$12.00
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With ten cards you can choose your favorites for the fridge and use the rest to tell your grandma about all the nifty things you've been up to as of late.
JP King : 10 postcards, Standard greeting procedure
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$12.00
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With ten cards you can choose your favorites for the fridge and use the rest to tell your grandma about all the nifty things you've been up to as of late.
$12.00
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These Ten Truly Amazing Postcards are nothing short of their claim. Capturing some of the best collages and illustrations by Montreal/Toronto Artist Jp King, you can use these to communicate with friends in far away places, or as decoration for your sparse and empty walls hungry for images. Don't let your walls go hungry. Jp King is a writer and relational,(...)
JP King : Ten truly amazing postcards
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$12.00
(disponible sur commande)
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These Ten Truly Amazing Postcards are nothing short of their claim. Capturing some of the best collages and illustrations by Montreal/Toronto Artist Jp King, you can use these to communicate with friends in far away places, or as decoration for your sparse and empty walls hungry for images. Don't let your walls go hungry. Jp King is a writer and relational, investigative publisher from Toronto, whose works explore contemporary mythology, masculinity, garbage, and collective activity. His obsession with paper manifests itself in collage, installation, murals, and multiples. When the timing is right he plays the role of designer, editor, residency coordinator, and conversational facilitator.
Kirsten McCrea: 10 postcards
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In Ten Postcards, the illustrations and paintings of Papirmasse founder Kirsten McCrea are ready to be written on, mailed halfway 'round the world, or selfishly framed for your own walls. In this series Kirsten's ornate textile patterns are featured next to the now famous "Ampersands" seen on the streets of Montreal and Toronto.
Kirsten McCrea: 10 postcards
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$12.00
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In Ten Postcards, the illustrations and paintings of Papirmasse founder Kirsten McCrea are ready to be written on, mailed halfway 'round the world, or selfishly framed for your own walls. In this series Kirsten's ornate textile patterns are featured next to the now famous "Ampersands" seen on the streets of Montreal and Toronto.
$12.00
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Thirteen Postcards of illustrations from the book of narrative poetry We Will Be Fish. These images are compiled from turn-of-the-century mail-order catalogs, medical & zoological textbooks, and engineering diagrams. We Will Be Fish is a collection of narrative poems and illustrations, which can be viewed here, published by Pistol Press in 2008. It was listed for the(...)
JP King : 13 postcards from the book We will be fish
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$12.00
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Thirteen Postcards of illustrations from the book of narrative poetry We Will Be Fish. These images are compiled from turn-of-the-century mail-order catalogs, medical & zoological textbooks, and engineering diagrams. We Will Be Fish is a collection of narrative poems and illustrations, which can be viewed here, published by Pistol Press in 2008. It was listed for the 2008 ReLit Awards and 2009 Expozine Awards, and a top ten seller at Drawn & Quarterley in 2008. The story follows the life of Leopold Canary, who loses his wife to sleeping sickness and gets tangled up in a government scam covering the truth behind the disease. He goes on to try and find his place in other small towns, at times working as an appliance designer, a self-appointed dentist, and the guide of his own basement museum. With thirteen cards you can choose your favorites for the fridge and use the rest to tell your grandma about all the nifty things you've been up to as of late.
$5.00
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Cet opuscule accompagne l'exposition de Robert Duchesnay au Centre d'exposition en art actuel à Longueuil.
Le studio et l'anti-studio de Joseph Beuys et Buckminster Fuller
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Cet opuscule accompagne l'exposition de Robert Duchesnay au Centre d'exposition en art actuel à Longueuil.
Escape Plan - Xavier Mayhem
$35.00
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This book was intended for lost designers or for any other form of employed workforce. If you still believe the old adage “time is money,” then you might also think that this text is not for you. But let yourself go, for a moment. In this book, look for what you need. Office workers and Officers are therefore invited to read.
Escape Plan - Xavier Mayhem
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$35.00
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This book was intended for lost designers or for any other form of employed workforce. If you still believe the old adage “time is money,” then you might also think that this text is not for you. But let yourself go, for a moment. In this book, look for what you need. Office workers and Officers are therefore invited to read.
