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IN OUT IFbook is an open platform on contemporary artist books, designed by young French designer Maël Veisse (Metz, 1985) in collaboration with a+m bookstore and viaindustriae; the project consists of eleven mini-setups, conceived as “work pods” presenting editorial works by eleven artists: Banu Cennettoglu, Daniela Comani, Celine Condorelli, Documentation Celine Duval,(...)
INbook, OUTbook, IFbook: an artist's book platform
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IN OUT IFbook is an open platform on contemporary artist books, designed by young French designer Maël Veisse (Metz, 1985) in collaboration with a+m bookstore and viaindustriae; the project consists of eleven mini-setups, conceived as “work pods” presenting editorial works by eleven artists: Banu Cennettoglu, Daniela Comani, Celine Condorelli, Documentation Celine Duval, Melissa Dubbin & Aaron S. Davidson, Daniel Eatock, Dora Garcia, invernomuto, Markus Miessen, Helene Sommer, The Iinfinite Library (Epaminonda & Cramer).
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Poemotion is an interactive book-object. The abstract graphical patterns in this small volume are set in motion as soon as you move the attached special foil across them: moiré effects allow complex forms to develop, set circles in motion and make graphical patterns vibrate. Inspired by Seesaw, an earlier book from the publisher, in a playful and at the same time(...)
Takahiro Kurashima: poemotion
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Poemotion is an interactive book-object. The abstract graphical patterns in this small volume are set in motion as soon as you move the attached special foil across them: moiré effects allow complex forms to develop, set circles in motion and make graphical patterns vibrate. Inspired by Seesaw, an earlier book from the publisher, in a playful and at the same time minimalist way the Japanese designer Takahiro Kurashima establishes a link to the motif of a "School of Seeing" that has long occupied a special place in the program of Lars Müller Publishers. With this book the viewer can discover how, as if by magic, figures and forms are created out of optical overlays, set in motion and then disappear again. In the era of digitalization this book shows that interactivity is also possible in the format of the analogous, bound book.
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Ce livre présente les lauréats du Prix Fernand Baudin avec une transcription complète des débats des membres de jury en anglais et un résumé en français et en néerlandais sous forme d'extraits.
Prix Fernand Baudin 2011: prix des plus beaux livres à Bruxelles et en Wallonie
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Ce livre présente les lauréats du Prix Fernand Baudin avec une transcription complète des débats des membres de jury en anglais et un résumé en français et en néerlandais sous forme d'extraits.
Prix Fernand Baudin 2010
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Au fil des pages de ce catalogue, le public, qu'il soit connaisseur ou néophyte, est invité à redécouvrir les projets nominés et lauréats du Prix Fernand Baudin. Ces livres primés ont une identité forte et distincte. Mais tous partagent le choix de l'audace et de la créativité sans concession.
Prix Fernand Baudin 2010
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Au fil des pages de ce catalogue, le public, qu'il soit connaisseur ou néophyte, est invité à redécouvrir les projets nominés et lauréats du Prix Fernand Baudin. Ces livres primés ont une identité forte et distincte. Mais tous partagent le choix de l'audace et de la créativité sans concession.
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Louise Fili has been an inspiration for designers around the world since the 1980s, when she raised the bar on book cover design, creating close to two thousand jackets as art director for Pantheon Books. In 1989 Fili founded her own graphic design studio, Louise Fili Ltd, and branched out into the fields of restaurant and food packaging design. Her lavish and elegant(...)
Elegantissima : the design & typography of Louise Fili
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Louise Fili has been an inspiration for designers around the world since the 1980s, when she raised the bar on book cover design, creating close to two thousand jackets as art director for Pantheon Books. In 1989 Fili founded her own graphic design studio, Louise Fili Ltd, and branched out into the fields of restaurant and food packaging design. Her lavish and elegant typography, often hand drawn, helps advertise and market such well-known brands as Sarabeth's, Bella Cucina, Jean-Georges, and Good Housekeeping, among many others. Known for her intense attention to detail, her fresh reinterpretation of vintage sources, and her passion for all things Italian, Fili has won numerous awards. Elegantissima, the first monograph on her work, covers the breadth of her nearly forty-year design career.
