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This otherworldly collection of Soviet space-race graphics takes readers on a cosmic adventure through Cold War-era Russia. Presenting more than 250 illustrations - depicting discoveries, scientific innovations, futuristic visions, and extraterrestrial encounters - 'Soviet Space Graphics' unlocks the door to the creative inner workings of the USSR.
Arts graphiques imprimés
avril 2020
Soviet space graphics: cosmic visions from the USSR
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This otherworldly collection of Soviet space-race graphics takes readers on a cosmic adventure through Cold War-era Russia. Presenting more than 250 illustrations - depicting discoveries, scientific innovations, futuristic visions, and extraterrestrial encounters - 'Soviet Space Graphics' unlocks the door to the creative inner workings of the USSR.
Arts graphiques imprimés
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Marking the centenary of his birth, the "Poster Collection" series devotes its latest edition to the popular Swiss poster designer Herbert Leupin. Primarily conceiving posters for consumer goods, for many years Leupin created advertising for products as diverse as the soft drink Pepita, charcuterie from Grossmetzgerei Bell, and Roth-Handle cigarettes. He helped these and(...)
Arts graphiques imprimés
août 2016
Herbert Leupin: Poster Collection 28
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Marking the centenary of his birth, the "Poster Collection" series devotes its latest edition to the popular Swiss poster designer Herbert Leupin. Primarily conceiving posters for consumer goods, for many years Leupin created advertising for products as diverse as the soft drink Pepita, charcuterie from Grossmetzgerei Bell, and Roth-Handle cigarettes. He helped these and many other companies develop their own brand identity and a recognizable presence in public space. In doing so, he struck the right balance between old-school artist's posters and a methodology for a successful publicity strategy - and thus bridged the increasingly wide divide between art, graphic design, and advertising.
Arts graphiques imprimés
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Dirk Leyman became interested at a very young age in these peculiar accordion postcard albums, which every self-respecting tourist and souvenir hunter used to take home from their holiday. Dirk started to systematically collect them as time went by. The snapshots, which are folded in zig-zag fashion, are like relics of a long-gone era. Some are veritable typographical and(...)
Europe express: a Grand Tour through time
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Dirk Leyman became interested at a very young age in these peculiar accordion postcard albums, which every self-respecting tourist and souvenir hunter used to take home from their holiday. Dirk started to systematically collect them as time went by. The snapshots, which are folded in zig-zag fashion, are like relics of a long-gone era. Some are veritable typographical and photographic gems. Others are borderline kitsch, with their heavy-handed use of color. Europe Express spans the decades between the two World Wars to the early Eighties, with photos of San Marco in Venice and the elegant Grand Hotels and the utopian, upstanding world of the former Soviet Union.
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Cet ouvrage se veut un état des lieux de la culture graffiti à travers le portrait vivant et dynamique de quinze artistes internationaux, réunis par Lokiss, figure historique du graffiti hexagonal. En deux cents pages sont dévoilés les travaux en cours de ces artistes novateurs, qui se nomment volontiers writers, montrant la dynamique de cette culture sous toutes ses(...)
Graffiti expressions manifestes: ce que le street art ne dit pas
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Cet ouvrage se veut un état des lieux de la culture graffiti à travers le portrait vivant et dynamique de quinze artistes internationaux, réunis par Lokiss, figure historique du graffiti hexagonal. En deux cents pages sont dévoilés les travaux en cours de ces artistes novateurs, qui se nomment volontiers writers, montrant la dynamique de cette culture sous toutes ses formes, même les plus éloignées, même les moins identifiables, rebelles aux catégories que la critique d’art leur associe parfois.« Ce que le street art ne dit pas », formule provocatrice, ce livre le montrera. Le nommera. Philippe Baudelocque, Proembrion, Keith K. Hopewell…
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A feminist silkscreen poster collective founded in London in 1974 by three former art students, the See Red Women’s Workshop grew out of a shared desire to combat sexist images of women and to create positive and challenging alternatives. Women from different backgrounds came together to make posters and calendars that tackled issues of sexuality, identity and oppression.(...)
See Red Women's Workshop: feminist posters 1974-1990
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A feminist silkscreen poster collective founded in London in 1974 by three former art students, the See Red Women’s Workshop grew out of a shared desire to combat sexist images of women and to create positive and challenging alternatives. Women from different backgrounds came together to make posters and calendars that tackled issues of sexuality, identity and oppression. With humor and bold, colorful graphics, See Red expressed the personal experiences of women as well as their role in wider struggles for change. Written by See Red members, detailing the group’s history up until the closure of the workshop in 1990, and with a foreword by celebrated feminist historian Sheila Rowbotham, See Red Women’s Workshop features all of the collective’s original screenprints and posters. Confronting negative stereotypes, questioning the role of women in society, and promoting women’s self-determination, the power and energy of these images reflect an important and dynamic era of women’s liberation—with continued relevance for today.
