1928 Résultats
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The immersive soundscape installations and intimate environments of the Canadian artist duo Janet Cardiff (born 1957) and Georges Bures Miller (born 1960) present an ongoing series of chapters in the life of the ghost in the machine. Their works describe tales of tag-sale menace and shared loneliness through aural means, wholly reconceiving the gallery experience. A(...)
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The immersive soundscape installations and intimate environments of the Canadian artist duo Janet Cardiff (born 1957) and Georges Bures Miller (born 1960) present an ongoing series of chapters in the life of the ghost in the machine. Their works describe tales of tag-sale menace and shared loneliness through aural means, wholly reconceiving the gallery experience. A(...)
Titre:
Janet Cardiff & George Bures Miller: works from the Goetz collection
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The immersive soundscape installations and intimate environments of the Canadian artist duo Janet Cardiff (born 1957) and Georges Bures Miller (born 1960) present an ongoing series of chapters in the life of the ghost in the machine. Their works describe tales of tag-sale menace and shared loneliness through aural means, wholly reconceiving the gallery experience. A pioneering collector of new media art, Ingvild Goetz has assembled a significant series of works by Cardiff and Miller over the years, and this publication presents this important collection for the first time. Texts by Goetz, Okwui Enwezor, León Krempel and Rainald Schumacher provide background details and references to each work that shed light on its place in the artists’ oeuvre, with a particular focus on the couple’s very personal and theatrical use of sound.
Janet Cardiff & George Bures Miller: works from the Goetz collection
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The immersive soundscape installations and intimate environments of the Canadian artist duo Janet Cardiff (born 1957) and Georges Bures Miller (born 1960) present an ongoing series of chapters in the life of the ghost in the machine. Their works describe tales of tag-sale menace and shared loneliness through aural means, wholly reconceiving the gallery experience. A pioneering collector of new media art, Ingvild Goetz has assembled a significant series of works by Cardiff and Miller over the years, and this publication presents this important collection for the first time. Texts by Goetz, Okwui Enwezor, León Krempel and Rainald Schumacher provide background details and references to each work that shed light on its place in the artists’ oeuvre, with a particular focus on the couple’s very personal and theatrical use of sound.
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livres
livres
Publication:
août 2012
août 2012
Classification:
livres
livres
Titre:
Sarah Crowner: format
Sarah Crowner: format
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The paintings of New York artist Sarah Crowner (born 1974) have offered a new slant on the constructedness of the abstract-geometric painting as developed by Max Bill, Ellsworth Kelly, Agnes Martin and Elizabeth Murray. Crowner sews together painted panels of canvas, raw linen and monochromatic fabrics, introducing a handmade touch to modernist aesthetics that often(...)
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The paintings of New York artist Sarah Crowner (born 1974) have offered a new slant on the constructedness of the abstract-geometric painting as developed by Max Bill, Ellsworth Kelly, Agnes Martin and Elizabeth Murray. Crowner sews together painted panels of canvas, raw linen and monochromatic fabrics, introducing a handmade touch to modernist aesthetics that often(...)
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Sarah Crowner: format
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The paintings of New York artist Sarah Crowner (born 1974) have offered a new slant on the constructedness of the abstract-geometric painting as developed by Max Bill, Ellsworth Kelly, Agnes Martin and Elizabeth Murray. Crowner sews together painted panels of canvas, raw linen and monochromatic fabrics, introducing a handmade touch to modernist aesthetics that often espoused the minimizing of the artist’s hand. Crowner’s first large-scale artist’s book extends this instinct for materiality to her vast archive of ephemera (magazines, publications, posters) from the 1920s through the 1940s, which she deploys here as a source material for the creation of new images that are built up through imposition, extraction, collaging and printing. Much like her paintings, the resulting works are geometrical and optical abstractions that bring fresh vigor to the tradition on which Crowner draws.
Sarah Crowner: format
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The paintings of New York artist Sarah Crowner (born 1974) have offered a new slant on the constructedness of the abstract-geometric painting as developed by Max Bill, Ellsworth Kelly, Agnes Martin and Elizabeth Murray. Crowner sews together painted panels of canvas, raw linen and monochromatic fabrics, introducing a handmade touch to modernist aesthetics that often espoused the minimizing of the artist’s hand. Crowner’s first large-scale artist’s book extends this instinct for materiality to her vast archive of ephemera (magazines, publications, posters) from the 1920s through the 1940s, which she deploys here as a source material for the creation of new images that are built up through imposition, extraction, collaging and printing. Much like her paintings, the resulting works are geometrical and optical abstractions that bring fresh vigor to the tradition on which Crowner draws.
