1921 Résultats
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Titre:
John Stezaker
John Stezaker
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Celebrated for his brilliant use of old film stills, portraits, postcards and other found imagery, John Stezaker engages with this exquisitely selected found material through inversion, excision, incision, fusion and accidental damage. In this extensive monograph/exhibition catalog, Stezaker focuses on the dialectics innate in the work; life and death, seeing and(...)
$54.95
(disponible sur commande)
Résumé:
Celebrated for his brilliant use of old film stills, portraits, postcards and other found imagery, John Stezaker engages with this exquisitely selected found material through inversion, excision, incision, fusion and accidental damage. In this extensive monograph/exhibition catalog, Stezaker focuses on the dialectics innate in the work; life and death, seeing and(...)
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John Stezaker
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Celebrated for his brilliant use of old film stills, portraits, postcards and other found imagery, John Stezaker engages with this exquisitely selected found material through inversion, excision, incision, fusion and accidental damage. In this extensive monograph/exhibition catalog, Stezaker focuses on the dialectics innate in the work; life and death, seeing and blindness, male and female, love and betrayal, portrait and landscape, and more. Included are works ranging from 1977 up to the most recent series from 2010, introducing lesser-known groups such as ‘Sublimes’ and ‘Lost Tracks’ alongside his famous ongoing series including ‘Masks’ and ‘Marriages’. The largest monographic catalogue on Stezaker to date, the publication features texts by Dawn Ades and Michael Bracewell and a conversation between the artist and Daniel Herrmann and Christophe Gallois, with over 80 images of the artists’ work.
John Stezaker
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Celebrated for his brilliant use of old film stills, portraits, postcards and other found imagery, John Stezaker engages with this exquisitely selected found material through inversion, excision, incision, fusion and accidental damage. In this extensive monograph/exhibition catalog, Stezaker focuses on the dialectics innate in the work; life and death, seeing and blindness, male and female, love and betrayal, portrait and landscape, and more. Included are works ranging from 1977 up to the most recent series from 2010, introducing lesser-known groups such as ‘Sublimes’ and ‘Lost Tracks’ alongside his famous ongoing series including ‘Masks’ and ‘Marriages’. The largest monographic catalogue on Stezaker to date, the publication features texts by Dawn Ades and Michael Bracewell and a conversation between the artist and Daniel Herrmann and Christophe Gallois, with over 80 images of the artists’ work.
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livres
Publication:
mars 2012
mars 2012
Classification:
livres
livres
Titre:
John Stezaker : film Still
John Stezaker : film Still
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John Stezaker began his ongoing series of film still collages in 1979; the result of a period which marked a crucial change in the direction of the artist’s work which had previously been centred around a text based "conceptualism". The series moves with Stezaker’s changing interests, using stills from classic American-period Hitchcock films as raw material before(...)
$34.50
(disponible sur commande)
Résumé:
John Stezaker began his ongoing series of film still collages in 1979; the result of a period which marked a crucial change in the direction of the artist’s work which had previously been centred around a text based "conceptualism". The series moves with Stezaker’s changing interests, using stills from classic American-period Hitchcock films as raw material before(...)
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John Stezaker : film Still
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John Stezaker began his ongoing series of film still collages in 1979; the result of a period which marked a crucial change in the direction of the artist’s work which had previously been centred around a text based "conceptualism". The series moves with Stezaker’s changing interests, using stills from classic American-period Hitchcock films as raw material before shifting towards the undistinguishable mass of 1940s and early 1950s low-budget studio films. Featuring collages based on a combination of film still excisions and superimpositions, this ongoing series is catalogued comprehensively for the first time here. Bringing together Stezaker’s earliest film still collages to his most recent, this publication follows on from Ridinghouse titles Masks and Marriages, with full colour illustrations accompanied by an essay by David Campany and a conversation between the critic and the artist.
John Stezaker : film Still
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Résumé:
John Stezaker began his ongoing series of film still collages in 1979; the result of a period which marked a crucial change in the direction of the artist’s work which had previously been centred around a text based "conceptualism". The series moves with Stezaker’s changing interests, using stills from classic American-period Hitchcock films as raw material before shifting towards the undistinguishable mass of 1940s and early 1950s low-budget studio films. Featuring collages based on a combination of film still excisions and superimpositions, this ongoing series is catalogued comprehensively for the first time here. Bringing together Stezaker’s earliest film still collages to his most recent, this publication follows on from Ridinghouse titles Masks and Marriages, with full colour illustrations accompanied by an essay by David Campany and a conversation between the critic and the artist.
