1879 Résultats
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The rising Dutch artist Erik van Lieshout, temporarily based in Los Angeles while he sets up for bicoastal American museum debuts at the Hammer in Los Angeles and at Mass MoCA, in North Adams, Massachusetts, works with video installation, painting and drawing to analyze our daily reality in currently confusing times. In a dizzying game of political correctness versus(...)
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The rising Dutch artist Erik van Lieshout, temporarily based in Los Angeles while he sets up for bicoastal American museum debuts at the Hammer in Los Angeles and at Mass MoCA, in North Adams, Massachusetts, works with video installation, painting and drawing to analyze our daily reality in currently confusing times. In a dizzying game of political correctness versus(...)
Titre:
Erik van Lieshout: This can't go on (stay with me)
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The rising Dutch artist Erik van Lieshout, temporarily based in Los Angeles while he sets up for bicoastal American museum debuts at the Hammer in Los Angeles and at Mass MoCA, in North Adams, Massachusetts, works with video installation, painting and drawing to analyze our daily reality in currently confusing times. In a dizzying game of political correctness versus incorrectness, he provides razor-sharp comments on sociocultural truths, always seeming to wind up in unfamiliar, uncomfortable and confrontational situations. As he says: "My challenge is to lose control...Because it's only when you lose control that you have the feeling of freedom." On his way to that freedom, van Lieshout turns whomever he encounters into subject matter for social documentaries--his endless curiosity and his disarming personality encouraging strangers to share their intimate feelings and politics openly with him. In his work, van Lieshout translates this ferocious exploration of the behaviors of people he meets into aggressive, sometimes violent, sexual imagery. Born in 1968 in the Netherlands, van Lieshout's work was recently featured in the 2006 Berlin Bienniale and the 2003 Venice Biennale, among others.
Erik van Lieshout: This can't go on (stay with me)
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The rising Dutch artist Erik van Lieshout, temporarily based in Los Angeles while he sets up for bicoastal American museum debuts at the Hammer in Los Angeles and at Mass MoCA, in North Adams, Massachusetts, works with video installation, painting and drawing to analyze our daily reality in currently confusing times. In a dizzying game of political correctness versus incorrectness, he provides razor-sharp comments on sociocultural truths, always seeming to wind up in unfamiliar, uncomfortable and confrontational situations. As he says: "My challenge is to lose control...Because it's only when you lose control that you have the feeling of freedom." On his way to that freedom, van Lieshout turns whomever he encounters into subject matter for social documentaries--his endless curiosity and his disarming personality encouraging strangers to share their intimate feelings and politics openly with him. In his work, van Lieshout translates this ferocious exploration of the behaviors of people he meets into aggressive, sometimes violent, sexual imagery. Born in 1968 in the Netherlands, van Lieshout's work was recently featured in the 2006 Berlin Bienniale and the 2003 Venice Biennale, among others.
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livres
livres
Publication:
octobre 2007, Zurich
octobre 2007, Zurich
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livres
livres
Titre:
Like origami gone wrong
Like origami gone wrong
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Simon Dybbroe M0ller's first monograph folds Modernist art history into something new. His interest stems in part from personal nostalgia and in part from intellectual fascination; he once told an interviewer, "You and I grew up in a society where a certain kind of provincial Modernism has had a major influence on how schools are constructed and everything. Furthermore,(...)
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Simon Dybbroe M0ller's first monograph folds Modernist art history into something new. His interest stems in part from personal nostalgia and in part from intellectual fascination; he once told an interviewer, "You and I grew up in a society where a certain kind of provincial Modernism has had a major influence on how schools are constructed and everything. Furthermore,(...)
Titre:
Like origami gone wrong
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Simon Dybbroe M0ller's first monograph folds Modernist art history into something new. His interest stems in part from personal nostalgia and in part from intellectual fascination; he once told an interviewer, "You and I grew up in a society where a certain kind of provincial Modernism has had a major influence on how schools are constructed and everything. Furthermore, Modernism represents--and I guess it is almost a cliche to say--the last period of utopia, and a belief in actually producing truths." One installation, a darkened room with scattered light sources and projection screens, recalls both a party and the fusty setting of an academic conference; in another, a portrait of Le Corbusier emerges from a stain in the ceiling. Frieze magazine has called Moller's celebration of both the past and the uninterrupted march of artistic progress "a welcome alternative to thinking about art history as a daunting public library with strict rules for readers."