Classification:
livres
livres
Publication:
septembre 2012
septembre 2012
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livres
livres
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Soto: Paris and Beyond, 1950–1970 accompanies the first large-scale exhibition dedicated to Jesús Soto to be held at a New York museum in more than 35 years. It highlights this major Venezuelan artist’s early career, following his relocation from Caracas to Paris in 1950, and offers a rare opportunity to trace Soto’s visionary trajectory and his influence upon, and(...)
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Soto: Paris and Beyond, 1950–1970 accompanies the first large-scale exhibition dedicated to Jesús Soto to be held at a New York museum in more than 35 years. It highlights this major Venezuelan artist’s early career, following his relocation from Caracas to Paris in 1950, and offers a rare opportunity to trace Soto’s visionary trajectory and his influence upon, and(...)
Titre:
Soto: Paris and beyond, 1950-1970
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Soto: Paris and Beyond, 1950–1970 accompanies the first large-scale exhibition dedicated to Jesús Soto to be held at a New York museum in more than 35 years. It highlights this major Venezuelan artist’s early career, following his relocation from Caracas to Paris in 1950, and offers a rare opportunity to trace Soto’s visionary trajectory and his influence upon, and exchanges with, other members of the avant-garde. Soto’s achievements in the field of interactive art established his reputation as both an international exponent of kinetic art and one of the most influential Latin American artists of the twentieth century. This fully illustrated catalogue includes essays by curator Estrellita B. Brodsky and art historian Sarah K. Rich.
Soto: Paris and beyond, 1950-1970
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Soto: Paris and Beyond, 1950–1970 accompanies the first large-scale exhibition dedicated to Jesús Soto to be held at a New York museum in more than 35 years. It highlights this major Venezuelan artist’s early career, following his relocation from Caracas to Paris in 1950, and offers a rare opportunity to trace Soto’s visionary trajectory and his influence upon, and exchanges with, other members of the avant-garde. Soto’s achievements in the field of interactive art established his reputation as both an international exponent of kinetic art and one of the most influential Latin American artists of the twentieth century. This fully illustrated catalogue includes essays by curator Estrellita B. Brodsky and art historian Sarah K. Rich.
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livres
livres
Publication:
juillet 2012
juillet 2012
Classification:
livres
livres
Titre:
The long now: Public Studio
The long now: Public Studio
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"The Long Now" covers the collaborative art practice of filmmaker Elle Flanders and architect Tamira Sawatzky, collectively known as Public Studio. A wide-ranging interview with the artists by curators Emelie Chhangur and Philip Monk interrogates the frameworks from which their engaged practice emerged. Additional reflections on their work come from essays by TJ Demos,(...)
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"The Long Now" covers the collaborative art practice of filmmaker Elle Flanders and architect Tamira Sawatzky, collectively known as Public Studio. A wide-ranging interview with the artists by curators Emelie Chhangur and Philip Monk interrogates the frameworks from which their engaged practice emerged. Additional reflections on their work come from essays by TJ Demos,(...)
Titre:
The long now: Public Studio
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"The Long Now" covers the collaborative art practice of filmmaker Elle Flanders and architect Tamira Sawatzky, collectively known as Public Studio. A wide-ranging interview with the artists by curators Emelie Chhangur and Philip Monk interrogates the frameworks from which their engaged practice emerged. Additional reflections on their work come from essays by TJ Demos, John Greyson, Susan Schuppli, and Jayne Wilkinson. Public Studio creates large-scale public art works, lensbased works, films, and immersive installations. Grounded in the personal, social, and political implications of landscape, Public Studio’s multidisciplinary practice engages themes of political dissent, war and militarization, and ecology and urbanization. Deeply collaborative and site-responsive, their work forges new understandings of what it means to be an engaged citizen today.
