People, Place and Urban Space" examines the role of the city in the formation of Dubuffet’s work: the city as a material, as a source and as a vehicle for ideas. Berrebi analyzes works in which Dubuffet depicts city dwellers, sites and urban spaces, and discusses the artist’s architectural projects from the 1960s and '70s against the background of heated debates in the field of postwar urbanism.
Dubuffet and the city: people, place, and urban space
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This study to addresses the role of the city in the work of French artist Jean Dubuffet (1901–84). Dubuffet promoted the art of children and the mentally ill as Art Brut, and sought to emulate the immediacy of their untrained styles in his own work. But this publication reveals another side of Dubuffet—an artist grounded in his own place and time, a participant in the day’s activities and discourses. "Dubuffet and the City: People, Place and Urban Space" examines the role of the city in the formation of Dubuffet’s work: the city as a material, as a source and as a vehicle for ideas. Berrebi analyzes works in which Dubuffet depicts city dwellers, sites and urban spaces, and discusses the artist’s architectural projects from the 1960s and '70s against the background of heated debates in the field of postwar urbanism.
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livres
livres
Publication:
juin 2018
juin 2018
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$87.00
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For the first time, this book gives a comprehensive account of Christo and Jeanne-Claude’s urban projects. It presents preparatory drawings, collages and models for many little-known works from the artists’ early career, some of which were never carried out, such as the planned wrapping of several New York City skyscrapers, as well as the spectacular large-scale projects(...)
$87.00
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For the first time, this book gives a comprehensive account of Christo and Jeanne-Claude’s urban projects. It presents preparatory drawings, collages and models for many little-known works from the artists’ early career, some of which were never carried out, such as the planned wrapping of several New York City skyscrapers, as well as the spectacular large-scale projects(...)
Titre:
Christo and Jeanne-Claude: Urban projects
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For the first time, this book gives a comprehensive account of Christo and Jeanne-Claude’s urban projects. It presents preparatory drawings, collages and models for many little-known works from the artists’ early career, some of which were never carried out, such as the planned wrapping of several New York City skyscrapers, as well as the spectacular large-scale projects of later years, such as the wrapping of the Pont Neuf bridge in Paris in 1985, the wrapping of the Reichstag building in Berlin in 1995 and the 2005 installation The Gates in New York’s Central Park. In two detailed essays, the authors of the book explore Christo’s extraordinary talent for drawing and investigate the artists’ ambivalent perspective on urban space, which oscillates between a powerful critique of the city’s impersonal modernism and a tribute to the liberal, democratic use of urban areas.
Christo and Jeanne-Claude: Urban projects
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For the first time, this book gives a comprehensive account of Christo and Jeanne-Claude’s urban projects. It presents preparatory drawings, collages and models for many little-known works from the artists’ early career, some of which were never carried out, such as the planned wrapping of several New York City skyscrapers, as well as the spectacular large-scale projects of later years, such as the wrapping of the Pont Neuf bridge in Paris in 1985, the wrapping of the Reichstag building in Berlin in 1995 and the 2005 installation The Gates in New York’s Central Park. In two detailed essays, the authors of the book explore Christo’s extraordinary talent for drawing and investigate the artists’ ambivalent perspective on urban space, which oscillates between a powerful critique of the city’s impersonal modernism and a tribute to the liberal, democratic use of urban areas.
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livres
livres
Publication:
mars 2018
mars 2018
Classification:
livres
livres
Titre:
Bodys Isek Kingelez
Bodys Isek Kingelez
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The sculptures of Bodys Isek Kingelez (1948–2015) are imagined architectural propositions and improbable structures for a fairytale urban landscape. Comprised of paper, commercial packaging and the stuff of everyday life, his “extreme maquettes” transform these materials into fantastic visions that encompass civic buildings, public monuments and private pavilions. Born in(...)
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The sculptures of Bodys Isek Kingelez (1948–2015) are imagined architectural propositions and improbable structures for a fairytale urban landscape. Comprised of paper, commercial packaging and the stuff of everyday life, his “extreme maquettes” transform these materials into fantastic visions that encompass civic buildings, public monuments and private pavilions. Born in(...)
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Bodys Isek Kingelez
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The sculptures of Bodys Isek Kingelez (1948–2015) are imagined architectural propositions and improbable structures for a fairytale urban landscape. Comprised of paper, commercial packaging and the stuff of everyday life, his “extreme maquettes” transform these materials into fantastic visions that encompass civic buildings, public monuments and private pavilions. Born in the Belgian Congo, Kingelez gained international renown following his participation in the landmark 1989 exhibition Magiciens de la Terre at Centre Georges Pompidou and the Grande Halle of the Parc de la Villette, and since that time, his work has been included in numerous global surveys and in several solo presentations.
Bodys Isek Kingelez
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The sculptures of Bodys Isek Kingelez (1948–2015) are imagined architectural propositions and improbable structures for a fairytale urban landscape. Comprised of paper, commercial packaging and the stuff of everyday life, his “extreme maquettes” transform these materials into fantastic visions that encompass civic buildings, public monuments and private pavilions. Born in the Belgian Congo, Kingelez gained international renown following his participation in the landmark 1989 exhibition Magiciens de la Terre at Centre Georges Pompidou and the Grande Halle of the Parc de la Villette, and since that time, his work has been included in numerous global surveys and in several solo presentations.
Classification:
livres
livres
Publication:
mai 2018
mai 2018