Like origami gone wrong
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Simon Dybbroe M0ller's first monograph folds Modernist art history into something new. His interest stems in part from personal nostalgia and in part from intellectual fascination; he once told an interviewer, "You and I grew up in a society where a certain kind of provincial Modernism has had a major influence on how schools are constructed and everything. Furthermore, Modernism represents--and I guess it is almost a cliche to say--the last period of utopia, and a belief in actually producing truths." One installation, a darkened room with scattered light sources and projection screens, recalls both a party and the fusty setting of an academic conference; in another, a portrait of Le Corbusier emerges from a stain in the ceiling. Frieze magazine has called Moller's celebration of both the past and the uninterrupted march of artistic progress "a welcome alternative to thinking about art history as a daunting public library with strict rules for readers."
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livres
livres
Publication:
octobre 2007, Thun
octobre 2007, Thun
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livres
livres
Titre:
Jiri Kovanda
Jiri Kovanda
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This first complete record of Prague artist Jiri Kovanda's actions, installations and interventions over the past 30 years replicates the A4 pages (with photographs and typewritten texts attached) on which he documented his activities in the 1970s and 1980s. That first ephemeral work focused on the discoveries of new types of relationships, enacted with his friends and(...)
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This first complete record of Prague artist Jiri Kovanda's actions, installations and interventions over the past 30 years replicates the A4 pages (with photographs and typewritten texts attached) on which he documented his activities in the 1970s and 1980s. That first ephemeral work focused on the discoveries of new types of relationships, enacted with his friends and(...)
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Jiri Kovanda
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This first complete record of Prague artist Jiri Kovanda's actions, installations and interventions over the past 30 years replicates the A4 pages (with photographs and typewritten texts attached) on which he documented his activities in the 1970s and 1980s. That first ephemeral work focused on the discoveries of new types of relationships, enacted with his friends and anonymous passersby in the streets. His installations from the 1980s were ironic responses to American Minimalism, set up in peripheral public spaces during the period of so-called "real socialism." Actions and Installations 1975-2006 covers those evolving performances and interventions up through 2005 and situates Kovanda's work in the history of Conceptualism. Among its three interviews is a talk with the artist by Hans Ulrich Obrist. Kovanda has been invited to participate in Documenta 2007.
Jiri Kovanda
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This first complete record of Prague artist Jiri Kovanda's actions, installations and interventions over the past 30 years replicates the A4 pages (with photographs and typewritten texts attached) on which he documented his activities in the 1970s and 1980s. That first ephemeral work focused on the discoveries of new types of relationships, enacted with his friends and anonymous passersby in the streets. His installations from the 1980s were ironic responses to American Minimalism, set up in peripheral public spaces during the period of so-called "real socialism." Actions and Installations 1975-2006 covers those evolving performances and interventions up through 2005 and situates Kovanda's work in the history of Conceptualism. Among its three interviews is a talk with the artist by Hans Ulrich Obrist. Kovanda has been invited to participate in Documenta 2007.
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livres
livres
Publication:
octobre 2007, Amsterdam
octobre 2007, Amsterdam
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livres
livres
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$58.00
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Mai-Thu Perret examines the relentless movement of capitalism as it absorbs and defeats what were once revolutionary forms, focusing on the aestheticization of historical avant-gardes to reflect the changing realities of utopian thinking. Her major, ongoing project "The Crystal Frontier," begun in 1999, comprises fictional diary entries and letters written by a group of(...)
$58.00
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Mai-Thu Perret examines the relentless movement of capitalism as it absorbs and defeats what were once revolutionary forms, focusing on the aestheticization of historical avant-gardes to reflect the changing realities of utopian thinking. Her major, ongoing project "The Crystal Frontier," begun in 1999, comprises fictional diary entries and letters written by a group of(...)