The long now: Public Studio
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"The Long Now" covers the collaborative art practice of filmmaker Elle Flanders and architect Tamira Sawatzky, collectively known as Public Studio. A wide-ranging interview with the artists by curators Emelie Chhangur and Philip Monk interrogates the frameworks from which their engaged practice emerged. Additional reflections on their work come from essays by TJ Demos, John Greyson, Susan Schuppli, and Jayne Wilkinson. Public Studio creates large-scale public art works, lensbased works, films, and immersive installations. Grounded in the personal, social, and political implications of landscape, Public Studio’s multidisciplinary practice engages themes of political dissent, war and militarization, and ecology and urbanization. Deeply collaborative and site-responsive, their work forges new understandings of what it means to be an engaged citizen today.
Classification:
livres
livres
Publication:
janvier 2019
janvier 2019
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livres
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Published on the occasion of the exhibition ''Tom Wesselmann: La Promesse du Bonheur'', held at the Villa Paloma, Nouveau Musée National de Monaco, this catalogue is a critical overview of a key American pop artist and an important opportunity to analyze specific aspects of his work: Victorian and post-Victorian sexuality, female agency, postwar economic abundance,(...)
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Résumé:
Published on the occasion of the exhibition ''Tom Wesselmann: La Promesse du Bonheur'', held at the Villa Paloma, Nouveau Musée National de Monaco, this catalogue is a critical overview of a key American pop artist and an important opportunity to analyze specific aspects of his work: Victorian and post-Victorian sexuality, female agency, postwar economic abundance,(...)
Titre:
Tom Wesselmann : la promesse du bonheur
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Published on the occasion of the exhibition ''Tom Wesselmann: La Promesse du Bonheur'', held at the Villa Paloma, Nouveau Musée National de Monaco, this catalogue is a critical overview of a key American pop artist and an important opportunity to analyze specific aspects of his work: Victorian and post-Victorian sexuality, female agency, postwar economic abundance, beauty, the erotics of anticipation, the politics of the gaze and strategies of indeterminacy. Every aspect of the book's design, including its more than 170 color illustrations, is conceived to reflect on the artist's haptic, indexical painterly approach and his oversize scale system.
Tom Wesselmann : la promesse du bonheur
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Published on the occasion of the exhibition ''Tom Wesselmann: La Promesse du Bonheur'', held at the Villa Paloma, Nouveau Musée National de Monaco, this catalogue is a critical overview of a key American pop artist and an important opportunity to analyze specific aspects of his work: Victorian and post-Victorian sexuality, female agency, postwar economic abundance, beauty, the erotics of anticipation, the politics of the gaze and strategies of indeterminacy. Every aspect of the book's design, including its more than 170 color illustrations, is conceived to reflect on the artist's haptic, indexical painterly approach and his oversize scale system.
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livres
livres
Publication:
mars 2019
mars 2019
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livres
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''Affinités des sols'' explore les croisements entre histoire (post-)coloniale et histoire des espèces végétales, en reliant les territoires d'Aubervilliers, en Seine-Saint-Denis, avec ceux de l'Afrique de l'Ouest (Mali et Sénégal). Cette édition et le projet artistique éponyme portés par Uriel Orlow retracent ces lignes de réseaux et de connexions via un ensemble(...)
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''Affinités des sols'' explore les croisements entre histoire (post-)coloniale et histoire des espèces végétales, en reliant les territoires d'Aubervilliers, en Seine-Saint-Denis, avec ceux de l'Afrique de l'Ouest (Mali et Sénégal). Cette édition et le projet artistique éponyme portés par Uriel Orlow retracent ces lignes de réseaux et de connexions via un ensemble(...)
Titre:
Uriel Orlow : affinités des sols
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''Affinités des sols'' explore les croisements entre histoire (post-)coloniale et histoire des espèces végétales, en reliant les territoires d'Aubervilliers, en Seine-Saint-Denis, avec ceux de l'Afrique de l'Ouest (Mali et Sénégal). Cette édition et le projet artistique éponyme portés par Uriel Orlow retracent ces lignes de réseaux et de connexions via un ensemble d'images, cartes, textes et entretiens collectés pendant deux ans en France, au Sénégal et au Mali.
Uriel Orlow : affinités des sols
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''Affinités des sols'' explore les croisements entre histoire (post-)coloniale et histoire des espèces végétales, en reliant les territoires d'Aubervilliers, en Seine-Saint-Denis, avec ceux de l'Afrique de l'Ouest (Mali et Sénégal). Cette édition et le projet artistique éponyme portés par Uriel Orlow retracent ces lignes de réseaux et de connexions via un ensemble d'images, cartes, textes et entretiens collectés pendant deux ans en France, au Sénégal et au Mali.
