1920 Résultats
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Potential Architecture explores the recent architectural projects of Paris-based artist collaborative Lucy + Jorge Orta, founded in 1991. Through drawing and sculpture, the artists apply ideas from cell biology to the universal concerns of community, shelter, migration and sustainable development.
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Potential Architecture explores the recent architectural projects of Paris-based artist collaborative Lucy + Jorge Orta, founded in 1991. Through drawing and sculpture, the artists apply ideas from cell biology to the universal concerns of community, shelter, migration and sustainable development.
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Lucy + Jorge Orta: potential architecture
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Potential Architecture explores the recent architectural projects of Paris-based artist collaborative Lucy + Jorge Orta, founded in 1991. Through drawing and sculpture, the artists apply ideas from cell biology to the universal concerns of community, shelter, migration and sustainable development.
Lucy + Jorge Orta: potential architecture
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Potential Architecture explores the recent architectural projects of Paris-based artist collaborative Lucy + Jorge Orta, founded in 1991. Through drawing and sculpture, the artists apply ideas from cell biology to the universal concerns of community, shelter, migration and sustainable development.
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livres
Publication:
septembre 2014
septembre 2014
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livres
Titre:
Josep Baqué et son bestiaire
Josep Baqué et son bestiaire
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Josep Baqué naît le 12 décembre 1895 à Barcelone. Son père travaille dans une fabrique de céramiques. Un de ses oncles, employé dans une entreprise d’estampage de textile, lui fait découvrir les arts décoratifs et l’imagerie populaire dans les magazines qu’il lui procure. Rétif à l’apprentissage scolaire, excentrique et rebelle, Baqué vit de petits boulots sur le port ou(...)
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Josep Baqué naît le 12 décembre 1895 à Barcelone. Son père travaille dans une fabrique de céramiques. Un de ses oncles, employé dans une entreprise d’estampage de textile, lui fait découvrir les arts décoratifs et l’imagerie populaire dans les magazines qu’il lui procure. Rétif à l’apprentissage scolaire, excentrique et rebelle, Baqué vit de petits boulots sur le port ou(...)
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Josep Baqué et son bestiaire
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Josep Baqué naît le 12 décembre 1895 à Barcelone. Son père travaille dans une fabrique de céramiques. Un de ses oncles, employé dans une entreprise d’estampage de textile, lui fait découvrir les arts décoratifs et l’imagerie populaire dans les magazines qu’il lui procure. Rétif à l’apprentissage scolaire, excentrique et rebelle, Baqué vit de petits boulots sur le port ou le marché. Il quitte sa famille à 17 ans, voyage en France, en Allemagne. En 1928, il rentre à Barcelone. Grâce à l’un de ses oncles il entre dans la Guàrdia Urbana, où il sera employé jusqu’à sa mort en 1967. De 1932 à sa mort, il réalise un corpus de créatures imaginaires. Ses 1500 animaux, phénomènes rares, bêtes jamais vues, monstres et hommes primitifs dévoilent sa fascination pour les morphologies surprenantes.La Collection de l’Art Brut possède dans ses collections douze planches de Josep Baqué.
Josep Baqué et son bestiaire
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Josep Baqué naît le 12 décembre 1895 à Barcelone. Son père travaille dans une fabrique de céramiques. Un de ses oncles, employé dans une entreprise d’estampage de textile, lui fait découvrir les arts décoratifs et l’imagerie populaire dans les magazines qu’il lui procure. Rétif à l’apprentissage scolaire, excentrique et rebelle, Baqué vit de petits boulots sur le port ou le marché. Il quitte sa famille à 17 ans, voyage en France, en Allemagne. En 1928, il rentre à Barcelone. Grâce à l’un de ses oncles il entre dans la Guàrdia Urbana, où il sera employé jusqu’à sa mort en 1967. De 1932 à sa mort, il réalise un corpus de créatures imaginaires. Ses 1500 animaux, phénomènes rares, bêtes jamais vues, monstres et hommes primitifs dévoilent sa fascination pour les morphologies surprenantes.La Collection de l’Art Brut possède dans ses collections douze planches de Josep Baqué.
