1928 Résultats
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This book examines the career of New York-based artist Sherrie Levine, whose 1981 series of photographs "after Walker Evans"--taken not from life but from Evans's famous depression-era documents of rural Alabama--became central examples in theorizing postmodernism in the visual arts in the 1980s. For the first in-depth examination of Levine, Howard Singerman surveys a(...)
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This book examines the career of New York-based artist Sherrie Levine, whose 1981 series of photographs "after Walker Evans"--taken not from life but from Evans's famous depression-era documents of rural Alabama--became central examples in theorizing postmodernism in the visual arts in the 1980s. For the first in-depth examination of Levine, Howard Singerman surveys a(...)
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Art history, after Sherrie Levine
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This book examines the career of New York-based artist Sherrie Levine, whose 1981 series of photographs "after Walker Evans"--taken not from life but from Evans's famous depression-era documents of rural Alabama--became central examples in theorizing postmodernism in the visual arts in the 1980s. For the first in-depth examination of Levine, Howard Singerman surveys a broad range of sources, both historical and theoretical, to assess an artist whose work was understood from the outset to challenge both the label "artist" and the idea of oeuvre--and who has over the past three decades crafted a significant oeuvre of her own.
Art history, after Sherrie Levine
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This book examines the career of New York-based artist Sherrie Levine, whose 1981 series of photographs "after Walker Evans"--taken not from life but from Evans's famous depression-era documents of rural Alabama--became central examples in theorizing postmodernism in the visual arts in the 1980s. For the first in-depth examination of Levine, Howard Singerman surveys a broad range of sources, both historical and theoretical, to assess an artist whose work was understood from the outset to challenge both the label "artist" and the idea of oeuvre--and who has over the past three decades crafted a significant oeuvre of her own.
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Publication:
février 2011
février 2011
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Titre:
Dan Graham
Dan Graham
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Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham as situated his work on the borders between these different strains of contemporary practice. Although varying(...)
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Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham as situated his work on the borders between these different strains of contemporary practice. Although varying(...)
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Dan Graham
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Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham as situated his work on the borders between these different strains of contemporary practice. Although varying widely in subject and medium, Graham's artwork and writings display a consistent interest in spectatorship, public-private relationships, and the constructed environment. Graham's extensive writings on his own work have made him, by default, the primary interpreter of his own art. This October Files volume provides a counterweight, gathering key texts by critics and theorists that offer alternative accounts of Graham's art. The essays span thirty years and include hard-to-find texts from exhibition catalogs and journals. The authors include such distinguished theorists, critics, and artists as Benjamin H. D. Buchloh, Beatriz Colomina, Thierry de Duve, and Jeff Wall.
Dan Graham
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Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham as situated his work on the borders between these different strains of contemporary practice. Although varying widely in subject and medium, Graham's artwork and writings display a consistent interest in spectatorship, public-private relationships, and the constructed environment. Graham's extensive writings on his own work have made him, by default, the primary interpreter of his own art. This October Files volume provides a counterweight, gathering key texts by critics and theorists that offer alternative accounts of Graham's art. The essays span thirty years and include hard-to-find texts from exhibition catalogs and journals. The authors include such distinguished theorists, critics, and artists as Benjamin H. D. Buchloh, Beatriz Colomina, Thierry de Duve, and Jeff Wall.
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Publication:
mars 2011
mars 2011
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Catalogue to the first exhibition of the Swiss duo Fischli & Weiss in Japan held at the 21st Century Museum in Kanazawa. This publication gives an overview of the complete carreer of the artists, including their videos, photographs and installations. With essays by Stefan Zweifel, Chieko Kitade and Patrick Frey.
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Catalogue to the first exhibition of the Swiss duo Fischli & Weiss in Japan held at the 21st Century Museum in Kanazawa. This publication gives an overview of the complete carreer of the artists, including their videos, photographs and installations. With essays by Stefan Zweifel, Chieko Kitade and Patrick Frey.
