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What is the future of the book? And, specifically, what is the future of books on art, design and architecture, and cultural-critical publications? We asked a large number of international interested individuals to respond to this question. Journalists, artists, architects, curators, translators, designers, philosophers, sociologists, teachers, book scholars, publishers,(...)
Future book(s): Sharing ideas on books and (art) publishing
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What is the future of the book? And, specifically, what is the future of books on art, design and architecture, and cultural-critical publications? We asked a large number of international interested individuals to respond to this question. Journalists, artists, architects, curators, translators, designers, philosophers, sociologists, teachers, book scholars, publishers, printing houses, distributors, booksellers, historians and art-historians, critics, policymakers, editors, students, and many others have enthusiastically shared their views with us, looking ahead five, twenty or seventy-two years (to the year 2100). At times utopian, wildly fantasizing, at other times with realistic scenarios, in both text and images, exciting for anyone who loves books and/or is involved in books and cultural content. Each section of this publication will be designed by various young designers, to celebrate its scope and diversity.
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''Copy machine manifestos'' captures the rich history of artists' zines as never before, placing them in the lineage of the visual arts and exploring their vibrant growth over the past five decades. Fully illustrated with hundreds of zine covers and interiors, alongside work in other media, such as painting, photography, film, video, and performance, the book also(...)
février 2024
Copy machine manifestos: Artists who make zines
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''Copy machine manifestos'' captures the rich history of artists' zines as never before, placing them in the lineage of the visual arts and exploring their vibrant growth over the past five decades. Fully illustrated with hundreds of zine covers and interiors, alongside work in other media, such as painting, photography, film, video, and performance, the book also features brief biographies for more than 100 zine-makers. Accompanying a major exhibition at the Brooklyn Museum, this expansive book, bound as a paperback with a separate jacket, focuses on zines from North America, celebrating how artists have harnessed the medium's essential role in community building and transforming material and conceptual approaches to making art across all media since 1970.
Write print fold and staple
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In ''Write, print, fold and staple'' Jim Johnstone details the enduring importance of chapbook micropresses to the ecology of Canadian literature, arguing that the chapbook is the ideal form for publishing poetry. Small and provisional, micropresses generally operate outside of the commercial anxieties of trade publishing, pursuing unmediated aesthetic, cultural and(...)
Write print fold and staple
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In ''Write, print, fold and staple'' Jim Johnstone details the enduring importance of chapbook micropresses to the ecology of Canadian literature, arguing that the chapbook is the ideal form for publishing poetry. Small and provisional, micropresses generally operate outside of the commercial anxieties of trade publishing, pursuing unmediated aesthetic, cultural and personal aims. At the heart of Johnstone’s discussion is a useful survey of fifteen notable Canadian micropresses active during the past two decades, presses whose output ranges from lo-fi, zine-like, counter-cultural productions through to works whose editing and production values far exceed those of mainstream publishers, and everything in between.
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In a time of fast scrolling and constant distraction, "Books as art practice" shares 11 personal reflections on using books as a space for art, thought, and connection. For SerraGlia, books are not just containers for finished work — they are the work: a process, a practice, and a way to slow down, notice, and create connection beyond the usual art world. This(...)
Books as art practice: Notes from the margins
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In a time of fast scrolling and constant distraction, "Books as art practice" shares 11 personal reflections on using books as a space for art, thought, and connection. For SerraGlia, books are not just containers for finished work — they are the work: a process, a practice, and a way to slow down, notice, and create connection beyond the usual art world. This pocket-sized zine gathers notes from years of personal practice and ongoing curiosity about what art can be in book form.
$45.00
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Traduite pour la première fois en français, cette sélection de textes de Beatrice Warde vient compléter son essai fameux « Le verre en cristal ». On y suit la façon dont cette inlassable missionaire de la clarté editoriale a accompagné les transformations de l'industrie du livre et de l'imprimerie au XXe siècle. Des États-Unis au Royaume-Uni, l'engagement résistant et le(...)
Le livre du futur ou Que veut dire moderne ?
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Traduite pour la première fois en français, cette sélection de textes de Beatrice Warde vient compléter son essai fameux « Le verre en cristal ». On y suit la façon dont cette inlassable missionaire de la clarté editoriale a accompagné les transformations de l'industrie du livre et de l'imprimerie au XXe siècle. Des États-Unis au Royaume-Uni, l'engagement résistant et le fait d'être femme dans un milieu masculin éclairent les grands enjeux de l'édition et de son industrie.
