62 Résultats
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This publication examines the various figures and interests involved in the design and construction of the Canada Pavilion and explores how it was used over the past sixty years to exhibit the work of Canadian artists and architects. This publication intends not only to underline the pavilion's importance in the broader context of modern architecture, but also to(...)
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This publication examines the various figures and interests involved in the design and construction of the Canada Pavilion and explores how it was used over the past sixty years to exhibit the work of Canadian artists and architects. This publication intends not only to underline the pavilion's importance in the broader context of modern architecture, but also to(...)
Titre:
The Canada Pavilion at the Venice Biennale
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This publication examines the various figures and interests involved in the design and construction of the Canada Pavilion and explores how it was used over the past sixty years to exhibit the work of Canadian artists and architects. This publication intends not only to underline the pavilion's importance in the broader context of modern architecture, but also to highlight its role as an early example of cultural diplomacy. The book is fully endowed with archive material, such as photographs, drawings, and maps, along with a portfolio created by contemporary photographers (Francesco Barasciutti and Andrea Pertoldeo), showing the building before, during, and after the restoration. The essays of the various contributors to the book analyze the cultural and political context in which the Canada Pavilion committee worked (Cammie McAtee); the concept and construction of the building and the links with the architect Enrico Peressutti and the BBPR partnership (Réjean Legault); the pavilion's role in the postwar Italian cultural context (Serena Maffioletti) and its fortunes from its inauguration in 1958 to the restoration in 2018 (Josée Drouin-Brisebois); the restoration project itself (Susanna Caccia Gherardine), and, lastly, the relationship between the Canada Pavilion and the Biennale Gardens (Franco Panzini).
The Canada Pavilion at the Venice Biennale
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This publication examines the various figures and interests involved in the design and construction of the Canada Pavilion and explores how it was used over the past sixty years to exhibit the work of Canadian artists and architects. This publication intends not only to underline the pavilion's importance in the broader context of modern architecture, but also to highlight its role as an early example of cultural diplomacy. The book is fully endowed with archive material, such as photographs, drawings, and maps, along with a portfolio created by contemporary photographers (Francesco Barasciutti and Andrea Pertoldeo), showing the building before, during, and after the restoration. The essays of the various contributors to the book analyze the cultural and political context in which the Canada Pavilion committee worked (Cammie McAtee); the concept and construction of the building and the links with the architect Enrico Peressutti and the BBPR partnership (Réjean Legault); the pavilion's role in the postwar Italian cultural context (Serena Maffioletti) and its fortunes from its inauguration in 1958 to the restoration in 2018 (Josée Drouin-Brisebois); the restoration project itself (Susanna Caccia Gherardine), and, lastly, the relationship between the Canada Pavilion and the Biennale Gardens (Franco Panzini).
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livres
livres
Publication:
septembre 2019
septembre 2019
Sujet:
Biennale
Biennale
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livres
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The relationship between real and fictional cities is blurry. Ideas which begin as literary speculations can shape the physical world. Both architects and novelists tell stories about place; real and imagined. They are in this sense both urban practitioners, creating neighbourhoods to serve communities and articulating the values of societies through the design of their(...)
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The relationship between real and fictional cities is blurry. Ideas which begin as literary speculations can shape the physical world. Both architects and novelists tell stories about place; real and imagined. They are in this sense both urban practitioners, creating neighbourhoods to serve communities and articulating the values of societies through the design of their(...)
Titre:
Gross ideas: Tales of tomorrow's architecture. Oslo Architecture Triennale
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The relationship between real and fictional cities is blurry. Ideas which begin as literary speculations can shape the physical world. Both architects and novelists tell stories about place; real and imagined. They are in this sense both urban practitioners, creating neighbourhoods to serve communities and articulating the values of societies through the design of their streets.This book of original short stories, written by architects, engineers, and novelists, explores the architecture of the near future glimpsed through the lens of fictional characters, places and buildings. What will the architecture of the future be like? How will cities change with environmental breakdown? How will people travel once cars are ancient history? What will buildings look like when bricks and mortar are no longer instruments of financial accumulation?
