1908 Résultats
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A practitioner of Relational Aesthetics, Italian artist Giuseppe Stampone (born 1972) pursues a participatory network model for creativity, recruiting not only large groups of people but also the internet to generate text-based and sculptural works for public spaces. Global Education looks at his various projects.
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A practitioner of Relational Aesthetics, Italian artist Giuseppe Stampone (born 1972) pursues a participatory network model for creativity, recruiting not only large groups of people but also the internet to generate text-based and sculptural works for public spaces. Global Education looks at his various projects.
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Guiseppe Stampone : global education
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A practitioner of Relational Aesthetics, Italian artist Giuseppe Stampone (born 1972) pursues a participatory network model for creativity, recruiting not only large groups of people but also the internet to generate text-based and sculptural works for public spaces. Global Education looks at his various projects.
Guiseppe Stampone : global education
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A practitioner of Relational Aesthetics, Italian artist Giuseppe Stampone (born 1972) pursues a participatory network model for creativity, recruiting not only large groups of people but also the internet to generate text-based and sculptural works for public spaces. Global Education looks at his various projects.
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livres
livres
Publication:
avril 2012
avril 2012
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livres
livres
Titre:
Alan Glass
Alan Glass
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The debut exhibition of the Canadian-born Surrealist artist Alan Glass (born 1932) was organized by André Breton and Benjamin Péret. Glass settled in Mexico in 1962, developing relationships with local and émigré artists such as Leonora Carrington, Manuel Felguérez and Pedro Friedberg. This volume offers the first survey of his Cornell-like “art object” boxes and his drawings.
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The debut exhibition of the Canadian-born Surrealist artist Alan Glass (born 1932) was organized by André Breton and Benjamin Péret. Glass settled in Mexico in 1962, developing relationships with local and émigré artists such as Leonora Carrington, Manuel Felguérez and Pedro Friedberg. This volume offers the first survey of his Cornell-like “art object” boxes and his drawings.
Titre:
Alan Glass
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The debut exhibition of the Canadian-born Surrealist artist Alan Glass (born 1932) was organized by André Breton and Benjamin Péret. Glass settled in Mexico in 1962, developing relationships with local and émigré artists such as Leonora Carrington, Manuel Felguérez and Pedro Friedberg. This volume offers the first survey of his Cornell-like “art object” boxes and his drawings.
Alan Glass
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The debut exhibition of the Canadian-born Surrealist artist Alan Glass (born 1932) was organized by André Breton and Benjamin Péret. Glass settled in Mexico in 1962, developing relationships with local and émigré artists such as Leonora Carrington, Manuel Felguérez and Pedro Friedberg. This volume offers the first survey of his Cornell-like “art object” boxes and his drawings.
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livres
livres
Publication:
mai 2012
mai 2012
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livres
livres
Titre:
Monika Grzymala 11
Monika Grzymala 11
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Polish artist Monika Grzymala (born 1970) expands the practice of drawing to include paper itself: in her latest works, the drawing is the paper, from which Grzymala elicits line-like properties that in turn closely respond to the site of their production. This monographs examines this and other transformations of drawing by Grzymala, such as works using strips of colored tape.
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Polish artist Monika Grzymala (born 1970) expands the practice of drawing to include paper itself: in her latest works, the drawing is the paper, from which Grzymala elicits line-like properties that in turn closely respond to the site of their production. This monographs examines this and other transformations of drawing by Grzymala, such as works using strips of colored tape.
Titre:
Monika Grzymala 11
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Polish artist Monika Grzymala (born 1970) expands the practice of drawing to include paper itself: in her latest works, the drawing is the paper, from which Grzymala elicits line-like properties that in turn closely respond to the site of their production. This monographs examines this and other transformations of drawing by Grzymala, such as works using strips of colored tape.
Monika Grzymala 11
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Polish artist Monika Grzymala (born 1970) expands the practice of drawing to include paper itself: in her latest works, the drawing is the paper, from which Grzymala elicits line-like properties that in turn closely respond to the site of their production. This monographs examines this and other transformations of drawing by Grzymala, such as works using strips of colored tape.
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livres
livres
Publication:
février 2012
février 2012
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livres
livres
Titre:
Wade Guyton
Wade Guyton
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For his exhibition at the Secession in Vienna, Wade Guyton has produced this artist's book, which consolidates his work across more than 60 color pages. The book enacts his creative methods, which often involve appropriated imagery from books or art magazines, so that the photographed pile of images and cut-outs on the first page diminishes as one leafs through.
