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REAL LIFE Magazine: Selected Writings and Projects 1979-1994 highlights a selection of writings and artists' projects from REAL LIFE magazine, which was originally edited by artist, writer, and curator, Thomas Lawson and writer, Susan Morgan. Published in twenty-three issues from 1979-1994 as an intermittent black and white magazine, REAL LIFE featured artists and art(...)
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octobre 2008, New York
Real life magazine selected writings and projects 1979-1994
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REAL LIFE Magazine: Selected Writings and Projects 1979-1994 highlights a selection of writings and artists' projects from REAL LIFE magazine, which was originally edited by artist, writer, and curator, Thomas Lawson and writer, Susan Morgan. Published in twenty-three issues from 1979-1994 as an intermittent black and white magazine, REAL LIFE featured artists and art historians writing on art, media and popular culture interspersed with pictorial contributions. The development of the magazine through its 15 year history, traces the influences, development and transitions of artists through the 80s.
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$61.25
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Ce catalogue est publié à l'occasion de l'exposition Chants exploratoires, Minotaure, La revue d'Albert Skira, 1933-1939, présentée au Cabinet des estampes du Musée d'art et d'histoire de Genève du 30 novembre au 30 mars 2008.
octobre 2008, Genève
Chants exploratoires, Minotaure, la revue d'Albert Skira 1933-1939
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Ce catalogue est publié à l'occasion de l'exposition Chants exploratoires, Minotaure, La revue d'Albert Skira, 1933-1939, présentée au Cabinet des estampes du Musée d'art et d'histoire de Genève du 30 novembre au 30 mars 2008.
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FormContent is a not-for-profit curatorial project space situated under a brick arch on Beck Road, London, UK. This publication is an exhibition on paper, consisting of 9 collected sheets, including contributions by Athanasios Argianas, Adam Avikainen, Kit Craig, Patricia Esquivias, Luca Francesconi, Simon Fujiwara, Ryan Gander, Dora Garcia, Clare Gasson, Rowena Hughes,(...)
août 2008, London
FormContent: rehearsing realities
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FormContent is a not-for-profit curatorial project space situated under a brick arch on Beck Road, London, UK. This publication is an exhibition on paper, consisting of 9 collected sheets, including contributions by Athanasios Argianas, Adam Avikainen, Kit Craig, Patricia Esquivias, Luca Francesconi, Simon Fujiwara, Ryan Gander, Dora Garcia, Clare Gasson, Rowena Hughes, Latitudes with Ignacio Uriarte, Matthieu Laurette, Simone Menegoi, Matt Packer, Luigi Presicce, Riccardo Previdi, Jamie Shovlin, Raymond Taudin Chabot, Sandra Terdjman, Luca Trevisani.
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Risograph is a brand of digital duplicators that are designed mainly for high-volume photocopying and printing. The process creates micro-imperfections in printing, similar to spontaneity, or even comparable to how improvisation in jazz can lead to an unexpected but pleasant result. The result of two years of research by O.OO, a graphic design studio based in Taipei, the(...)
No Magic In Riso, 3rd reprint
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Risograph is a brand of digital duplicators that are designed mainly for high-volume photocopying and printing. The process creates micro-imperfections in printing, similar to spontaneity, or even comparable to how improvisation in jazz can lead to an unexpected but pleasant result. The result of two years of research by O.OO, a graphic design studio based in Taipei, the main focus of this publication is colour separation and experimentation with images. The studio does not claim the colour separation methods described here to be absolute or the “right” way, but offer resources in hopes that they can provide helpful advice in practice while on the path to professionalism in this field.
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This otherworldly collection of Soviet space-race graphics takes readers on a cosmic adventure through Cold War-era Russia. Presenting more than 250 illustrations - depicting discoveries, scientific innovations, futuristic visions, and extraterrestrial encounters - 'Soviet Space Graphics' unlocks the door to the creative inner workings of the USSR.
Arts graphiques imprimés
avril 2020
Soviet space graphics: cosmic visions from the USSR
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This otherworldly collection of Soviet space-race graphics takes readers on a cosmic adventure through Cold War-era Russia. Presenting more than 250 illustrations - depicting discoveries, scientific innovations, futuristic visions, and extraterrestrial encounters - 'Soviet Space Graphics' unlocks the door to the creative inner workings of the USSR.
Arts graphiques imprimés
Risomania
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Alors que les techniques d'impression numérique paraissent de plus en plus indispensables, de nombreux créateurs font le choix de revenir à des techniques plus traditionnelles, qu'ils remettent au goût du jour. Ainsi, au même titre que la sérigraphie il y a quelques années, la risographie fait un retour fracassant sur la scène créative mondiale. Cet ouvrage est une(...)