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Publication:
septembre 2014
septembre 2014
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Visual artist and photographer Katja Mater constructs an image by layering multiple moments in time. When making a drawing or object, different exposures are made on the same negative at various points in the process, physically building up an image in a cross-exchange of visual information between the subject, whether painted on paper or constructed object, and the film.(...)
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Visual artist and photographer Katja Mater constructs an image by layering multiple moments in time. When making a drawing or object, different exposures are made on the same negative at various points in the process, physically building up an image in a cross-exchange of visual information between the subject, whether painted on paper or constructed object, and the film.(...)
Titre:
Katja Mater ; multiple densities
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Visual artist and photographer Katja Mater constructs an image by layering multiple moments in time. When making a drawing or object, different exposures are made on the same negative at various points in the process, physically building up an image in a cross-exchange of visual information between the subject, whether painted on paper or constructed object, and the film. This results in abstracted, monochromatic works depicting geometrical and vaguely textured forms. This book features several series of Mater’s works, also explaining in detail the working method behind each image, illuminating the complex processes she employs to achieve a final result.
Katja Mater ; multiple densities
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Visual artist and photographer Katja Mater constructs an image by layering multiple moments in time. When making a drawing or object, different exposures are made on the same negative at various points in the process, physically building up an image in a cross-exchange of visual information between the subject, whether painted on paper or constructed object, and the film. This results in abstracted, monochromatic works depicting geometrical and vaguely textured forms. This book features several series of Mater’s works, also explaining in detail the working method behind each image, illuminating the complex processes she employs to achieve a final result.
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Publication:
octobre 2014
octobre 2014
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livres
Titre:
Calder / Prouvé
Calder / Prouvé
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A catalogue documenting two exhibitions of works by Alexander Calder and Jean Prouvé at Gagosian Gallery, Paris, and Galerie Patrick Seguin, Paris. Calder and Prouvé met in the early 1950s. They corresponded regularly between Calder’s frequent trips to Paris, exchanging ideas on architecture and sculpture. In 1958, Calder collaborated with Prouvé to construct the steel(...)
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A catalogue documenting two exhibitions of works by Alexander Calder and Jean Prouvé at Gagosian Gallery, Paris, and Galerie Patrick Seguin, Paris. Calder and Prouvé met in the early 1950s. They corresponded regularly between Calder’s frequent trips to Paris, exchanging ideas on architecture and sculpture. In 1958, Calder collaborated with Prouvé to construct the steel(...)
Publication:
octobre 2014
octobre 2014
Titre:
Calder / Prouvé
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A catalogue documenting two exhibitions of works by Alexander Calder and Jean Prouvé at Gagosian Gallery, Paris, and Galerie Patrick Seguin, Paris. Calder and Prouvé met in the early 1950s. They corresponded regularly between Calder’s frequent trips to Paris, exchanging ideas on architecture and sculpture. In 1958, Calder collaborated with Prouvé to construct the steel base of La Spirale, a monumental mobile for the UNESCO site in Paris. Letters between the two are illustrated and reprinted in the catalogue. Calder/Prouvé evokes comparisons in the broad, expressive range of production, emphasis on form, and use of new technologies that the close friends and collaborators evinced in their parallel practices as artist and designer. Considered together, the works in this book testify to the fruitful exchange between two giants of modernism in its most utopian aspirations.
Calder / Prouvé
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A catalogue documenting two exhibitions of works by Alexander Calder and Jean Prouvé at Gagosian Gallery, Paris, and Galerie Patrick Seguin, Paris. Calder and Prouvé met in the early 1950s. They corresponded regularly between Calder’s frequent trips to Paris, exchanging ideas on architecture and sculpture. In 1958, Calder collaborated with Prouvé to construct the steel base of La Spirale, a monumental mobile for the UNESCO site in Paris. Letters between the two are illustrated and reprinted in the catalogue. Calder/Prouvé evokes comparisons in the broad, expressive range of production, emphasis on form, and use of new technologies that the close friends and collaborators evinced in their parallel practices as artist and designer. Considered together, the works in this book testify to the fruitful exchange between two giants of modernism in its most utopian aspirations.