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For his exhibition at the Secession in Vienna, Wade Guyton has produced this artist's book, which consolidates his work across more than 60 color pages. The book enacts his creative methods, which often involve appropriated imagery from books or art magazines, so that the photographed pile of images and cut-outs on the first page diminishes as one leafs through.
Titre:
Wade Guyton
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For his exhibition at the Secession in Vienna, Wade Guyton has produced this artist's book, which consolidates his work across more than 60 color pages. The book enacts his creative methods, which often involve appropriated imagery from books or art magazines, so that the photographed pile of images and cut-outs on the first page diminishes as one leafs through.
Wade Guyton
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For his exhibition at the Secession in Vienna, Wade Guyton has produced this artist's book, which consolidates his work across more than 60 color pages. The book enacts his creative methods, which often involve appropriated imagery from books or art magazines, so that the photographed pile of images and cut-outs on the first page diminishes as one leafs through.
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livres
livres
Publication:
janvier 2012
janvier 2012
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livres
Titre:
Elin Hansdottir: path
Elin Hansdottir: path
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Elín Hansdóttir's installation “Path” consists of a narrow tunnel that zigzags through a gallery or a museum. Light enters through vertical and horizontal slits that resemble cracks in the structure; sound effects further add to the disorientation. This volume examines the work, and contains an introduction by Rebecca Solnit, author of Wanderlust and A Field Guide to Getting Lost.
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Elín Hansdóttir's installation “Path” consists of a narrow tunnel that zigzags through a gallery or a museum. Light enters through vertical and horizontal slits that resemble cracks in the structure; sound effects further add to the disorientation. This volume examines the work, and contains an introduction by Rebecca Solnit, author of Wanderlust and A Field Guide to Getting Lost.
Titre:
Elin Hansdottir: path
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Elín Hansdóttir's installation “Path” consists of a narrow tunnel that zigzags through a gallery or a museum. Light enters through vertical and horizontal slits that resemble cracks in the structure; sound effects further add to the disorientation. This volume examines the work, and contains an introduction by Rebecca Solnit, author of Wanderlust and A Field Guide to Getting Lost.
Elin Hansdottir: path
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Elín Hansdóttir's installation “Path” consists of a narrow tunnel that zigzags through a gallery or a museum. Light enters through vertical and horizontal slits that resemble cracks in the structure; sound effects further add to the disorientation. This volume examines the work, and contains an introduction by Rebecca Solnit, author of Wanderlust and A Field Guide to Getting Lost.
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livres
Publication:
février 2012
février 2012
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Résumé:
Stemming from the author's passion for Japanese calligraphy and graphic design, he started this photographic series during a residency at the Palais des paris in Japan in 2016. The kanji represented here, pronounced \hon\, means book when it is alone, but it can mean numerous other things when associated with other ideograms. During the residency, the author would his my(...)
$32.00
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Stemming from the author's passion for Japanese calligraphy and graphic design, he started this photographic series during a residency at the Palais des paris in Japan in 2016. The kanji represented here, pronounced \hon\, means book when it is alone, but it can mean numerous other things when associated with other ideograms. During the residency, the author would his my(...)
Titre:
Book book book 2016 – 2020 : Homage to Sol LeWitt
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Stemming from the author's passion for Japanese calligraphy and graphic design, he started this photographic series during a residency at the Palais des paris in Japan in 2016. The kanji represented here, pronounced \hon\, means book when it is alone, but it can mean numerous other things when associated with other ideograms. During the residency, the author would his my surrounding everywhere he would go looking for this kanji. That sign was at the center of the works produced during the residency and when the author returned home, he produced a small brochure with all the photographs in a format inspired by Sol LeWitt’s Photogrids.
Book book book 2016 – 2020 : Homage to Sol LeWitt
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Résumé:
Stemming from the author's passion for Japanese calligraphy and graphic design, he started this photographic series during a residency at the Palais des paris in Japan in 2016. The kanji represented here, pronounced \hon\, means book when it is alone, but it can mean numerous other things when associated with other ideograms. During the residency, the author would his my surrounding everywhere he would go looking for this kanji. That sign was at the center of the works produced during the residency and when the author returned home, he produced a small brochure with all the photographs in a format inspired by Sol LeWitt’s Photogrids.
