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Voici un livre que les architectes et étudiants en architecture garderont à portée de main, dans leur studio de création ou sur les bancs de leur école d'architecture. Ces 101 principes de conception, dessin, création et présentation - du basique "Comment tracer un trait" au plus complexe "Théorie de la couleur"- fournissent les réponses clé-en-main de la science(...)
101 petits secrets d'architecture qui font les grands projets
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Voici un livre que les architectes et étudiants en architecture garderont à portée de main, dans leur studio de création ou sur les bancs de leur école d'architecture. Ces 101 principes de conception, dessin, création et présentation - du basique "Comment tracer un trait" au plus complexe "Théorie de la couleur"- fournissent les réponses clé-en-main de la science architecturale, en rendant immédiatement visualisable ce qui est trop souvent confus ou abstrait en architecture.
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Choice of black, silver or green.
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octobre 2012
A4 architects & designers diary 2013
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Choice of black, silver or green.
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Les idiots (petites vies)
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Pigozzi rêve de faire décoller sa Fiat... Pelagatti assure que le Christ est un extraterrestre... Scalabrini adore lancer des objets en l’air.... Primavera a un rapport dramatique aux allumettes... Pierini ne fait que du calcul mental... Vacondio s’attend au carambolage de la planète... Sauro prend la tension des gens en rase campagne... Naldo voit des Albanais partout,(...)
Les idiots (petites vies)
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Pigozzi rêve de faire décoller sa Fiat... Pelagatti assure que le Christ est un extraterrestre... Scalabrini adore lancer des objets en l’air.... Primavera a un rapport dramatique aux allumettes... Pierini ne fait que du calcul mental... Vacondio s’attend au carambolage de la planète... Sauro prend la tension des gens en rase campagne... Naldo voit des Albanais partout, même chez sa femme... Parodiant les vies de saints du Moyen Âge, l’écrivain Cavazonni dresse 31 portraits d’idiots contemporains. Des gens atypiques, dont la vie tourne autour de l’astre tragique d’une obsession. Les paresseux et les croyants peuvent lire et méditer un seul portrait par jour, et tenir ainsi un bon mois. Et même se reposer le dimanche. Les autres font comme ils veulent.
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Telescopages
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Elle sait (se) conduire, monte des cottes de mailles, scrute les crevettes, pense à sa grand-mère, évite sa voisine, traite la météo, regarde passer les trains, collectionne concombre mortadelle et cailloux, ramasse les miettes de la veille et parle au vent. Bref, Fabienne Yvert est une femme moderne. De 1997 à 2002, elle a tenu ce qu'on pourrait appeler des carnets(...)
Telescopages
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Elle sait (se) conduire, monte des cottes de mailles, scrute les crevettes, pense à sa grand-mère, évite sa voisine, traite la météo, regarde passer les trains, collectionne concombre mortadelle et cailloux, ramasse les miettes de la veille et parle au vent. Bref, Fabienne Yvert est une femme moderne. De 1997 à 2002, elle a tenu ce qu'on pourrait appeler des carnets voyageurs, sous la forme de fiches recto/verso envoyées tous les mois à quelques abonné(e)s (qui, en retour, lui répondaient parfois). Dans ces textes, qui reprennent le principe des fiches Elle ou Babar, on trouve de tout : inventaire des désirs, bilans financiers, réflexions sur la mécanique, notes en vrac, recettes de cuisine infaillibles, lettres d’amis complices, pensées animalières, sommations secrètes, digressions végétales, etc. Suivant une chronologie pas toujours orthodoxe, ces carnets – devenus livre – trahissent une vie aventureuse, telle qu’on peut la tenter aujourd’hui.
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What architects desire
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What are architects longing for? The response drawings are highly individual, diversity becomes programme: both in picture language and in the presentation in terms of content, reactions are quite different. But there is one thing they all have in common: the burning desire of something concrete. Sometimes it spreads lightning-like on the observer, sometimes time is(...)
What architects desire
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What are architects longing for? The response drawings are highly individual, diversity becomes programme: both in picture language and in the presentation in terms of content, reactions are quite different. But there is one thing they all have in common: the burning desire of something concrete. Sometimes it spreads lightning-like on the observer, sometimes time is required for a contemplative involvement with form and content.