Gross ideas: Tales of tomorrow's architecture. Oslo Architecture Triennale
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The relationship between real and fictional cities is blurry. Ideas which begin as literary speculations can shape the physical world. Both architects and novelists tell stories about place; real and imagined. They are in this sense both urban practitioners, creating neighbourhoods to serve communities and articulating the values of societies through the design of their streets.This book of original short stories, written by architects, engineers, and novelists, explores the architecture of the near future glimpsed through the lens of fictional characters, places and buildings. What will the architecture of the future be like? How will cities change with environmental breakdown? How will people travel once cars are ancient history? What will buildings look like when bricks and mortar are no longer instruments of financial accumulation?
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livres
livres
Publication:
octobre 2019
octobre 2019
Sujet:
Biennale
Biennale
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livres
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This eclectic spiral-bound catalogue is published on the occasion of ‘Cosmo-Eggs’, presented at the Japan Pavilion as part of the 2019 Venice Biennale. Cooperation is a vital element of the exhibition, which forms a collective effort to explore new meanings and possible forms of co-existence between diverse beings. Further, it examines the potential of unknown ideas and(...)
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This eclectic spiral-bound catalogue is published on the occasion of ‘Cosmo-Eggs’, presented at the Japan Pavilion as part of the 2019 Venice Biennale. Cooperation is a vital element of the exhibition, which forms a collective effort to explore new meanings and possible forms of co-existence between diverse beings. Further, it examines the potential of unknown ideas and(...)
Titre:
Cosmo-eggs, Japan Pavilion 58th Biennale
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This eclectic spiral-bound catalogue is published on the occasion of ‘Cosmo-Eggs’, presented at the Japan Pavilion as part of the 2019 Venice Biennale. Cooperation is a vital element of the exhibition, which forms a collective effort to explore new meanings and possible forms of co-existence between diverse beings. Further, it examines the potential of unknown ideas and experiments that are created through artists’ mutual inspirations. Designed by Yoshihisa Tanaka, the book collects the writings and visual notes by the four participants (artist Motoyuki Shitamichi, composer Taro Yasuno, anthropologist Toshiaki Ishikura, and architect Fuminori Nousaku) as well as curator Hiroyuki Hattori.
Cosmo-eggs, Japan Pavilion 58th Biennale
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This eclectic spiral-bound catalogue is published on the occasion of ‘Cosmo-Eggs’, presented at the Japan Pavilion as part of the 2019 Venice Biennale. Cooperation is a vital element of the exhibition, which forms a collective effort to explore new meanings and possible forms of co-existence between diverse beings. Further, it examines the potential of unknown ideas and experiments that are created through artists’ mutual inspirations. Designed by Yoshihisa Tanaka, the book collects the writings and visual notes by the four participants (artist Motoyuki Shitamichi, composer Taro Yasuno, anthropologist Toshiaki Ishikura, and architect Fuminori Nousaku) as well as curator Hiroyuki Hattori.
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livres
livres
Publication:
octobre 2019
octobre 2019
Sujet:
Biennale
Biennale
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livres
livres
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$120.00
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The official catalog of the 15th Venice Biennale Architecture Exhibition. More and more people on the planet are looking for a decent place to live, even though the chances to find one are becoming tougher and tougher by the hour. Nevertheless, on the frontlines of the built environment there lingers a sense of vitality that brings architecture to look at reality in a(...)
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The official catalog of the 15th Venice Biennale Architecture Exhibition. More and more people on the planet are looking for a decent place to live, even though the chances to find one are becoming tougher and tougher by the hour. Nevertheless, on the frontlines of the built environment there lingers a sense of vitality that brings architecture to look at reality in a(...)
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Reporting from the front: 15th International Architecture Exhibition. Biennale di Venezia
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The official catalog of the 15th Venice Biennale Architecture Exhibition. More and more people on the planet are looking for a decent place to live, even though the chances to find one are becoming tougher and tougher by the hour. Nevertheless, on the frontlines of the built environment there lingers a sense of vitality that brings architecture to look at reality in a positive way. This is what people will see at the 15th International Architecture Exhibition: success stories and exemplary cases where architecture has made, is making, and will make a difference. Reporting from the Front aims at explaining to a broader audience what it means to improve the quality of life while working on the margins, under heavy circumstances, and facing pressing challenges. And what it is like to be on the cutting edge trying to conquer new fields.