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livres
livres
Publication:
janvier 2021
janvier 2021
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livres
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Résumé:
Le Centre des monuments nationaux, en collaboration avec la galerie Kamel Mennour, présente « 23:56:04 », une œuvre monumentale d’Ann Veronica Janssens, au Panthéon. Depuis la fin des années 1970, l’artiste propose des expériences permettant d'éprouver la fugacité de l’instant vécu, la subjectivité de la perception de l’espace et de la temporalité, avec des installations(...)
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Le Centre des monuments nationaux, en collaboration avec la galerie Kamel Mennour, présente « 23:56:04 », une œuvre monumentale d’Ann Veronica Janssens, au Panthéon. Depuis la fin des années 1970, l’artiste propose des expériences permettant d'éprouver la fugacité de l’instant vécu, la subjectivité de la perception de l’espace et de la temporalité, avec des installations(...)
Titre:
Une artiste / un monument : Ann Veronica Janssens au Panthéon
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Le Centre des monuments nationaux, en collaboration avec la galerie Kamel Mennour, présente « 23:56:04 », une œuvre monumentale d’Ann Veronica Janssens, au Panthéon. Depuis la fin des années 1970, l’artiste propose des expériences permettant d'éprouver la fugacité de l’instant vécu, la subjectivité de la perception de l’espace et de la temporalité, avec des installations in situ jouant avec les reflets, la luminosité, les transparences, réalisées avec des éléments insaisissables, tels que le brouillard, le son, le verre... Au Panthéon, Ann Veronica Janssens révèle, grâce à un immense miroir posé au sol sous la trajectoire du pendule de Foucault, des points de vue surprenants, inédits, vertigineux.
Une artiste / un monument : Ann Veronica Janssens au Panthéon
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Le Centre des monuments nationaux, en collaboration avec la galerie Kamel Mennour, présente « 23:56:04 », une œuvre monumentale d’Ann Veronica Janssens, au Panthéon. Depuis la fin des années 1970, l’artiste propose des expériences permettant d'éprouver la fugacité de l’instant vécu, la subjectivité de la perception de l’espace et de la temporalité, avec des installations in situ jouant avec les reflets, la luminosité, les transparences, réalisées avec des éléments insaisissables, tels que le brouillard, le son, le verre... Au Panthéon, Ann Veronica Janssens révèle, grâce à un immense miroir posé au sol sous la trajectoire du pendule de Foucault, des points de vue surprenants, inédits, vertigineux.
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livres
Publication:
octobre 2022
octobre 2022
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livres
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$64.25
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Résumé:
This is a publication about seeing versus not seeing, about gender, class and climate, a work about representation and reproduction. In short, a vehicle for perception and togetherness. After leaving an artist in residence in Japan spring 2019 and being back in Amsterdam Markus felt the need for silence and contemplation. Intuitively she built a studio setting in the(...)
$64.25
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Résumé:
This is a publication about seeing versus not seeing, about gender, class and climate, a work about representation and reproduction. In short, a vehicle for perception and togetherness. After leaving an artist in residence in Japan spring 2019 and being back in Amsterdam Markus felt the need for silence and contemplation. Intuitively she built a studio setting in the(...)
Titre:
Charlott Markus: Some things bleak
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This is a publication about seeing versus not seeing, about gender, class and climate, a work about representation and reproduction. In short, a vehicle for perception and togetherness. After leaving an artist in residence in Japan spring 2019 and being back in Amsterdam Markus felt the need for silence and contemplation. Intuitively she built a studio setting in the forest and a photographic process began. It started with a found tarpaulin; the same kind of blue tarp that is a common sight in Japan and if one looks closer most often a shelter for someone homeless appears.
Charlott Markus: Some things bleak
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This is a publication about seeing versus not seeing, about gender, class and climate, a work about representation and reproduction. In short, a vehicle for perception and togetherness. After leaving an artist in residence in Japan spring 2019 and being back in Amsterdam Markus felt the need for silence and contemplation. Intuitively she built a studio setting in the forest and a photographic process began. It started with a found tarpaulin; the same kind of blue tarp that is a common sight in Japan and if one looks closer most often a shelter for someone homeless appears.