Publication:
octobre 2007, Berlin, New York
octobre 2007, Berlin, New York
Titre:
Mai-Thu Perret - Land of Crystal
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Mai-Thu Perret examines the relentless movement of capitalism as it absorbs and defeats what were once revolutionary forms, focusing on the aestheticization of historical avant-gardes to reflect the changing realities of utopian thinking. Her major, ongoing project "The Crystal Frontier," begun in 1999, comprises fictional diary entries and letters written by a group of disillusioned women exiled in the New Mexico desert, as well as myriad artworks that Perret describes as their "hypothetical products." Born in 1975 in Geneva, where she lives and works, Perret studied at Cambridge University and the Whitney Independent Study Program, New York. This comprehensive artist's book, Perret's first monograph, includes a selection of her writings and a specially designed collage of references. Perret's work has recently been seen at The Renaissance Society in Chicago.
Mai-Thu Perret - Land of Crystal
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Mai-Thu Perret examines the relentless movement of capitalism as it absorbs and defeats what were once revolutionary forms, focusing on the aestheticization of historical avant-gardes to reflect the changing realities of utopian thinking. Her major, ongoing project "The Crystal Frontier," begun in 1999, comprises fictional diary entries and letters written by a group of disillusioned women exiled in the New Mexico desert, as well as myriad artworks that Perret describes as their "hypothetical products." Born in 1975 in Geneva, where she lives and works, Perret studied at Cambridge University and the Whitney Independent Study Program, New York. This comprehensive artist's book, Perret's first monograph, includes a selection of her writings and a specially designed collage of references. Perret's work has recently been seen at The Renaissance Society in Chicago.
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livres
livres
Publication:
octobre 2007, Berlin, New York
octobre 2007, Berlin, New York
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livres
livres
Titre:
Negative space
Negative space
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What do black holes, distant galaxies, solar systems, nebulae and supernovas look like when seen in the negative, suddenly devoid of the color black? Mesmerizing, abstract, strangely familiar and yet hauntingly strange. This artist's book collects a group of images from National Geographic magazine, which the artist also uses in an ongoing series of photographic murals(...)
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What do black holes, distant galaxies, solar systems, nebulae and supernovas look like when seen in the negative, suddenly devoid of the color black? Mesmerizing, abstract, strangely familiar and yet hauntingly strange. This artist's book collects a group of images from National Geographic magazine, which the artist also uses in an ongoing series of photographic murals(...)
Publication:
octobre 2007, Zurich
octobre 2007, Zurich
Titre:
Negative space
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$30.00
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Résumé:
What do black holes, distant galaxies, solar systems, nebulae and supernovas look like when seen in the negative, suddenly devoid of the color black? Mesmerizing, abstract, strangely familiar and yet hauntingly strange. This artist's book collects a group of images from National Geographic magazine, which the artist also uses in an ongoing series of photographic murals which can be custom-sized for walls and architectural spaces and installed as wallpaper. The four-color images are in fact inverted photographs of outer space made by the Hubble Space Telescope. Conceived by the artist in collaboration with designer Connie Purtil, it is part of a series edited by Christoph Keller. It was launched at the 2006 Art Basel Miami.
Negative space
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Résumé:
What do black holes, distant galaxies, solar systems, nebulae and supernovas look like when seen in the negative, suddenly devoid of the color black? Mesmerizing, abstract, strangely familiar and yet hauntingly strange. This artist's book collects a group of images from National Geographic magazine, which the artist also uses in an ongoing series of photographic murals which can be custom-sized for walls and architectural spaces and installed as wallpaper. The four-color images are in fact inverted photographs of outer space made by the Hubble Space Telescope. Conceived by the artist in collaboration with designer Connie Purtil, it is part of a series edited by Christoph Keller. It was launched at the 2006 Art Basel Miami.
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livres
livres
Publication:
octobre 2007, Zurich
octobre 2007, Zurich
Classification:
livres
livres
Titre:
Appendix appendix
Appendix appendix
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While he was working on Appendix Appendix, Ryan Gander described it to Artforum as "a shooting script for a 13-part television series about television" and "a cross between John Berger's Ways of Seeing and Monty Python." His collaborator and typographer Stuart Bailey, on the other hand, describes it as a sequel to their first book, Appendix, which compiled back stories(...)
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While he was working on Appendix Appendix, Ryan Gander described it to Artforum as "a shooting script for a 13-part television series about television" and "a cross between John Berger's Ways of Seeing and Monty Python." His collaborator and typographer Stuart Bailey, on the other hand, describes it as a sequel to their first book, Appendix, which compiled back stories(...)
