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For more than fifty years, Walter Bernard and Milton Glaser have revolutionized the look of magazine journalism. In ''Mag Men,'' Bernard and Glaser recount their storied careers, offering insiders’ perspective on some of the most iconic design work of the twentieth century. The authors look back on and analyze some of their most important and compelling projects, from the(...)
novembre 2019
Mag Men: fifty years of making magazines
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For more than fifty years, Walter Bernard and Milton Glaser have revolutionized the look of magazine journalism. In ''Mag Men,'' Bernard and Glaser recount their storied careers, offering insiders’ perspective on some of the most iconic design work of the twentieth century. The authors look back on and analyze some of their most important and compelling projects, from the creation of New York magazine to redesigns of such publications as Time, Fortune, Paris Match, and The Nation, explaining how their designs complemented a story and shaped the visual identity of a magazine. At a time when uncertainty continues to cloud the future of print journalism, ''Mag Men'' offers not only a personal history from two of its most innovative figures, but also a reminder and celebration of the visual impact and sense of style that only magazines can offer.
L'art du pliage
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Hedi Kyle, artiste renommée dans le monde du livre, montre pas à pas comment réaliser des livres et objets uniques et originaux, en utilisant la technique du pliage.
L'art du pliage
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Hedi Kyle, artiste renommée dans le monde du livre, montre pas à pas comment réaliser des livres et objets uniques et originaux, en utilisant la technique du pliage.
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Genre longtemps méconnu, parfois mésestimé, la photolittérature est pourtant prisée des enfants, et de nombreux artistes s’essaieront à l’exercice. De 1886 à 2021, ces livres sont les témoins de leur époque, des courants pédagogiques, esthétiques et politiques, mais aussi des avancées techniques de ce médium. Photographes amateurs ou de renom s’empareront de ce format.(...)
Cent cinquant ans de photolitérature pour les enfants
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Genre longtemps méconnu, parfois mésestimé, la photolittérature est pourtant prisée des enfants, et de nombreux artistes s’essaieront à l’exercice. De 1886 à 2021, ces livres sont les témoins de leur époque, des courants pédagogiques, esthétiques et politiques, mais aussi des avancées techniques de ce médium. Photographes amateurs ou de renom s’empareront de ce format. Leur travail côtoie les textes d’auteurs reconnus et, ensemble, ils créent des œuvres surprenantes. Ce parcours dans cent cinquante ans de littérature photo-illustrée européenne et nord-américaine vous fera découvrir un pan passionnant de l’édition de livres pour enfants.
Histoires de papiers
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Cet ouvrage accompagne la treizième exposition temporaire du Louvre Abu Dhabi, en collaboration avec le Louvre Paris. De la fabrication à la diffusion en passant par les progrès techniques, il illustre les nombreuses caractéristiques de ce matériau si familier qui s'efface parfois de nos usages au profit du numérique aujourd'hui ancré dans tous les aspects de nos vies(...)
mai 2022
Histoires de papiers
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Cet ouvrage accompagne la treizième exposition temporaire du Louvre Abu Dhabi, en collaboration avec le Louvre Paris. De la fabrication à la diffusion en passant par les progrès techniques, il illustre les nombreuses caractéristiques de ce matériau si familier qui s'efface parfois de nos usages au profit du numérique aujourd'hui ancré dans tous les aspects de nos vies quotidiennes. En explorant les différentes plantes qui en sont à l'origine, tout comme les nombreuses essences dont émane sa fabrication, la diversité des œuvres d'art présentées invite à découvrir les multiples utilisations du papier comme vecteur de créativité, d'idées et d'échanges à travers les siècles et les cultures. Incluant des œuvres des collections françaises, en particulier des œuvres du musée du Louvre, du musée Guimet, de la Bibliothèque nationale de France, du Centre Georges-Pompidou, ce catalogue est aussi l'occasion de mettre en lumière des artistes contemporains locaux ainsi que des créations contemporaines internationales.
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The photobook contextualizes arrangements of photographs and brings them into a sensually tangible form. The book format, the materiality of the paper, and the type of binding have just as much of an effect on the viewer as the selection of images, their positioning in the layout, typography, and the texts. Bettina Lockemann provides an approach to the medium from a(...)
Thinking the photobook: A practical guide
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The photobook contextualizes arrangements of photographs and brings them into a sensually tangible form. The book format, the materiality of the paper, and the type of binding have just as much of an effect on the viewer as the selection of images, their positioning in the layout, typography, and the texts. Bettina Lockemann provides an approach to the medium from a research perspective: considering the photobook as an independent subject of art theories, her phenomenological discussion complements methodological lines of thought. An important contribution to the photobook as an independent field of research, Lockemann elaborates precise terms for analyzing this medium. Through a practice-based examination of contemporary photobooks, this guide emphasizes the status of the photobook as an artwork in its own right.
The book : 101 definitions
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In April 2018, Amaranth Borsuk began to approach artists, bookbinders, publishers, librarians, and scholars to inquire What is the/a book? ''The book: 101 definitions'' documents the responses and decenters the author’s voice to draw attention to the many other formulations of what the book is and can be.
The book : 101 definitions
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In April 2018, Amaranth Borsuk began to approach artists, bookbinders, publishers, librarians, and scholars to inquire What is the/a book? ''The book: 101 definitions'' documents the responses and decenters the author’s voice to draw attention to the many other formulations of what the book is and can be.
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This little book lists and describes, in chronological order, the forty-three books that Giorgio Maffei published in the course of twenty years, an important corpus of works that examine the theme of the publishing and photographic documentation of twentieth century art.
Giorgio Maffei: the books, 1996-2016
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This little book lists and describes, in chronological order, the forty-three books that Giorgio Maffei published in the course of twenty years, an important corpus of works that examine the theme of the publishing and photographic documentation of twentieth century art.
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“The artist’s book is a secret treasure chest... open it and you can play with the words, signs and colors of the world.” It was born twenty years ago at the Merano Civic Library, OPLA (Oasis For Artistic Books): an archive designed to preserve, catalog and make available artist’s books for scholars, lovers or just curious. After Children’s corner, OPLA 20 years of(...)
Ó.P.L.A. 20 years of artists' books for children
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“The artist’s book is a secret treasure chest... open it and you can play with the words, signs and colors of the world.” It was born twenty years ago at the Merano Civic Library, OPLA (Oasis For Artistic Books): an archive designed to preserve, catalog and make available artist’s books for scholars, lovers or just curious. After Children’s corner, OPLA 20 years of children’s art books, a review of children’s books created by artists like Gilberti, Gill, Mirò, Boetti and many others; all these selected editions can be found at the OPLA archive, the most nowaday complete italian collection on this subject.
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In "The book", Keith Houston reveals that the paper, ink, thread, glue, and board from which a book is made tell as rich a story as the words on its pages of civilizations, empires, human ingenuity, and madness. In an invitingly tactile history of this 2,000-year-old medium, Houston follows the development of writing, printing, the art of illustrations, and binding to(...)
The book: a cover-to-cover exploration of the most powerful object of our time
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In "The book", Keith Houston reveals that the paper, ink, thread, glue, and board from which a book is made tell as rich a story as the words on its pages of civilizations, empires, human ingenuity, and madness. In an invitingly tactile history of this 2,000-year-old medium, Houston follows the development of writing, printing, the art of illustrations, and binding to show how we have moved from cuneiform tablets and papyrus scrolls to the hardcovers and paperbacks of today.
The book
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What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk(...)
The book
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$23.00
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What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.