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Since the late 1980s, Jim Hodges’ poetic reconsiderations of the material world have inspired a body of multimedia work in which the manmade and artificial are invested with emotion and authenticity. This volume accompanies the first comprehensive exhibition to be organized in the United States of this American artist.
Jim Hodges : give more than you take
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Since the late 1980s, Jim Hodges’ poetic reconsiderations of the material world have inspired a body of multimedia work in which the manmade and artificial are invested with emotion and authenticity. This volume accompanies the first comprehensive exhibition to be organized in the United States of this American artist.
Isa Genzken : retrospective
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Published in conjunction with the first comprehensive retrospective of the artist’s epically diverse body of work, this publication encompasses Genzken’s work in all media over the past 40 years and is the most complete monograph on the artist available in English.
novembre 2013
Isa Genzken : retrospective
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Published in conjunction with the first comprehensive retrospective of the artist’s epically diverse body of work, this publication encompasses Genzken’s work in all media over the past 40 years and is the most complete monograph on the artist available in English.
Sophie Calles: ghosts
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Ghosts deals with important art objects which have been misplaced, damaged, stolen or have otherwise disappeared from public view. In the 1980s and 90s, the Isabella Stewart Gardner museum in Boston and the Earl of Bath’s residence in England both lost some of their most prestigious works to thefts and accidents. In this volume, which combines her series on both museums,(...)
Sophie Calles: ghosts
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Ghosts deals with important art objects which have been misplaced, damaged, stolen or have otherwise disappeared from public view. In the 1980s and 90s, the Isabella Stewart Gardner museum in Boston and the Earl of Bath’s residence in England both lost some of their most prestigious works to thefts and accidents. In this volume, which combines her series on both museums, Sophie Calle embarks on a quest to resurrect the memory of these pieces. She explores their personal meaning to those museum employees and others who knew the works intimately, in a series of profiles on each individual.
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Josef Albers: Art as Experience looks at the relationship between Albers’ pragmatic (and Pragmatist) teaching and his art, presenting previously unseen works by Albers’ students from the Bauhaus and elsewhere, along with little-known studies and other art by Albers himself, and reveals the vibrancy and extraordinary impact of Josef Albers’ groundbreaking pedagogical methods.
Josef Albers: art as experience
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Josef Albers: Art as Experience looks at the relationship between Albers’ pragmatic (and Pragmatist) teaching and his art, presenting previously unseen works by Albers’ students from the Bauhaus and elsewhere, along with little-known studies and other art by Albers himself, and reveals the vibrancy and extraordinary impact of Josef Albers’ groundbreaking pedagogical methods.
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Conceived by the renowned Albers expert Nicholas Fox Weber, who directed the Albers Foundation for 20 years and knew the artist well, Spirituality and Rigor presents a selection of work by Albers that illustrates his ascetic spirituality and his deeply felt Catholicism. The book stems in part from Fox Weber’s The Sacred Modernist: Josef Albers as a Catholic Artist, and is(...)
Josef Albers: spirituality and rigor
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Conceived by the renowned Albers expert Nicholas Fox Weber, who directed the Albers Foundation for 20 years and knew the artist well, Spirituality and Rigor presents a selection of work by Albers that illustrates his ascetic spirituality and his deeply felt Catholicism. The book stems in part from Fox Weber’s The Sacred Modernist: Josef Albers as a Catholic Artist, and is augmented with additional work by Fabio De Chirico.
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Giorgio Morandi: Lines of Poetry presents a large selection of graphic works by Bologna’s master of poetic understatement. Entirely self-taught as a printmaker, in 1912 Morandi began to etch using old manuals as his reference guides. Morandi went on to hold the Chair in Printmaking at Bologna’s Academy of Fine Arts for more than 20 years. These still lifes and landscapes(...)
septembre 2013
Giorgio Morandi: the lines of poetry
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Giorgio Morandi: Lines of Poetry presents a large selection of graphic works by Bologna’s master of poetic understatement. Entirely self-taught as a printmaker, in 1912 Morandi began to etch using old manuals as his reference guides. Morandi went on to hold the Chair in Printmaking at Bologna’s Academy of Fine Arts for more than 20 years. These still lifes and landscapes reveal the artist’s stylistic versatility and desire for experimentation. Also included in this volume are a number of Morandi’s watercolors--works that exemplify his ability to distil the essence of a complex scene or composition into an arrangement of simple, near-abstract forms.
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This publication accompanies the first survey of drawings by Los Angeles artist Ken Price (1935–2013), best known for his abstract, brightly colored ceramic sculptures. The book includes an in-depth 44-page illustrated essay by exhibition curator Douglas Dreishpoon, a 20-page section detailing a rarely seen large-scale scroll drawing from 1962, and color plates of all of(...)
Ken Price : slow and steady wins the race, works on paper, 1962-2010
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This publication accompanies the first survey of drawings by Los Angeles artist Ken Price (1935–2013), best known for his abstract, brightly colored ceramic sculptures. The book includes an in-depth 44-page illustrated essay by exhibition curator Douglas Dreishpoon, a 20-page section detailing a rarely seen large-scale scroll drawing from 1962, and color plates of all of the nearly 70 works in the exhibition, tracking the evolution of Price’s drawings over 48 years and demonstrating a wide range of characters and techniques.
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Impressions of each city are fundamental to these drawings, as location plays a key role in the artist’s oeuvre; as the artist stated in 2006, “People tend to think of abstraction as abstract. But nothing is abstract: it’s a self-portrait. A portrait of one’s condition.” This publication accompanies an exhibition organized by The Drawing Center. The works, reproduced as(...)
Sean Scully: change and horizontals
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Impressions of each city are fundamental to these drawings, as location plays a key role in the artist’s oeuvre; as the artist stated in 2006, “People tend to think of abstraction as abstract. But nothing is abstract: it’s a self-portrait. A portrait of one’s condition.” This publication accompanies an exhibition organized by The Drawing Center. The works, reproduced as full-color plates, are comprised of acrylic, ink, graphite and masking-tape drawings from 1974–75, as well as two large-scale paintings from the same period and the artist’s notebooks.
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This publication evolves from Colombian artist José Antonio Suárez Londoño’s 2012 exhibition at The Drawing Center in New York. The volume features full-color plates of drawings from a selection of Londoño’s notebooks (or “yearbooks”) dating from 1997 to the present and taken from the artist’s ongoing project in which he creates a daily drawing based on a book or series(...)
José Antonio Suárez Londoño: The Yearbooks
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This publication evolves from Colombian artist José Antonio Suárez Londoño’s 2012 exhibition at The Drawing Center in New York. The volume features full-color plates of drawings from a selection of Londoño’s notebooks (or “yearbooks”) dating from 1997 to the present and taken from the artist’s ongoing project in which he creates a daily drawing based on a book or series of books that he reads over the course of a year.
Angela Glajcar
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This collection of Angela Glajcar's installations includes more than 1,000 objects, reliefs, and room installations. The artist works mostly with fragile materials: torn strips of paper, delicate glass fabrics, and plastic. Applied in layers and curved, they acquire a three-dimensional presence and are transformed by light. The result is a remarkable documentation of a(...)
Angela Glajcar
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This collection of Angela Glajcar's installations includes more than 1,000 objects, reliefs, and room installations. The artist works mostly with fragile materials: torn strips of paper, delicate glass fabrics, and plastic. Applied in layers and curved, they acquire a three-dimensional presence and are transformed by light. The result is a remarkable documentation of a creative oeuvre that is as fascinating as it is unique.