1920 Résultats
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Lee Lozano: Private Book 9
Lee Lozano: Private Book 9
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This is the ninth volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these(...)
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This is the ninth volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these(...)
Titre:
Lee Lozano: Private Book 9
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This is the ninth volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these books, thus completing the project. Eleven of these private books survive, containing notes on her work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art’s role in society and humorous asides from daily life.
Lee Lozano: Private Book 9
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This is the ninth volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these books, thus completing the project. Eleven of these private books survive, containing notes on her work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art’s role in society and humorous asides from daily life.
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livres
livres
Publication:
juillet 2021
juillet 2021
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$115.00
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One of the most significant American artists of the postwar period, Judd rigorously experimented with color, form, material, and space. The works in this catalogue range from the artist’s expansive installations to self-contained single units, yielding valuable new insights into his process and approach. The survey includes one of his largest and most intricate(...)
$115.00
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One of the most significant American artists of the postwar period, Judd rigorously experimented with color, form, material, and space. The works in this catalogue range from the artist’s expansive installations to self-contained single units, yielding valuable new insights into his process and approach. The survey includes one of his largest and most intricate(...)
Titre:
Donald Judd: Artworks, 1970–1994
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One of the most significant American artists of the postwar period, Judd rigorously experimented with color, form, material, and space. The works in this catalogue range from the artist’s expansive installations to self-contained single units, yielding valuable new insights into his process and approach. The survey includes one of his largest and most intricate installations of sixty-three wall-mounted plywood boxes, conceived in 1986. Other works include variations on some of Judd’s most recognizable forms, executed in materials such as Cor-ten steel, plexiglass, copper, plywood, brushed aluminum, and enameled aluminum. Brilliant and exacting reproductions capture these works in vivid detail. Following the major Judd retrospective at The Museum of Modern Art, New York, in 2020, this book serves as a companion volume.
Donald Judd: Artworks, 1970–1994
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One of the most significant American artists of the postwar period, Judd rigorously experimented with color, form, material, and space. The works in this catalogue range from the artist’s expansive installations to self-contained single units, yielding valuable new insights into his process and approach. The survey includes one of his largest and most intricate installations of sixty-three wall-mounted plywood boxes, conceived in 1986. Other works include variations on some of Judd’s most recognizable forms, executed in materials such as Cor-ten steel, plexiglass, copper, plywood, brushed aluminum, and enameled aluminum. Brilliant and exacting reproductions capture these works in vivid detail. Following the major Judd retrospective at The Museum of Modern Art, New York, in 2020, this book serves as a companion volume.
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livres
livres
Publication:
novembre 2021
novembre 2021
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Le travail de Marine Pagès déploie une pratique du dessin élargi : sur papier et dans l'espace. Cet ouvrage prend la forme – lointaine et non exhaustive – d'un inventaire, en échos au processus de travail de l'artiste. La forme de l'inventaire, grille appliquée librement, répond aussi au désir de souligner les correspondances entre les dessins sur papier et les(...)
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Le travail de Marine Pagès déploie une pratique du dessin élargi : sur papier et dans l'espace. Cet ouvrage prend la forme – lointaine et non exhaustive – d'un inventaire, en échos au processus de travail de l'artiste. La forme de l'inventaire, grille appliquée librement, répond aussi au désir de souligner les correspondances entre les dessins sur papier et les(...)
Titre:
Marine Pagès : Les Corps flottants
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Le travail de Marine Pagès déploie une pratique du dessin élargi : sur papier et dans l'espace. Cet ouvrage prend la forme – lointaine et non exhaustive – d'un inventaire, en échos au processus de travail de l'artiste. La forme de l'inventaire, grille appliquée librement, répond aussi au désir de souligner les correspondances entre les dessins sur papier et les installations en volume, le va-et-vient entre ces médiums et ces dimensions. Un livre pour découvrir ou redécouvrir l'œuvre de l'artiste, en particulier la série Intermédiaires commencée il y a quelques années – et qui se poursuit aujourd'hui – avec de nombreuses reproductions et des vues d'installations in situ.
Marine Pagès : Les Corps flottants
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Le travail de Marine Pagès déploie une pratique du dessin élargi : sur papier et dans l'espace. Cet ouvrage prend la forme – lointaine et non exhaustive – d'un inventaire, en échos au processus de travail de l'artiste. La forme de l'inventaire, grille appliquée librement, répond aussi au désir de souligner les correspondances entre les dessins sur papier et les installations en volume, le va-et-vient entre ces médiums et ces dimensions. Un livre pour découvrir ou redécouvrir l'œuvre de l'artiste, en particulier la série Intermédiaires commencée il y a quelques années – et qui se poursuit aujourd'hui – avec de nombreuses reproductions et des vues d'installations in situ.