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livres
livres
Publication:
avril 2012
avril 2012
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livres
livres
Titre:
Kienholz
Kienholz
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$65.00
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This new Ed Kienholz overview casts the Los Angeles assemblage pioneer as a powerful moral force in postwar art. Kienholz (1927-1994) was a polarizing presence in American art from the start of his career, when his first large-scale installation "Roxy's" - a recreation of a brothel - was shown at the Ferus gallery in 1962 (it later caused a huge stir at Documenta 4 in(...)
$65.00
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Résumé:
This new Ed Kienholz overview casts the Los Angeles assemblage pioneer as a powerful moral force in postwar art. Kienholz (1927-1994) was a polarizing presence in American art from the start of his career, when his first large-scale installation "Roxy's" - a recreation of a brothel - was shown at the Ferus gallery in 1962 (it later caused a huge stir at Documenta 4 in(...)
Publication:
février 2012
février 2012
Titre:
Kienholz
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This new Ed Kienholz overview casts the Los Angeles assemblage pioneer as a powerful moral force in postwar art. Kienholz (1927-1994) was a polarizing presence in American art from the start of his career, when his first large-scale installation "Roxy's" - a recreation of a brothel - was shown at the Ferus gallery in 1962 (it later caused a huge stir at Documenta 4 in 1968).War, racism, sexism and media exploitation were among his recurrent themes, and he tackled them with an ethical clarity that, at the time, was frequently mistaken for shock tactics. This substantial monograph - the first since his major touring retrospective of 1996 - includes more than 200 color plates of Kienholz's assemblages, reasserting his art as a morally driven enterprise, and pointing towards his ongoing influence among contemporary artists such as Jonathan Meese, Thomas Hirschhorn and John Bock.
Kienholz
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$65.00
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Résumé:
This new Ed Kienholz overview casts the Los Angeles assemblage pioneer as a powerful moral force in postwar art. Kienholz (1927-1994) was a polarizing presence in American art from the start of his career, when his first large-scale installation "Roxy's" - a recreation of a brothel - was shown at the Ferus gallery in 1962 (it later caused a huge stir at Documenta 4 in 1968).War, racism, sexism and media exploitation were among his recurrent themes, and he tackled them with an ethical clarity that, at the time, was frequently mistaken for shock tactics. This substantial monograph - the first since his major touring retrospective of 1996 - includes more than 200 color plates of Kienholz's assemblages, reasserting his art as a morally driven enterprise, and pointing towards his ongoing influence among contemporary artists such as Jonathan Meese, Thomas Hirschhorn and John Bock.
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livres
livres
Publication:
février 2012
février 2012
Classification:
livres
livres
Titre:
Klaus Scherübel: VOL.13
Klaus Scherübel: VOL.13
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$38.00
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Résumé:
Faisant suite à une série d’expositions monographiques présentée entre 2008 et 2011 en Europe et en Amérique du Nord, cette publication propose un premier aperçu de l’œuvre multiforme de l’artiste austro-canadien Klaus Scherübel. Ancrée dans la tradition de l’art conceptuel, la pratique de Scherübel résiste à toute catégorisation facile. Son travail propose une(...)
$38.00
(disponible en magasin)
Résumé:
Faisant suite à une série d’expositions monographiques présentée entre 2008 et 2011 en Europe et en Amérique du Nord, cette publication propose un premier aperçu de l’œuvre multiforme de l’artiste austro-canadien Klaus Scherübel. Ancrée dans la tradition de l’art conceptuel, la pratique de Scherübel résiste à toute catégorisation facile. Son travail propose une(...)
Titre:
Klaus Scherübel: VOL.13
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$38.00
(disponible en magasin)
Résumé:
Faisant suite à une série d’expositions monographiques présentée entre 2008 et 2011 en Europe et en Amérique du Nord, cette publication propose un premier aperçu de l’œuvre multiforme de l’artiste austro-canadien Klaus Scherübel. Ancrée dans la tradition de l’art conceptuel, la pratique de Scherübel résiste à toute catégorisation facile. Son travail propose une investigation systématique de l’activité artistique mettant en question les frontières séparant les fonctions d’artiste, d’historien, de conservateur, d’éditeur, de commanditaire ou de spectateur. En utilisant une variété de stratégies esthétiques, ses entreprises artistiques reconsidèrent des œuvres, des concepts et des genres issues des arts visuels, de la littérature du cinéma et de la télévision. VOL. 13 documente et analyse quelques uns de ses projets les plus connus des vingt dernières années incluant la série Untitled (The Artist at Work) ainsi que ses projets de livre dédiés aux entreprises littéraires et conceptuels du poète français Stéphane Mallarmé et de l’écrivain fictif Jack Torrance tiré du film d’horreur The Shining. Il contient des essais de Jean-François Chevrier et de Patrice Loubier ainsi qu’une entrevue entre Helmut Draxler et l’artiste. Scherübel a personnellement pris en charge la conception de cet ouvrage, nous offrant tout autant une publication sur sa démarche autoréflexive qu’un prolongement de celle-ci.