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Publication:
octobre 2014
octobre 2014
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Richard Serra 2013
Richard Serra 2013
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A catalogue of five monumental new works, shown in two exhibitions at Gagosian Gallery, New York. Richard Serra’s most recent sculptures, all from 2013, include 7 Plates 6 Angles, his largest indoor work to date.
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A catalogue of five monumental new works, shown in two exhibitions at Gagosian Gallery, New York. Richard Serra’s most recent sculptures, all from 2013, include 7 Plates 6 Angles, his largest indoor work to date.
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Richard Serra 2013
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A catalogue of five monumental new works, shown in two exhibitions at Gagosian Gallery, New York. Richard Serra’s most recent sculptures, all from 2013, include 7 Plates 6 Angles, his largest indoor work to date.
Richard Serra 2013
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A catalogue of five monumental new works, shown in two exhibitions at Gagosian Gallery, New York. Richard Serra’s most recent sculptures, all from 2013, include 7 Plates 6 Angles, his largest indoor work to date.
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Publication:
octobre 2014
octobre 2014
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For years, Gerhard Richter (born 1931) hardly even spoke of his own drawings (which were rarely if ever featured in his museum exhibitions or numerous publications), and few knew how frequently or consistently he produced works on paper. On the heels of his major traveling retrospective, this volume compiles around 100 works including drawings, watercolors and an(...)
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For years, Gerhard Richter (born 1931) hardly even spoke of his own drawings (which were rarely if ever featured in his museum exhibitions or numerous publications), and few knew how frequently or consistently he produced works on paper. On the heels of his major traveling retrospective, this volume compiles around 100 works including drawings, watercolors and an(...)
Publication:
octobre 2012
octobre 2012
Titre:
Gerhard Richter: Drawings and Watercolors, 1958-2008
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For years, Gerhard Richter (born 1931) hardly even spoke of his own drawings (which were rarely if ever featured in his museum exhibitions or numerous publications), and few knew how frequently or consistently he produced works on paper. On the heels of his major traveling retrospective, this volume compiles around 100 works including drawings, watercolors and an ink-on-paper series. The drawings range from ballpoint studies of exhibition spaces to delicate sketches of a woman breastfeeding, or the folds in a child’s socks. Also included is the 1971 “Two Sculptures for a Room by Palermo,” which consists of painted bronze busts of Palermo and Richter. Revealing a lesser-known aspect of Richter’s work, and affirming his devotion to drawing, this catalogue gives an intimate view into the mental and aesthetic processes of one of our greatest contemporary painters.
Gerhard Richter: Drawings and Watercolors, 1958-2008
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For years, Gerhard Richter (born 1931) hardly even spoke of his own drawings (which were rarely if ever featured in his museum exhibitions or numerous publications), and few knew how frequently or consistently he produced works on paper. On the heels of his major traveling retrospective, this volume compiles around 100 works including drawings, watercolors and an ink-on-paper series. The drawings range from ballpoint studies of exhibition spaces to delicate sketches of a woman breastfeeding, or the folds in a child’s socks. Also included is the 1971 “Two Sculptures for a Room by Palermo,” which consists of painted bronze busts of Palermo and Richter. Revealing a lesser-known aspect of Richter’s work, and affirming his devotion to drawing, this catalogue gives an intimate view into the mental and aesthetic processes of one of our greatest contemporary painters.
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Publication:
octobre 2012
octobre 2012
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12 Ballads for Huguenot House chronicles an ambitious project by American installation artist Theaster Gates (born 1973), in which he attempts to unite two disused buildings — one in Chicago and the other in Kassel, Germany — by dismantling parts of each to reuse in the rebuilding of the other. Huguenot House, in Kassel, was built in the early nineteenth century by(...)
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12 Ballads for Huguenot House chronicles an ambitious project by American installation artist Theaster Gates (born 1973), in which he attempts to unite two disused buildings — one in Chicago and the other in Kassel, Germany — by dismantling parts of each to reuse in the rebuilding of the other. Huguenot House, in Kassel, was built in the early nineteenth century by(...)
