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New York-based Dennis Oppenheim has been active in many realms: conceptual and performance art, earthworks and photography. He was recently recognized with a Lifetime Achievement Award at the 2007 Vancouver Sculpture Biennale. Following his early earthworks, Oppenheim began creating the whimsical, architecturally-derived public sculpture for which he is known today.
Dennis Oppenheim: public projects
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New York-based Dennis Oppenheim has been active in many realms: conceptual and performance art, earthworks and photography. He was recently recognized with a Lifetime Achievement Award at the 2007 Vancouver Sculpture Biennale. Following his early earthworks, Oppenheim began creating the whimsical, architecturally-derived public sculpture for which he is known today.
Vik Muniz Verso
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When a cousin of mine told me his seven-year old could paint a Picasso, I told him probably, but he couldn't do the back," writes Brazilian conceptual artist Vik Muniz about his Verso project. The series consists of obsessively faithful three-dimensional trompe l'oeil reproductions--using period hardware in a 1:1 scale--of the backs of such iconic works as Picasso's "Les(...)
Vik Muniz Verso
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When a cousin of mine told me his seven-year old could paint a Picasso, I told him probably, but he couldn't do the back," writes Brazilian conceptual artist Vik Muniz about his Verso project. The series consists of obsessively faithful three-dimensional trompe l'oeil reproductions--using period hardware in a 1:1 scale--of the backs of such iconic works as Picasso's "Les Demoiselles d'Avignon," van Gogh's "Starry Night" and Seurat's "La Grande Jatte," including every scratch, scribble, label, trace of tape and faded pencil notation found on the original. For six years, Muniz worked in partnership with the curatorial and conservation departments of New York's MOMA and Guggenheim museums, the Art Institute of Chicago and a team of craftsman, artists, forgers and technicians to realize this project. Verso also introduces texts by essayist Luc Sante and MOMA curator Eve Respini.
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2005 Turner Prize winner Simon Starling is known for his investigations into the hidden lives of objects and images, and his catalogues are an integral part of his production. The Nanjing Particles, published for an exhibition at MASS MoCA, is a unique object that takes as its departure a historical stereograph of Chinese laborers brought to Massachusetts in 1870 to break(...)
Simon Starling : the Nanjing particles
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2005 Turner Prize winner Simon Starling is known for his investigations into the hidden lives of objects and images, and his catalogues are an integral part of his production. The Nanjing Particles, published for an exhibition at MASS MoCA, is a unique object that takes as its departure a historical stereograph of Chinese laborers brought to Massachusetts in 1870 to break a strike. Starling literally mined the photographs for their history, extracting from their emulsion two silver particles. Enlarged one million times, the microscopic grains were translated into stainless steel sculptures fabricated by workers in Nanjing. Taking viewers through the installation and the work's fabrication process, the book reiterates the visual and conceptual play of the exhibition.
Vatnasafn/ library of water
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The distinctive geography, climate and culture of Iceland has engaged Roni Horn for over 30 years. Her intimate relationship with the island has led to a multidisciplinary series of works, including books, drawings, sculpture, texts and photographs. Located in a converted library building on a promontory overlooking the ocean in Stykkishólmur on Iceland's west coast,(...)
Vatnasafn/ library of water
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The distinctive geography, climate and culture of Iceland has engaged Roni Horn for over 30 years. Her intimate relationship with the island has led to a multidisciplinary series of works, including books, drawings, sculpture, texts and photographs. Located in a converted library building on a promontory overlooking the ocean in Stykkishólmur on Iceland's west coast, Vatnasafn/Library of Water incorporates Horn's abiding interest in water and weather, reflection and illumination, and the relation of these phenomena to the fluidity of human identity. The installation houses 24 glass columns containing local glacier water that reflect outside weather conditions onto a rubber floor embedded with weather-related adjectives. It also functions as a community space, a writers' studio and an oral archive of local weather reports. An introduction by co-director of the London-based nonprofit Artangel, James Lingwood, surveys Horn's substantial body of Iceland-related work alongside essays by critics Briony Fer and Adrian Searle, a selection of weather reports and writings by Horn, inspired by her experience of the enigmatic island.