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livres
livres
Publication:
janvier 2019
janvier 2019
Classification:
livres
livres
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$39.95
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Résumé:
La genèse, l'histoire et le destin d'une œuvre aussi exceptionnelle que la relation entre un artiste et son collectionneur dont elle a été le vecteur. L'histoire des « Neuf Moules Mâlic » de Marcel Duchamp, œuvre originale entrée par dation dans les collections du Musée national d'art moderne du Centre Pompidou en 1997, est autant l'histoire de la matrice du « Grand Verre(...)
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La genèse, l'histoire et le destin d'une œuvre aussi exceptionnelle que la relation entre un artiste et son collectionneur dont elle a été le vecteur. L'histoire des « Neuf Moules Mâlic » de Marcel Duchamp, œuvre originale entrée par dation dans les collections du Musée national d'art moderne du Centre Pompidou en 1997, est autant l'histoire de la matrice du « Grand Verre(...)
Publication:
novembre 2018
novembre 2018
Titre:
Marcel Duchamp, Henri-Pierre Roché et les Neuf Moules Mâlic
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La genèse, l'histoire et le destin d'une œuvre aussi exceptionnelle que la relation entre un artiste et son collectionneur dont elle a été le vecteur. L'histoire des « Neuf Moules Mâlic » de Marcel Duchamp, œuvre originale entrée par dation dans les collections du Musée national d'art moderne du Centre Pompidou en 1997, est autant l'histoire de la matrice du « Grand Verre » ou « La Mariée mise à nu par ses célibataires, » même et que l'histoire d'une icône de ce musée. Mais c'est aussi l'histoire de la longue et très fidèle amitié entre Marcel Duchamp et Henri-Pierre Roché, personnage rendu célèbre par la publication et la transposition au cinéma de son roman Jules et Jim.
Marcel Duchamp, Henri-Pierre Roché et les Neuf Moules Mâlic
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La genèse, l'histoire et le destin d'une œuvre aussi exceptionnelle que la relation entre un artiste et son collectionneur dont elle a été le vecteur. L'histoire des « Neuf Moules Mâlic » de Marcel Duchamp, œuvre originale entrée par dation dans les collections du Musée national d'art moderne du Centre Pompidou en 1997, est autant l'histoire de la matrice du « Grand Verre » ou « La Mariée mise à nu par ses célibataires, » même et que l'histoire d'une icône de ce musée. Mais c'est aussi l'histoire de la longue et très fidèle amitié entre Marcel Duchamp et Henri-Pierre Roché, personnage rendu célèbre par la publication et la transposition au cinéma de son roman Jules et Jim.
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livres
livres
Publication:
novembre 2018
novembre 2018
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livres
livres
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$75.00
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Best known for her striking drawings of ocean surfaces, begun in 1968 and revisited over many years both in drawings and paintings, Vija Celmins (b. 1938) has been creating exquisitely detailed renderings of natural imagery for more than five decades. The oceans were followed by desert floors and night skies—all subjects in which vast, expansive distances are distilled(...)
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Best known for her striking drawings of ocean surfaces, begun in 1968 and revisited over many years both in drawings and paintings, Vija Celmins (b. 1938) has been creating exquisitely detailed renderings of natural imagery for more than five decades. The oceans were followed by desert floors and night skies—all subjects in which vast, expansive distances are distilled(...)
Titre:
Vija Celmins: to fix the image in memory
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Best known for her striking drawings of ocean surfaces, begun in 1968 and revisited over many years both in drawings and paintings, Vija Celmins (b. 1938) has been creating exquisitely detailed renderings of natural imagery for more than five decades. The oceans were followed by desert floors and night skies—all subjects in which vast, expansive distances are distilled into luminous, meticulous, and mesmerizing small-scale artworks. For Celmins, this obsessive ''redescribing'' of the world is a way to understand human consciousness in relation to lived experience.
Vija Celmins: to fix the image in memory
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Best known for her striking drawings of ocean surfaces, begun in 1968 and revisited over many years both in drawings and paintings, Vija Celmins (b. 1938) has been creating exquisitely detailed renderings of natural imagery for more than five decades. The oceans were followed by desert floors and night skies—all subjects in which vast, expansive distances are distilled into luminous, meticulous, and mesmerizing small-scale artworks. For Celmins, this obsessive ''redescribing'' of the world is a way to understand human consciousness in relation to lived experience.