Publication:
février 2011
février 2011
Titre:
Peter Fischli and David Weiss: 21st century
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Catalogue to the first exhibition of the Swiss duo Fischli & Weiss in Japan held at the 21st Century Museum in Kanazawa. This publication gives an overview of the complete carreer of the artists, including their videos, photographs and installations. With essays by Stefan Zweifel, Chieko Kitade and Patrick Frey.
Peter Fischli and David Weiss: 21st century
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Catalogue to the first exhibition of the Swiss duo Fischli & Weiss in Japan held at the 21st Century Museum in Kanazawa. This publication gives an overview of the complete carreer of the artists, including their videos, photographs and installations. With essays by Stefan Zweifel, Chieko Kitade and Patrick Frey.
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livres
Publication:
février 2011
février 2011
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In 2010 – 11 the work of Dutch sculptor Mark Manders, a winner of the Dr A.H. Heineken Prize for Art, is touring the USA for the first time, with shows at the Hammer Museum Los Angeles, Aspen Art Museum, the Walker Art Center Minneapolis, and the Dallas Museum of Art. Manders' work aims to bypass language, gathering existing and self-made objects into tableaux that(...)
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In 2010 – 11 the work of Dutch sculptor Mark Manders, a winner of the Dr A.H. Heineken Prize for Art, is touring the USA for the first time, with shows at the Hammer Museum Los Angeles, Aspen Art Museum, the Walker Art Center Minneapolis, and the Dallas Museum of Art. Manders' work aims to bypass language, gathering existing and self-made objects into tableaux that(...)
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Mark Manders: Slide projections: Two interconnected houses/ documented assignment
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In 2010 – 11 the work of Dutch sculptor Mark Manders, a winner of the Dr A.H. Heineken Prize for Art, is touring the USA for the first time, with shows at the Hammer Museum Los Angeles, Aspen Art Museum, the Walker Art Center Minneapolis, and the Dallas Museum of Art. Manders' work aims to bypass language, gathering existing and self-made objects into tableaux that incorporate figures, animals, household goods, archeological debris and architectural components, and evoke a mysterious world of daydreams and fairy tales. For this travelling exhibition and artist's book Manders has created an entirely new body of work, including sculpture and works on paper.
Mark Manders: Slide projections: Two interconnected houses/ documented assignment
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In 2010 – 11 the work of Dutch sculptor Mark Manders, a winner of the Dr A.H. Heineken Prize for Art, is touring the USA for the first time, with shows at the Hammer Museum Los Angeles, Aspen Art Museum, the Walker Art Center Minneapolis, and the Dallas Museum of Art. Manders' work aims to bypass language, gathering existing and self-made objects into tableaux that incorporate figures, animals, household goods, archeological debris and architectural components, and evoke a mysterious world of daydreams and fairy tales. For this travelling exhibition and artist's book Manders has created an entirely new body of work, including sculpture and works on paper.
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Publication:
mars 2011
mars 2011
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Minoru Nomata paints fantastical, impossible buildings and structures, often towering over the landscape; he sets them in typological series that are somehow reminiscent of the photographs of Bernd and Hiller Becher. Nomata’s enthralling creations – towers that are half steel and half jungle, balloon-powered factories – are rendered in sober, autumnal shades that lend(...)
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Minoru Nomata paints fantastical, impossible buildings and structures, often towering over the landscape; he sets them in typological series that are somehow reminiscent of the photographs of Bernd and Hiller Becher. Nomata’s enthralling creations – towers that are half steel and half jungle, balloon-powered factories – are rendered in sober, autumnal shades that lend(...)
Titre:
Minoru Nomata: Alternative sights
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Minoru Nomata paints fantastical, impossible buildings and structures, often towering over the landscape; he sets them in typological series that are somehow reminiscent of the photographs of Bernd and Hiller Becher. Nomata’s enthralling creations – towers that are half steel and half jungle, balloon-powered factories – are rendered in sober, autumnal shades that lend them majesty, and recall one of Nomata’s own inspirations – German Romanticism, and Caspar David Friedrich. Four essays explore his achievements.