Isa Genzken
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This exhibition catalogue at the Museum Ludwig in Cologne and the Whitechapel Gallery in London highlights the complexity and continuity of the artists work. Twenty authors deliver short monographs, each dealing in detail with specific pieces or groups of work.
Isa Genzken
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This exhibition catalogue at the Museum Ludwig in Cologne and the Whitechapel Gallery in London highlights the complexity and continuity of the artists work. Twenty authors deliver short monographs, each dealing in detail with specific pieces or groups of work.
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This book has been conceived by the artist as a cross-referencing of his process-related and "styleless" work through the arrangement of more than 600 images: reproductions of works, installation views, studio shots, and special features. Using all possible ordinary materials, Fischer creates non-hierarchical collages of objects and thoughts, high and low aesthetics,(...)
Urs Fischer: shovel in a hole
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This book has been conceived by the artist as a cross-referencing of his process-related and "styleless" work through the arrangement of more than 600 images: reproductions of works, installation views, studio shots, and special features. Using all possible ordinary materials, Fischer creates non-hierarchical collages of objects and thoughts, high and low aesthetics, mundane and artistic memories, and personal and political interrogation.
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The first volume in the new series Jean-François Lyotard—Writings on Contemporary Art and Artists is dedicated to the Dutch Abstract Expressionist painter, sculptor, and poet Karel Appel (1921–2006). Originally published in German, the book’s original French text, written in 1992 as the result of a correspondence with Karel Appel, is here published for the first time. In(...)
Écrits sur l'art contemporain et les artistes, Karel Appel un geste de couleur
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The first volume in the new series Jean-François Lyotard—Writings on Contemporary Art and Artists is dedicated to the Dutch Abstract Expressionist painter, sculptor, and poet Karel Appel (1921–2006). Originally published in German, the book’s original French text, written in 1992 as the result of a correspondence with Karel Appel, is here published for the first time. In his text about Appel, Lyotard reflects on the nature and function of color as it is used by the artist. Karel Appel, A gesture of colour brings together, in a special golor section, twenty-five color reproductions of paintings discussed by Lyotard.
BXL Beat Streuil
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Swiss-born artist Beat Streuli's central motif is the urban environment and its inhabitants. But his quietly mesmerizing photographs are neither documentary nor conceptual: rather, they lead us to a form of aesthetics that could be described as the "glamor of the usual." In this beautifully produced volume, Streuli brings together a new series of images taken in his(...)
BXL Beat Streuil
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Swiss-born artist Beat Streuli's central motif is the urban environment and its inhabitants. But his quietly mesmerizing photographs are neither documentary nor conceptual: rather, they lead us to a form of aesthetics that could be described as the "glamor of the usual." In this beautifully produced volume, Streuli brings together a new series of images taken in his current home town of Brussels.
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This artist's book offers two perspectives on the same event: the recovery of archaeological artifacts from the Rhône river in France, in October 2009. It brings together British artist Mark Dion's creative assemblings of these artifacts, which he presents in large wooden cabinets, with archaeologist Luc Long's on-site sketches.
août 2010
Luc Long & Mark Dion: Carnet de fouilles & lab book
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This artist's book offers two perspectives on the same event: the recovery of archaeological artifacts from the Rhône river in France, in October 2009. It brings together British artist Mark Dion's creative assemblings of these artifacts, which he presents in large wooden cabinets, with archaeologist Luc Long's on-site sketches.
$21.00
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Risk Colour Book is the result of an encounter between two bodies of work, both involved with the concept of risk. Whether we are dealing with an inventory of toxic pigments and their possible secondary effects or with a performance recreating the moment when a pedestrian is struck by a car, Gustavo Artigas explores the various possible kinds of risk, disasters and(...)
septembre 2009, Montréal
Risk colour book: Gustavo Artigas
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Risk Colour Book is the result of an encounter between two bodies of work, both involved with the concept of risk. Whether we are dealing with an inventory of toxic pigments and their possible secondary effects or with a performance recreating the moment when a pedestrian is struck by a car, Gustavo Artigas explores the various possible kinds of risk, disasters and accidents. Through recording, repetition and the staging of action, Artigas exposes the fragility of the body, subjected to a cunningly latent violence.