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In recent years, Marcel Dzama (born 1974) has expanded his widely acclaimed drawing practice to incorporate theatrical realizations of his magical, myth-laden cosmology in three-dimensional dioramas and films. This publication provides a kind of sketchbook companion or dossier on the making of his latest film, A Game of Chess . This work draws on the importance of chess(...)
Marcel Dzama : behind every curtain
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In recent years, Marcel Dzama (born 1974) has expanded his widely acclaimed drawing practice to incorporate theatrical realizations of his magical, myth-laden cosmology in three-dimensional dioramas and films. This publication provides a kind of sketchbook companion or dossier on the making of his latest film, A Game of Chess . This work draws on the importance of chess for the early twentieth-century avant-garde (Man Ray, Duchamp, Picabia) and the game's curious overlap with dance, in films and ballets by René Clair and - of especial significance for Dzama - Oskar Schlemmer, whose 1922 Triadic Ballet included puppet-like masked figures performing on a checkered surface. In Dzama's film, characters based on chess pieces, clad in costumes made from papier-mâché, plaster and fiberglass and wearing elaborate masks, dance across a checkered board to engage their opponents in fatal skirmishes. Distinctions between reality and fiction collapse as both costumed and “real-life” characters in the film are killed. The filming and the creation of the costumes for A Game of Chess were carried out in Guadalajara, Mexico, and the influence of local crafts and religious traditions can also be felt throughout this body of work. Published on the occasion of Dzama's sixth solo exhibition at David Zwirner, this artist's book is packed with full-bleed drawings, sculptures, dioramas and film and production stills that give vivid testimony to the craft and thoroughness of his immensely popular art.
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It was an exercise to learn how to see, to understand just one thing in its greatest detail. Stephen Taylor came across the 250-year-old tree while on a walk in Essex, England, six years ago, shortly after the deaths of his mother and close friend—a tragic time that brought him back to painting and then to an obsession with realism and color perception. He painted the(...)
Oak: one tree, three years, fifty paintings
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It was an exercise to learn how to see, to understand just one thing in its greatest detail. Stephen Taylor came across the 250-year-old tree while on a walk in Essex, England, six years ago, shortly after the deaths of his mother and close friend—a tragic time that brought him back to painting and then to an obsession with realism and color perception. He painted the same oak scores of times over a period of three years, in extremes of weather and light, at all times of day and night. Oak is nature's creed of endurance (the tree was standing when Jane Austen was just a baby) and of one man's promise to find beauty in a painful world.
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Risk Colour Book is the result of an encounter between two bodies of work, both involved with the concept of risk. Whether we are dealing with an inventory of toxic pigments and their possible secondary effects or with a performance recreating the moment when a pedestrian is struck by a car, Gustavo Artigas explores the various possible kinds of risk, disasters and(...)
septembre 2009, Montréal
Risk colour book: Gustavo Artigas
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Risk Colour Book is the result of an encounter between two bodies of work, both involved with the concept of risk. Whether we are dealing with an inventory of toxic pigments and their possible secondary effects or with a performance recreating the moment when a pedestrian is struck by a car, Gustavo Artigas explores the various possible kinds of risk, disasters and accidents. Through recording, repetition and the staging of action, Artigas exposes the fragility of the body, subjected to a cunningly latent violence.
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Gerhard Richter is famed for the photorealism of his early canvases, but it is less well known that he has also painted directly onto photographic prints. This book gathers this body of work, which unites the labor of the hand with the work of mechanical reproduction to produce a kind of art as conceptually rich as Richter's better-known paintings, neutralizing the(...)
Gerhard Richter: overpainted photographs
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Gerhard Richter is famed for the photorealism of his early canvases, but it is less well known that he has also painted directly onto photographic prints. This book gathers this body of work, which unites the labor of the hand with the work of mechanical reproduction to produce a kind of art as conceptually rich as Richter's better-known paintings, neutralizing the expressive powers of each medium to reach an indifference to their potency.
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One of the giants of American art, Wayne Thiebaud was at first unappreciated because of the everyday subject matter of his paintings. His tasty hot dogs, delectable cakes, dizzy streets, and sleepy deltas have since become icons of twentieth century art. Now young readers have the chance to explore the development of a fascinating artist while delighting in the very(...)
Delicious: the life and art of Wayne Thiebaud
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One of the giants of American art, Wayne Thiebaud was at first unappreciated because of the everyday subject matter of his paintings. His tasty hot dogs, delectable cakes, dizzy streets, and sleepy deltas have since become icons of twentieth century art. Now young readers have the chance to explore the development of a fascinating artist while delighting in the very child-friendly art that has made him so acclaimed. With her deft touch, critically-acclaimed non-fiction author Susan Rubin tells the story of the man behind the masterpieces.