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On the occasion of Nikolaus Troxler’s 75th birthday, this publication presents a selection of Troxler’s legendary jazz posters. They are juxtaposed with his political manifestos in poster form, most of which he initiated himself, and with his commissioned works, including those for the Olma agricultural fair, the Knie circus and the Geneva International Motor Show.
Niklaus Troxler: Poster collection 34
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On the occasion of Nikolaus Troxler’s 75th birthday, this publication presents a selection of Troxler’s legendary jazz posters. They are juxtaposed with his political manifestos in poster form, most of which he initiated himself, and with his commissioned works, including those for the Olma agricultural fair, the Knie circus and the Geneva International Motor Show.
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Fifty years ago, in 1968, barricades were erected in the streets of Paris for the first time since the Paris Commune of nearly one hundred years before. The events of May 1968 began with student protests against the Vietnam War and American imperialism, expanded to rebellion over student living conditions and resistance to capitalist consumerism. An uprising at the(...)
Arts graphiques imprimés
avril 2018
The walls have the floor: mural journal, May '68
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Fifty years ago, in 1968, barricades were erected in the streets of Paris for the first time since the Paris Commune of nearly one hundred years before. The events of May 1968 began with student protests against the Vietnam War and American imperialism, expanded to rebellion over student living conditions and resistance to capitalist consumerism. An uprising at the Sorbonne was followed by wildcat strikes across France, uniting students and workers and bringing the country's economy to a halt. There have been many accounts of these events. This book tells the story in a different way, through the graffiti inscribed by protestors as they protested.
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Le 15 mai 1968, un atelier d'affiches est créé au sein de l'École supérieure des beaux-arts de Paris. Quelques jours plus tard, c'est au tour des occupants de l'école des Arts décoratifs de fonder le leur. Pendant plus d'un mois, des assemblées générales réunissent quotidiennement artistes, étudiants et travailleurs pour discuter des thèmes et des slogans des affiches qui(...)
Mai 68 : l'affiche en héritage
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Le 15 mai 1968, un atelier d'affiches est créé au sein de l'École supérieure des beaux-arts de Paris. Quelques jours plus tard, c'est au tour des occupants de l'école des Arts décoratifs de fonder le leur. Pendant plus d'un mois, des assemblées générales réunissent quotidiennement artistes, étudiants et travailleurs pour discuter des thèmes et des slogans des affiches qui sont produites sans interruption et diffusées bientôt dans la France entière. À travers la présentation chronologique de quelque deux cents créations – qui montre à quel point celles-ci ont su traduire les événements au jour le jour – et les témoignages de nombreux acteurs de l'époque, ce livre retrace l'aventure des ateliers, illustrée de rares photos sur leur fonctionnement, dont celles de Marc Riboud.
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L’UPO 3 présente une collection de lettres bouleversantes, réalisées par des enfants, lors d’ateliers animés par la graphiste-auteur Marion Bataille, autour de son jeu AOZ. Cet ouvrage s’adresse à tous pour le plaisir de découvrir, d’apprendre, de déguster, de réfléchir, de jouer en beauté. Il peut devenir en plus un outil de travail précieux pour les enseignants et les(...)
UPO 3: No one can fail / Écrire son nom
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L’UPO 3 présente une collection de lettres bouleversantes, réalisées par des enfants, lors d’ateliers animés par la graphiste-auteur Marion Bataille, autour de son jeu AOZ. Cet ouvrage s’adresse à tous pour le plaisir de découvrir, d’apprendre, de déguster, de réfléchir, de jouer en beauté. Il peut devenir en plus un outil de travail précieux pour les enseignants et les designers graphiques.
Arts graphiques imprimés
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Risograph is a brand of digital duplicators that are designed mainly for high-volume photocopying and printing. The process creates micro-imperfections in printing, similar to spontaneity, or even comparable to how improvisation in jazz can lead to an unexpected but pleasant result. The result of two years of research by O.OO, a graphic design studio based in Taipei, the(...)
No Magic In Riso, 3rd reprint
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Risograph is a brand of digital duplicators that are designed mainly for high-volume photocopying and printing. The process creates micro-imperfections in printing, similar to spontaneity, or even comparable to how improvisation in jazz can lead to an unexpected but pleasant result. The result of two years of research by O.OO, a graphic design studio based in Taipei, the main focus of this publication is colour separation and experimentation with images. The studio does not claim the colour separation methods described here to be absolute or the “right” way, but offer resources in hopes that they can provide helpful advice in practice while on the path to professionalism in this field.
Arts graphiques imprimés