Risomania
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Alors que les techniques d'impression numérique paraissent de plus en plus indispensables, de nombreux créateurs font le choix de revenir à des techniques plus traditionnelles, qu'ils remettent au goût du jour. Ainsi, au même titre que la sérigraphie il y a quelques années, la risographie fait un retour fracassant sur la scène créative mondiale. Cet ouvrage est une plongée dans l'univers de la "riso" et des techniques proches. Rappelant d'abord l'historique des techniques basées sur le pochoir et le duplicata, les auteurs font ensuite un focus sur la risographie et la miméographie. Les auteurs présentent les principaux studios de création utilisant actuellement ces techniques, de Londres à Tokyo en passant par Chicago et Paris. Ils mettent en avant des créateurs et des réalisations hors du commun tout au long d'une véritable galerie artistique. Enfin, ils guident pas à pas les lecteurs dans les étapes précédant l'impression (choix du papier, des couleurs, etc.) et leur livrent des conseils. A la fois livre d'inspiration, manuel technique et état des lieux d'un phénomène montant, Risomania est le premier titre français consacré au sujet !
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Fifty years ago, in 1968, barricades were erected in the streets of Paris for the first time since the Paris Commune of nearly one hundred years before. The events of May 1968 began with student protests against the Vietnam War and American imperialism, expanded to rebellion over student living conditions and resistance to capitalist consumerism. An uprising at the(...)
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avril 2018
The walls have the floor: mural journal, May '68
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Fifty years ago, in 1968, barricades were erected in the streets of Paris for the first time since the Paris Commune of nearly one hundred years before. The events of May 1968 began with student protests against the Vietnam War and American imperialism, expanded to rebellion over student living conditions and resistance to capitalist consumerism. An uprising at the Sorbonne was followed by wildcat strikes across France, uniting students and workers and bringing the country's economy to a halt. There have been many accounts of these events. This book tells the story in a different way, through the graffiti inscribed by protestors as they protested.
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Marking the centenary of his birth, the "Poster Collection" series devotes its latest edition to the popular Swiss poster designer Herbert Leupin. Primarily conceiving posters for consumer goods, for many years Leupin created advertising for products as diverse as the soft drink Pepita, charcuterie from Grossmetzgerei Bell, and Roth-Handle cigarettes. He helped these and(...)
Arts graphiques imprimés
août 2016
Herbert Leupin: Poster Collection 28
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Marking the centenary of his birth, the "Poster Collection" series devotes its latest edition to the popular Swiss poster designer Herbert Leupin. Primarily conceiving posters for consumer goods, for many years Leupin created advertising for products as diverse as the soft drink Pepita, charcuterie from Grossmetzgerei Bell, and Roth-Handle cigarettes. He helped these and many other companies develop their own brand identity and a recognizable presence in public space. In doing so, he struck the right balance between old-school artist's posters and a methodology for a successful publicity strategy - and thus bridged the increasingly wide divide between art, graphic design, and advertising.
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Dirk Leyman became interested at a very young age in these peculiar accordion postcard albums, which every self-respecting tourist and souvenir hunter used to take home from their holiday. Dirk started to systematically collect them as time went by. The snapshots, which are folded in zig-zag fashion, are like relics of a long-gone era. Some are veritable typographical and(...)
Europe express: a Grand Tour through time
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Dirk Leyman became interested at a very young age in these peculiar accordion postcard albums, which every self-respecting tourist and souvenir hunter used to take home from their holiday. Dirk started to systematically collect them as time went by. The snapshots, which are folded in zig-zag fashion, are like relics of a long-gone era. Some are veritable typographical and photographic gems. Others are borderline kitsch, with their heavy-handed use of color. Europe Express spans the decades between the two World Wars to the early Eighties, with photos of San Marco in Venice and the elegant Grand Hotels and the utopian, upstanding world of the former Soviet Union.
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Cet ouvrage se veut un état des lieux de la culture graffiti à travers le portrait vivant et dynamique de quinze artistes internationaux, réunis par Lokiss, figure historique du graffiti hexagonal. En deux cents pages sont dévoilés les travaux en cours de ces artistes novateurs, qui se nomment volontiers writers, montrant la dynamique de cette culture sous toutes ses(...)
Graffiti expressions manifestes: ce que le street art ne dit pas
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Cet ouvrage se veut un état des lieux de la culture graffiti à travers le portrait vivant et dynamique de quinze artistes internationaux, réunis par Lokiss, figure historique du graffiti hexagonal. En deux cents pages sont dévoilés les travaux en cours de ces artistes novateurs, qui se nomment volontiers writers, montrant la dynamique de cette culture sous toutes ses formes, même les plus éloignées, même les moins identifiables, rebelles aux catégories que la critique d’art leur associe parfois.« Ce que le street art ne dit pas », formule provocatrice, ce livre le montrera. Le nommera. Philippe Baudelocque, Proembrion, Keith K. Hopewell…
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