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Le livre est au centre de multiples débats. Le peuple suisse a refusé par référendum une réglementation de son prix. Les diffuseurs sont accusés par la Commission de la concurrence de pratiques cartellaires. La librairie indépendante est menacée par la vente en ligne. L'avènement du numérique bouleverse notre rapport au livre et aux contenus, et fait apparaître de(...)
Les batailles du livre : L'édition romande, de son âge d'or à l'ère numérique
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Le livre est au centre de multiples débats. Le peuple suisse a refusé par référendum une réglementation de son prix. Les diffuseurs sont accusés par la Commission de la concurrence de pratiques cartellaires. La librairie indépendante est menacée par la vente en ligne. L'avènement du numérique bouleverse notre rapport au livre et aux contenus, et fait apparaître de nouveaux acteurs. Pour autant ce territoire situé au carrefour interculturel de l'Europe a aussi connu ses riches heures et de grandes entreprises éditoriales y ont vu le jour, qui ont essaimé largement au-delà de ses frontières. De ce monde en ébullition et souvent méconnu des lecteurs que nous sommes, de ses multiples enjeux aussi, François Vallotton dresse un portrait clair et vivant qui témoigne de la place intime et essentielle que le livre occupe dans la société.
Arts graphiques imprimés
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Posters circulated in Japan simultaneously with the country's swift reconstruction and economic revival after the Second World War. If the first generation of poster designers was mostly guided by western modernism, searching for a universal and functional way of communication, the following generations from the 1970s onwards increasingly drew on their own pictorial(...)
Poster collection 26: Japan-Nippon
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Posters circulated in Japan simultaneously with the country's swift reconstruction and economic revival after the Second World War. If the first generation of poster designers was mostly guided by western modernism, searching for a universal and functional way of communication, the following generations from the 1970s onwards increasingly drew on their own pictorial tradition and maintained marked individual approaches. This was not least a reaction to the west's fascination with a poster culture with very different parameters and arguments. Until today, the Japanese poster functions most notably as a highly aesthetic image advertisement and indoor medium, presupposing the conception of the designer as an artist.
Arts graphiques imprimés
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Cet ouvrage relate l'histoire des transformations graphiques du livre, depuis les premiers livres imprimés jusqu'à aujourd'hui. Les grands noms de la composition, de l'impression, de la typographie et du graphisme se succèdent au fil des pages, retraçant plus de 500 ans d'évolution. Des premières créations européennes aux réalisations américaines contemporaines, Le livre(...)
Le livre des livres : graphisme des livres au fil du temps
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Cet ouvrage relate l'histoire des transformations graphiques du livre, depuis les premiers livres imprimés jusqu'à aujourd'hui. Les grands noms de la composition, de l'impression, de la typographie et du graphisme se succèdent au fil des pages, retraçant plus de 500 ans d'évolution. Des premières créations européennes aux réalisations américaines contemporaines, Le livre des livres propose un voyage international.
Arts graphiques imprimés
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The box features 25 original sheet drawings by Danzig Baldaev and 25 photographs by Sergei Vasiliev. Each has a detailed description of the meaning of each tattoo on the reverse. Also included is a postcard of each of the three book covers. The drawings printed on the postcards are facsimiles of Baldaev’s original sheets, reproduced directly from the Russian Criminal Tattoo Archive.
Russian criminal tattoo encyclopaedia postcards
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The box features 25 original sheet drawings by Danzig Baldaev and 25 photographs by Sergei Vasiliev. Each has a detailed description of the meaning of each tattoo on the reverse. Also included is a postcard of each of the three book covers. The drawings printed on the postcards are facsimiles of Baldaev’s original sheets, reproduced directly from the Russian Criminal Tattoo Archive.
Arts graphiques imprimés
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Josef Müller-Brockmann's graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Poster campaigns for longtime clients such as the Tonhalle concert hall in Zürich or the Automobile Club of Switzerland follow strict functional(...)
Poster collection 25: Josef Muller-Brockmann
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Josef Müller-Brockmann's graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Poster campaigns for longtime clients such as the Tonhalle concert hall in Zürich or the Automobile Club of Switzerland follow strict functional criteria-and yet exhibit a variety of design solutions and exciting, dynamic compositions.
Arts graphiques imprimés
Poster graphics
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This inspirational collection of 300 recent posters from around the world proves that the poster is thriving. Richly illustrated, the selection goes far beyond commercial advertising, straight to the front lines of contemporary design practice, considering the poster as perhaps the most experimental form of graphic work today.
Poster graphics
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This inspirational collection of 300 recent posters from around the world proves that the poster is thriving. Richly illustrated, the selection goes far beyond commercial advertising, straight to the front lines of contemporary design practice, considering the poster as perhaps the most experimental form of graphic work today.
Arts graphiques imprimés
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Arnaud Desjardin’s The Book on Books on Artists Books is a bibliography of books, pamphlets, dealer catalogues and other printed materials on artists’ books that takes stock of a wide variety of publications on artists’ books since the early 1970s to assess the historical documentation of distribution, circulation and reception in the field. Together, these materials(...)
The book on books on artists books
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Arnaud Desjardin’s The Book on Books on Artists Books is a bibliography of books, pamphlets, dealer catalogues and other printed materials on artists’ books that takes stock of a wide variety of publications on artists’ books since the early 1970s to assess the historical documentation of distribution, circulation and reception in the field. Together, these materials constitute a unique history of the overlooked ephemera produced by the exhibiting, publishing, disseminating and collecting of artists’ books during the last 40 years.
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The book is alive!
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The Book Is Alive! is a survey of current thinking and innovative practice in contemporary publishing based on papers presented at the Booklive! international symposium in London in June 2012. This event brought together theorists and practitioners from the world of publishing and artists’ books to examine the current transformation of the book and its ability to keep(...)
The book is alive!
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The Book Is Alive! is a survey of current thinking and innovative practice in contemporary publishing based on papers presented at the Booklive! international symposium in London in June 2012. This event brought together theorists and practitioners from the world of publishing and artists’ books to examine the current transformation of the book and its ability to keep apace with digital culture and the emergence of new modes of making, reading, collecting and disseminating "on-the-page" work. It includes an interview with conceptual artist Joan Fontcuberta.
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This publication examines the impact on the British illustrated publishing industry of émigrés from Germany and Austria in the first half of the twentieth century, looking in particular at the art publishing houses of Phaidon Press and Thames & Hudson.
Émigrés: the transformation of art publishing in Britain
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This publication examines the impact on the British illustrated publishing industry of émigrés from Germany and Austria in the first half of the twentieth century, looking in particular at the art publishing houses of Phaidon Press and Thames & Hudson.
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Postcards epitomize the complex history of visual culture. These often nostalgic, inexpensive mementos of commercial culture have also been carriers, even instigators, of colonialist exoticism and political propaganda. They straddle the by now largely obliterated line between 'high' and 'low' art, between an earlier modernist art history and more recent work in visual(...)
Postcards: ephemeral histories of modernity
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Postcards epitomize the complex history of visual culture. These often nostalgic, inexpensive mementos of commercial culture have also been carriers, even instigators, of colonialist exoticism and political propaganda. They straddle the by now largely obliterated line between 'high' and 'low' art, between an earlier modernist art history and more recent work in visual culture. This illustrated volume brings together the latest interdisciplinary research on postcards as a significant area of scholarly inquiry.
Arts graphiques imprimés