1928 Résultats
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This monograph documents works by Studio Morison, established in 2003 by British artists Heather Morison and Ivan Morison, known for their large-scale, architectural sculptures in public environments. Texts by curators, architects, sci-fi writers and collaborators accompany the duo’s reflections on each work.
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This monograph documents works by Studio Morison, established in 2003 by British artists Heather Morison and Ivan Morison, known for their large-scale, architectural sculptures in public environments. Texts by curators, architects, sci-fi writers and collaborators accompany the duo’s reflections on each work.
Titre:
Love me or leave me: the very public art of Heather and Ivan Morison
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This monograph documents works by Studio Morison, established in 2003 by British artists Heather Morison and Ivan Morison, known for their large-scale, architectural sculptures in public environments. Texts by curators, architects, sci-fi writers and collaborators accompany the duo’s reflections on each work.
Love me or leave me: the very public art of Heather and Ivan Morison
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This monograph documents works by Studio Morison, established in 2003 by British artists Heather Morison and Ivan Morison, known for their large-scale, architectural sculptures in public environments. Texts by curators, architects, sci-fi writers and collaborators accompany the duo’s reflections on each work.
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livres
Publication:
janvier 2021
janvier 2021
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This book documents installations of Haus— a 1:15 scale representation of a modern commercial building—by celebrated Swiss duo Peter Fischli (born 1952) and David Weiss (1946–2012). These include the 2016 recreation of the 1987 Skulptur Projekte Münster for the Guggenheim Museum and its permanent installation at Offenen Rennbahn in Zürich.
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This book documents installations of Haus— a 1:15 scale representation of a modern commercial building—by celebrated Swiss duo Peter Fischli (born 1952) and David Weiss (1946–2012). These include the 2016 recreation of the 1987 Skulptur Projekte Münster for the Guggenheim Museum and its permanent installation at Offenen Rennbahn in Zürich.
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Peter Fischli. David Weiss: Haus
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This book documents installations of Haus— a 1:15 scale representation of a modern commercial building—by celebrated Swiss duo Peter Fischli (born 1952) and David Weiss (1946–2012). These include the 2016 recreation of the 1987 Skulptur Projekte Münster for the Guggenheim Museum and its permanent installation at Offenen Rennbahn in Zürich.
Peter Fischli. David Weiss: Haus
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This book documents installations of Haus— a 1:15 scale representation of a modern commercial building—by celebrated Swiss duo Peter Fischli (born 1952) and David Weiss (1946–2012). These include the 2016 recreation of the 1987 Skulptur Projekte Münster for the Guggenheim Museum and its permanent installation at Offenen Rennbahn in Zürich.
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livres
livres
Publication:
septembre 2020
septembre 2020
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livres
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In the late 1970s Ellsworth Kelly (1923–2015) was commissioned by architecture firm Skidmore, Owings & Merrill to create an artwork for the lobby of a new office building underway in downtown Cincinnati, Ohio. Kelly responded with one of his most ambitious artworks to date, ''Color Panels for a Large Wall,'' an 18-panel painting executed in two versions. The larger, at(...)
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In the late 1970s Ellsworth Kelly (1923–2015) was commissioned by architecture firm Skidmore, Owings & Merrill to create an artwork for the lobby of a new office building underway in downtown Cincinnati, Ohio. Kelly responded with one of his most ambitious artworks to date, ''Color Panels for a Large Wall,'' an 18-panel painting executed in two versions. The larger, at(...)
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Ellsworth Kelly: Color panels for a large wall
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In the late 1970s Ellsworth Kelly (1923–2015) was commissioned by architecture firm Skidmore, Owings & Merrill to create an artwork for the lobby of a new office building underway in downtown Cincinnati, Ohio. Kelly responded with one of his most ambitious artworks to date, ''Color Panels for a Large Wall,'' an 18-panel painting executed in two versions. The larger, at over 125 feet wide, was the biggest painting he had ever made, and its trajectory would pass through not just Cincinnati but also Amsterdam, New York and Munich before ending up at its permanent home, the National Gallery of Art in Washington, DC, where it has been prominently installed in the I.M. Pei–designed East Building since 2004.The smaller version, over 30 feet wide, remained in the artist's possession. This catalog tells the complete story of these two remarkable paintings.
