$108.00
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This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists(...)
mars 2010
In numbers : serial publications by artists since 1955
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This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists have seized on magazine and postcard formats as forms in themselves. These are not publications that print criticism, manifestos or reproductions of artworks; rather, they are themselves artworks, in large part they are produced by younger artists operating at the peripheries of mainstream art cultures, or by established artists looking for an alternative to the marketplace. Dating from 1955 to the present, "In Numbers" begins with Wallace Berman's Semina and continues through Joe Brainard's C Comics, Situationist Times, Eleanor Antin's 100 Boots, Ian Hamilton Finlay's Poor.Old.Tired.Horse, Fluxus, amid contemporary examples such as North Drive Press, LTTR and Continuous Project.
$66.00
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Kiosk, Christoph Keller's famous art publications archive, has been exhibited at 27 institutions and biennials internationally since 2001, including the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul(...)
février 2010
Kiosk: Modes of multiplication
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Kiosk, Christoph Keller's famous art publications archive, has been exhibited at 27 institutions and biennials internationally since 2001, including the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul Biennial. To date, it contains more than 7,000 publications by approximately 500 independent art publishing projects, from magazines, fanzines, newspapers, journals, audio and video labels to institutional publishing, covering the entire bandwidth of publishing possibilities. On the occasion of the archive's final public presentation at the Kunstbibliothek, Berlin, this overview on independent art publishing activities today surveys the Kiosk project. This catalogue contains documentary illustrations and provides information on the contributing publishing projects.
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This publication annually showcases the results of the competition ‘The Most Beautiful Swiss Books’, coordinated by the Swiss Ministry of Culture and aimed at promoting Swiss book design. The catalogue presents the award-winning books and their technical facts and figures, as well as the jury’s verdict. Moreover, it serves as a platform for discourse about book design and(...)
août 2010
The most beautiful swiss books 2009: the future issue
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This publication annually showcases the results of the competition ‘The Most Beautiful Swiss Books’, coordinated by the Swiss Ministry of Culture and aimed at promoting Swiss book design. The catalogue presents the award-winning books and their technical facts and figures, as well as the jury’s verdict. Moreover, it serves as a platform for discourse about book design and production and is in itself an example of contemporary graphic design trends. ‘The Future Issue’ is the third catalogue in the Back To The Future Trilogy, concerned with the past, present and future of book design.
Maquette, nouvelle édition
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Ce livre traite de la mise en page à travers de nombreux exemples et études de cas.
Maquette, nouvelle édition
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Ce livre traite de la mise en page à travers de nombreux exemples et études de cas.
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Ouvroir de littérature potentielle est un ouvrage de référence sur l'Oulipo, qui vous invite à mieux connaître le groupe littéraire français le plus ancien du champ contemporain, marqué par de grandes figures, comme Quenau, Perec ou Calvino et toujours actif. Il est aussi question de l'Obapo (Ouvroir de bande dessinée potentielle), de l'Oulipopo (Ouvroir de littérature(...)
janvier 2015
Ouvroir de littérature potentielle
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Ouvroir de littérature potentielle est un ouvrage de référence sur l'Oulipo, qui vous invite à mieux connaître le groupe littéraire français le plus ancien du champ contemporain, marqué par de grandes figures, comme Quenau, Perec ou Calvino et toujours actif. Il est aussi question de l'Obapo (Ouvroir de bande dessinée potentielle), de l'Oulipopo (Ouvroir de littérature policière potentielle) et autres OuXpo, groupes associés partageant le même goût pour la contrainte.
Library: An Unquiet History
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Through the ages, libraries have not only accumulated and preserved but also shaped, inspired, and obliterated knowledge. Now they are in crisis. Former rare books librarian and Harvard MetaLAB visionary Matthew Battles takes us from Boston to Baghdad, from classical scriptoria to medieval monasteries and on to the Information Age, to explore how libraries are built and(...)
mars 2015
Library: An Unquiet History
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Through the ages, libraries have not only accumulated and preserved but also shaped, inspired, and obliterated knowledge. Now they are in crisis. Former rare books librarian and Harvard MetaLAB visionary Matthew Battles takes us from Boston to Baghdad, from classical scriptoria to medieval monasteries and on to the Information Age, to explore how libraries are built and how they are destroyed: from the scroll burnings in ancient China to the burning of libraries in Europe and Bosnia to the latest revolutionary upheavals of the digital age. A new epilogue elucidates the preservation of knowledge amid the creative destruction of twenty-first century technology. 10 illustrations.