Reporting from the front: 15th International Architecture Exhibition. Biennale di Venezia
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The official catalog of the 15th Venice Biennale Architecture Exhibition. More and more people on the planet are looking for a decent place to live, even though the chances to find one are becoming tougher and tougher by the hour. Nevertheless, on the frontlines of the built environment there lingers a sense of vitality that brings architecture to look at reality in a positive way. This is what people will see at the 15th International Architecture Exhibition: success stories and exemplary cases where architecture has made, is making, and will make a difference. Reporting from the Front aims at explaining to a broader audience what it means to improve the quality of life while working on the margins, under heavy circumstances, and facing pressing challenges. And what it is like to be on the cutting edge trying to conquer new fields.
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livres
livres
Publication:
septembre 2016
septembre 2016
Sujet:
Biennale
Biennale
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A wooden Japanese house slated for demolition will instead be moved to Venice for exhibition. Yet the house put on display will not appear in its original form. Dismantled for shipping, it will be reassembled on-site in new configurations created by architects and artisans from Japan, who will add new or local materials and other elements in the process. In other words,(...)
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A wooden Japanese house slated for demolition will instead be moved to Venice for exhibition. Yet the house put on display will not appear in its original form. Dismantled for shipping, it will be reassembled on-site in new configurations created by architects and artisans from Japan, who will add new or local materials and other elements in the process. In other words,(...)
Titre:
Co-Ownership of action : trajectories of elements
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A wooden Japanese house slated for demolition will instead be moved to Venice for exhibition. Yet the house put on display will not appear in its original form. Dismantled for shipping, it will be reassembled on-site in new configurations created by architects and artisans from Japan, who will add new or local materials and other elements in the process. In other words, the exhibition of the house will be a fantastical installation that combines old and new in a composite of creative efforts by multiple designers and craftsmen. This book, edited by architect Kozo Kadowaki, explores the project in detail.
Co-Ownership of action : trajectories of elements
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A wooden Japanese house slated for demolition will instead be moved to Venice for exhibition. Yet the house put on display will not appear in its original form. Dismantled for shipping, it will be reassembled on-site in new configurations created by architects and artisans from Japan, who will add new or local materials and other elements in the process. In other words, the exhibition of the house will be a fantastical installation that combines old and new in a composite of creative efforts by multiple designers and craftsmen. This book, edited by architect Kozo Kadowaki, explores the project in detail.
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livres
livres
Publication:
août 2020
août 2020
Sujet:
Biennale
Biennale
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livres
livres
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Empavillonner
Empavillonner
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Ouvrage collectif (premier numéro de la collection « Focus ») consacré à l'analyse des pavillons d'exposition (expositions universelles, biennales) du point de vue de leur architecture, croisant les contributions de designers et architectes, d'historiens, de philosophes et esthéticiens. Qu'il s'agisse, entre autres exemples, du Pavillon France réalisé par l'architecte(...)
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Ouvrage collectif (premier numéro de la collection « Focus ») consacré à l'analyse des pavillons d'exposition (expositions universelles, biennales) du point de vue de leur architecture, croisant les contributions de designers et architectes, d'historiens, de philosophes et esthéticiens. Qu'il s'agisse, entre autres exemples, du Pavillon France réalisé par l'architecte(...)
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Empavillonner
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Ouvrage collectif (premier numéro de la collection « Focus ») consacré à l'analyse des pavillons d'exposition (expositions universelles, biennales) du point de vue de leur architecture, croisant les contributions de designers et architectes, d'historiens, de philosophes et esthéticiens. Qu'il s'agisse, entre autres exemples, du Pavillon France réalisé par l'architecte Jean-Paul Viguier à l'occasion de l'Exposition Universelle de Séville (1992), de celui des Pays-Bas signé de l'agence MVRDV dans le cadre l'Exposition Universelle d'Hanovre (2000) ou encore, avant eux, des pavillons présentés comme « manifestes de la modernité », tels que ceux de Richard Buckminster Fuller (Pavillon États-Unis, île Sainte-Hélène, Montréal, 1967), de Le Corbusier (Pavillon Philips, Bruxelles, 1958) de Robert Mallet-Stevens et des frères Martel (Pavillon du tourisme, Paris, 1925), tous sembleraient procéder d'une même intention (ou prétention)?: celle de définir les voies et préceptes d'une architecture résolument nouvelle laquelle, contestant ou refusant parfois ce qui a cours, préfigure et marque de quoi serait faite l'époque à-venir.