Ellsworth Kelly: Color panels for a large wall
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In the late 1970s Ellsworth Kelly (1923–2015) was commissioned by architecture firm Skidmore, Owings & Merrill to create an artwork for the lobby of a new office building underway in downtown Cincinnati, Ohio. Kelly responded with one of his most ambitious artworks to date, ''Color Panels for a Large Wall,'' an 18-panel painting executed in two versions. The larger, at over 125 feet wide, was the biggest painting he had ever made, and its trajectory would pass through not just Cincinnati but also Amsterdam, New York and Munich before ending up at its permanent home, the National Gallery of Art in Washington, DC, where it has been prominently installed in the I.M. Pei–designed East Building since 2004.The smaller version, over 30 feet wide, remained in the artist's possession. This catalog tells the complete story of these two remarkable paintings.
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livres
livres
Publication:
avril 2019
avril 2019
Classification:
livres
livres
Titre:
Grey Crawford: El Mirage
Grey Crawford: El Mirage
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Los Angeles–based Grey Crawford (born 1951) produced the photo series ''El Mirage'' in the southern Mojave Desert in 1975–78. Influenced early on by the forms of fellow artists Ellsworth Kelly and Frank Stella, and later by land artists such as Michael Heizer and Gordon Matta-Clark, Crawford's work features minimalist structures made of glass and steel. These abstract(...)
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Los Angeles–based Grey Crawford (born 1951) produced the photo series ''El Mirage'' in the southern Mojave Desert in 1975–78. Influenced early on by the forms of fellow artists Ellsworth Kelly and Frank Stella, and later by land artists such as Michael Heizer and Gordon Matta-Clark, Crawford's work features minimalist structures made of glass and steel. These abstract(...)
Publication:
avril 2019
avril 2019
Titre:
Grey Crawford: El Mirage
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Los Angeles–based Grey Crawford (born 1951) produced the photo series ''El Mirage'' in the southern Mojave Desert in 1975–78. Influenced early on by the forms of fellow artists Ellsworth Kelly and Frank Stella, and later by land artists such as Michael Heizer and Gordon Matta-Clark, Crawford's work features minimalist structures made of glass and steel. These abstract works focus on the artist's interventions in nature and architecture that seek to extend the limits of photography into land art and hard-edged abstraction. Crawford's day-to-day job working as a photographer for architects reveals its payoff in the work's smart presentation of its difficult subject. Besides the black-and-white photos that Crawford is famous for, this volume also contains Crawford's experiments in colour photography.
Grey Crawford: El Mirage
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Los Angeles–based Grey Crawford (born 1951) produced the photo series ''El Mirage'' in the southern Mojave Desert in 1975–78. Influenced early on by the forms of fellow artists Ellsworth Kelly and Frank Stella, and later by land artists such as Michael Heizer and Gordon Matta-Clark, Crawford's work features minimalist structures made of glass and steel. These abstract works focus on the artist's interventions in nature and architecture that seek to extend the limits of photography into land art and hard-edged abstraction. Crawford's day-to-day job working as a photographer for architects reveals its payoff in the work's smart presentation of its difficult subject. Besides the black-and-white photos that Crawford is famous for, this volume also contains Crawford's experiments in colour photography.
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livres
livres
Publication:
avril 2019
avril 2019
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"Marina Abramovic: Writings 1960–2014" compiles the artist's colossal archive of handwritten and typed notes, diary entries, poems, accounts of dreams, travel descriptions, letters, performance instructions, stories, concepts and various collections of documents all of these disparate materials have been collated, catalogued and contextualized for the first time in this(...)
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"Marina Abramovic: Writings 1960–2014" compiles the artist's colossal archive of handwritten and typed notes, diary entries, poems, accounts of dreams, travel descriptions, letters, performance instructions, stories, concepts and various collections of documents all of these disparate materials have been collated, catalogued and contextualized for the first time in this(...)
Publication:
novembre 2019
novembre 2019
Titre:
Marina Abramovic: writings 1960-2014
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"Marina Abramovic: Writings 1960–2014" compiles the artist's colossal archive of handwritten and typed notes, diary entries, poems, accounts of dreams, travel descriptions, letters, performance instructions, stories, concepts and various collections of documents all of these disparate materials have been collated, catalogued and contextualized for the first time in this publication. Known primarily for her radical performances and for reaching a broad public with her immaterial art during her more than 50-year career, Abramovic (born 1946) offers a vast contextual backdrop for these works in this collection of writings.