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livres
livres
Publication:
juillet 2021
juillet 2021
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livres
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Bastien Aubry (born 1974 in Saint-Imier, Switzerland) attended the Ecole d'Arts Visuels Berne et Bienne, Switzerland. Since 2010 he is part of the artist group Aubry Broquard (he also founded with Dimitri Broquard the FLAG design studio in 2002), which has been included in numerous exhibitions internationally, including the Swiss Institute of Contemporary Art in New York(...)
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Bastien Aubry (born 1974 in Saint-Imier, Switzerland) attended the Ecole d'Arts Visuels Berne et Bienne, Switzerland. Since 2010 he is part of the artist group Aubry Broquard (he also founded with Dimitri Broquard the FLAG design studio in 2002), which has been included in numerous exhibitions internationally, including the Swiss Institute of Contemporary Art in New York(...)
Titre:
Bastien Aubry : Agglorhythmus
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Bastien Aubry (born 1974 in Saint-Imier, Switzerland) attended the Ecole d'Arts Visuels Berne et Bienne, Switzerland. Since 2010 he is part of the artist group Aubry Broquard (he also founded with Dimitri Broquard the FLAG design studio in 2002), which has been included in numerous exhibitions internationally, including the Swiss Institute of Contemporary Art in New York and MABA in Paris. Since 2017, Bastien Aubry continues his sculptural practice as a solo artist. Bastien Aubry's artistic approach consists of alienating everyday objects in a playful and ironic way. His mischievous works evoke fascinating visual effects by mixing design, art history and pop culture. His creations celebrate the poetry of failure and the beauty of the less than perfect, an accident by design. The artist stages reality in his own world, exposing everyday absurdities and toying with the boundaries set by traditional artistic practices. Three-dimensional works are constrained by the material they are made of, and for Bastien Aubry, it is most important to recognize the physical property of each material in order to experiment with visually exiting effects. To exaggerate, enlarge, stack, fill, crush… There is always an element of surprise and spontaneity present in his oeuvre.
Bastien Aubry : Agglorhythmus
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Bastien Aubry (born 1974 in Saint-Imier, Switzerland) attended the Ecole d'Arts Visuels Berne et Bienne, Switzerland. Since 2010 he is part of the artist group Aubry Broquard (he also founded with Dimitri Broquard the FLAG design studio in 2002), which has been included in numerous exhibitions internationally, including the Swiss Institute of Contemporary Art in New York and MABA in Paris. Since 2017, Bastien Aubry continues his sculptural practice as a solo artist. Bastien Aubry's artistic approach consists of alienating everyday objects in a playful and ironic way. His mischievous works evoke fascinating visual effects by mixing design, art history and pop culture. His creations celebrate the poetry of failure and the beauty of the less than perfect, an accident by design. The artist stages reality in his own world, exposing everyday absurdities and toying with the boundaries set by traditional artistic practices. Three-dimensional works are constrained by the material they are made of, and for Bastien Aubry, it is most important to recognize the physical property of each material in order to experiment with visually exiting effects. To exaggerate, enlarge, stack, fill, crush… There is always an element of surprise and spontaneity present in his oeuvre.
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livres
livres
Publication:
juin 2021
juin 2021
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livres
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Celebrated artist Keith Haring (1958–1990) has been embraced by popular culture for his signature bold graphic line drawings of figures and forms. Like other graffiti artists in the 1980s, Haring found an empty canvas in the advertising panels scattered throughout New York City’s subway system, where he communicated his socially conscious, often humorous messages on(...)
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Celebrated artist Keith Haring (1958–1990) has been embraced by popular culture for his signature bold graphic line drawings of figures and forms. Like other graffiti artists in the 1980s, Haring found an empty canvas in the advertising panels scattered throughout New York City’s subway system, where he communicated his socially conscious, often humorous messages on(...)
