$14.00
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Cette ouvrage présente soixante-quatre objets qui servent à mener à bien un projet: outils de dessin, d'organisation, de cacul, de mesure, de notation ou d'imagination comme une maquette, un ordinateur, un agenda, un classeur, une règle, un compas ou un roman.
A-Z: lexique des outils pour penser tout haut
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Cette ouvrage présente soixante-quatre objets qui servent à mener à bien un projet: outils de dessin, d'organisation, de cacul, de mesure, de notation ou d'imagination comme une maquette, un ordinateur, un agenda, un classeur, une règle, un compas ou un roman.
$25.00
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À des kilomètres du vanity-show qui se pratique dans la profession, Éric Gauthier vu par Denis Bilodeau : Architecture, trame, index, c’est beaucoup plus qu’un simple survol, livré au public projet par projet, en ordre prévisible. Ici, le chercheur et l’architecte, accomplissant là un patient travail intellectuel et analytique, ont fouillé ensemble la matière pour(...)
juin 2010
Éric Gauthier vu par/by Denis Bilodeau : architecture, trame/grid, index
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À des kilomètres du vanity-show qui se pratique dans la profession, Éric Gauthier vu par Denis Bilodeau : Architecture, trame, index, c’est beaucoup plus qu’un simple survol, livré au public projet par projet, en ordre prévisible. Ici, le chercheur et l’architecte, accomplissant là un patient travail intellectuel et analytique, ont fouillé ensemble la matière pour l’organiser différemment, sur le principe d’un index conçu par le commissaire.
$15.00
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Ce numéro réunit un entretien inédit avec Iannis Xenakis, des articles sur le problème de l’espace dans son œuvre, le son Xenakis, le point de vue de l’interprète, une chronologie des différents séjours de Xenakis au Québec. Le numéro est illustré par des dessins informatisés de Jacques Palumbo.
Espace Xenakis: Circuit vol 5. no. 2
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Ce numéro réunit un entretien inédit avec Iannis Xenakis, des articles sur le problème de l’espace dans son œuvre, le son Xenakis, le point de vue de l’interprète, une chronologie des différents séjours de Xenakis au Québec. Le numéro est illustré par des dessins informatisés de Jacques Palumbo.
Consignation
A1
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A1 est une réalisation de Daniel Canty dans le cadre du projet NextText, une initiative du laboratoire de médias expérimentaux Obx Labs à l’Université Concordia de Montréal. A1 combine un volet imprimé et un volet interactif.
A1
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A1 est une réalisation de Daniel Canty dans le cadre du projet NextText, une initiative du laboratoire de médias expérimentaux Obx Labs à l’Université Concordia de Montréal. A1 combine un volet imprimé et un volet interactif.
Volatile or collapsed space
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Volatile or Collapsed Space presents architectural installations by architect Sabine von Fischer. Working since 2004 under the name "Diaphanarch", Sabine von Fischer transfers terms like "diaphanous" and "prismatic" into space and tests them within. She understands diaphanous architecture as an experiment that undermines technical, aesthetic and economic conditions of(...)
juin 2010
Volatile or collapsed space
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Volatile or Collapsed Space presents architectural installations by architect Sabine von Fischer. Working since 2004 under the name "Diaphanarch", Sabine von Fischer transfers terms like "diaphanous" and "prismatic" into space and tests them within. She understands diaphanous architecture as an experiment that undermines technical, aesthetic and economic conditions of space. Her works, in the form of drawings and texts – range from concept and criticism to construction. Further, they deal with visual versus audible space and the polarity between mass and horizon. Documented in drawings and photographs, works included in the book are the metal mesh and foam-core installation "Sonic Barriers" (awarded with the Swiss Art Prize 2004) on the exploration of interferences in sound and image as well as a work made from colored caoutschouk, corrugated cardboard and tubes, that integrates theoretical constructs on the event horizon into ist wavy material shape.
MAP 005 : Chernobyl
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This issue charts the history of major nuclear accidents, focusing on the Chernobyl reactor 4 explosion of 1986, mapping a minute by minute description of the events on nuclear plant cut-outs and info graphics. From its medical implications to the social impact of the accident and articles and input from scientists, this issue offers a wide spectrum of commentaries on the(...)
MAP 005 : Chernobyl
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This issue charts the history of major nuclear accidents, focusing on the Chernobyl reactor 4 explosion of 1986, mapping a minute by minute description of the events on nuclear plant cut-outs and info graphics. From its medical implications to the social impact of the accident and articles and input from scientists, this issue offers a wide spectrum of commentaries on the implications of radiation in this scarred landscape. The project page investigates various scenarios; an astrobiology testing base, the reuse of the massive "Woodpecker" ex-soviet antenna into a migratory bird feeding ground, a mobile archeology lab for radioactive landscapes and Mount Chernobyl, an alternative to the new sarcophagus for the damaged reactor.
Consignation
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Homeland security is a grid of 36 suspended insect zappers with ultraviolet fluorescent lights and electrocuting matrix installed at the center of the bordertown Marfa, Texas.
Charles Stankievech : Homeland security (it's hard to find a good lamp)
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Homeland security is a grid of 36 suspended insect zappers with ultraviolet fluorescent lights and electrocuting matrix installed at the center of the bordertown Marfa, Texas.
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Someone who doesn’t experience or understand pleasure re-invents poetry for the 21st century conflicted ego, viewing life as a political problem that no amount of startling emotional turmoil or insight can solve. The texts here range from confessions of conflicted feelings to theories of obsolesce, from the desire for a fluffy towel, to possible dialogs for a future(...)
Jacob Wren : Someone who doesn't experience or understand pleasure
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Someone who doesn’t experience or understand pleasure re-invents poetry for the 21st century conflicted ego, viewing life as a political problem that no amount of startling emotional turmoil or insight can solve. The texts here range from confessions of conflicted feelings to theories of obsolesce, from the desire for a fluffy towel, to possible dialogs for a future detective novel. Freely mixing a calm, straight-forward voice with fragmented shades of hysteria and polemic, the book lays bare the unsettling disappointment of youthful hope, the utopian dream, and energy lost somewhere between a party and a political action.
Weather systems
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This vein of asemic literature excuses the verbal in favour of an imaginatively textual language that renders the reader as interpreter. This post-literate writing is assembled from enlarged pen & ink drawings, scavenged materials, rubber stamps, and photocopies. A thorough remix has been performed by author & editor to create a document that requires all levels of(...)
Weather systems
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This vein of asemic literature excuses the verbal in favour of an imaginatively textual language that renders the reader as interpreter. This post-literate writing is assembled from enlarged pen & ink drawings, scavenged materials, rubber stamps, and photocopies. A thorough remix has been performed by author & editor to create a document that requires all levels of creativity be employed in both its creation and consumption.
Moving day & other stories
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With incisive humour and caustic sympathy, in three short stories, Anna Leventhal gives us characters that live in a world strolling a few steps beside our own. Exploring class, ownership, and civic duty, Moving Day captures the totalitarian exercise of a mandatory, city-wide move and the effect of its bureaucratic mishaps. The shiftless narrator of Last Man Standing has(...)
Moving day & other stories
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With incisive humour and caustic sympathy, in three short stories, Anna Leventhal gives us characters that live in a world strolling a few steps beside our own. Exploring class, ownership, and civic duty, Moving Day captures the totalitarian exercise of a mandatory, city-wide move and the effect of its bureaucratic mishaps. The shiftless narrator of Last Man Standing has his social bubble threatened by a dubious emergency, while a diagnosis in Sweet Affliction suggests a new stage in human evolution.