Mathias Goeritz
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The first major work in English on Mathias Goeritz (1915-1990), this book illuminates the artist’s pivotal role within the landscape of twentieth-century modernism. Goeritz became recognized as an abstract sculptor after arriving in Mexico from Germany by way of Spain in 1949. His call to integrate abstract forms into civic and religious architecture, outlined in his(...)
Mathias Goeritz
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The first major work in English on Mathias Goeritz (1915-1990), this book illuminates the artist’s pivotal role within the landscape of twentieth-century modernism. Goeritz became recognized as an abstract sculptor after arriving in Mexico from Germany by way of Spain in 1949. His call to integrate abstract forms into civic and religious architecture, outlined in his 'Emotional Architecture' manifesto, had a transformative impact on midcentury Mexican art and design. Exploring Goeritz’s dialogues with lfigures among the Parisian and New York avant-gardes, such as Yves Klein and Philip Johnson, the author shows how Goeritz’s approach to modernism, which was highly attuned to politics and place, formed part of a global enterprise.
Comment faire un happening
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Cette publication est la traduction en français d'une transcription de ''How to Make a Happening'', pièce sonore d'Allan Kaprow réalisée en 1966 en collaboration avec le label Mass Art et diffusée sous la forme d'un 33t par l'éditeur new-yorkais Something Else Press. Texte devenu célèbre, « Comment faire un happening » se présente comme un véritable manuel de(...)
Comment faire un happening
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Cette publication est la traduction en français d'une transcription de ''How to Make a Happening'', pièce sonore d'Allan Kaprow réalisée en 1966 en collaboration avec le label Mass Art et diffusée sous la forme d'un 33t par l'éditeur new-yorkais Something Else Press. Texte devenu célèbre, « Comment faire un happening » se présente comme un véritable manuel de réalisation de happenings. Cinq photographies accompagnent cette première traduction en français.
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In her works, Ulla von Brandenburg interlinks various genres to create highly symbolic, staged presentations: sculpture, installation and film, performance, fashion and music, silhouettes and wall drawings. The exhibition space becomes a stage for her examination of the various modes of expression found in theater, the play with fiction and reality, role and identity. For(...)
Ulla von Brandenbrg: The Motion's Method
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In her works, Ulla von Brandenburg interlinks various genres to create highly symbolic, staged presentations: sculpture, installation and film, performance, fashion and music, silhouettes and wall drawings. The exhibition space becomes a stage for her examination of the various modes of expression found in theater, the play with fiction and reality, role and identity. For her solo exhibition in the Darmstadt Artists' Colony Museum, Ulla von Brandenburg focuses on an installation developed specifically for this venue, which stands in connection with the unique history of the Mathildenhöhe as a think tank and experimental laboratory of modernism. She stages works from the Darmstadt Municipal Art Collection in combination with her own objects, whereby the focus is laid not only on the historic reception of the works, but also on questions of presentation, perception, and mediation.
Wayne Thiebaud, Draftsman
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Best known for his luscious paintings of pies and ice-cream cones, American artist Wayne Thiebaud (born 1920) has been an avid and prolific draftsman since he began his career in the 1940s as an illustrator and cartoonist. This book of 116 drawings—compiled with the full cooperation of the artist to accompany a major new exhibition at the Morgan Library Museum—explores(...)
Wayne Thiebaud, Draftsman
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Best known for his luscious paintings of pies and ice-cream cones, American artist Wayne Thiebaud (born 1920) has been an avid and prolific draftsman since he began his career in the 1940s as an illustrator and cartoonist. This book of 116 drawings—compiled with the full cooperation of the artist to accompany a major new exhibition at the Morgan Library Museum—explores the wide range of Thiebaud’s production on paper, including early sketches, luminous pastels, and watercolors, and charcoal drawings made in connection with his teaching. In subjects ranging from deli counters and isolated figures to dramatic views of San Francisco’s plunging streets, Thiebaud’s drawings endow the most banal, everyday scenes with a sense of poetry and nostalgia.
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Saul Steinberg's ''The Labyrinth,'' first published in 1960 and long out of print, is more than a simple catalog or collection of drawings- these carefully arranged pages record a constantly evolving imagination confronting modern life. This edition, featuring a new introduction by Nicholson Baker, an afterword by Harold Rosenberg, and new notes on the artwork, will(...)
Saul Steinberg: the Labyrinth
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Saul Steinberg's ''The Labyrinth,'' first published in 1960 and long out of print, is more than a simple catalog or collection of drawings- these carefully arranged pages record a constantly evolving imagination confronting modern life. This edition, featuring a new introduction by Nicholson Baker, an afterword by Harold Rosenberg, and new notes on the artwork, will allow readers to discover this unique book all over again.