Marina Abramovic: writings 1960-2014
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"Marina Abramovic: Writings 1960–2014" compiles the artist's colossal archive of handwritten and typed notes, diary entries, poems, accounts of dreams, travel descriptions, letters, performance instructions, stories, concepts and various collections of documents all of these disparate materials have been collated, catalogued and contextualized for the first time in this publication. Known primarily for her radical performances and for reaching a broad public with her immaterial art during her more than 50-year career, Abramovic (born 1946) offers a vast contextual backdrop for these works in this collection of writings.
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livres
livres
Publication:
novembre 2019
novembre 2019
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livres
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Lee Lozano: language pieces
Lee Lozano: language pieces
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In the late 1960s, Lee Lozano (1930–99) conceived of and executed a series of "language pieces," written in the pages of her notebooks, consisting of rules and parameters for the actions that would constitute a piece. From offering money to houseguests to smoking as much marijuana as possible, Lozano boldly tested social norms, culminating in two of her most famous works:(...)
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In the late 1960s, Lee Lozano (1930–99) conceived of and executed a series of "language pieces," written in the pages of her notebooks, consisting of rules and parameters for the actions that would constitute a piece. From offering money to houseguests to smoking as much marijuana as possible, Lozano boldly tested social norms, culminating in two of her most famous works:(...)
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Lee Lozano: language pieces
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In the late 1960s, Lee Lozano (1930–99) conceived of and executed a series of "language pieces," written in the pages of her notebooks, consisting of rules and parameters for the actions that would constitute a piece. From offering money to houseguests to smoking as much marijuana as possible, Lozano boldly tested social norms, culminating in two of her most famous works: ''General Strike Piece'' (1969), which saw her retreating from the art world completely, and ''Decide to Boycott Women'' (1971), in which she ceased engaging with all members of her own gender. ''Lee Lozano: Language Pieces'' presents 46 of these pieces, reproducing them at full scale. Nearly five decades later, these radical manifestations of 1960s and '70s conceptualism continue to exert their political and artistic influence.
Lee Lozano: language pieces
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In the late 1960s, Lee Lozano (1930–99) conceived of and executed a series of "language pieces," written in the pages of her notebooks, consisting of rules and parameters for the actions that would constitute a piece. From offering money to houseguests to smoking as much marijuana as possible, Lozano boldly tested social norms, culminating in two of her most famous works: ''General Strike Piece'' (1969), which saw her retreating from the art world completely, and ''Decide to Boycott Women'' (1971), in which she ceased engaging with all members of her own gender. ''Lee Lozano: Language Pieces'' presents 46 of these pieces, reproducing them at full scale. Nearly five decades later, these radical manifestations of 1960s and '70s conceptualism continue to exert their political and artistic influence.
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livres
livres
Publication:
novembre 2018
novembre 2018
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livres
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''A Cookbook of Invisible Writing,'' by Dutch artist, designer and teacher Amy Wu, is an introduction to analog steganography—a type of secret writing that is hidden in plain sight. This book serves as a starter pack to run workshops with groups who are interested in alternative forms of communication. It contains invisible ink recipes and other invisible communication(...)
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''A Cookbook of Invisible Writing,'' by Dutch artist, designer and teacher Amy Wu, is an introduction to analog steganography—a type of secret writing that is hidden in plain sight. This book serves as a starter pack to run workshops with groups who are interested in alternative forms of communication. It contains invisible ink recipes and other invisible communication(...)
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Amy Wu: A cookbook of invisible writing
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''A Cookbook of Invisible Writing,'' by Dutch artist, designer and teacher Amy Wu, is an introduction to analog steganography—a type of secret writing that is hidden in plain sight. This book serves as a starter pack to run workshops with groups who are interested in alternative forms of communication. It contains invisible ink recipes and other invisible communication techniques that may be used to subvert surveillance and bypass censorship, but also inspire your community to develop poetic and playful forms of communication to nurture social bonds. In the tradition of esoteric manuals published on secret writing, this cookbook also channels the spirit of everyday access and the easy distribution and sharing of practical knowledge. Following Giambattista della Porta’s 1558 popular science book Natural Magic—one of the first major publications that detailed simple but diverse recipes of invisible inks for public consumption—this cookbook aims to bring this obscure field to a wider audience. The publication includes a critical essay about the history of surveillance through a feminist and postcolonial lens.