Empavillonner
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Ouvrage collectif (premier numéro de la collection « Focus ») consacré à l'analyse des pavillons d'exposition (expositions universelles, biennales) du point de vue de leur architecture, croisant les contributions de designers et architectes, d'historiens, de philosophes et esthéticiens. Qu'il s'agisse, entre autres exemples, du Pavillon France réalisé par l'architecte Jean-Paul Viguier à l'occasion de l'Exposition Universelle de Séville (1992), de celui des Pays-Bas signé de l'agence MVRDV dans le cadre l'Exposition Universelle d'Hanovre (2000) ou encore, avant eux, des pavillons présentés comme « manifestes de la modernité », tels que ceux de Richard Buckminster Fuller (Pavillon États-Unis, île Sainte-Hélène, Montréal, 1967), de Le Corbusier (Pavillon Philips, Bruxelles, 1958) de Robert Mallet-Stevens et des frères Martel (Pavillon du tourisme, Paris, 1925), tous sembleraient procéder d'une même intention (ou prétention)?: celle de définir les voies et préceptes d'une architecture résolument nouvelle laquelle, contestant ou refusant parfois ce qui a cours, préfigure et marque de quoi serait faite l'époque à-venir.
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livres
livres
Publication:
mars 2021
mars 2021
Sujet:
Biennale
Biennale
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livres
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How do city and architecture flourish together ? This question is central to the three-dimensional capriccio that displays a fictional Flemish urban environment. Over time, the informal city in Flanders and Brussels has developed a unique relationship with its architecture. This staged urban landscape reveals how historical layers, morphological peculiarities and(...)
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How do city and architecture flourish together ? This question is central to the three-dimensional capriccio that displays a fictional Flemish urban environment. Over time, the informal city in Flanders and Brussels has developed a unique relationship with its architecture. This staged urban landscape reveals how historical layers, morphological peculiarities and(...)
Publication:
juin 2021
juin 2021
Titre:
Bovenbouw Architectuur: Composite presence
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How do city and architecture flourish together ? This question is central to the three-dimensional capriccio that displays a fictional Flemish urban environment. Over time, the informal city in Flanders and Brussels has developed a unique relationship with its architecture. This staged urban landscape reveals how historical layers, morphological peculiarities and unforeseen collisions are an endless source of energy for contemporary architectural production. Published on the occasion of the exhibition "Composite Presence" curated by Bovenbouw Architectuur in the Belgian Pavilion at the Biennale di Architettura 2021 in Venice, Italy.
Bovenbouw Architectuur: Composite presence
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How do city and architecture flourish together ? This question is central to the three-dimensional capriccio that displays a fictional Flemish urban environment. Over time, the informal city in Flanders and Brussels has developed a unique relationship with its architecture. This staged urban landscape reveals how historical layers, morphological peculiarities and unforeseen collisions are an endless source of energy for contemporary architectural production. Published on the occasion of the exhibition "Composite Presence" curated by Bovenbouw Architectuur in the Belgian Pavilion at the Biennale di Architettura 2021 in Venice, Italy.
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livres
livres
Publication:
juin 2021
juin 2021
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livres
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''How will we live together?'' The extensive publication for the exhibition of the Slovenian Pavilion at the 17th International Architecture Biennale seeks to answer this question through research on community centres in Slovenia. By unearthing and presenting the large-scale project of building more than 350 cooperative centres that began 70 years ago, it reveals how(...)
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''How will we live together?'' The extensive publication for the exhibition of the Slovenian Pavilion at the 17th International Architecture Biennale seeks to answer this question through research on community centres in Slovenia. By unearthing and presenting the large-scale project of building more than 350 cooperative centres that began 70 years ago, it reveals how(...)
Titre:
The common in community: Slovenian pavilion 17th Architecture Biennale
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''How will we live together?'' The extensive publication for the exhibition of the Slovenian Pavilion at the 17th International Architecture Biennale seeks to answer this question through research on community centres in Slovenia. By unearthing and presenting the large-scale project of building more than 350 cooperative centres that began 70 years ago, it reveals how these centres have seen changes in the political and economic system, taken on new uses, shaped local communities, and remain relevant today. A closer look at this history provides a better understanding of indoor public spaces as social infrastructure that fosters interaction, communication, and empowerment.