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octobre 2008
Jean-Luc Blanc, Opera rock
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Cet ouvrage, le premier consacré à Jean-Luc Blanc, constitue le prolongement d'une exposition singulière. Conçue comme un opéra rock, sonorisée par Mr. Learn, architecturée et accompagnée d'une dramaturgie et d'une scénographie glam rock spectrale, l'exposition a réunit des œuvres de 45 artistes internationaux historiques et contemporains, ainsi que divers objets,(...)
Jean-Luc Blanc, Opera rock
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Cet ouvrage, le premier consacré à Jean-Luc Blanc, constitue le prolongement d'une exposition singulière. Conçue comme un opéra rock, sonorisée par Mr. Learn, architecturée et accompagnée d'une dramaturgie et d'une scénographie glam rock spectrale, l'exposition a réunit des œuvres de 45 artistes internationaux historiques et contemporains, ainsi que divers objets, antiquités, bijoux, cristaux, curiosités et naturalia (boîtes à mouches, serpents, mains momifiées, squelettes d'éponges, etc.), en interaction avec plus de 200 œuvres de Jean-Luc Blanc.
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In Ready Unmade, a piece commissioned by the frieze art fair, Kurant further explores the thin line between fiction and reality, purposelessness and function: the artist presents a trio of trained parrots that have been taught to use an alternative language. Both a reflection on nature behaving unnaturally and a caricature of the zoo-like atmosphere of the art fair and(...)
octobre 2009
Agnieszka Kurant: unknown unknown
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In Ready Unmade, a piece commissioned by the frieze art fair, Kurant further explores the thin line between fiction and reality, purposelessness and function: the artist presents a trio of trained parrots that have been taught to use an alternative language. Both a reflection on nature behaving unnaturally and a caricature of the zoo-like atmosphere of the art fair and the self-reflexive communication of the art world. Referring to two similar but unrealized projects by other artists, Kurant also questions the notions of copyright and the marketplace.
Kompendium
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Kompendium is an artist book accompanying Danish performance and installation artist Simon Dybbroe Møller’s first comprehensive solo exhibition at the Frankfurter Kunstverein and the Kunstverein Hannover. His reflection on Conceptual art’s systematic processes and forms uses apparently rational processes to achieve quietly mystifying results. With his vivid taste for wit(...)
Kompendium
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Kompendium is an artist book accompanying Danish performance and installation artist Simon Dybbroe Møller’s first comprehensive solo exhibition at the Frankfurter Kunstverein and the Kunstverein Hannover. His reflection on Conceptual art’s systematic processes and forms uses apparently rational processes to achieve quietly mystifying results. With his vivid taste for wit and formal exactitude, the artist sets all manner of references, quotations and re-creations in an unfamiliar setting. The first part contains texts by nine different authors which illuminate the main ideas of individual groups of work. Each contribution is reproduced as a facsimile from a previous book. The second part documents most of the artist’s works to date.
Enoc Perez: tender
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The paintings of Enoc Perez are instantly recognizable, both for his technique and his subject matter. The Puerto Rico-born, New York-based artist layers pictures selected from postcards, downloaded images, or his own polaroids, by pressing paper backed with wet oilstick monochromes against a canvas or paper, and drawing on its surface. The drawing is peeled away to leave(...)
Enoc Perez: tender
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The paintings of Enoc Perez are instantly recognizable, both for his technique and his subject matter. The Puerto Rico-born, New York-based artist layers pictures selected from postcards, downloaded images, or his own polaroids, by pressing paper backed with wet oilstick monochromes against a canvas or paper, and drawing on its surface. The drawing is peeled away to leave a layer of printed paint. The paintings' subjects are modernist buildings, many iconic, like the Chrysler Building or the United Nations headquarters. Far from architectural renderings, these luminous, intriguing works ingeniously denude the images of both their privacy and their publicly iconic significance. For Perez, the painting itself is the final statement.
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Slavs and Tatars is a multi-artists' collective which is fascinated by the area east of the former Berlin Wall and west of the Great Wall of China. Through their often-playful art they delve into the riches of this cultural crossroads, the romantic sphere of influence between Slavs, Caucasians, and Central Asians. Here they plunge into the fables and myths of the(...)
Slavs and Tatars: kidnapping mountains
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Slavs and Tatars is a multi-artists' collective which is fascinated by the area east of the former Berlin Wall and west of the Great Wall of China. Through their often-playful art they delve into the riches of this cultural crossroads, the romantic sphere of influence between Slavs, Caucasians, and Central Asians. Here they plunge into the fables and myths of the mountainous Caucasus region: the first part addresses the complexity of languages and identities on the fault line of Eurasia, and the second part, titled Steppe by Steppe, explores the region's seemingly reactionary approaches to romance. Whether they're looking at art, fashion, lifestyle or science, Slavs and Tatars bring a new point of view to the table.