Amy Wu: A cookbook of invisible writing
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''A Cookbook of Invisible Writing,'' by Dutch artist, designer and teacher Amy Wu, is an introduction to analog steganography—a type of secret writing that is hidden in plain sight. This book serves as a starter pack to run workshops with groups who are interested in alternative forms of communication. It contains invisible ink recipes and other invisible communication techniques that may be used to subvert surveillance and bypass censorship, but also inspire your community to develop poetic and playful forms of communication to nurture social bonds. In the tradition of esoteric manuals published on secret writing, this cookbook also channels the spirit of everyday access and the easy distribution and sharing of practical knowledge. Following Giambattista della Porta’s 1558 popular science book Natural Magic—one of the first major publications that detailed simple but diverse recipes of invisible inks for public consumption—this cookbook aims to bring this obscure field to a wider audience. The publication includes a critical essay about the history of surveillance through a feminist and postcolonial lens.
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livres
livres
Publication:
août 2019
août 2019
Classification:
livres
livres
Titre:
Alice Neel: Freedom
Alice Neel: Freedom
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One of the foremost American figurative painters of the 20th century, Alice Neel (1900–84) was a humanist—she was fascinated by people. Known for her daringly honest portraits, Neel loved to paint people in all their complexities—to penetrate and reveal their fears and anxieties. She also loved to paint the unadorned human figure. Her nudes, in particular, explore the(...)
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One of the foremost American figurative painters of the 20th century, Alice Neel (1900–84) was a humanist—she was fascinated by people. Known for her daringly honest portraits, Neel loved to paint people in all their complexities—to penetrate and reveal their fears and anxieties. She also loved to paint the unadorned human figure. Her nudes, in particular, explore the(...)
Titre:
Alice Neel: Freedom
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One of the foremost American figurative painters of the 20th century, Alice Neel (1900–84) was a humanist—she was fascinated by people. Known for her daringly honest portraits, Neel loved to paint people in all their complexities—to penetrate and reveal their fears and anxieties. She also loved to paint the unadorned human figure. Her nudes, in particular, explore the body with frankness while celebrating the individuality of each of her subjects, and they exemplify the freedom and courage with which she approached her work and her life. This book documents the solo exhibition of the artist’s work at David Zwirner in New York in 2019. Including works that span the 1920s to the 1980s, this presentation focuses primarily on the nude figure whether male or female, adult or child and demonstrates how Neel rebelled against and challenged the traditional perceptions of sexuality, motherhood and beauty in our society.
Alice Neel: Freedom
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One of the foremost American figurative painters of the 20th century, Alice Neel (1900–84) was a humanist—she was fascinated by people. Known for her daringly honest portraits, Neel loved to paint people in all their complexities—to penetrate and reveal their fears and anxieties. She also loved to paint the unadorned human figure. Her nudes, in particular, explore the body with frankness while celebrating the individuality of each of her subjects, and they exemplify the freedom and courage with which she approached her work and her life. This book documents the solo exhibition of the artist’s work at David Zwirner in New York in 2019. Including works that span the 1920s to the 1980s, this presentation focuses primarily on the nude figure whether male or female, adult or child and demonstrates how Neel rebelled against and challenged the traditional perceptions of sexuality, motherhood and beauty in our society.
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livres
livres
Publication:
avril 2019
avril 2019
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livres
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"Margaret Kilgallen: that’s where the beauty is". is published on the occasion of Kilgallen’s first posthumous museum exhibition, and the largest presentation of her work in more than a decade. Using the artist’s exhibition history as a chronological tool, "that’s where the beauty is". examines Kilgallen’s roots in histories of printmaking, American and non-Western folk(...)
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"Margaret Kilgallen: that’s where the beauty is". is published on the occasion of Kilgallen’s first posthumous museum exhibition, and the largest presentation of her work in more than a decade. Using the artist’s exhibition history as a chronological tool, "that’s where the beauty is". examines Kilgallen’s roots in histories of printmaking, American and non-Western folk(...)