Klaus Scherübel: VOL.13
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$38.00
(disponible en magasin)
Résumé:
Faisant suite à une série d’expositions monographiques présentée entre 2008 et 2011 en Europe et en Amérique du Nord, cette publication propose un premier aperçu de l’œuvre multiforme de l’artiste austro-canadien Klaus Scherübel. Ancrée dans la tradition de l’art conceptuel, la pratique de Scherübel résiste à toute catégorisation facile. Son travail propose une investigation systématique de l’activité artistique mettant en question les frontières séparant les fonctions d’artiste, d’historien, de conservateur, d’éditeur, de commanditaire ou de spectateur. En utilisant une variété de stratégies esthétiques, ses entreprises artistiques reconsidèrent des œuvres, des concepts et des genres issues des arts visuels, de la littérature du cinéma et de la télévision. VOL. 13 documente et analyse quelques uns de ses projets les plus connus des vingt dernières années incluant la série Untitled (The Artist at Work) ainsi que ses projets de livre dédiés aux entreprises littéraires et conceptuels du poète français Stéphane Mallarmé et de l’écrivain fictif Jack Torrance tiré du film d’horreur The Shining. Il contient des essais de Jean-François Chevrier et de Patrice Loubier ainsi qu’une entrevue entre Helmut Draxler et l’artiste. Scherübel a personnellement pris en charge la conception de cet ouvrage, nous offrant tout autant une publication sur sa démarche autoréflexive qu’un prolongement de celle-ci.
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livres
livres
Publication:
mars 2012
mars 2012
Classification:
livres
livres
Titre:
Guy de Cointet
Guy de Cointet
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Mentor to a generation of Californian Conceptualists and performance artists, Guy de Cointet (1934-1983) took language as a material from which to generate drawings, plays and performances. De Cointet collected phrases, words and even single letters culled from popular culture and literary sources, and scripted them as dialogues or props for plays inspired by the writings(...)
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Résumé:
Mentor to a generation of Californian Conceptualists and performance artists, Guy de Cointet (1934-1983) took language as a material from which to generate drawings, plays and performances. De Cointet collected phrases, words and even single letters culled from popular culture and literary sources, and scripted them as dialogues or props for plays inspired by the writings(...)
Titre:
Guy de Cointet
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Mentor to a generation of Californian Conceptualists and performance artists, Guy de Cointet (1934-1983) took language as a material from which to generate drawings, plays and performances. De Cointet collected phrases, words and even single letters culled from popular culture and literary sources, and scripted them as dialogues or props for plays inspired by the writings and homonymic compositional methods of Raymond Roussel: in the 1976 play "At Sunrise... A Cry Was Heard," for example, a large painting depicting letters bisected by a white sash provides the dialogue of the lead actress, who recites its jumble of letters as if it were ordinary conversation. His drawings were often generated by geometric erasures of found text, leaving behind Concrete-style abstract patterns. A formative figure for Mike Kelley and Paul McCarthy during his tenure at the Otis Art institute, de Cointet is today in the process of being rediscovered; this timely monograph is the first overview of his enigmatic and influential oeuvre.
Guy de Cointet
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Mentor to a generation of Californian Conceptualists and performance artists, Guy de Cointet (1934-1983) took language as a material from which to generate drawings, plays and performances. De Cointet collected phrases, words and even single letters culled from popular culture and literary sources, and scripted them as dialogues or props for plays inspired by the writings and homonymic compositional methods of Raymond Roussel: in the 1976 play "At Sunrise... A Cry Was Heard," for example, a large painting depicting letters bisected by a white sash provides the dialogue of the lead actress, who recites its jumble of letters as if it were ordinary conversation. His drawings were often generated by geometric erasures of found text, leaving behind Concrete-style abstract patterns. A formative figure for Mike Kelley and Paul McCarthy during his tenure at the Otis Art institute, de Cointet is today in the process of being rediscovered; this timely monograph is the first overview of his enigmatic and influential oeuvre.