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Dedicated to the history of the children’s photobook, ''L is for Look" brings together more than a hundred albums published in different countries. From its emergence—marked by the development in the 1930s of new teaching methods based on images rather than text—through to the present day, the children’s photobook has been invested in the realistic nature of photography.(...)
L is for look: Children's photobooks
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Dedicated to the history of the children’s photobook, ''L is for Look" brings together more than a hundred albums published in different countries. From its emergence—marked by the development in the 1930s of new teaching methods based on images rather than text—through to the present day, the children’s photobook has been invested in the realistic nature of photography. Covering all the different categories of children’s literature, from ABC books to reinterpretations of traditional fairy tales, it accompanies the child in their process of development and emancipation and stimulates their creativity, all with a common goal in mind: to question and nurture their view of the world. This genre, which has been explored by some of the major figures in photography, is also a field that is predominately favored by women photographers. It is notable for the diversity of the disciplines it brings together, such as the graphic arts and live performance.
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Exploring art publishing practices today, this book focuses in particular on small-scale publishing in Asia. It attempts to contextualise and compare the region’s increasingly important publishing practices in contemporary art within both historical and regional contexts. The book features a range of interviews and essays contributed by various actors and entities in the(...)
Publishing as method, 2nd edition
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Exploring art publishing practices today, this book focuses in particular on small-scale publishing in Asia. It attempts to contextualise and compare the region’s increasingly important publishing practices in contemporary art within both historical and regional contexts. The book features a range of interviews and essays contributed by various actors and entities in the field, including publishers, artists, designers, curators, collectives, and distribution spaces. Interviews conducted since 2020 also shed light on the complexities and possibilities of artistic practices in the post-pandemic era. ‘Publishing as a Method’ is researched by the Seoul-based publishing collective mediabus.
Le livre et l'artiste
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Le livre et l'artiste? Vaste enjeu qui englobe une immense disparité de styles, d'histoires, de concepts, qui voient le jour depuis que ces ouvrages existent, car le livre fait par un artiste est au croisement entre l'univers du livre et celui des arts visuels. Les interventions du colloque, complémentaires ou parfois contradictoires, montrent le foisonnement(...)
Le livre et l'artiste
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Le livre et l'artiste? Vaste enjeu qui englobe une immense disparité de styles, d'histoires, de concepts, qui voient le jour depuis que ces ouvrages existent, car le livre fait par un artiste est au croisement entre l'univers du livre et celui des arts visuels. Les interventions du colloque, complémentaires ou parfois contradictoires, montrent le foisonnement esthétique, théorique, développé autour des artistes, quand ils se mettent à s'occuper de ce petit volume rectangulaire d'aspect anodin que l'on trouve le plus souvent sur les tables des librairies: le livre. Ce colloque met aussi en évidence la portée littéraire, artistique et théorique de cette famille de livres, grâce à des spécialistes aux compétences variées: artistes, éditeurs, responsables de collections spécialisées, historiens et philosophes.
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In the early 20th century, the soviet architectural press became a forum for an extraordinary group of artist, designers, architects, and theorists to converge in debate over the shape of their present and futur built environment.
décembre 2005, New York
Architecture in print : Design and Debate in the Soviet Union 1919-1935
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In the early 20th century, the soviet architectural press became a forum for an extraordinary group of artist, designers, architects, and theorists to converge in debate over the shape of their present and futur built environment.
The pentagram papers
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The Pentagram Papers -- Celebrated global design firm Pentagram has produced a series of signature annual documents, known as Pentagram Papers, exclusively for clients and colleagues since 1975. On the occasion of the firm's 35-year anniversary, these quirky and influential Papers are collected here together for the first time. Each Paper explores a unique and curious(...)
novembre 2006, San Francisco
The pentagram papers
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The Pentagram Papers -- Celebrated global design firm Pentagram has produced a series of signature annual documents, known as Pentagram Papers, exclusively for clients and colleagues since 1975. On the occasion of the firm's 35-year anniversary, these quirky and influential Papers are collected here together for the first time. Each Paper explores a unique and curious topic of interest to the Pentagram designers—Mao buttons, the Savoy ballroom, rural Australian mailboxes, and the pop architecture of Wildwood, New Jersey, have all been featured subjects. Included here are not only in-depth reproductions and detailed discussion of the Papers' origins, but also an exclusive new Paper created especially for the book and set into a tray inside its back cover.