Publication:
décembre 2019
décembre 2019
Titre:
Margaret Kilgallen: that's where the beauty is
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"Margaret Kilgallen: that’s where the beauty is". is published on the occasion of Kilgallen’s first posthumous museum exhibition, and the largest presentation of her work in more than a decade. Using the artist’s exhibition history as a chronological tool, "that’s where the beauty is". examines Kilgallen’s roots in histories of printmaking, American and non-Western folk history and folklore, and feminist strategies of representation, expanding the narrative around her work beyond her association with the Bay Area Mission School and the "Beautiful Losers" artists. Kilgallen’s graphic, schematic style came from a deep engagement with the handmade in wildly divergent forms—from folk art to letterpress printing to freight train graffiti, among many other sources. “I like things that are handmade and I like to see people's hand in the world anywhere in the world,” she said, embracing the idiosyncrasies and imperfections that come from hand craft. “I think that’s where the beauty is.” Kilgallen’s work, in form and content, celebrates the handmade, making heroes and heroines of those who live and work in the margins and challenging traditional gender roles, hierarchies and mainstream culture.
Margaret Kilgallen: that's where the beauty is
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"Margaret Kilgallen: that’s where the beauty is". is published on the occasion of Kilgallen’s first posthumous museum exhibition, and the largest presentation of her work in more than a decade. Using the artist’s exhibition history as a chronological tool, "that’s where the beauty is". examines Kilgallen’s roots in histories of printmaking, American and non-Western folk history and folklore, and feminist strategies of representation, expanding the narrative around her work beyond her association with the Bay Area Mission School and the "Beautiful Losers" artists. Kilgallen’s graphic, schematic style came from a deep engagement with the handmade in wildly divergent forms—from folk art to letterpress printing to freight train graffiti, among many other sources. “I like things that are handmade and I like to see people's hand in the world anywhere in the world,” she said, embracing the idiosyncrasies and imperfections that come from hand craft. “I think that’s where the beauty is.” Kilgallen’s work, in form and content, celebrates the handmade, making heroes and heroines of those who live and work in the margins and challenging traditional gender roles, hierarchies and mainstream culture.
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livres
livres
Publication:
décembre 2019
décembre 2019
Classification:
livres
livres
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Radical American artist, educator and Catholic nun, Corita Kent’s (1918–86) provocative and elaborate serigraphy has entranced audiences for over four decades. Originally completed in 1968, Kent’s “International Signal Code Alphabet” encompasses a series of 26 kaleidoscopic serigraphs integrating scripture, typography, image, icon and the maritime flags of the(...)
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Radical American artist, educator and Catholic nun, Corita Kent’s (1918–86) provocative and elaborate serigraphy has entranced audiences for over four decades. Originally completed in 1968, Kent’s “International Signal Code Alphabet” encompasses a series of 26 kaleidoscopic serigraphs integrating scripture, typography, image, icon and the maritime flags of the(...)
Titre:
Corita Kent: international signal code alphabet
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Radical American artist, educator and Catholic nun, Corita Kent’s (1918–86) provocative and elaborate serigraphy has entranced audiences for over four decades. Originally completed in 1968, Kent’s “International Signal Code Alphabet” encompasses a series of 26 kaleidoscopic serigraphs integrating scripture, typography, image, icon and the maritime flags of the International Code of Signals. As 2018 marks the 50th anniversary of both the series’ completion and the centennial of Kent’s birth, this celebratory publication, produced in collaboration with the Corita Art Center, reproduces for the first time the “International Signal Code Alphabet” in this handsome and eye-grabbing yellow clothbound volume. An informative introduction written by Corita Art Center Director, Ray Smith, and a foreword authored by artist and curator Aaron Rose accompany the serigraphs.
Corita Kent: international signal code alphabet
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Radical American artist, educator and Catholic nun, Corita Kent’s (1918–86) provocative and elaborate serigraphy has entranced audiences for over four decades. Originally completed in 1968, Kent’s “International Signal Code Alphabet” encompasses a series of 26 kaleidoscopic serigraphs integrating scripture, typography, image, icon and the maritime flags of the International Code of Signals. As 2018 marks the 50th anniversary of both the series’ completion and the centennial of Kent’s birth, this celebratory publication, produced in collaboration with the Corita Art Center, reproduces for the first time the “International Signal Code Alphabet” in this handsome and eye-grabbing yellow clothbound volume. An informative introduction written by Corita Art Center Director, Ray Smith, and a foreword authored by artist and curator Aaron Rose accompany the serigraphs.
Classification:
livres
livres
Publication:
mars 2019
mars 2019