Publication:
octobre 2012
octobre 2012
Titre:
Theaster Gates, 12 ballads for Huguenot House
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12 Ballads for Huguenot House chronicles an ambitious project by American installation artist Theaster Gates (born 1973), in which he attempts to unite two disused buildings — one in Chicago and the other in Kassel, Germany — by dismantling parts of each to reuse in the rebuilding of the other. Huguenot House, in Kassel, was built in the early nineteenth century by migrant workers, as were so many of the houses in Gates’ own neighborhood in Chicago, and today is in a state of disrepair. Gates therefore proposed a unique architectural exchange, transporting materials from a large, dilapidated building in Chicago to renovate Huguenot House, while also reusing materials from Huguenot House to reconstruct the Chicago building. In this volume, Gates documents his plans for the exchange in 12 thematic “ballads” that elucidate the project’s rich historical and architectural resonances.
Theaster Gates, 12 ballads for Huguenot House
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12 Ballads for Huguenot House chronicles an ambitious project by American installation artist Theaster Gates (born 1973), in which he attempts to unite two disused buildings — one in Chicago and the other in Kassel, Germany — by dismantling parts of each to reuse in the rebuilding of the other. Huguenot House, in Kassel, was built in the early nineteenth century by migrant workers, as were so many of the houses in Gates’ own neighborhood in Chicago, and today is in a state of disrepair. Gates therefore proposed a unique architectural exchange, transporting materials from a large, dilapidated building in Chicago to renovate Huguenot House, while also reusing materials from Huguenot House to reconstruct the Chicago building. In this volume, Gates documents his plans for the exchange in 12 thematic “ballads” that elucidate the project’s rich historical and architectural resonances.
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Publication:
octobre 2012
octobre 2012
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Famed for his extension of painting beyond the canvas, via the use of stripes of color that frequently extend into the spaces in which the work is exhibited, Daniel Buren (born 1938) is one of France’s most internationally esteemed artists. As a guest artist in Paris’s art festival Monumenta, 2012, Buren has executed a vibrant and eccentric installation in the nave of the(...)
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Famed for his extension of painting beyond the canvas, via the use of stripes of color that frequently extend into the spaces in which the work is exhibited, Daniel Buren (born 1938) is one of France’s most internationally esteemed artists. As a guest artist in Paris’s art festival Monumenta, 2012, Buren has executed a vibrant and eccentric installation in the nave of the(...)
Titre:
Daniel Buren: esquisses graphiques, excentrique(s), monumenta 2012
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Famed for his extension of painting beyond the canvas, via the use of stripes of color that frequently extend into the spaces in which the work is exhibited, Daniel Buren (born 1938) is one of France’s most internationally esteemed artists. As a guest artist in Paris’s art festival Monumenta, 2012, Buren has executed a vibrant and eccentric installation in the nave of the Grand Palais. Visitors are confronted by circular planes of colored glass that section off the space into different levels, creating an overall kaleidoscopic, mesmerizing effect. A collection of the preparatory sketches for his project, this book follows the development of Buren’s imagination and process from the initial stages—abandonment, remodeling and combination—to the final choices. The compilation is not limited to drawings, but instead, examines his “graphic sketches,” that is, as Buren himself notes, constituted by “anything that helps me clarify certain thoughts.”
Daniel Buren: esquisses graphiques, excentrique(s), monumenta 2012
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Famed for his extension of painting beyond the canvas, via the use of stripes of color that frequently extend into the spaces in which the work is exhibited, Daniel Buren (born 1938) is one of France’s most internationally esteemed artists. As a guest artist in Paris’s art festival Monumenta, 2012, Buren has executed a vibrant and eccentric installation in the nave of the Grand Palais. Visitors are confronted by circular planes of colored glass that section off the space into different levels, creating an overall kaleidoscopic, mesmerizing effect. A collection of the preparatory sketches for his project, this book follows the development of Buren’s imagination and process from the initial stages—abandonment, remodeling and combination—to the final choices. The compilation is not limited to drawings, but instead, examines his “graphic sketches,” that is, as Buren himself notes, constituted by “anything that helps me clarify certain thoughts.”
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Publication:
octobre 2012
octobre 2012
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Titre:
Philippe Parreno: C.H.Z.
Philippe Parreno: C.H.Z.