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livres
livres
Publication:
décembre 2019
décembre 2019
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livres
livres
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$43.00
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''Delicious Metropolis'' brings together two of Wayne Thiebaud's most celebrated bodies of work: desserts and cityscapes. Between the two, fascinating juxtapositions develop. The layers of a Neapolitan cake echo the shadows cast across a street in the late afternoon. The pastel hues of iced sponge cakes match California's candy-colored houses. Curators, critics, and(...)
$43.00
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Résumé:
''Delicious Metropolis'' brings together two of Wayne Thiebaud's most celebrated bodies of work: desserts and cityscapes. Between the two, fascinating juxtapositions develop. The layers of a Neapolitan cake echo the shadows cast across a street in the late afternoon. The pastel hues of iced sponge cakes match California's candy-colored houses. Curators, critics, and(...)
Titre:
Delicious Metropolis: the desserts and urban scenes of Wayne Thiebaud
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''Delicious Metropolis'' brings together two of Wayne Thiebaud's most celebrated bodies of work: desserts and cityscapes. Between the two, fascinating juxtapositions develop. The layers of a Neapolitan cake echo the shadows cast across a street in the late afternoon. The pastel hues of iced sponge cakes match California's candy-colored houses. Curators, critics, and artists guide the reader through the book via insightful bite-size essays.
Delicious Metropolis: the desserts and urban scenes of Wayne Thiebaud
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$43.00
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Résumé:
''Delicious Metropolis'' brings together two of Wayne Thiebaud's most celebrated bodies of work: desserts and cityscapes. Between the two, fascinating juxtapositions develop. The layers of a Neapolitan cake echo the shadows cast across a street in the late afternoon. The pastel hues of iced sponge cakes match California's candy-colored houses. Curators, critics, and artists guide the reader through the book via insightful bite-size essays.
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livres
livres
Publication:
mai 2019
mai 2019
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livres
livres
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$62.00
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Résumé:
Featuring over 90 works by Alexander Calder (1898–1976) including paintings, mobiles, stabiles, jewelry, domestic objects and furniture, plus six monumental outdoor sculptures, this catalog illustrates a walkthrough of an ambitious exhibition in the British countryside in Somerset. Drawing a parallel with Calder's longtime home and studio in Roxbury, Connecticut, it(...)
$62.00
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Résumé:
Featuring over 90 works by Alexander Calder (1898–1976) including paintings, mobiles, stabiles, jewelry, domestic objects and furniture, plus six monumental outdoor sculptures, this catalog illustrates a walkthrough of an ambitious exhibition in the British countryside in Somerset. Drawing a parallel with Calder's longtime home and studio in Roxbury, Connecticut, it(...)
Publication:
septembre 2018
septembre 2018
Titre:
Alexander Calder: from the stony river to the sky
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$62.00
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Résumé:
Featuring over 90 works by Alexander Calder (1898–1976) including paintings, mobiles, stabiles, jewelry, domestic objects and furniture, plus six monumental outdoor sculptures, this catalog illustrates a walkthrough of an ambitious exhibition in the British countryside in Somerset. Drawing a parallel with Calder's longtime home and studio in Roxbury, Connecticut, it includes many previously unseen works. An essay by Jessica Holmes focuses on the artist's handcrafted domestic objects, offering insight into Calder's life and inventive practice. Susan Braeuer Dam focuses on Calder's move to Roxbury in 1933 and the shifts in his work, drawing upon themes of nature, process and monumentality, specifically as related to the 1934 sculptures surveyed here.
Alexander Calder: from the stony river to the sky
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$62.00
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Résumé:
Featuring over 90 works by Alexander Calder (1898–1976) including paintings, mobiles, stabiles, jewelry, domestic objects and furniture, plus six monumental outdoor sculptures, this catalog illustrates a walkthrough of an ambitious exhibition in the British countryside in Somerset. Drawing a parallel with Calder's longtime home and studio in Roxbury, Connecticut, it includes many previously unseen works. An essay by Jessica Holmes focuses on the artist's handcrafted domestic objects, offering insight into Calder's life and inventive practice. Susan Braeuer Dam focuses on Calder's move to Roxbury in 1933 and the shifts in his work, drawing upon themes of nature, process and monumentality, specifically as related to the 1934 sculptures surveyed here.
Classification:
livres
livres
Publication:
septembre 2018
septembre 2018