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Anarchy was a journal of ideas published in London through the 1960s. Its 118 issues provide a remarkable sample of dissenting and libertarian discussion in the English-speaking world, as it developed through those years. Anarchy was a journal of ideas published in London through the 1960s. Its 118 issues provide a remarkable sample of dissenting and libertarian(...)
Autonomy: the cover designs of Anarchy 1961-1970
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Anarchy was a journal of ideas published in London through the 1960s. Its 118 issues provide a remarkable sample of dissenting and libertarian discussion in the English-speaking world, as it developed through those years. Anarchy was a journal of ideas published in London through the 1960s. Its 118 issues provide a remarkable sample of dissenting and libertarian discussion in the English-speaking world as it developed through those years. This book gives attention for the first time to the covers of Anarchy, designed mostly by Rufus Segar. These little-known works provided the enticing entry to the plain text pages of the journal. The book reproduces all of the covers in a sequence that suggests, incidentally, something of the history of graphic design in Britain in those years. And it goes beyond the images, with an array of supporting texts that give a full picture of Anarchy and its context.
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Drawing attention to remarkable contemporary books by Swiss designers, printers and publishers, the competition for the most outstanding examples of book design in Switzerland has been held annually since 1943. The jury, which takes into account each book's overall concept, materials, graphic design and typography, with particular attention to innovation and originality,(...)
The most beautiful Swiss books 2011
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Drawing attention to remarkable contemporary books by Swiss designers, printers and publishers, the competition for the most outstanding examples of book design in Switzerland has been held annually since 1943. The jury, which takes into account each book's overall concept, materials, graphic design and typography, with particular attention to innovation and originality, awarded a total of 27 books published in 2011. Presented here is an overview of the awarded titles, plus a special focus on the winner of the Jan Tschichold Award, which honours excellence in the field of book design and was this year for the first time given to a printer, Erich Keiser of the Druckerei Odermatt.
The form of the book book
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A collection of essays, analyses and examples regarding the theory and production of bound volumes, this small but dense publication includes contributions by Catherine de Smet, James Goggin, Richard Hollis, Sarah Gottlieb, Armand Mevis and Chrissie Charlton, and ranges in topic from the Matta-Clark Complex and Le Corbusier as book designer to the Most Beautiful Swiss(...)
décembre 2012
The form of the book book
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A collection of essays, analyses and examples regarding the theory and production of bound volumes, this small but dense publication includes contributions by Catherine de Smet, James Goggin, Richard Hollis, Sarah Gottlieb, Armand Mevis and Chrissie Charlton, and ranges in topic from the Matta-Clark Complex and Le Corbusier as book designer to the Most Beautiful Swiss Books in retrospect, modern typographer Herbert Spencer and essential notes for designers.
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Is print really dead, or is it going to die anytime soon? This book examines “a particular (and often puzzling) period in the history of print… as new digital technologies are rapidly transforming both the status and the role of printed materials.” The medium of print is without doubt under threat from new digital sources, yet the two are also finding a paradoxical(...)
Post-digital print : the mutation of publishing since 1894
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Is print really dead, or is it going to die anytime soon? This book examines “a particular (and often puzzling) period in the history of print… as new digital technologies are rapidly transforming both the status and the role of printed materials.” The medium of print is without doubt under threat from new digital sources, yet the two are also finding a paradoxical coexistence despite their shared characteristics and functional competition. In some ways, print is actually nowadays being revitalized rather than replaced, an intriguing prospect which is explored in depth in the pages of this book.
$49.95
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Though we think of the 1960s and the early ‘70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social(...)
Power to the people: the graphic design of the radical press and the rise of the counter-culture, 1964-1974
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Though we think of the 1960s and the early ‘70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages through provocatively designed newspapers and broadsheets. Power to the People presents more than 700 full-color images and excerpts from these publications, many of which have not been seen since they were first published almost fifty years ago.