Publication:
octobre 2007
octobre 2007
Titre:
Appendix appendix
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While he was working on Appendix Appendix, Ryan Gander described it to Artforum as "a shooting script for a 13-part television series about television" and "a cross between John Berger's Ways of Seeing and Monty Python." His collaborator and typographer Stuart Bailey, on the other hand, describes it as a sequel to their first book, Appendix, which compiled back stories for Gander's conceptual work. Bailey says, "The problem (a good problem) is to work out how the second [collaboration] is affected by the first, how it swallows it. I always relate these things to music, so it's like thinking what's the second album going to be after the rough debut; more studio time, more pressure, bigger egos, drinking problems, etcetera." Bailey has created books with Paulina Olowska, Lucy McKenzie and Frances Stark; Gander recently won the Baloise Prize at Art Basel and appeared in the 2006 Tate Triennial.
Appendix appendix
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While he was working on Appendix Appendix, Ryan Gander described it to Artforum as "a shooting script for a 13-part television series about television" and "a cross between John Berger's Ways of Seeing and Monty Python." His collaborator and typographer Stuart Bailey, on the other hand, describes it as a sequel to their first book, Appendix, which compiled back stories for Gander's conceptual work. Bailey says, "The problem (a good problem) is to work out how the second [collaboration] is affected by the first, how it swallows it. I always relate these things to music, so it's like thinking what's the second album going to be after the rough debut; more studio time, more pressure, bigger egos, drinking problems, etcetera." Bailey has created books with Paulina Olowska, Lucy McKenzie and Frances Stark; Gander recently won the Baloise Prize at Art Basel and appeared in the 2006 Tate Triennial.
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livres
livres
Publication:
octobre 2007
octobre 2007
Classification:
livres
livres
Titre:
Factories in the snow
Factories in the snow
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$52.00
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This new monograph, the first in 10 years to bring together a truly substantial body of Gillick's work, takes as its focus the artist's projects of the last five years, proposing a new reading of his oeuvre. It draws attention to the rigor of the thinking developed in both his sculptural work and his writings, as well as to his sharp visual sense of the structural and(...)
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This new monograph, the first in 10 years to bring together a truly substantial body of Gillick's work, takes as its focus the artist's projects of the last five years, proposing a new reading of his oeuvre. It draws attention to the rigor of the thinking developed in both his sculptural work and his writings, as well as to his sharp visual sense of the structural and(...)
Titre:
Factories in the snow
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This new monograph, the first in 10 years to bring together a truly substantial body of Gillick's work, takes as its focus the artist's projects of the last five years, proposing a new reading of his oeuvre. It draws attention to the rigor of the thinking developed in both his sculptural work and his writings, as well as to his sharp visual sense of the structural and formal properties of his materials. Gillick appeared on the scene at the beginning of the 1990s, right in the middle of the YBA phenomenon, and has since had wide exposure in exhibitions like Documenta, Manifesta and the Venice Biennale, and in being nominated for the 2002 Turner prize.
Factories in the snow
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This new monograph, the first in 10 years to bring together a truly substantial body of Gillick's work, takes as its focus the artist's projects of the last five years, proposing a new reading of his oeuvre. It draws attention to the rigor of the thinking developed in both his sculptural work and his writings, as well as to his sharp visual sense of the structural and formal properties of his materials. Gillick appeared on the scene at the beginning of the 1990s, right in the middle of the YBA phenomenon, and has since had wide exposure in exhibitions like Documenta, Manifesta and the Venice Biennale, and in being nominated for the 2002 Turner prize.
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livres
livres
Publication:
octobre 2007, Zurich
octobre 2007, Zurich
Classification:
livres
livres
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$26.00
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This volume brings together a dozen zestful interviews and conversations between the LA-based artist Mike Kelley and some of the leading voices in contemporary culture over the last couple of decades.
$26.00
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Résumé:
This volume brings together a dozen zestful interviews and conversations between the LA-based artist Mike Kelley and some of the leading voices in contemporary culture over the last couple of decades.
Titre:
Interviews, conversations, and chit-chat (1986-2004)
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$26.00
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Résumé:
This volume brings together a dozen zestful interviews and conversations between the LA-based artist Mike Kelley and some of the leading voices in contemporary culture over the last couple of decades.