Building 22 edition 12
$42.00
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Building 22 is an annual student initiated publication highlighting the work from the Azrieli School of Architecture and Urbanism at Carleton University, Ottawa, Canada. It showcases a select number of projects from all levels of the program which prove to be critical and captivating explorations into the realm of architecture. It is meant to inspire the new students,(...)
Building 22 edition 12
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Building 22 is an annual student initiated publication highlighting the work from the Azrieli School of Architecture and Urbanism at Carleton University, Ottawa, Canada. It showcases a select number of projects from all levels of the program which prove to be critical and captivating explorations into the realm of architecture. It is meant to inspire the new students, challenge the more experienced, and excite prospective students and the public.
Consignation
Montréal - Paris : QUATRE
$12.00
(disponible en magasin)
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Montréal-Paris est le fruit d'une collaboration photographique entre Thomas Bouquin et Pascal Amoyel, tous deux à la recherche d'une forme capable de donner à voir leur ville respective. Tiré à 100 exemplaires et numéroté, QUATRE est le quatrième de 6 chapitres périodiques destinés à former un livre.
Montréal - Paris : QUATRE
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Montréal-Paris est le fruit d'une collaboration photographique entre Thomas Bouquin et Pascal Amoyel, tous deux à la recherche d'une forme capable de donner à voir leur ville respective. Tiré à 100 exemplaires et numéroté, QUATRE est le quatrième de 6 chapitres périodiques destinés à former un livre.
Consignation
$65.00
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Être locataire du 305 rue de Bellechasse lorsqu’un changement de main enclenche une migration forcée. Voir se vider au compte-goutte ce lieu ayant abrité des ateliers d’artistes et des travailleurs créatifs pendant plusieurs années. Dans la précipitation, vouloir garder des images de ce lieu que j’adore. Réaliser que cette documentation était entamée depuis la minute où(...)
Sandra Larochelle: Habitat. 305 rue de Bellechasse
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Être locataire du 305 rue de Bellechasse lorsqu’un changement de main enclenche une migration forcée. Voir se vider au compte-goutte ce lieu ayant abrité des ateliers d’artistes et des travailleurs créatifs pendant plusieurs années. Dans la précipitation, vouloir garder des images de ce lieu que j’adore. Réaliser que cette documentation était entamée depuis la minute où j’y ai mis les pieds. Offrir à d’autres occupants d’aller à leur rencontre avant leur départ, en ne sachant pas encore ce que ça donnerait. Revenir avec des centaines d’images d’atelier et des réflexions plein la tête. Présenter une série d’images plus près du photoreportage dans le cadre de l’exposition extérieure 305 à l’été 2020. Et maintenant vous proposer ce livre photo, un objet personnel qui incarne mon passage et ma sortie de cette adresse. Ce que j’y ai laissé et ce que j’en garde.
Consignation
$54.95
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After living for several years in the chaos of influences that is New York, the visual artist Satoshi Tsuchiyama realized that it is Israel that is the world’s hub for contemporary dance. His experiences of working with both dance and Jewish artefacts fused together. Questions arose in his head: Since the political situation has long been unstable in this religiously and(...)
Satoshi Tsuchiyama: Heat of sand
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After living for several years in the chaos of influences that is New York, the visual artist Satoshi Tsuchiyama realized that it is Israel that is the world’s hub for contemporary dance. His experiences of working with both dance and Jewish artefacts fused together. Questions arose in his head: Since the political situation has long been unstable in this religiously and culturally rich region, what kind of normal everyday life can be found there? What colours and scents does a country like this retain, and how do the dancers appear and move under the influence of an environment like this? He decided to go there to witness the extraordinary on a daily basis. During his four visits to Israel and Palestine in 2017–19, he wandered in scorching sand and graffiti-filled streets, climbed to the collapsing top floor of the art school. He followed the desires of his eyes. The dancers he met came from all over the world, but they seemed to share the same mood, the same force that oozed out of the ground. And one and the same aura accompanied their bodies in a common direction. He avoided all the areas at high risk of terror, but death and the random character of life were present wherever he went. The energy of the inhabitants to survive was strong, and he experienced a singular beauty in this raw, tough and vulnerable ordeal of perseverance and adaptation.