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livres
livres
Publication:
mars 2012
mars 2012
Classification:
livres
livres
Prix:
$22.00
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Résumé:
Jean-François Pirson exprime son rapport à l'espace dans des pratiques plastiques et pédagogiques diverses : dessin, photographie, installation, texte, marche, workshop.
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Jean-François Pirson exprime son rapport à l'espace dans des pratiques plastiques et pédagogiques diverses : dessin, photographie, installation, texte, marche, workshop.
Titre:
Jean-François Pirson : pédagogies de l'espace - workshops
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Jean-François Pirson exprime son rapport à l'espace dans des pratiques plastiques et pédagogiques diverses : dessin, photographie, installation, texte, marche, workshop.
Jean-François Pirson : pédagogies de l'espace - workshops
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Jean-François Pirson exprime son rapport à l'espace dans des pratiques plastiques et pédagogiques diverses : dessin, photographie, installation, texte, marche, workshop.
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livres
livres
Publication:
mars 2012
mars 2012
Classification:
livres
livres
Titre:
Yayoi Kusama
Yayoi Kusama
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Résumé:
Accompanying the first major retrospective exhibition of the artist's work in the U.S., this volume features a wealth of works from all periods in Kusama's career, as well as essays by various international curators and critics, discussing Kusama's years in New York, her career after her return to Japan, her installation works and the psychoanalytic import of her art.
$49.95
(disponible sur commande)
Résumé:
Accompanying the first major retrospective exhibition of the artist's work in the U.S., this volume features a wealth of works from all periods in Kusama's career, as well as essays by various international curators and critics, discussing Kusama's years in New York, her career after her return to Japan, her installation works and the psychoanalytic import of her art.
Titre:
Yayoi Kusama
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Accompanying the first major retrospective exhibition of the artist's work in the U.S., this volume features a wealth of works from all periods in Kusama's career, as well as essays by various international curators and critics, discussing Kusama's years in New York, her career after her return to Japan, her installation works and the psychoanalytic import of her art.
Yayoi Kusama
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Accompanying the first major retrospective exhibition of the artist's work in the U.S., this volume features a wealth of works from all periods in Kusama's career, as well as essays by various international curators and critics, discussing Kusama's years in New York, her career after her return to Japan, her installation works and the psychoanalytic import of her art.
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livres
livres
Publication:
mars 2012
mars 2012
Classification:
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livres
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$75.00
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Résumé:
Selected and edited by Philip Larratt-Smith (Bourgeois' literary archivist), and contextualized with eight extensive scholarly essays, this collection of approximately 80 previously unpublished writings spans some six decades of the artist's production. The second volume is an impressive, up-to-date Bourgeois monograph that details works made right up until the artist's(...)
$75.00
(disponible sur commande)
Résumé:
Selected and edited by Philip Larratt-Smith (Bourgeois' literary archivist), and contextualized with eight extensive scholarly essays, this collection of approximately 80 previously unpublished writings spans some six decades of the artist's production. The second volume is an impressive, up-to-date Bourgeois monograph that details works made right up until the artist's(...)
Publication:
avril 2012
avril 2012
Titre:
Louise Bourgeois: The return of the repressed
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$75.00
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Selected and edited by Philip Larratt-Smith (Bourgeois' literary archivist), and contextualized with eight extensive scholarly essays, this collection of approximately 80 previously unpublished writings spans some six decades of the artist's production. The second volume is an impressive, up-to-date Bourgeois monograph that details works made right up until the artist's death in 2010. Together, the two volumes comprise a complete portrait of the life, work and thought of this seminal figure.
Louise Bourgeois: The return of the repressed
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$75.00
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Résumé:
Selected and edited by Philip Larratt-Smith (Bourgeois' literary archivist), and contextualized with eight extensive scholarly essays, this collection of approximately 80 previously unpublished writings spans some six decades of the artist's production. The second volume is an impressive, up-to-date Bourgeois monograph that details works made right up until the artist's death in 2010. Together, the two volumes comprise a complete portrait of the life, work and thought of this seminal figure.