Minoru Nomata: Alternative sights
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Minoru Nomata paints fantastical, impossible buildings and structures, often towering over the landscape; he sets them in typological series that are somehow reminiscent of the photographs of Bernd and Hiller Becher. Nomata’s enthralling creations – towers that are half steel and half jungle, balloon-powered factories – are rendered in sober, autumnal shades that lend them majesty, and recall one of Nomata’s own inspirations – German Romanticism, and Caspar David Friedrich. Four essays explore his achievements.
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livres
livres
Publication:
mars 2011
mars 2011
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livres
livres
Titre:
Tabaimo: Danmen
Tabaimo: Danmen
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Tabaimo’s exhibition shows a theme informed by a personal sense of generations, a personal world. Her early work juxtaposed common images of contemporary life. In more recent years her work has become more introverted, as she adopted a motif that included fingers, hair and internal organs. The world around her is symbolized in the shape of a housing complex. In rooms in(...)
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Tabaimo’s exhibition shows a theme informed by a personal sense of generations, a personal world. Her early work juxtaposed common images of contemporary life. In more recent years her work has become more introverted, as she adopted a motif that included fingers, hair and internal organs. The world around her is symbolized in the shape of a housing complex. In rooms in(...)
Titre:
Tabaimo: Danmen
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Tabaimo’s exhibition shows a theme informed by a personal sense of generations, a personal world. Her early work juxtaposed common images of contemporary life. In more recent years her work has become more introverted, as she adopted a motif that included fingers, hair and internal organs. The world around her is symbolized in the shape of a housing complex. In rooms in the exact same floor plans different lives unfold. Tabaimo cuts open a DANMEN (cross-section) of this housing complex and shows the various lives in a harmonious union of past and present.
Tabaimo: Danmen
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Tabaimo’s exhibition shows a theme informed by a personal sense of generations, a personal world. Her early work juxtaposed common images of contemporary life. In more recent years her work has become more introverted, as she adopted a motif that included fingers, hair and internal organs. The world around her is symbolized in the shape of a housing complex. In rooms in the exact same floor plans different lives unfold. Tabaimo cuts open a DANMEN (cross-section) of this housing complex and shows the various lives in a harmonious union of past and present.
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livres
livres
Publication:
février 2011
février 2011
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livres
livres
Titre:
Slinkachu: Big bad city
Slinkachu: Big bad city
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London street artist Slinkachu has caused a stir in urban art with his photographs of ‘little people’ – meticulously made and posed miniature figures inhabiting a familiar but outsized urban terrain. Big Bad City is a new edition of the original 2008 book capturing this phenomenon; previously published images are joined by more little people photographed in Amsterdam and(...)
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London street artist Slinkachu has caused a stir in urban art with his photographs of ‘little people’ – meticulously made and posed miniature figures inhabiting a familiar but outsized urban terrain. Big Bad City is a new edition of the original 2008 book capturing this phenomenon; previously published images are joined by more little people photographed in Amsterdam and(...)
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Slinkachu: Big bad city
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London street artist Slinkachu has caused a stir in urban art with his photographs of ‘little people’ – meticulously made and posed miniature figures inhabiting a familiar but outsized urban terrain. Big Bad City is a new edition of the original 2008 book capturing this phenomenon; previously published images are joined by more little people photographed in Amsterdam and Rotterdam. Curious but never quaint, Slinkachu’s tiny friends are left to fend for themselves in the city, confusing and delighting those who come across them – especially when discovered in the grisly but hilarious situations of pieces like ‘Office Politics’, ‘Pinned Down’ and ‘Bad First Date’.