Munari's books
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Italian artist and designer Bruno Munari (1907-1998) considered the book the best medium to communicate his visual ideas, showcase his art, and convey his creative spirit. Primarily produced in large quantities for the general public, his more-than-sixty publications, from design manuals and manifestos to visionary tactile children's books, displayed all the beauty and(...)
Munari's books
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Italian artist and designer Bruno Munari (1907-1998) considered the book the best medium to communicate his visual ideas, showcase his art, and convey his creative spirit. Primarily produced in large quantities for the general public, his more-than-sixty publications, from design manuals and manifestos to visionary tactile children's books, displayed all the beauty and technical ingenuity of works of art. Munari's Books, the definitive collection of his book designs, examines in detail his seventy--year legacy in print, from his pioneering work as a graphic designer and collaborations with major publishers to his experimental visual projects and innovative contributions to the fields of painting, sculpture, design, photography, and teaching.
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Inside the Rainbow reprints for the first time in English a unique compendium of Soviet-era picture books from the 1920s and 1930s—a high point in the history of children's literature. In the dark and dangerous world of revolutionary Petrograd, some of the greatest Russian poets and artists of the century came together to create a new kind of book for children, one that(...)
Inside the rainbow: Russian children's literature 1920-35, beautiful books, terrible times
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Inside the Rainbow reprints for the first time in English a unique compendium of Soviet-era picture books from the 1920s and 1930s—a high point in the history of children's literature. In the dark and dangerous world of revolutionary Petrograd, some of the greatest Russian poets and artists of the century came together to create a new kind of book for children, one that reflected the endless possibilities of a brave new world.
10 years in art publishing
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This A-Z "memoir about art publishing" celebrates the ten-year anniversary of JRP|Ringier, created in 2004 by Swiss art curator Lionel Bovier and Ringier AG owner Michael Ringier. With 632 books and 1,800 authors published, 20,000 printing hours, 4,000 tons of books transported and one million sold, JRP|Ringier continues to work collaboratively with contemporary artists(...)
10 years in art publishing
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This A-Z "memoir about art publishing" celebrates the ten-year anniversary of JRP|Ringier, created in 2004 by Swiss art curator Lionel Bovier and Ringier AG owner Michael Ringier. With 632 books and 1,800 authors published, 20,000 printing hours, 4,000 tons of books transported and one million sold, JRP|Ringier continues to work collaboratively with contemporary artists to produce carefully curated, high-quality publications. The book goes from A for Art Publisher and B for Books to Y for Yellowpress and Z for Zombie Books ("projects that are in the state of non-death: they are not officially stopped, so they weigh on you, on your program's list, being revived every now and then by someone who does not want them to die, without being able to make them exist") and is illustrated with images of signings and on-press scenes. This volume is published in the Hapax series.
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The Anatomy of the Architectural Book examines the relationships between book culture and building culture, making visible the axes along which architectural knowledge circulates through books into buildings and back. Using five conceptual tools—texture, surface, rhythm, structure, and scale—Tavares analyzes the material qualities of a wide range of books in order to(...)
mars 2016
The anatomy of the architectural book
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The Anatomy of the Architectural Book examines the relationships between book culture and building culture, making visible the axes along which architectural knowledge circulates through books into buildings and back. Using five conceptual tools—texture, surface, rhythm, structure, and scale—Tavares analyzes the material qualities of a wide range of books in order to assess these dynamics and intersections. This investigation confronts us with the rise of the industrialized book, and thus of the editor as an important intermediary between the author and the printer, as well as with the configuration of the book as a unique visual device (with the designer taking part in a progressively more complex chain of decision-making). Richly illustrated with samples from the CCA library, the volume discusses work by authors including William Morris, Gottfried Semper, El Lissitzky, Le Corbusier, and Frank Lloyd Wright, among others. A large portion of the research for the book was undertaken while Tavares was a Visiting Scholar at the CCA. It is co-published in English by Lars Müller Publishers and in Portuguese by Dafne Editora.