Publication:
décembre 2021
décembre 2021
Titre:
Keith Haring: 31 subway drawings
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Celebrated artist Keith Haring (1958–1990) has been embraced by popular culture for his signature bold graphic line drawings of figures and forms. Like other graffiti artists in the 1980s, Haring found an empty canvas in the advertising panels scattered throughout New York City’s subway system, where he communicated his socially conscious, often humorous messages on platforms and train cars. Over a five-year period, in an epic conquest of civic space, Haring produced a massive body of subway artwork that remains daunting in its scale and its impact on the public consciousness. Dedicated to the individuals who might encounter them and to the moments of their creation, Haring’s drawings now exist solely in the form of documentary photographs and legend. Because they were not meant to be permanent—only briefly inhabiting blacked-out advertising boards before being covered up by ads or torn down by authorities or admirers—what little remains of this project is uniquely fugitive. ''Keith Haring: 31 subway drawings'' reproduces archival materials relating to this magnificent project alongside essays by leading Haring experts.
Keith Haring: 31 subway drawings
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Résumé:
Celebrated artist Keith Haring (1958–1990) has been embraced by popular culture for his signature bold graphic line drawings of figures and forms. Like other graffiti artists in the 1980s, Haring found an empty canvas in the advertising panels scattered throughout New York City’s subway system, where he communicated his socially conscious, often humorous messages on platforms and train cars. Over a five-year period, in an epic conquest of civic space, Haring produced a massive body of subway artwork that remains daunting in its scale and its impact on the public consciousness. Dedicated to the individuals who might encounter them and to the moments of their creation, Haring’s drawings now exist solely in the form of documentary photographs and legend. Because they were not meant to be permanent—only briefly inhabiting blacked-out advertising boards before being covered up by ads or torn down by authorities or admirers—what little remains of this project is uniquely fugitive. ''Keith Haring: 31 subway drawings'' reproduces archival materials relating to this magnificent project alongside essays by leading Haring experts.
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livres
livres
Publication:
décembre 2021
décembre 2021
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British artist Gerard Hemsworth (born 1945) undermines the seriousness of high modernist art with storybook picture motifs, straddling the sublime and the ridiculous and celebrating the clash of visual rhetorics in line drawings with flat, muted colors. For Hemsworth's first solo museum show in the United States at the Aldrich, 15 works have been chosen and are reproduced(...)
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British artist Gerard Hemsworth (born 1945) undermines the seriousness of high modernist art with storybook picture motifs, straddling the sublime and the ridiculous and celebrating the clash of visual rhetorics in line drawings with flat, muted colors. For Hemsworth's first solo museum show in the United States at the Aldrich, 15 works have been chosen and are reproduced(...)
Titre:
Gerard Hemsworth : hidden agenda
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British artist Gerard Hemsworth (born 1945) undermines the seriousness of high modernist art with storybook picture motifs, straddling the sublime and the ridiculous and celebrating the clash of visual rhetorics in line drawings with flat, muted colors. For Hemsworth's first solo museum show in the United States at the Aldrich, 15 works have been chosen and are reproduced in this catalogue.
Gerard Hemsworth : hidden agenda
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British artist Gerard Hemsworth (born 1945) undermines the seriousness of high modernist art with storybook picture motifs, straddling the sublime and the ridiculous and celebrating the clash of visual rhetorics in line drawings with flat, muted colors. For Hemsworth's first solo museum show in the United States at the Aldrich, 15 works have been chosen and are reproduced in this catalogue.
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livres
livres
Publication:
janvier 2010
janvier 2010
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In 1981, while summering on the island of Hydra, Greece, Brice Marden began painting on small fragments of marble from local quarries. These compositions marked a transitional moment in his career. Marden has continued to make marble paintings since that time. This volume commemorates an exhibition of the artist’s marble paintings presented at Gagosian, Athens, in 2020.(...)
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In 1981, while summering on the island of Hydra, Greece, Brice Marden began painting on small fragments of marble from local quarries. These compositions marked a transitional moment in his career. Marden has continued to make marble paintings since that time. This volume commemorates an exhibition of the artist’s marble paintings presented at Gagosian, Athens, in 2020.(...)
Titre:
Brice Marden: Marbles and drawings
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In 1981, while summering on the island of Hydra, Greece, Brice Marden began painting on small fragments of marble from local quarries. These compositions marked a transitional moment in his career. Marden has continued to make marble paintings since that time. This volume commemorates an exhibition of the artist’s marble paintings presented at Gagosian, Athens, in 2020. To complement the marbles, Marden selected a small group of ink drawings on paper and a six-panel painting. Together with full views and details of individual works, this volume features installation photography and a new essay by Dimitrios Antonitsis, in English and Greek, that considers the marble paintings in the context of the artist’s long connection to Hydra.