Slinkachu: Big bad city
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London street artist Slinkachu has caused a stir in urban art with his photographs of ‘little people’ – meticulously made and posed miniature figures inhabiting a familiar but outsized urban terrain. Big Bad City is a new edition of the original 2008 book capturing this phenomenon; previously published images are joined by more little people photographed in Amsterdam and Rotterdam. Curious but never quaint, Slinkachu’s tiny friends are left to fend for themselves in the city, confusing and delighting those who come across them – especially when discovered in the grisly but hilarious situations of pieces like ‘Office Politics’, ‘Pinned Down’ and ‘Bad First Date’.
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livres
livres
Publication:
février 2011
février 2011
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In recent years, the boundaries between art and design have become more and more blurred. It is not the object itself, but rather its economic functionality that determines where design stops and art begins - and this functionality is reassessed at every link in the chain of the object s dissemination. In fact, it is often customs officials who subjectively decide what(...)
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In recent years, the boundaries between art and design have become more and more blurred. It is not the object itself, but rather its economic functionality that determines where design stops and art begins - and this functionality is reassessed at every link in the chain of the object s dissemination. In fact, it is often customs officials who subjectively decide what(...)
Titre:
Taxing art: when objects travel
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In recent years, the boundaries between art and design have become more and more blurred. It is not the object itself, but rather its economic functionality that determines where design stops and art begins - and this functionality is reassessed at every link in the chain of the object s dissemination. In fact, it is often customs officials who subjectively decide what constitutes art and design based on their personal views and erratic local tax laws. Taxing Art is an insightful case study by Beta Tank that illustrates the influence of tax laws on art and creativity. The Berlin-based studio created a series of blended work, which was partly handmade and partly machine-made, and sent it around the world. Naturally, this resulted in differing customs duties. The book is a buoyantly ironic, clever documentation and analysis of the effect of traditional, bureaucratic procedures on innovative work. Beta Tank hopes this publication will fuel a dialog about how true innovation and creativity, that which crosses boundaries and moves into the unknown, can be actively pursued and matched within existing categories and assumptions about business practices and results. The book puts a spotlight on the effect that tax laws have on art and design.
Taxing art: when objects travel
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In recent years, the boundaries between art and design have become more and more blurred. It is not the object itself, but rather its economic functionality that determines where design stops and art begins - and this functionality is reassessed at every link in the chain of the object s dissemination. In fact, it is often customs officials who subjectively decide what constitutes art and design based on their personal views and erratic local tax laws. Taxing Art is an insightful case study by Beta Tank that illustrates the influence of tax laws on art and creativity. The Berlin-based studio created a series of blended work, which was partly handmade and partly machine-made, and sent it around the world. Naturally, this resulted in differing customs duties. The book is a buoyantly ironic, clever documentation and analysis of the effect of traditional, bureaucratic procedures on innovative work. Beta Tank hopes this publication will fuel a dialog about how true innovation and creativity, that which crosses boundaries and moves into the unknown, can be actively pursued and matched within existing categories and assumptions about business practices and results. The book puts a spotlight on the effect that tax laws have on art and design.
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livres
livres
Publication:
avril 2011
avril 2011
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livres
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$71.00
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Shimmering images, inverted worlds: is the city moving or the viewer and - if both - who is quicker, more authentic, more fleeting? Catherine Gfeller’s photographic and video work, based on incessantly pulsating urban landscapes, is autobiographical insofar as it focuses on New York and Paris, but it is hardly private. Everything here is public, yet nothing can really be(...)
$71.00
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Shimmering images, inverted worlds: is the city moving or the viewer and - if both - who is quicker, more authentic, more fleeting? Catherine Gfeller’s photographic and video work, based on incessantly pulsating urban landscapes, is autobiographical insofar as it focuses on New York and Paris, but it is hardly private. Everything here is public, yet nothing can really be(...)