Interviews, conversations, and chit-chat (1986-2004)
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$26.00
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Résumé:
This volume brings together a dozen zestful interviews and conversations between the LA-based artist Mike Kelley and some of the leading voices in contemporary culture over the last couple of decades.
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livres
livres
Publication:
octobre 2007, Zurich
octobre 2007, Zurich
Classification:
livres
livres
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$180.00
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Résumé:
FILE Magazine occupies a very unique position: between 1972 and 1989, the celebrated Canadian artists' collective General Idea (active 1969 1994) published 26 issues of this sophisticated magazine, which had a distribution extending far beyond its Toronto underground origins. The name and logo adapted those of the famous LIFE—whose heyday was in the 1950s and early 1960s(...)
$180.00
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Résumé:
FILE Magazine occupies a very unique position: between 1972 and 1989, the celebrated Canadian artists' collective General Idea (active 1969 1994) published 26 issues of this sophisticated magazine, which had a distribution extending far beyond its Toronto underground origins. The name and logo adapted those of the famous LIFE—whose heyday was in the 1950s and early 1960s(...)
Titre:
FILE Magazine: complete reprint
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$180.00
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FILE Magazine occupies a very unique position: between 1972 and 1989, the celebrated Canadian artists' collective General Idea (active 1969 1994) published 26 issues of this sophisticated magazine, which had a distribution extending far beyond its Toronto underground origins. The name and logo adapted those of the famous LIFE—whose heyday was in the 1950s and early 1960s demonstrating an already very Pop strategy of appropriation. As AA Bronson, one of the members of the collective has since described it, the magazine's purpose was the search for "an alternative to the Alternative Press," a subversive concept of infiltration within mainstream media and culture. Thus the manifestos of the early issues, lists of addresses, and letters from friends, were rapidly replaced by General Idea's scripts and projects as well as cultural issues (as in the famous 'Glamour' or 'Punk' issues), while never loosing a cutting-edge attention to emerging practices on the art scene and experimental layouts.
FILE Magazine: complete reprint
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$180.00
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Résumé:
FILE Magazine occupies a very unique position: between 1972 and 1989, the celebrated Canadian artists' collective General Idea (active 1969 1994) published 26 issues of this sophisticated magazine, which had a distribution extending far beyond its Toronto underground origins. The name and logo adapted those of the famous LIFE—whose heyday was in the 1950s and early 1960s demonstrating an already very Pop strategy of appropriation. As AA Bronson, one of the members of the collective has since described it, the magazine's purpose was the search for "an alternative to the Alternative Press," a subversive concept of infiltration within mainstream media and culture. Thus the manifestos of the early issues, lists of addresses, and letters from friends, were rapidly replaced by General Idea's scripts and projects as well as cultural issues (as in the famous 'Glamour' or 'Punk' issues), while never loosing a cutting-edge attention to emerging practices on the art scene and experimental layouts.
Classification:
livres
livres
Publication:
décembre 2007, Zurich
décembre 2007, Zurich
Classification:
livres
livres
Titre:
Tokyo and my daughter
Tokyo and my daughter
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$24.00
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This short and sweet--and astonishingly beautiful--book of photographs by the Tokyo-born and based Takashi Homma features 32 color images, primarily of the artist's daughter, although there are also some cityscapes and interiors that round out the story with perfect pitch.
$24.00
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Résumé:
This short and sweet--and astonishingly beautiful--book of photographs by the Tokyo-born and based Takashi Homma features 32 color images, primarily of the artist's daughter, although there are also some cityscapes and interiors that round out the story with perfect pitch.
Titre:
Tokyo and my daughter
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$24.00
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This short and sweet--and astonishingly beautiful--book of photographs by the Tokyo-born and based Takashi Homma features 32 color images, primarily of the artist's daughter, although there are also some cityscapes and interiors that round out the story with perfect pitch.
Tokyo and my daughter
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$24.00
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Résumé:
This short and sweet--and astonishingly beautiful--book of photographs by the Tokyo-born and based Takashi Homma features 32 color images, primarily of the artist's daughter, although there are also some cityscapes and interiors that round out the story with perfect pitch.
Classification:
livres
livres
Publication:
octobre 2007, Zurich
octobre 2007, Zurich