Rodney Graham: lightboxes
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This book, designed in close co-operation with the artist Rodney Graham, accompanies the exhibition at Museum Frieder Burda. It presents Graham's 36 photo light boxes from 2000 to the present, among them key works like the ''Newspaper Man.'' The central focus is on the manifold ways in which Graham has staged himself. He always gives the impression of a melancholy time(...)
Rodney Graham: lightboxes
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This book, designed in close co-operation with the artist Rodney Graham, accompanies the exhibition at Museum Frieder Burda. It presents Graham's 36 photo light boxes from 2000 to the present, among them key works like the ''Newspaper Man.'' The central focus is on the manifold ways in which Graham has staged himself. He always gives the impression of a melancholy time traveller, a modern-day Buster Keaton, negotiating the trials and tribulations of modern culture in various guises.
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At the turn of the twentieth century, Swedish artist Hilma af Klint (1862–1944) created a body of work that left visible reality behind, exploring the radical possibilities of abstraction years before Vasily Kandinsky, Kazimir Malevich, or Piet Mondrian. Many consider her the first trained artist to create abstract paintings. With Hilma af Klint: Notes and Methods, we get(...)
octobre 2018
Hilma Af Klint: notes and methods
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At the turn of the twentieth century, Swedish artist Hilma af Klint (1862–1944) created a body of work that left visible reality behind, exploring the radical possibilities of abstraction years before Vasily Kandinsky, Kazimir Malevich, or Piet Mondrian. Many consider her the first trained artist to create abstract paintings. With Hilma af Klint: Notes and Methods, we get to experience the arc of af Klint’s artistic investigation in her own words. Between 1906 and 1915, purportedly guided by a higher power, af Klint created 193 individual works that, in both scale and scope of imagery, are like no other art created at that time. Botanically inspired images and mystical symbols, diagrams, words, and geometric series, all form part of af Klint’s abstract language. These abstract techniques would not be seen again until years later. Notes and Methods presents facsimile reproductions of a wide array of af Klint’s early notebooks accompanied by the first English translation of af Klint’s extensive writings. It contains the rarely seen “Blue Notebooks,” hand-painted and annotated catalogues af Klint created of her most famous series “Paintings for the Temple,” and a dictionary compiled by af Klint of the words and letters found in her work.
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When Swedish artist Hilma af Klint died in 1944 at the age of 81, she left behind more than 1,000 paintings and works on paper that she had kept largely private during her lifetime. Believing the world was not yet ready for her art, she stipulated that it should remain unseen for another 20 years. But only in recent decades has the public had a chance to reckon with af(...)
Hilma af Klint: paintings for the future
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When Swedish artist Hilma af Klint died in 1944 at the age of 81, she left behind more than 1,000 paintings and works on paper that she had kept largely private during her lifetime. Believing the world was not yet ready for her art, she stipulated that it should remain unseen for another 20 years. But only in recent decades has the public had a chance to reckon with af Klint's radically abstract painting practice — one which predates the work of Vasily Kandinsky and other artists widely considered trailblazers of modernist abstraction. Accompanying the first major survey exhibition of the artist's work in the United States, 'Hilma af Klint: Paintings for the Future' represents her groundbreaking painting series while expanding recent scholarship to present the fullest picture yet of her life and art. Essays explore the social, intellectual and artistic context of af Klint's 1906 break with figuration and her subsequent development, placing her in the context of Swedish modernism and folk art traditions, contemporary scientific discoveries, and spiritualist and occult movements.
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In collaboration with Sigur Rós musician Jónsi, Icelandic-Danish artist Olafur Eliasson conceived a complex installation for his site-specific exhibition at the Marciano Art Foundation. Using projected light and the existing architecture of the museum, he created a dynamic shadow play referencing both Los Angeles' history of filmmaking and the gallery's former function as a theater.
Olafur Eliasson: reality projector
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In collaboration with Sigur Rós musician Jónsi, Icelandic-Danish artist Olafur Eliasson conceived a complex installation for his site-specific exhibition at the Marciano Art Foundation. Using projected light and the existing architecture of the museum, he created a dynamic shadow play referencing both Los Angeles' history of filmmaking and the gallery's former function as a theater.
Ai Weiwei: life cycle
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'Life Cycle' is a sculptural response to the global refugee crisis, and a series of figures based on mythic creatures from the Classic of Mountains and Seas, crafted from bamboo and silk.
Ai Weiwei: life cycle
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'Life Cycle' is a sculptural response to the global refugee crisis, and a series of figures based on mythic creatures from the Classic of Mountains and Seas, crafted from bamboo and silk.