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Renowned for his sophisticated ruminations on nature and artifice, character and its construction, and the transformative lens of history and nostalgia, Philippe Parreno (born 1964) created C.H.Z. in a zone between science and fiction. According to NASA, any planet hospitable to life will most likely orbit a pair of dwarf stars in a Continuously Habitable Zone. The effect(...)
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Renowned for his sophisticated ruminations on nature and artifice, character and its construction, and the transformative lens of history and nostalgia, Philippe Parreno (born 1964) created C.H.Z. in a zone between science and fiction. According to NASA, any planet hospitable to life will most likely orbit a pair of dwarf stars in a Continuously Habitable Zone. The effect(...)
Publication:
septembre 2012
septembre 2012
Titre:
Philippe Parreno: C.H.Z.
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Renowned for his sophisticated ruminations on nature and artifice, character and its construction, and the transformative lens of history and nostalgia, Philippe Parreno (born 1964) created C.H.Z. in a zone between science and fiction. According to NASA, any planet hospitable to life will most likely orbit a pair of dwarf stars in a Continuously Habitable Zone. The effect of multiple stars is black vegetation. Working with landscape architect Bas Smets, the artist painstakingly constructed a garden of black plants on the side of a mountain in Portugal, where the garden continues to flourish outside the framework of an art object; Parreno then shot a poetic, abstract film in that alien landscape, rendering the territory inescapably cinematic. C.H.Z. features the artist’s dark, impasto ink drawings, which functioned as a storyboard for the cinematographer Darius Khondji, as well as sequences of stills of the seven stages of the film. Parreno’s reflections and commentary are featured alongside the images and paired with comprehensive essay by Nancy Spector, deputy director and chief curator of the Guggenheim Museum, New York.
Philippe Parreno: C.H.Z.
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Renowned for his sophisticated ruminations on nature and artifice, character and its construction, and the transformative lens of history and nostalgia, Philippe Parreno (born 1964) created C.H.Z. in a zone between science and fiction. According to NASA, any planet hospitable to life will most likely orbit a pair of dwarf stars in a Continuously Habitable Zone. The effect of multiple stars is black vegetation. Working with landscape architect Bas Smets, the artist painstakingly constructed a garden of black plants on the side of a mountain in Portugal, where the garden continues to flourish outside the framework of an art object; Parreno then shot a poetic, abstract film in that alien landscape, rendering the territory inescapably cinematic. C.H.Z. features the artist’s dark, impasto ink drawings, which functioned as a storyboard for the cinematographer Darius Khondji, as well as sequences of stills of the seven stages of the film. Parreno’s reflections and commentary are featured alongside the images and paired with comprehensive essay by Nancy Spector, deputy director and chief curator of the Guggenheim Museum, New York.
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livres
Publication:
septembre 2012
septembre 2012
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livres
Titre:
Johanne Calle: abecé
Johanne Calle: abecé
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Abecé is a facsimile reproduction of a suite of drawings by Columbian artist Johanna Calle. On antique paper, Calle made a drawing for each letter of the alphabet, repeating each letter across the page while making small variations in size and orientation--demonstrating how a sign can be manipulated without altering its linguistic meaning.
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Abecé is a facsimile reproduction of a suite of drawings by Columbian artist Johanna Calle. On antique paper, Calle made a drawing for each letter of the alphabet, repeating each letter across the page while making small variations in size and orientation--demonstrating how a sign can be manipulated without altering its linguistic meaning.
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Johanne Calle: abecé
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Abecé is a facsimile reproduction of a suite of drawings by Columbian artist Johanna Calle. On antique paper, Calle made a drawing for each letter of the alphabet, repeating each letter across the page while making small variations in size and orientation--demonstrating how a sign can be manipulated without altering its linguistic meaning.
Johanne Calle: abecé
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Abecé is a facsimile reproduction of a suite of drawings by Columbian artist Johanna Calle. On antique paper, Calle made a drawing for each letter of the alphabet, repeating each letter across the page while making small variations in size and orientation--demonstrating how a sign can be manipulated without altering its linguistic meaning.
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livres
livres
Publication:
septembre 2012
septembre 2012