Brice Marden: Marbles and drawings
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In 1981, while summering on the island of Hydra, Greece, Brice Marden began painting on small fragments of marble from local quarries. These compositions marked a transitional moment in his career. Marden has continued to make marble paintings since that time. This volume commemorates an exhibition of the artist’s marble paintings presented at Gagosian, Athens, in 2020. To complement the marbles, Marden selected a small group of ink drawings on paper and a six-panel painting. Together with full views and details of individual works, this volume features installation photography and a new essay by Dimitrios Antonitsis, in English and Greek, that considers the marble paintings in the context of the artist’s long connection to Hydra.
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livres
livres
Publication:
septembre 2021
septembre 2021
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livres
livres
Titre:
Elisabeth Wild: Fantasias
Elisabeth Wild: Fantasias
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This monograph exhibits Elisabeth Wild’s kaleidoscopic and vibrant collages. Using cutouts of commercial imagery from glossy magazines, Wild composes a dimensionless reality that is witty yet menacing, ancient yet immortal. Imagining figures that are structural and anatomical, her work presents a shimmering dream logic. Wooden totems and stone altars, woven rugs, and(...)
$47.95
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Résumé:
This monograph exhibits Elisabeth Wild’s kaleidoscopic and vibrant collages. Using cutouts of commercial imagery from glossy magazines, Wild composes a dimensionless reality that is witty yet menacing, ancient yet immortal. Imagining figures that are structural and anatomical, her work presents a shimmering dream logic. Wooden totems and stone altars, woven rugs, and(...)
Titre:
Elisabeth Wild: Fantasias
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$47.95
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This monograph exhibits Elisabeth Wild’s kaleidoscopic and vibrant collages. Using cutouts of commercial imagery from glossy magazines, Wild composes a dimensionless reality that is witty yet menacing, ancient yet immortal. Imagining figures that are structural and anatomical, her work presents a shimmering dream logic. Wooden totems and stone altars, woven rugs, and precious stones are the cosmic architectural inhabitants that unveil the artist’s fantasies. Along with Wild’s collages, this volume includes contributions by poet Negma Coy, curator Adam Szymczyk, art educator and writer Barbara Casavecchia, art historian and critic Noit Banai, and gallerist Karolina Dankow of Karma International, all which frame the importance of this singular artist’s work and life. Born in Austria, Elisabeth Wild (1922-2020) fled to Argentina during WWII with her parents. In 1962 the family escaped the regime of Juan Peron and found a new home in Basel, Switzerland. Wild opened an antique shop at St. Johannstor which became the outlet for her creativity at the time and also supported her and her family financially. Until her death at the age of 98, Wild was carefully crafting her light-hearted, joyous abstract worlds walking the line between construction and deconstruction. Alongside her daughter, Vivian Suter, Wild has exhibited at Kunsthalle Basel, documenta 14, and the Powerplant in Toronto.
Elisabeth Wild: Fantasias
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$47.95
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Résumé:
This monograph exhibits Elisabeth Wild’s kaleidoscopic and vibrant collages. Using cutouts of commercial imagery from glossy magazines, Wild composes a dimensionless reality that is witty yet menacing, ancient yet immortal. Imagining figures that are structural and anatomical, her work presents a shimmering dream logic. Wooden totems and stone altars, woven rugs, and precious stones are the cosmic architectural inhabitants that unveil the artist’s fantasies. Along with Wild’s collages, this volume includes contributions by poet Negma Coy, curator Adam Szymczyk, art educator and writer Barbara Casavecchia, art historian and critic Noit Banai, and gallerist Karolina Dankow of Karma International, all which frame the importance of this singular artist’s work and life. Born in Austria, Elisabeth Wild (1922-2020) fled to Argentina during WWII with her parents. In 1962 the family escaped the regime of Juan Peron and found a new home in Basel, Switzerland. Wild opened an antique shop at St. Johannstor which became the outlet for her creativity at the time and also supported her and her family financially. Until her death at the age of 98, Wild was carefully crafting her light-hearted, joyous abstract worlds walking the line between construction and deconstruction. Alongside her daughter, Vivian Suter, Wild has exhibited at Kunsthalle Basel, documenta 14, and the Powerplant in Toronto.
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livres
livres
Publication:
août 2021
août 2021
Classification:
livres
livres
Titre:
Change the name of the days
Change the name of the days
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In the tradition of conceptual action books, American artist David Horvitz (born 1982) has created a long-form poem developed initially as a collaboration between the artist and his five-year-old daughter. ''Change the name of the days'' offers a collection of 32 lessons and short teaching units in the form of a colorful and graphic text-based artist’s book. From(...)
