livres
Le livre en lettres
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En abordant le livre du point de vue de sa typographie, cet ouvrage sensibilise le lecteur aux possibilités infinies de cette discipline. L'outil informatique a rendu accessible au plus grand nombre une palette très riche de polices, encore faut-il savoir les utiliser en tenant compte d'exigences aussi bien pratiques, esthétiques que contextuelles. Grâce aux différents(...)
Le livre en lettres
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En abordant le livre du point de vue de sa typographie, cet ouvrage sensibilise le lecteur aux possibilités infinies de cette discipline. L'outil informatique a rendu accessible au plus grand nombre une palette très riche de polices, encore faut-il savoir les utiliser en tenant compte d'exigences aussi bien pratiques, esthétiques que contextuelles. Grâce aux différents ateliers vous pourrez mettre en application de manière ludique les notions traitées dans chaque chapitre et comprendre les choix typographiques des graphistes ou des éditeurs.
livres
janvier 2008
$108.00
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This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists(...)
mars 2010
In numbers : serial publications by artists since 1955
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This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists have seized on magazine and postcard formats as forms in themselves. These are not publications that print criticism, manifestos or reproductions of artworks; rather, they are themselves artworks, in large part they are produced by younger artists operating at the peripheries of mainstream art cultures, or by established artists looking for an alternative to the marketplace. Dating from 1955 to the present, "In Numbers" begins with Wallace Berman's Semina and continues through Joe Brainard's C Comics, Situationist Times, Eleanor Antin's 100 Boots, Ian Hamilton Finlay's Poor.Old.Tired.Horse, Fluxus, amid contemporary examples such as North Drive Press, LTTR and Continuous Project.
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Kiosk, Christoph Keller's famous art publications archive, has been exhibited at 27 institutions and biennials internationally since 2001, including the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul(...)
février 2010
Kiosk: Modes of multiplication
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Kiosk, Christoph Keller's famous art publications archive, has been exhibited at 27 institutions and biennials internationally since 2001, including the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul Biennial. To date, it contains more than 7,000 publications by approximately 500 independent art publishing projects, from magazines, fanzines, newspapers, journals, audio and video labels to institutional publishing, covering the entire bandwidth of publishing possibilities. On the occasion of the archive's final public presentation at the Kunstbibliothek, Berlin, this overview on independent art publishing activities today surveys the Kiosk project. This catalogue contains documentary illustrations and provides information on the contributing publishing projects.
The unbound book
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For centuries, the physical book has been the ideal reading machine. So as books are increasingly supplanted by digital, onscreen reading, it is only natural that we find ourselves wondering what will be lost in the transition. This collection, edited by scholars with expertise in electronic publishing and the digital humanities, focuses instead on what we might gain—how(...)
The unbound book
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For centuries, the physical book has been the ideal reading machine. So as books are increasingly supplanted by digital, onscreen reading, it is only natural that we find ourselves wondering what will be lost in the transition. This collection, edited by scholars with expertise in electronic publishing and the digital humanities, focuses instead on what we might gain—how screen technology might shape and improve the very activities for which we have always used paper.
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Between 2010 and 2013, editor Brigitte Schuster interviewed thirteen prominent Dutch book designers. Among the designers in focus are Karen Polder, Armand Mevis, Walter Nikkels, Hansje van Halem and Joost Grootens. The interviews offer a fascinating look into the world of book designers who belong to different generations, and whose work has been shaped by different(...)
Book designers from the Netherlands
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Between 2010 and 2013, editor Brigitte Schuster interviewed thirteen prominent Dutch book designers. Among the designers in focus are Karen Polder, Armand Mevis, Walter Nikkels, Hansje van Halem and Joost Grootens. The interviews offer a fascinating look into the world of book designers who belong to different generations, and whose work has been shaped by different experiences. An intimate view of the designing process and the individuals themselves emerges as the methodology and motivations of each is uncovered.
$57.00
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What exactly is a book? This wildly inventive and thought-provoking volume asks that question of more than 30 of today's top creative visionaries, from Ed Ruscha to Miranda July, John Baldessari to Jonathan Lethem. Each traditional element of a book—from endpapers to footnotes—is assigned to a different artist or writer invited to use the space as a creative playground.(...)
The thing, the book: a monument to the book as object
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What exactly is a book? This wildly inventive and thought-provoking volume asks that question of more than 30 of today's top creative visionaries, from Ed Ruscha to Miranda July, John Baldessari to Jonathan Lethem. Each traditional element of a book—from endpapers to footnotes—is assigned to a different artist or writer invited to use the space as a creative playground. The result is a collaborative group art project like no other.
$29.95
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A “good book” and whatever it is that makes a book beautiful are not easy to define – the details of a design may well suit one book to perfection, but be very much out of place with another publication. With this in mind the author and designer Bernd Kuchenbeiser launched his website “A good book”, where publications of many different genres are presented and discussed(...)
61 books with black type on white cover
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A “good book” and whatever it is that makes a book beautiful are not easy to define – the details of a design may well suit one book to perfection, but be very much out of place with another publication. With this in mind the author and designer Bernd Kuchenbeiser launched his website “A good book”, where publications of many different genres are presented and discussed especially in the context of their creative design.
Maquette, nouvelle édition
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Ce livre traite de la mise en page à travers de nombreux exemples et études de cas.
Maquette, nouvelle édition
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Ce livre traite de la mise en page à travers de nombreux exemples et études de cas.
$72.95
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Ouvroir de littérature potentielle est un ouvrage de référence sur l'Oulipo, qui vous invite à mieux connaître le groupe littéraire français le plus ancien du champ contemporain, marqué par de grandes figures, comme Quenau, Perec ou Calvino et toujours actif. Il est aussi question de l'Obapo (Ouvroir de bande dessinée potentielle), de l'Oulipopo (Ouvroir de littérature(...)
janvier 2015
Ouvroir de littérature potentielle
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Ouvroir de littérature potentielle est un ouvrage de référence sur l'Oulipo, qui vous invite à mieux connaître le groupe littéraire français le plus ancien du champ contemporain, marqué par de grandes figures, comme Quenau, Perec ou Calvino et toujours actif. Il est aussi question de l'Obapo (Ouvroir de bande dessinée potentielle), de l'Oulipopo (Ouvroir de littérature policière potentielle) et autres OuXpo, groupes associés partageant le même goût pour la contrainte.
Library: An Unquiet History
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Through the ages, libraries have not only accumulated and preserved but also shaped, inspired, and obliterated knowledge. Now they are in crisis. Former rare books librarian and Harvard MetaLAB visionary Matthew Battles takes us from Boston to Baghdad, from classical scriptoria to medieval monasteries and on to the Information Age, to explore how libraries are built and(...)
mars 2015
Library: An Unquiet History
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Through the ages, libraries have not only accumulated and preserved but also shaped, inspired, and obliterated knowledge. Now they are in crisis. Former rare books librarian and Harvard MetaLAB visionary Matthew Battles takes us from Boston to Baghdad, from classical scriptoria to medieval monasteries and on to the Information Age, to explore how libraries are built and how they are destroyed: from the scroll burnings in ancient China to the burning of libraries in Europe and Bosnia to the latest revolutionary upheavals of the digital age. A new epilogue elucidates the preservation of knowledge amid the creative destruction of twenty-first century technology. 10 illustrations.