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livres
livres
Publication:
avril 2012
avril 2012
Classification:
livres
livres
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$40.00
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Résumé:
Best known for his wry and witty drawings, British artist David Shrigley has built up an artistic practice that, over the past two decades, has expanded well beyond drawing to include photography, sculpture, neon signs, animation, painting, printmaking, publishing and music. Published on the occasion of the artist's first major survey show, at London's Hayward Gallery,(...)
$40.00
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Résumé:
Best known for his wry and witty drawings, British artist David Shrigley has built up an artistic practice that, over the past two decades, has expanded well beyond drawing to include photography, sculpture, neon signs, animation, painting, printmaking, publishing and music. Published on the occasion of the artist's first major survey show, at London's Hayward Gallery,(...)
Titre:
David Shrigley : brain activity
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Best known for his wry and witty drawings, British artist David Shrigley has built up an artistic practice that, over the past two decades, has expanded well beyond drawing to include photography, sculpture, neon signs, animation, painting, printmaking, publishing and music. Published on the occasion of the artist's first major survey show, at London's Hayward Gallery, this beautifully produced volume includes a 7" vinyl picture-disc, featuring an exclusive recording by the artist.
David Shrigley : brain activity
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Best known for his wry and witty drawings, British artist David Shrigley has built up an artistic practice that, over the past two decades, has expanded well beyond drawing to include photography, sculpture, neon signs, animation, painting, printmaking, publishing and music. Published on the occasion of the artist's first major survey show, at London's Hayward Gallery, this beautifully produced volume includes a 7" vinyl picture-disc, featuring an exclusive recording by the artist.
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livres
livres
Publication:
avril 2012
avril 2012
Classification:
livres
livres
Titre:
Francesca Woodman's notebook
Francesca Woodman's notebook
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The American photographer Francesca Woodman (1958-1981) spent a brief portion of her childhood in the countryside around Florence, living with her parents in an old farm whose dilapidated interiors were later to influence the backdrops of her mesmerizing self-portraits. In 1977 she returned to Italy, studying in Rome on a year-long RISD honors program. During this tenure,(...)
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The American photographer Francesca Woodman (1958-1981) spent a brief portion of her childhood in the countryside around Florence, living with her parents in an old farm whose dilapidated interiors were later to influence the backdrops of her mesmerizing self-portraits. In 1977 she returned to Italy, studying in Rome on a year-long RISD honors program. During this tenure,(...)
Titre:
Francesca Woodman's notebook
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The American photographer Francesca Woodman (1958-1981) spent a brief portion of her childhood in the countryside around Florence, living with her parents in an old farm whose dilapidated interiors were later to influence the backdrops of her mesmerizing self-portraits. In 1977 she returned to Italy, studying in Rome on a year-long RISD honors program. During this tenure, Woodman found five tattered school exercise books, printed in 1906, side-stapled and inscribed in fine cursive penmanship with notes from physics lectures or poems in English and Italian. To these evocative objects, Woodman--already fully formed as the photographer we recognize and admire today--added her characteristic black-and-white photographs, either as small paper prints or as prints made on transparent film that allows the writing beneath to show through, further embellishing them with her own captions or remarks. This facsimile edition of one of these notebooks was selected for publication by Woodman's mother and father as an artist's book of particular beauty and revelatory content that provides unprecedented insight into the emphatically narrative logic of Woodman's photography. Housed in a lightweight printed box, it includes an afterword by George Woodman, Francesca's father, that contextualizes the work within the photographer's artist's book production.
Francesca Woodman's notebook
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The American photographer Francesca Woodman (1958-1981) spent a brief portion of her childhood in the countryside around Florence, living with her parents in an old farm whose dilapidated interiors were later to influence the backdrops of her mesmerizing self-portraits. In 1977 she returned to Italy, studying in Rome on a year-long RISD honors program. During this tenure, Woodman found five tattered school exercise books, printed in 1906, side-stapled and inscribed in fine cursive penmanship with notes from physics lectures or poems in English and Italian. To these evocative objects, Woodman--already fully formed as the photographer we recognize and admire today--added her characteristic black-and-white photographs, either as small paper prints or as prints made on transparent film that allows the writing beneath to show through, further embellishing them with her own captions or remarks. This facsimile edition of one of these notebooks was selected for publication by Woodman's mother and father as an artist's book of particular beauty and revelatory content that provides unprecedented insight into the emphatically narrative logic of Woodman's photography. Housed in a lightweight printed box, it includes an afterword by George Woodman, Francesca's father, that contextualizes the work within the photographer's artist's book production.
Classification:
livres
livres
Publication:
mars 2012
mars 2012