Publication:
décembre 2010
décembre 2010
Titre:
Catherine Gfeller : pulsations
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$71.00
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Shimmering images, inverted worlds: is the city moving or the viewer and - if both - who is quicker, more authentic, more fleeting? Catherine Gfeller’s photographic and video work, based on incessantly pulsating urban landscapes, is autobiographical insofar as it focuses on New York and Paris, but it is hardly private. Everything here is public, yet nothing can really be captured. In other groups of works, the artist takes a thoroughly different look at the symbiotic relationship between mankind and the environment, peering behind the anonymous façades of buildings and exposing intimate living spaces. Speed, exhileration and indulgence: "The only form of stability [can be found] in being ‘lulled by the loop’, as if caught up in the unfathomable delirium of repetition." This volume is being published to accompany three museum exhibitions to be held at the Musée des Beaux-art La Chaux-de-Fonds, the Kunstmuseum Luzern, and the Centre Régional d’Art Contemporain Languedoc-Roussillon Sète.
Catherine Gfeller : pulsations
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$71.00
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Shimmering images, inverted worlds: is the city moving or the viewer and - if both - who is quicker, more authentic, more fleeting? Catherine Gfeller’s photographic and video work, based on incessantly pulsating urban landscapes, is autobiographical insofar as it focuses on New York and Paris, but it is hardly private. Everything here is public, yet nothing can really be captured. In other groups of works, the artist takes a thoroughly different look at the symbiotic relationship between mankind and the environment, peering behind the anonymous façades of buildings and exposing intimate living spaces. Speed, exhileration and indulgence: "The only form of stability [can be found] in being ‘lulled by the loop’, as if caught up in the unfathomable delirium of repetition." This volume is being published to accompany three museum exhibitions to be held at the Musée des Beaux-art La Chaux-de-Fonds, the Kunstmuseum Luzern, and the Centre Régional d’Art Contemporain Languedoc-Roussillon Sète.
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livres
livres
Publication:
décembre 2010
décembre 2010
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livres
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Dieter Roth left his mark in Lucerne: close, long-standing friendships and traces in his works. Tränen in Luzern (Tears in Lucerne) complements the volume Inserate 1971/1972 with material for the original version of the Tränenmeer (Sea of Tears) project that – with its instalments and different stages of development – counts as one of Roth’s major literary projects. An(...)
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Dieter Roth left his mark in Lucerne: close, long-standing friendships and traces in his works. Tränen in Luzern (Tears in Lucerne) complements the volume Inserate 1971/1972 with material for the original version of the Tränenmeer (Sea of Tears) project that – with its instalments and different stages of development – counts as one of Roth’s major literary projects. An(...)
Titre:
Dieter Roth, tears in Lucerne
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Dieter Roth left his mark in Lucerne: close, long-standing friendships and traces in his works. Tränen in Luzern (Tears in Lucerne) complements the volume Inserate 1971/1972 with material for the original version of the Tränenmeer (Sea of Tears) project that – with its instalments and different stages of development – counts as one of Roth’s major literary projects. An in-depth essay by Stefan Ripplinger places Tränenmeer within Roth’s œuvre as a whole, and an entertaining interview by Barbara Wien with the collector and gallery owner Erica Ebinger provides an enlightening insight into her intense friendship with Dieter Roth as well as background information on how the work came about. An incomparable treasure trove on Lucerne, which is not only of interest to those in central Switzerland but, first and foremost, is addressed to Dieter Roth’s collectors around the world.
Dieter Roth, tears in Lucerne
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Dieter Roth left his mark in Lucerne: close, long-standing friendships and traces in his works. Tränen in Luzern (Tears in Lucerne) complements the volume Inserate 1971/1972 with material for the original version of the Tränenmeer (Sea of Tears) project that – with its instalments and different stages of development – counts as one of Roth’s major literary projects. An in-depth essay by Stefan Ripplinger places Tränenmeer within Roth’s œuvre as a whole, and an entertaining interview by Barbara Wien with the collector and gallery owner Erica Ebinger provides an enlightening insight into her intense friendship with Dieter Roth as well as background information on how the work came about. An incomparable treasure trove on Lucerne, which is not only of interest to those in central Switzerland but, first and foremost, is addressed to Dieter Roth’s collectors around the world.
Classification:
livres
livres
Publication:
mars 2011
mars 2011