The common in community: Slovenian pavilion 17th Architecture Biennale
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''How will we live together?'' The extensive publication for the exhibition of the Slovenian Pavilion at the 17th International Architecture Biennale seeks to answer this question through research on community centres in Slovenia. By unearthing and presenting the large-scale project of building more than 350 cooperative centres that began 70 years ago, it reveals how these centres have seen changes in the political and economic system, taken on new uses, shaped local communities, and remain relevant today. A closer look at this history provides a better understanding of indoor public spaces as social infrastructure that fosters interaction, communication, and empowerment.
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livres
livres
Publication:
janvier 2021
janvier 2021
Sujet:
Biennale
Biennale
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livres
livres
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$22.00
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''In the face of war'' is the culmination of ''The war diary of Yevgenia Belorusets.'' In partnership with the Office of the President of Ukraine, it is presented alongside the wartime work of Ukrainian artists Nikita Kadan and Lesia Khomenko, on the occasion of their exhibition at the 59th Venice Biennale.
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''In the face of war'' is the culmination of ''The war diary of Yevgenia Belorusets.'' In partnership with the Office of the President of Ukraine, it is presented alongside the wartime work of Ukrainian artists Nikita Kadan and Lesia Khomenko, on the occasion of their exhibition at the 59th Venice Biennale.
Publication:
juin 2022
juin 2022
Titre:
In the face of war : Ukraine 2022
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''In the face of war'' is the culmination of ''The war diary of Yevgenia Belorusets.'' In partnership with the Office of the President of Ukraine, it is presented alongside the wartime work of Ukrainian artists Nikita Kadan and Lesia Khomenko, on the occasion of their exhibition at the 59th Venice Biennale.
In the face of war : Ukraine 2022
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''In the face of war'' is the culmination of ''The war diary of Yevgenia Belorusets.'' In partnership with the Office of the President of Ukraine, it is presented alongside the wartime work of Ukrainian artists Nikita Kadan and Lesia Khomenko, on the occasion of their exhibition at the 59th Venice Biennale.
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livres
livres
Publication:
juin 2022
juin 2022
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livres
livres
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$28.00
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This book explores how artists and curators evoke the past as a part of the present within the framework of contemporary art biennials. Can the nonlinear and poly vocal form of the art biennial—distinctly different from that of historical museums and academia—provide an experimental testing ground for publicly processing the past and reimagining the future? Conceived as(...)
$28.00
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This book explores how artists and curators evoke the past as a part of the present within the framework of contemporary art biennials. Can the nonlinear and poly vocal form of the art biennial—distinctly different from that of historical museums and academia—provide an experimental testing ground for publicly processing the past and reimagining the future? Conceived as(...)
Titre:
Biennials as sites of historical narration
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This book explores how artists and curators evoke the past as a part of the present within the framework of contemporary art biennials. Can the nonlinear and poly vocal form of the art biennial—distinctly different from that of historical museums and academia—provide an experimental testing ground for publicly processing the past and reimagining the future? Conceived as a resource for the fields of art and exhibition studies, as well as for readers interested in history and social change, the book includes reflections on artistic and curatorial strategies, from Lagos to Prishtina and from Venice to Gwangju. The 2019 and 2021 editions of the Göteborg International Biennial for Contemporary Art are featured as case-studies opening up for a wider discussion about the relationship between art and the production of historical consciousness.
Biennials as sites of historical narration
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This book explores how artists and curators evoke the past as a part of the present within the framework of contemporary art biennials. Can the nonlinear and poly vocal form of the art biennial—distinctly different from that of historical museums and academia—provide an experimental testing ground for publicly processing the past and reimagining the future? Conceived as a resource for the fields of art and exhibition studies, as well as for readers interested in history and social change, the book includes reflections on artistic and curatorial strategies, from Lagos to Prishtina and from Venice to Gwangju. The 2019 and 2021 editions of the Göteborg International Biennial for Contemporary Art are featured as case-studies opening up for a wider discussion about the relationship between art and the production of historical consciousness.
Classification:
livres
livres
Publication:
août 2022
août 2022
Sujet:
Biennale
Biennale