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Tree of codes
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With a different die-cut on every page, Tree of Codes explores previously unchartered literary territory. Initially deemed impossible to make, the book is a first - as much a sculptural object as it is a work of masterful storytelling. Inspired to exhume a new story from an existing text, Jonathan Safran Foer has taken his favourite book, The Street of Crocodiles by(...)
Tree of codes
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With a different die-cut on every page, Tree of Codes explores previously unchartered literary territory. Initially deemed impossible to make, the book is a first - as much a sculptural object as it is a work of masterful storytelling. Inspired to exhume a new story from an existing text, Jonathan Safran Foer has taken his favourite book, The Street of Crocodiles by Polish-Jewish writer Bruno Schulz and used it as a canvas, cutting into and out of the pages, to arrive at an original new story told in Safran Foer's voice. Tree of Codes is the story of 'an enormous last day of life'. As one character's life is chased to extinction, Safran Foer multi-layers the story with immense, anxious, at times disorientating imagery, crossing both a sense of time and place, making the story of one person's last day everyone's story.
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A notebook created by Rimini Berlin. Their portfolio includes graphic design, film, digital and exhibition projects for companies, cultural and public organizations. Rimini Berlin has been awarded multiple design prizes and was shown in several publications.
Rimini Berlin: lineaturen, a notebook
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A notebook created by Rimini Berlin. Their portfolio includes graphic design, film, digital and exhibition projects for companies, cultural and public organizations. Rimini Berlin has been awarded multiple design prizes and was shown in several publications.
5 year diary
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Designed by Shopsin--whose illustration work is regularly featured in The New York Times--and produced by The Ice Plant, the pint-sized 5 Year Diary helps you keep track of the next 60 months of your life in just a few lines a day. Each page of the diary is devoted to one day of the year and subdivided into five sections (each with its own space for notes), so that, as(...)
5 year diary
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Designed by Shopsin--whose illustration work is regularly featured in The New York Times--and produced by The Ice Plant, the pint-sized 5 Year Diary helps you keep track of the next 60 months of your life in just a few lines a day. Each page of the diary is devoted to one day of the year and subdivided into five sections (each with its own space for notes), so that, as time goes by, past entries can be read as the new ones are written. Handsomely clothbound with a red ribbon bookmark, the diary can be started on any day of any year--even a leap year. In the back of the diary are pages to record the books you've read and the places you've traveled.
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Most of us hardly ever think about those ubiquitous things that hang—along with wreaths, light fixtures, and the occasional delivery attempt notice—at our front door: house numbers, our address. Taken for granted in the hustle and bustle of everyday life, house numbers have the crucial burden of organizing the places of the world—and they do it with zero fanfare or(...)
House numbers: pictures of a forgotten history
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Most of us hardly ever think about those ubiquitous things that hang—along with wreaths, light fixtures, and the occasional delivery attempt notice—at our front door: house numbers, our address. Taken for granted in the hustle and bustle of everyday life, house numbers have the crucial burden of organizing the places of the world—and they do it with zero fanfare or appreciation. In this unique illustrated history, Anton Tantner pays long-overdue tribute to those unassuming combinations of digits, showing that house numbers haven’t always existed, and that they have their own interesting history, one he spells out with vivid images from around the world.
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Archipop: new perspectives
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This inventive collection of notecards combines pop-ups and contemporary architecture. Inside each box, architecture and design lovers will find the Villa Savoye, the Pompidou Centre, the Guggenheim in New York City, the Sydney Opera House, the Royal Festival Hall, and the Bauhaus. Six landmarks of modern architecture seen in a new perspective. Original pop-up(...)
Archipop: new perspectives
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This inventive collection of notecards combines pop-ups and contemporary architecture. Inside each box, architecture and design lovers will find the Villa Savoye, the Pompidou Centre, the Guggenheim in New York City, the Sydney Opera House, the Royal Festival Hall, and the Bauhaus. Six landmarks of modern architecture seen in a new perspective. Original pop-up designs by paper engineer Corina Fletcher.
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