$39.95
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In the tradition of conceptual action books, American artist David Horvitz (born 1982) has created a long-form poem developed initially as a collaboration between the artist and his five-year-old daughter. ''Change the name of the days'' offers a collection of 32 lessons and short teaching units in the form of a colorful and graphic text-based artist’s book. From(...)
Titre:
Change the name of the days
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In the tradition of conceptual action books, American artist David Horvitz (born 1982) has created a long-form poem developed initially as a collaboration between the artist and his five-year-old daughter. ''Change the name of the days'' offers a collection of 32 lessons and short teaching units in the form of a colorful and graphic text-based artist’s book. From instructions such as ''welcome the night into your house'' to ''exchange breaths with a plant,'' this publication invites reflection upon the immateriality of the world surrounding us. The prompts also provide the reader with an opportunity to develop a performative action for each lesson, constituting their own personal collection of poetic instruments. The book is enriched with a text by author and Fluxus specialist Natilee Harren.
Change the name of the days
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In the tradition of conceptual action books, American artist David Horvitz (born 1982) has created a long-form poem developed initially as a collaboration between the artist and his five-year-old daughter. ''Change the name of the days'' offers a collection of 32 lessons and short teaching units in the form of a colorful and graphic text-based artist’s book. From instructions such as ''welcome the night into your house'' to ''exchange breaths with a plant,'' this publication invites reflection upon the immateriality of the world surrounding us. The prompts also provide the reader with an opportunity to develop a performative action for each lesson, constituting their own personal collection of poetic instruments. The book is enriched with a text by author and Fluxus specialist Natilee Harren.
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livres
livres
Publication:
septembre 2021
septembre 2021
Classification:
livres
livres
Titre:
Pierre Alechinsky
Pierre Alechinsky
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Pierre Alechinsky est né en 1927 à Bruxelles, d’une mère wallonne et d’un père russe. Il fait des études de typographie et d’illustration à l’École d’architecture et des arts décoratifs de la Cambre à Bruxelles. En 1949, il adhère au mouvement avant-gardiste CoBrA, rejoignant Karel Appel, Constant, Jan Nieuwenhuis et Asger Jorn. Il participe aussitôt à la première(...)
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Pierre Alechinsky est né en 1927 à Bruxelles, d’une mère wallonne et d’un père russe. Il fait des études de typographie et d’illustration à l’École d’architecture et des arts décoratifs de la Cambre à Bruxelles. En 1949, il adhère au mouvement avant-gardiste CoBrA, rejoignant Karel Appel, Constant, Jan Nieuwenhuis et Asger Jorn. Il participe aussitôt à la première(...)
Titre:
Pierre Alechinsky
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Pierre Alechinsky est né en 1927 à Bruxelles, d’une mère wallonne et d’un père russe. Il fait des études de typographie et d’illustration à l’École d’architecture et des arts décoratifs de la Cambre à Bruxelles. En 1949, il adhère au mouvement avant-gardiste CoBrA, rejoignant Karel Appel, Constant, Jan Nieuwenhuis et Asger Jorn. Il participe aussitôt à la première exposition internationale de CoBrA au Stedel à Amsterdam. Dans les années 50, il séjourne en Extrême-Orient et aux Etats-Unis et s’intéresse à l’Action Painting, dont il synthétise les influences combinées. C’est également au cours de cette décennie qu’il commencera à exposer à Paris - où il s’installe -, à Bruxelles, puis à Londres.
Pierre Alechinsky
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Pierre Alechinsky est né en 1927 à Bruxelles, d’une mère wallonne et d’un père russe. Il fait des études de typographie et d’illustration à l’École d’architecture et des arts décoratifs de la Cambre à Bruxelles. En 1949, il adhère au mouvement avant-gardiste CoBrA, rejoignant Karel Appel, Constant, Jan Nieuwenhuis et Asger Jorn. Il participe aussitôt à la première exposition internationale de CoBrA au Stedel à Amsterdam. Dans les années 50, il séjourne en Extrême-Orient et aux Etats-Unis et s’intéresse à l’Action Painting, dont il synthétise les influences combinées. C’est également au cours de cette décennie qu’il commencera à exposer à Paris - où il s’installe -, à Bruxelles, puis à Londres.
Classification:
livres
livres
Publication:
octobre 2015
octobre 2015