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livres
livres
Publication:
septembre 2022
septembre 2022
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livres
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En 2011, deux artistes, Damien Beguet et P. Nicolas Ledoux décident de réactiver l’œuvre du plasticien Ludovic Chemarin qui a cessé son activité quelques années auparavant. Ils lui achètent son nom et les droits patrimoniaux de ses créations passées, puis son image, sa signature. Ils produisent sous le nom de Ludovic Chemarin© une œuvre faite de contrats, documentations(...)
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En 2011, deux artistes, Damien Beguet et P. Nicolas Ledoux décident de réactiver l’œuvre du plasticien Ludovic Chemarin qui a cessé son activité quelques années auparavant. Ils lui achètent son nom et les droits patrimoniaux de ses créations passées, puis son image, sa signature. Ils produisent sous le nom de Ludovic Chemarin© une œuvre faite de contrats, documentations(...)
Publication:
octobre 2022
octobre 2022
Titre:
Ludovic Chemarin © : Total recall, 112 398 signes (espaces compris)
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En 2011, deux artistes, Damien Beguet et P. Nicolas Ledoux décident de réactiver l’œuvre du plasticien Ludovic Chemarin qui a cessé son activité quelques années auparavant. Ils lui achètent son nom et les droits patrimoniaux de ses créations passées, puis son image, sa signature. Ils produisent sous le nom de Ludovic Chemarin© une œuvre faite de contrats, documentations performatives, activations ou augmentations de travaux anciens, et également de nouvelles créations. Au travers de cette « exploitation » inédite dans l’histoire de l’art, Ludovic Chemarin© interroge et remet en cause l’inaliénabilité du droit d’auteur et du geste artistique, le statut de l’œuvre d’art et de l’artiste, le principe d’auctorialité. Sous la forme d’un journal, cette biographie relate sur dix ans plus de 100 jours marquants du projet. De façon précise et distanciée elle documente le travail au quotidien d’une œuvre en cours d’élaboration.
Ludovic Chemarin © : Total recall, 112 398 signes (espaces compris)
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En 2011, deux artistes, Damien Beguet et P. Nicolas Ledoux décident de réactiver l’œuvre du plasticien Ludovic Chemarin qui a cessé son activité quelques années auparavant. Ils lui achètent son nom et les droits patrimoniaux de ses créations passées, puis son image, sa signature. Ils produisent sous le nom de Ludovic Chemarin© une œuvre faite de contrats, documentations performatives, activations ou augmentations de travaux anciens, et également de nouvelles créations. Au travers de cette « exploitation » inédite dans l’histoire de l’art, Ludovic Chemarin© interroge et remet en cause l’inaliénabilité du droit d’auteur et du geste artistique, le statut de l’œuvre d’art et de l’artiste, le principe d’auctorialité. Sous la forme d’un journal, cette biographie relate sur dix ans plus de 100 jours marquants du projet. De façon précise et distanciée elle documente le travail au quotidien d’une œuvre en cours d’élaboration.
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livres
livres
Publication:
octobre 2022
octobre 2022
Classification:
livres
livres
Titre:
The city, the island
The city, the island
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Résumé:
Alice has been investigating several thematics parts of her practice and long ongoing research: islands, boats, archives, cartography, architecture, writing. This publication is a collection of contents and hints, from graphic design to sculpture, from editorial projects to database and platform - www.archives.berlin - hosting all the images and texts the research is made(...)
$38.95
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Résumé:
Alice has been investigating several thematics parts of her practice and long ongoing research: islands, boats, archives, cartography, architecture, writing. This publication is a collection of contents and hints, from graphic design to sculpture, from editorial projects to database and platform - www.archives.berlin - hosting all the images and texts the research is made(...)
Titre:
The city, the island
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Alice has been investigating several thematics parts of her practice and long ongoing research: islands, boats, archives, cartography, architecture, writing. This publication is a collection of contents and hints, from graphic design to sculpture, from editorial projects to database and platform - www.archives.berlin - hosting all the images and texts the research is made of. The Zine project is divided into multiple parts and written in English, Italian, and German - the three languages used during the research.
The city, the island
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Alice has been investigating several thematics parts of her practice and long ongoing research: islands, boats, archives, cartography, architecture, writing. This publication is a collection of contents and hints, from graphic design to sculpture, from editorial projects to database and platform - www.archives.berlin - hosting all the images and texts the research is made of. The Zine project is divided into multiple parts and written in English, Italian, and German - the three languages used during the research.
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livres
livres
Publication:
août 2022
août 2022
